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    heatherlew
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    The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

    As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Terrapin Moon
    Joined:
    recreational weed is not
    recreational weed is not legal here. even if states say it is. states cant over ride federal law.
  • Charlie3
    Joined:
    An Honest Question
    Do any of you folks who feel marijuana should not be legal and yet admit to prior recreational mj use honestly feel like you would have been better off if you had been arrested, prosecuted and convicted of mj possession? Did you ever consider turning yourself in so you could get the benefits of arrest, prosecution and conviction for a marijuana offense? Would you turn in a family member for a marijuana offense to help them get the benefits of arrest, prosecution and conviction for a marijuana offense? Do you have the moral fortitude to subject yourself to the remedy you prescribe for others? I can tell you that entanglement in the criminal justice system sucks more than you might realize even if you don't end up going to prison. It follows you forever either way and there are those who will hold it against you.
  • LedDed
    Joined:
    drugs, inc.
    If only our elected representatives (note I won't use the word, "leaders," because no one is leading) would converse in such an honest and reflective, civil manner about societal issues that are important. America's drug habit has destroyed Mexico, for one example. There is too much money to be made in black market commodities. In the end, while I don't want a 21 year-old kid to be able to go buy herion, blow or meth over the counter, much of the trouble comes from prohibition. Everyone here loves Jerry Garcia to death. His personal experiences notwithstanding, ol' Jer succumbed to drug addiction, it became dark, and he was ultimately lost to us. Tragic. The Grateful Dead is a great sounding board for this. Because, can anyone name a druggier band? Seriously, the symbol of the counterculture and youthful experimentation. The positive psychedelic experience is without parallel. There is a large interest today in ayahuasca, microdosing, etc. In the name of consciousness expansion. Most of us know there is a "there" there, and drugs - I've had mystical, mind-blowing experiences with the coca plant as well as the poppy - can be a portal to this kind of true knowledge, and consciousness expansion. But you can't get too far gone - you've got to find your way home. Love the Blind Faith song. It's a fine line, yes, but how many if not for drug addiction would have killed themselves through some other excessiveness... It's something, really, to put yourself out there and then come back. I wouldn't trade my experiences for anything, but the idea of my kids going there freaks me the fuck out. Because it is dangerous. I don't know. I only know how it went for me. I had periods of, not addiction, but willful excessive abuse, because, hey - I loved it. But it wasn't what defined me, in the end, and now I get up at 5am 7 days a week and exercise. We can't put people in prison for drug use or possession. I live in Colorado. Nothing has changed here, except all the good the tax money is doing now that dealers aren't pocketing it. Your local drug dealer never paid taxes - dispensaries do. They sell only the cleanest organic product for the most part. Weed, for sure, should be legal like it is here. It's no worse than booze or cigarettes, or a triple bacon cheeseburger. Or pharmaceutical drugs your Dr. will prescribe you. Harder drugs should not be legalized. I draw the line there. But, obviously, anyone can go get anything they want, any time. Decriminalization and emphasis on rehabilitation. Jail for large dealers, repeat offenders, etc. We all know of those whose lives have been ruined by drugs and alcohol, but ultimately, just like Jerry Garcia, those folks went swimming in dangerous waters and failed to maintain. And, falling prey to basic human frailty in such a manner, they may have fallen to pieces anyway through some other medium. All the best to everyone.
  • Born Cross Eye…
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    Legalize for recreational use?
    Legalize for recreational use?No. I agree with the comments that are not in favor of legalization for recreational usage. Medical legalization? Yes. CBD, in my opinion: it's really just a pain medication that is useful for several problems. It's not for all problems or people. My recreational use: from my late teens into my mid-thirties in 1991. I was a "casual" user, I got into it slowly and every so often, I could go into daily binges for two, three weeks or two months at a time and then stop cold for for anytime from two weeks to about six months without having the "I-need-to-get-high-again-very-soon" urges. But yet, I knew it was just around the corner and sure enough I'd feel the need to get high, sooner or later. During the Operation Desert Storm period, 1/17/91 - 2/28/91, more like 1/17/19, with the breaking news story, I lit up a joint for the last time without realizing it, and I had no urges after that. It wasn't even on the radar, or just around the corner that I even wanted some. On July 4th 1992, someone asked me if I wanted some, and I said no. I haven't had any urges after that. The desire is just not there anymore. "Clean-N-Sober since 7/4/92" Tongue-in-cheek.
