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    heatherlew
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    The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

    As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • LedDed
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    Who Are You?
    Alternate mix, incredibly candid cool footage in the studio. No, the video doesn't always sync up with the track, but such is life. https://www.youtube.com/watch?v=v_3ks7-OjGc \m/
  • KeithFan2112
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    Well Stated Gratefulhan
    You really summed things up nicely, especially, "Plus I trust Dave; he is one of us so he does have the best interests of all of us at heart." Indeed, he is one of us.
  • fourwindsblow
    Joined:
    I just had too...
    Freakin' Amazing. Moon is rockin'.
  • Gratefulhan
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    DaP 26 and beyond...
    I have to say that DaP 26 is just a continuation of one the best things that has been done in Grateful Dead releases. First I never heard either of these shows so that alone is cool. I like how we are getting basically two complete shows, of which one has Pigpen. I was appreciative of the bonus disc explanation- makes sense. Plus I trust Dave; he is one of us so he does have the best interests of all of us at heart. I know that these releases don't always have the variety that some would like, and I can understand that. Yet we are getting great sounding shows, many of which are these recently returned tapes. Getting that music out is huge my opinion. Along with the many things I look for in a release, if we are getting the best quality shows both in performance and sound we are good to go. Dave and CO could have elected to go a different route with some these recent releases, but then again why wait to opt out this recently returned tapes? The other part is that this Dave's Picks series gives us 4 new shows (sometimes 5 with bonus discs) per year. I just can't think of a better way to approach this, at least in way that provides a consistent release pattern. The subscription is a golden ticket. I have it allotted in my budget every year, just as if it was another bill. The only risk is that I may not like a release that comes out. I can say the DaP 20 was one that really didn't do it for me- it wasn't terrible but not high in my rotation of shows. Conversely I missed out on releases 1-12 and I have regretted it ever since. I have managed to go back and get 6, and 9-12, of course at a high cost. DaP 5 still eludes me as I haven't quite been able to convince myself to pull the trigger on the $200-$275 range it sees to go for these days. I have to get it tough- it is my birthday show. I really dig the build up to the announcement, the subsequent discussion prior to the shipping date, and the the reviews after we get them in our hands. Having these releases and then a box set, plus a few other releases every year is wonderful. Between this, my better half, working out, and Brazilian jiu jitsu that is how I enjoy life. Also throw in the outdoors too. Good times!
  • Mind-Left-Body
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    RE: Well, do I have a band for you....
    and they opened for the Who in 1976 for the Day at the Green
  • KeithFan2112
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    Heaven and Hell
    Here's some blistering rock 'n roll from the Who. Townshend is a beast on the Gibson SG (I'm not sure why anyone would stop playing this guitar). Pete's solo here is vicious. And there are parts where the three of them harmonize that are incredible. For those not as familiar with the band, this song is a John Entwistle song called Heaven and Hell, which they opened with most of 1969/1970. It never made an official album, but it might be his best song - go figure. We missed Uncle Bobo's introduction by a few seconds (cut from the video) kevinbrandon, I didn't know you were a Who fan - but I'm REALLY surprised you knew I like toasted almond ice cream :D I think the Who talk will die down soon. I'm done, but wanted to post this because it's the first time I've heard this version and I got excited.
  • Vguy72
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    .....psssst. kid. come here....
    ....doors this. who that. have you ever heard of this band (looks over both shoulders carefully) called The Grateful Dead? no? You haven't? Well, do I have a band for you....
  • Gratefulhan
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    Who/Doors
    I have been meaning to jump in the the Who-Doors discussion as it began on the DaP 25 page. Well at least a lengthy Doors discussion had brewed up. Regarding The Doors, they were the first band I got really in to. I bought every album I could get my hands on- even American Prayer. I thought way back when they had or maybe Jim Morrison had, some crazy insight into the world and such. Many years later, I don't feel that way as much. However I do think Morrison had a gift for lyrics (even if they didn't always make sense) and theatrics on stage. I don't feel like he was always on point, but I feel like if Jim and the band were synced, well that might have been quite the experience. As for the band themselves, I do think they had talent, albeit in a unique way. I often wonder how they would have turned out if Jim had not checked out and if he would have still been into music and performing. On an interesting GD Europe 72 note, The Doors in their short post-Morrison period played The Beat Club in 72 just as the Dead did that year. There are Youtube videos of their performance. It is different, definitely lacking lyrically in many ways, but musically I liked a lot of it. As for the Who, I dig them, I think they rocked even if they played the same sets and such. I think the Who and The Doors are a not a run-of-the-mill comparison though. I think it is neat to make the comparison, but it is not the first one that comes to mind for me.