  • Charlie3
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    Trainwrecked
    I suspect that there is a fair amount of overlap with our general view on the prohibition debate with some differences with regard to specific substances like marijuana or psychedelics. I feel pretty strongly about the issue, which probably comes through, but I hope I am being sufficiently respectful that I don't appear to be an ass. Based on experience and feedback, I don't always realize when I act like an ass. I do enjoy a respectful discussion like this, I think it helps everyone to reach a better understanding, even if universal agreement is not reached. I just have a view that my consciousness is my most personal and private space, and that it is up to me to decide how to use it or alter it. Personally, I think that responsible use of psychedelics can be an intensely rewarding experience with what I have perceived to be permanent beneficial results in my ability to interact with the world and the people in it. If used responsibly it seems more like a sacrament than a harmful drug. Opiates and stimulants hold no appeal for me, and based on my observations on their impact on others and my limited '80's coke use, they are devastating and destructive substances that no person should use. But I would not want to incarcerate someone if they disagree and choose to use them. Marijuana seems to me a petty vice at worst, and there are lots of legal vices that are more harmful to the individual and society. For example, I believe as a nation we have among the highest rates of obesity, leading to increased risk of diabetes and other costly and chronic medical conditions - should we prohibit high sugar, high fat, high sodium and high calorie diets and prohibit sedentary lifestyle choices to save society money in medical costs? Should we lock up people who refuse to eat healthy and exercise, or perhaps just the giant junk food conglomerates pushing these unhealthy choices on the masses. Seems like the same or a similar situation - people making unhealthy choices that cost society as a whole money and resources - so shouldn't the solution be the same? In my mind, if a society is free, you can give the individual all of the information that he or she needs to make an informed decision about things and then let them choose. If you're not free to make choices other's feel are stupid, you're not really free, and if you're not really free you may as well be an outlaw. After all, living healthy is no guarantee you don't die a horrific death from a devastating illness. I've watched it happen to loved ones. At some point the ride ends, so enjoy it while it lasts or regret it as it ends.
  • JimInMD
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    Re: Trainwrecked
    First, I encourage your coming forward.. it's honorable, and I think we all have a thing or two to learn here. Please don't view my disagreement as combative or dismissive. But I have to ask.. how much of your 35 years of smoking were done with joints vs. bongs, etc. The reason I ask.. I have you just barely beat... and I don't consider it a health risk to me in the slightest. Since beginning, if possible I have consumed through water. It has never raised my blood pressure and I am pudgy dude. Except for periods of either no school or no work, I would not call myself a daily user, I have always had too much going on.. but.... Still.. many around me dwarf my consumption, many much older.. and I am not seeing the damage on the scale of what describe in any of their lives. I have never in my life knew a non-cigarette but weed smoker getting emphysema. So my question is.. clearly your usage was high for years.. fatties, or less invasive techniques? Again, not trying to prosecute or question, you have my sympathy - trying to better understand. I want it legal and I want me and more than half the people I know to no longer be criminals.
  • Gary Farseer
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    Vegas Knights Guy
    Like that name. Vegas Knight would have a cool name for Bobby's son. oh yeah, check your pm. G
  • Trainwrecked
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    Charlie I agree with you
    But still stick to my point that it's a bad idea to legalize marijuana. The Portugal model is what I would condone, which is to de-criminalize it, but not make it legal. In Portual, it is still illegal to use drugs and still a penal offense to sell them, there is just no heavy jail time. Because prohibition has been a failure, the best solution is to keep it illegal, but change the penalties, so that only hardcore distributors are doing jail time, and only after multiple offenses. After all, laws are laws, and if you're part of distribution ring selling hundreds of pounds, then yes, you should do jail time if you don't learn your lesson after a heavy fine and probation before judgement. But nobody walking around with a quarter in baggie should be doing time ever. The problem with making it legal across the country (like Colorado) is that the use will go up over time, as the social stigma of using it erodes, and the suppliers get a foothold in every state. And to be frank, I'm not an exceptional person, I'm quite average. If it can happen to me, it can happen to a decent percentage of Americans, so why propagate a social habit that will have extremely negative consequences for a large number of people. And keep in mind, as those people run into issues, there will be burden on every tax payer, as they start exercising their health insurance for psychological counselling and replacement therapy drugs, etc. I really fear for the kids. Decision making capabilities do not develop fully until the early 20s. With legalized pot everywhere in the country, there will be a lot of kids who get into the habit and pitfalls of daily use, and it just bothers me to think that we may not be too far off from living in a society whose laws are indifferent to that outcome.
  • Terrapin Moon
    Joined:
    but anyways on to more
    but anyways on to more pressing matters. 12/10/93 and 8/3/82 needs to be released. also am I alone in thinking that in a world of smart phones and moble devices it seems really silly that they still ban soundboard downloading on archive just seems pointless now???
  • daverock
    Joined:
    reijo 29 King Crimson
    Thanks for the warning on the Larks box set. I am very tempted by the Sailors Tale box, though. There is one cd that I would really recommend, that is included in that box-but which was released separately a few years ago-Live at The Marquee 10th August 1971. Its a double cd set, and the opening track on the second disc is a 27 minute instrumental jam, the like of which I have never heard before. A fantastic release.
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The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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would be great to get out 2/23/74, just missed by DaP 13, just thirteen picks ago
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Wouldn't that be fantastic? Although QRP seems to have the lock on 200g pressings and the Dead vinyl has been 180g from RTI. Either way it would be most appreciated if they cut it AAA as they did for the WB vinyl box at Grundman's. Now that sounds special. And a tip-on sleeve from Stoughton. So, how about either a 180g RTI cut AAA at BG's or....a 200g QRP cut AAA by Kevin Gray?
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David Lemieux's continued marketing of limited releases remains the most idiotic business model ever practiced by the Grateful Dead. He should retire and leave it to someone who cares more about the Deadheads. Byrd - with finger in the air
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Dave speaks highly for the NFA>GDTRFB>NFA on Dave's Picks 26. I have to agree, it's way up there, close to rivaling what has always been my favorite NFA>GDTRFB>NFA, Oct 31, 1971 (Dick's Picks 2), which has an awesome transition from GDTR to NFA. Both shows have similar styles with loads of energy; and it has always been among their best in my opinion.
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Byrd, I couldn't agree with you more - idiocy does run rampant once again, but you're the idiot. It doesn't take a rocket scientist or even a business major to understand why the Dave's Picks business model works. I suppose you have a plan that will increase sales by a third (as Rhino has done) without leaving stock on the shelf. If you're going to bad mouth someone in their own house, at least have a valid point to make. I suppose you're complaining because you missed out. Get a subscription jackazz.
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I think I see at least one bearded skeleton in those balloons....
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I'm usually the one who takes heat for pointing out the real world. As for those who were surprised how fast it sold out????? You're kidding right? I was surprised the sub didn't sell out. Bolo Doors v Who split decision. For a high energy live show the early Who for a quality catalogue for listen to on the home stereo Doors hands down
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Doors subscribe sell out in minutes, not hours Dave doesn't run the whole show...he is merely the face of the Rhino juggernaut subscribe "I willllll subscribe" speaking of Doors: "true a la carte is dead" subscribe I learned the hard way, too. subscribe.
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I really like the balloons... and the color scheme is nice too! Looking forward to this one, (though thanks to the good Doc, I am pretty familiar with Ann Arbor - not that hearing it again all Normanized is going to be any kind of problem.) On another note, an old head friend of mine turned me on to the April 84 Hampton shows (4/13 and 14). Both are on the shorter side, but the playing is HOT! 84 is a year I often overlook, but I am mending my ways. Peace
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And yet I bet the bitching still abounds. 'Cause, you know, it's all so damn unfair.
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i'll take the doors. the who has some certain song material that just makes me cringe, and barely contain the vomit that rises in my throat.
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I dont know, that one with the hat on in the lowest hanging balloon looks like it may have a beard. My guess is though, that the bonus disc will be covered with bearded clams - I mean skeletons!