  • SkullTrip
    Joined:
    It Follows
    This Who/Doors discussion reminds me of the movie "It Follows". No matter where you go, there it is. Pretty sure Bolo mischievously brought it over from the DaP26 board. Hopefully we can shake it before 27 is announced. But if I had to weigh in between the two, I'd take Tom Petty any day (band and solo).
  • Mr.Dc
    Joined:
    Doors WHo
    I prefer the Doors personally, like someone else already posted earlier, the Who have a few songs that make just one cringe. I probably enjoy the album 'Tommy' the most from the Who, and/but it's definitely one I have to be in the mood to sit down and listen to. On the other hand I can listen to pretty much any of the Door's albums all the way through whenever. (I really enjoy the albums 'The Doors', 'Strange Days' and 'Waiting for the Sun') I can definitely see the Who appealing to more of the general public though, there are many people that can't even speak much/if any english that love the who. Everyone everywhere has heard the Who's Greatest Hits somehow overtime, thats completely understandable for more than a few reasons.
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The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Both Other One’s are great, and are different.A few weeks ago we were discussing bands that played the same set list every night and played the songs the same way. Here we have 2 shows with similar set lists, separated by a few weeks, and the songs are not played identically. That’s why this band is awesome. And the sound quality is spectacular. The first set songs should sound embryonic, because they were. Its not like those songs were played live for 5 years before being recorded in the studio for an album.
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Really like the cover art on this release. Hell of a lot better than Dave Van Patton has ever done.
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I finally got why it is Star Wars day, thank you Grateful Dead email. Don't forget what happened on May 4, 1970. If you have Road Trips Volume 3, Number 3, Bonus Disc, listen to the Turn On Your Lovelight from 5/14/70 Merramec Community College, and hear Pig Pen's feelings at the end of the song. Must have been intense to be at the Kresge Plaza show and Dupont Gym during that time period... bob t
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Condolences on your loss. When I chose my dad's music a little while back I used Levon Helm's When I Go Away as his processional music. It may be a bit rocking, but I buried him in a Ramones tshirt, and several people asked me afterward about it. And 2 of my friends did a graveside We Bid You Goodnight, which I learned is sung at funerals in Jamaica in a much livelier fashion along with Will the Circle Be Unbroken.
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..and an excellent, grand adventure it was.. bet you can't guess what was on the menu? That's right.. 12/14/71 for it's second close listen. Like two of your children.. They have different personalities, strengths and weaknesses, but don't make me pick between the two. Summer's here and the time is right... On a different note, a very kind soul who's feeling a bit under the weather just send me this link. http://nugs.tv/?utm_source=ldmaster&utm_medium=Email&utm_campaign=20180… It's a free stream and makes for a perfect backdrop for Cinco de mayo. I'm the one wearing the tie dye with my hands in my pockets, Oteil side of course.
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If the first set of Albuquerque is "throwaway" material, then every time they played any of those songs after 1978 were throwaways. It's a laughable statement.
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wow
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My guess is one day 12/15 will get released. Anyone heard from David Duryea in a while? Hope it's just having a kick ass, extended vacation.
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Space.. I think Pinkus ripped you off. I'd start by emailing Dr. Rhino and asking for a partial refund. I got mine for $699.98 or $8.75 per disc. ..although if you are bitter, I bet you could sell yours, used, for the $1,500 you supposedly paid. They will never do a box set for that much money ever again.. so I fail to see your point.
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Ok.. best pre-1972 China Rider. I was always partial to the early ones.. yes, some crashed and burned but at least they took some chances (and some doses). Even if they had not achieved that 5/3/72 polished perfection, it's worth seeking out the early ones, especially those with learning-curve anomalies. I guess I prefer embryonic imperfection over polished and rehearsed. Call me crazy (scratch that). Some of the 1970 ones in particular are worth the price of admission.
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Jim, Thanks for the reminder on that one. I just watched the Gdansk video. Great stuff. I couldn't find a video from the Circus Maximus show. Too bad. What a vantage point that would have been from the ancient Roman palace. Even just walking through those ruins was a life changing experience. Gotta disagree with you about your objection to the $1,500 price though. I think most people here would pay well more than that for a mid 90s release. Especially 93.
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A 30 show $750 box set of mostly '80's and '90's shows sold out in just a couple of weeks AJS. You don't believe an 80 show box, comprised entirely of Betty boards would sell out for $1500? You should try some '93 sometime. An open mind is a great thing. @jim - $1500 was mean't as sarcasm. The point being that many of the top shelf shows are being limited to mega box sets and out of most people budgets.
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Where's it at Dave?Give it up... We need this Normanized...pronto! Easy Wind! :o)
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....Idaho stinks like cow shit. I miss my bed already.