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I took this as a clue to the upcoming Box Set contents myself.. but I can never figure Bolo out.. The Doors borrowed their name from Huxley's book The Doors of Perception about a Mescaline trip in 1954. Who opens doors? Mescaline Sulfate perhaps? The only Mescaline show I know of has already been released (5/11/78, Springfield on Dicks Picks 25). There's got to be more to this post then stirring up discussion... I bet it ties to the other two posts, '7 and bacon', 'No 14' and now this 'The Who or The Doors'??? mmmmmmmmm........ What, the bearded skeletons are back? Like the last release, I like the colors and I took a hot air balloon ride over a desert near Albuquerque at a company function, so it resonates with me...
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4/16/72 Get Some.
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Just finished it about an hour ago..
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....listening right now. Kinda in the background, but I'm listening. Cumberland just started. Boiiiiing!
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Hey Dave (if you read this) Any chance of releasing any of the NRPS sets when they opened for the Dead? Either with or without Garcia? Thanx.
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China Cat just started for me....
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Ha interesting reaction to the who. You might not have got it from my post but I was far from as big a fan as my friends were though I did like the early days who. What songs were most shall we say puke provoking to you. I started Townsend's auto a year ago. Serious vomit material. I read a lot, have a large library I not only stopped reading halfway which I rarely do I threw it away which I never do
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Very interesting hearing from Dave their policy on bonus discs and cover somgs. Somewhat limiting
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Got to admit outside a couple of songs always hated Tommy. Quad was ok
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I know some of you purposely avoid listening to these, so the whole experience is brand new. So, you can skip this post, or let it tantalize you at your own risk. The sound on the 11/17 tracks is just fantastic! What a great recording by Betty or Rex, and a great mix by Mr. Norman. The band sounds really fired up. I'm more excited for this release after checking this out and the video with Dave's usual overly effusive ebullience. Looking forward to 2 Other Ones, especially with that kind of talk of Bob and Phil playing aggressively. The whole thing about covers on the bonus disc makes sense, but those 2 examples from years back are definitely not public domain, Smokestack is credited to Howlin' Wolf, and Good Lovin' is credited to Rudy Clark and Arthur Resnick, maybe Rhino heard from a lawyer or two since then. Perusing a few of the Road Trips, they have Lovelight as a fairly popular bonus disc track, Not Fade Away shows up, Hard to Handle, a Sing Me Back Home, etc. This site allows one to quickly search the tracklists: https://www.whitegum.com/bonus.htm Also, The Who are, to me, the greatest rock band of them all. The Dead are my pick as the best American rock band, and their varied setlists make engaging in such recording hoarding a much more addictive venture, though I have about all The Who live recordings and studio stuff, outtakes, the Townshend demos (which if you don't know about them, his demos of him recording at his home studio are just astounding on their own, they are fully realized tracks with a straighter, more basic drum and bass playing, and Pete singing everything, and they've been officially released in the Scoop series, well worth getting), but their is a more finite amount of releases than with the Dead. With the Dead, I get at least 4 new shows, perhaps a box or two with some cool extras. And the ever changing setlists and ways of playing songs and the explorations of the Dead have me listening at work and in the car most of the time, but I could just as easily fall down a several week rabbit hole of Who, with lots of repetition, or go off on a Duane Allman listening excursion for a month, or split time with String Cheese and Dead, but the mainstay is Dead. So, shorter answer Who over Doors. Thus ends the rant. Carry on with fervor for Dave's 26, and SUBSCRIBE in November and avoid the pains of scrambling for 200 or 300 copies.
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I like both bands. Some deeper comparisons.... Robby Kreiger vs Pete Townsend Both are iconic guitar players. I think Pete Townsends strengths are with his theatrical presence, a riff master and coming from Europe, perhaps a more classical music sensibility, where Robby Kreiger comes from a background of blues, jazz, flamenco and soul. Might have to give Robby Kreiger the edge here. Keith Moon vs John Densmore Hands down, Keith Moon at his best was pretty phenominal. Sure, he had the famous incident where he got to high on pills to play, but at his best, right up there with the greatest rock drummers. Densmore is more of a finesse soft touch player, but still great. Roger Daltry vs Jim Morrison Daltry always seems like the consumate professional. Still belts it out. His lyrics tend to take themselves less seriously. Morrison the poet certainly had his merits as a lyracist and at his best, a decent vocalist, when he wasn't fried. Certainly unpredictable and by todays standards would have probably been considered bipolar. Still, both iconic. Probably give Daltry the overall props here. Entwisle vs Ray Manzarek's left hand Obviously Entwhistle, because, he was a bass player. Huge part of the Who's sound. Albums I suppose the Who has a more iconic catalogue. High production value. The Doors first three albums and LA Woman are iconic as well. Probably overall, The Who wins out for me, but I do like Waiting for the Sun and Strange Days a lot. Apples and oranges in many ways. Now if someone were to draw comparisons to Jimi Hendrix, it would be hard for me not to put him at the very top of the 60's rock and roll food chain. Electric Ladyland may be the best album by any artists from any era....ever....imho. Clapton vs Beck vs Page Jeff Beck all the way. BB King vs Freddie King vs Albert King No debate. All three are essential, especially for blues. Coltrane vs Miles At this point, why even compare?
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...it’s in a written clause, contract. It’s all about business...Like somebody once said, ‘Money beats soul’ ;)
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I don't hate The Who I didn't mean to give that impression. I just have a really hard time getting through "Fiddle About" on Tommy it grosses me the hell out. It always bothered me even when I first bought the album in 12th grade. and just recently I mean the whole line of "who is it? i'll rape it" or what not in Quadrophenia I was like what the good fuck?
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Hey snafu, I was never much of a Tommy fan, but had an extraordinary listening experience last week after hearing Keithfan's live track. Highly recommend it. Takes the best released performances and ties it all together in one track. The not so great songs are not there. There's a link on the Dave's 25 page.
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Imagine a who book around the fiddle about and you have Townsend's book. It was sick.
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I dig the cocktail jazz that was the Doors at the end. Pete Townshend is an artist, he interprets subject matter and possibly as a catharsis releases it in his material. He wrote all the lyrics Roger just belted them out. New Dead, I don't usually even queue up Lemieux rambling on about all the minutiae concerning a given recording. I'll listen, and fill in the blanks myself. It goes quicker that way, I mean, does the guy seriously fire up a fat one before blathering on endlessly? Current listen: The Strange Remain, The Other Ones. The Grateful Dead never really left us, what with all the incarnations over the years. Yes, when Jerry got on the elevator it was an immeasurable loss, but the music continues.
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Not at my computer at time of ordering, I speak English, Spanish Italian and Athabaskan, (My Mothers language,,,aka Apache)...But I just couldn't understand this Dude...Hence the Phone call....CRAZY HUH !...PEACE....TOMAS....
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I was not at my Computer Vato....And the Smart Phone wasn't smart enough to Translate from Swahili or whatever He was speaking into English....But...I FINALLY got thru to him...I believe it's on it's way....PEACE....TOMAS.
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You cannot petition the Lord with prayer. Alltime great lyric amid a very cool song. Riders on the Storm The End When the Music's Over The Crystal Ship Peace Frog The Changeling Five to One All better than anything the Who ever did. The Who were very cool live. But for the energy they delivered, not for the content. The Dead had both.
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It’s art after all so we can all agree to disagree. It’s like whose better Picasso or Van Gogh. I’ll take The Who every day of the week. I said in an earlier post that I really dig the L.A Woman album, and I do. But I agree with the sentiment posted earlier that Quadrophenia is an album that stands head and shoulders over most. Play it loud and marvel at Moon and Entwistle driving the music. Listen to the lyrics and marvel at Townshend’s description of an insecure kid’s growing pains and angst. Townshend wrote unique songs from day one. Go back and listen to the Who’s first album, My Generation, and compare it to the Stones or the Beatles at the time. Also listen to the track The Ox - I don’t know why that doesn’t seem to get credit for the first use of recorded feedback. Another classic album in the early canon is The Who Sell Out. Who else could write Mary-Ann with the Shaky Hands. Pete is a genius lyricist, composer and player. And he was accompanied by the most powerful rhythm section and a great front man. Long live The Who in the studio and live. The one downside to the Who in the studio is the missing Lifehouse album that should have followed Who’s Next and been before Quadrophenia. It’s kind of like the Dead not having a great studio album after American Beauty and instead having a bunch of awesome songs instead appear on Garcia Ace Skull and Roses and Europe 72. Listen to the extended Odds and Sods and you can hear a lot of those great Who songs that were never put on a proper album.