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Alright! Even hidden behind crackles and snaffles and pops he still sounds incredibly powerful. 90 years old recordings too-amazing. He was 10 years before Robert Johnson-but on the subject of country blues, I got the Robert Johnson cds The Complete Recordings-The Centennnial Collection on Sony last year. Its got far and away the best sound quality of any Johnson release I have ever heard. They are all new digital transfers, according to the sleeve notes. You can even hear the distant sound of a trucks engine outside at one point. If you only had one blues recording-this is the one I would recommend.
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I once saw a map of Idaho which comprised an outline of the state and one straight line from north-east to south-west that was marked "Potato Road". Is this a reasonable representation of the state of Idaho? Spacebro talked about "mega box sets out of most people's budgets" presumably referring to the 30 Trips box. I think probably what he meant was that it was outside his budget, rather than most people's budgets. As I recall that box, despite the price, sold out rather quickly, suggesting that most people had no problem instantly coming up with the moolah. I can see that such a price could be a problem for those amongst us who are fiscally disadvantaged, but that would seem not to be the majority.
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Saying the 750$ box is "mostly" 8os and 90s shows is an exaggeration, seems like hyperbolic language to support a subjective argument about Dead era preference. It was evenly split almost exactly. Many of the people I came across sounded like they did not buy the box for the later years releases. Some of the later era shows in the box are of high quality but some sounded just awful in sound quality when they were transfered. I hope that Dead.net wouldnt keep inflating box sizes and continue to fill them with shows that have dubious sound quality on low quality CDs, now that would ruffle my feathers.
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Space. I got your point. My point, even when there's no flame you somehow seem to stoke the fire.
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Sorry to hear about your father-in-law. One song to consider if it's not too late is Shine A Light by the Stones. Not sure if you know this one from Exile on Main St, but it's balad-like, peaceful, and has some gospel influences (female gospel singers backing vocals). One of the things that made exile such a unique record for the stones was that there were a wide variety of styles perfectly blended into a cohesive two-LP collection. Several songs have gospel leanings, after Mick and, I want to say Graham Nash, went to a southern Baptist Mass in Alabama (they had been recording overdubs and post-production vocals down there, I think at Muscle Shoals). Anyway, sorry for your loss.
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Totally disagree with the notion that the top shelf shows are reserved for expensive box sets. These performances are considered the best of their eara, and they were all single releases: Two From The Vault / 1968 Dick's Picks 4 / 1970 Sunshine Daydream / 1972 One From The Vault / 1975 Cornell / 1977 Dead Set & Go To Nassau / 1980 Crimson White & Indigo / 1987 Also, Fillmore West 1969, Europe '72 & Spring '90 all had individual shows from those tours released. The fact of the matter is that Rhino is sometimes going to release huge box sets, and there are going to be top shelf shows in them.
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JiminMD How about all of them, Went searching and wound up listening to the 12-12-70 Santa Rosa Fairgrounds. After a two week hiatus they were ready to play that day. Also loved the really sweet trans from GDTRFB to the Darkness jam. Something about a show with the Darkness jam that makes me want to give it a listen
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Yes. An open mind is wonderful. So, after having attended a number of shows in 93, I can assure you that the playing was subpar compared to earlier years. When approaching the Grateful Dead, try to remember these two axioms: Don't listen to the music through rose colored speakers. The scene was always better before you got there. And I use the term "you" in the general sense.
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Jim, thanks for the Beck alert, just checked the tour schedule, might find something somewhere on the east coast, the closest to me, Boston can be tough. His take on Goodby Pork Pie Hat is a favorite, phenomenal technical prowess. My first and last Beck was at the Alexandria (VA) Roller Rink in October '68, Nicky Hopkins piano, Ronnie Wood on bass and Hot Rod Stewart on vocals, they opened for Janis and Big Brother. No chairs, sit on the floor, stand or dance. Wish the Dead had come to DC/Baltimore before 1972. Streamed 6.27.69 Veterans this morning to hear Green Green Grass of Home, great show with "country" & a nice DS, Jerry on pedal steel... happy to have juice after super high winds and tornado alert yesterday afternoon, 65,000 people without power up here. Vermont tornados very rare, heck the last snow on the north side of things just melted off a few days ago. Firing up Airplane's Fillmore East 11/28-29/1969, Sweeping up the Spotlight, saw them at the Baltimore CC soon after. Recalling Shady Grove Music Fair, Gaithersburg, great early shows there, including pop psych Iron Butterfly & JA, Rod Stewart (when he still rocked) & Savoy Brown Blues Band, etc. Theater in the round venue, stage rotated, Yes, Steely Dan, the Allman Brothers, James Brown all played there. It's an office building complex now. And then there was MPP in Columbia... a real treat to get back there for Dear Jerry.