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I had two copies of Morrison Hotel. one was a standard like 1990 edition. and the other was an expanded edition. well one day I took the standard case to a used cd store and sold it not really needing it. years later I open the expanded edition jewel case to find out for some reason the standard edition was put in the expanded edition jewel case by mistake.
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Both bands were great but very one dimensional. It is really hard to listen either band for long periods.
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I've caught wind of some of Pete Townshend's issues, but haven't paid full attention to them, as I just want to enjoy his amazing music. Nothing against the Doors; I've never really listened to them. But the Who, with two good songwriters, and everyone an ace at whatever he did? Yes.
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"Lifehouse" wasn't intended to fall between "Who's Next" and "Quadrophenia". "Who's Next" was assembled from the remnants of "Lifehouse" after the project was abandoned. So essentially, it's "Lifehouse" condensed. And though it may only be bits and pieces of a bigger concept, it's still an amazing album. Hands down their best after "Quadrophenia".
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I give you Lifehouse: https://drive.google.com/open?id=1z9nXrpZ_5WxZfKW6pFc0YbQKXKuLXHoZ It only felt right to stick with studio versions, but truth be told, there's nothing that compares to the Isle of Wight 1970 performance of Heaven and Hell. Perhaps a bonus track one day :D P.S. - these are the best mixes of these songs. Like, Long Live Rock is the guitar mix, not the piano mix (if you're into such nuances); and Naked Eye is the original Odds 'N Sods version, not the Astley remaster where everything was all f***ed up.
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That's pretty fucking cool. Never knew the full list and order of songs.
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And for that brief moment, we were one...
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I have a subscription for Dave's Picks and glad I do. I have had to call about something, I ordered, and had someone on the phone that was "almost" impossible to understand. I agree with one of the people who, earlier, made a comment that you use to call the dead number and get a person who spoke....English.My nephew worked for Dell for years and said that when the company started using non-Engilish services to answer peoples questions about their computers it was the beginning of the end for Dell. Maybe it is time for us, as coustomers of Rhino, to start to complain about their phone service. I think, from the comments posted on this site, that it is VERY poor! If you have not had any issues that required a phone call consider yourself...lucky!! Mr. Pete---------> aging hippie
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Well at least I subscribe every year, I was going to get extras in hopes to sweeten trade for the new box/RSD, if I I miss out on those, the gentle sobbing and ghostly moaning you will hear on the evening wind...that's me. Im already anticipating a shit show on ordering. My baseline anxiety levels waiting for new boxes and the inevitable panic inducing ordering process grows every year. Did anyone have any ordering problems besides the fast sell-out. It would be nice if they fixed the server issues, or just put out on the Rhino site for ordering to start.
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I don't know about comparing The Who with The Doors-but both bands seemed to peak in their earlier years. The Who, to me, were far better in the 1960s than they were in the 1970s. In the 60s, there was nothing like them-and the songs they wrote were genuinely weird and transgressive. In the 1970s, they stopped being revolutionary-and started writing about being revolutionary. In the 60s they were the thing they wrote about being in the 1970s, when they just seemed to join the massive "rock" industry. High on professionalism and power and guitar solos, but lacking in inspiration. A lot of other bands were like that-great in the 60s, but a bit bloated in the 70s. You've only got to look at Pink Floyd. I'd take See Emily Play over any of their 1970s albums any day. To bring it back to The Dead, maybe they were one of the few bands around in the 60s who carried on developing in the 1970s. Maybe The Stones, too, for a couple of years.
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10 years 3 months
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daverock I would agree with your statement about the Who, if you had said the change in their quality occurred after 1973; however, the Who of the 1970s produced Who's Next and Quadrophenia. The synths used on Baba O'Riley and Won't Get Fooled Again were the first of its kind, not only in sound (Townshend had to "invent" the tone of the synths on WGFA through creative experimentation, eventually feeding a Lowry organ through an ARP synthesizer); but in implementation as well (nobody had really used a synthesizer to create a rhythm backing track in a song before - pioneer type stuff). For that many can be thankful :D But yeah, things grew stale after Quadrophenia. I suspect even Pete would admit by 1978, they were singing the same old song (with a few new lines) ;-)
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