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Summer Tour ‘95, pressed on gold CD’s.Limited edition to 25 units. Early subscriber bonus: Boreal ‘85 on 200g vinyl.
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#8433 + Bonus arrived here in sunny Holland this afternoon, just in time. Now the big question is: Will I get the chance to listen to it this evening before flying off to enjoy the tavernas of Kreta tomorrow morning for a week's well earned (IMHO) rest 'n' relaxation. At least I know it has arrived safely. Latvala! Metaxa!
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Thanks for the heads up on this Dave. I have the original release from the 90's and have always LOVED it. Your review of the re-release/re-master made me check amazon. Most reviewers agreed this was a HUGE upgrade to original. It was certainly cheap enough. It's on the way. And yet again this site has cost my wife money she doesn't know I spent!
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Used to have a pair. They looked great, but everything sounded the same. Then one fateful day they broke. It was an ear opening experience.
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I think you will get rumbled, Dennis, if you play the Robert Johnson within your wife's earshot. Incidentally, I don't know if you have ever heard of Larkin Poe. They are two young women who have done some amazing covers on youtube. It looks like they are recording at home, just for fun. One of these is a cover of Come On In My Kitchen. It is quite simply the best cover of a Robert Johnson song I have ever heard. I still can't figure how to put videos on here-but that one definitely deserves to be seen. Other great covers they do are One Way Out, Black Betty, Johnny B. Goode, Preaching Blues-Whole Lotta Love, War Pigs! Their own songs don't seem quite as good to me-but those cover versions are the real deal.
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....and song ideas. I used a few. You're all friends to me, and I mean that sincerely. My songlist made people smile and cry. When I found out the Snake River ran along the cemetery, I switched it up to Brokedown Palace. A couple of people even asked who that was. When I said The Grateful Dead, eyebrows raised and they said "really?" Really. Thanks again. Mission accomplished....
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Possible BOXES/Dave’s/SHOWS First, glad the main consensus seems to be a unified hell yeah for DaP 26... Great shows, if perhaps too much alike....if one were to nit pick.... Funny only one person has commented on the ABQ show sounding like Kieth is playing an upright, somewhat out of tune piano....a story there to be had I’m sure, Dave? Ok sports fans, after reading all the pontificating about what should/shouldn’t be released for what feels like forever ad nauseam, I finally feel compelled enough to speak up for those of us with perhaps a more opened minded, comprehensive view on the subject....oh boy I can see half your heads turning bright red, spinning around, and/or exploding as we speak hee-hee ; ) DISCLAMER; these are just some loose ideas, not the cure for cancer.... The one give in all this though, and kinda my point here, is there is soooooo much more great GD music, and that not everyone is a taper or approaches the music as such, just saying.... We are so fortunate that we have even received what we have, so bottom line is be grateful, and “let there be songs, to fill the air” Ok, gentleman (and ladies) start your engines.... FALL 89 BOX; (supplements previously released shows. We all know the multi-tracks are available...NOTE; I have not had the pleasure to hear all these, (heard and/or been to 8 of the 17, so somewhat going off of set lists for balanced lbox set. Still can’t believe I sold my Miami tix even after all these years, “Rat Farts!”) ————————————- 9-29-89; 1st DEATH DON’T, sugar mag (end)/Quinn the Eskimo (e) 10-14-89; 1st set Help/Slip/Franks, China Doll-1 Mo Saturday (end)/ Black Muddy (e) 10-19-89; Help/Slip/Franks, DEATH DON’T-Lovelight (end)/ Baby Blue (e) 10-20-89; 1st CALIFORNIA EARTHQUAKE , Hey Pocky way, Scar-Fire, Trucking, TOO Jam, Sugar mag (end)/ Brokedown (e) 10-23-89; Cali Earthquake, Crazy Fingers, GDTRFB-SOTM-Lovelight (end)/ ATTICS (e) 10-26-89; DARK STAR, Stella-NFA (end)/ WE BID YOU GOODNIGHT (e) FALL 73 BOX; (Let Me Sing, W.R.S., Let it Grow etc with horns) —————————- 9-11-73; Dark Star-Dew- Sugar Mag (end) 9-15-73; 9-17 or 18-73 ?? 9-21-73 9-26-73 WINTER 73 BOX; supplements previously released ———————- 12-01-73 12-06-73 12-08-73 12-18-73 SUMMER 85 BOX ————————- 6-14-85 (possible)1st Keep on Growing, Stagger Lee, Smokestack-Comes a Time-Sug Mag (end) 6-16-85 (possible) 1st Cryptical, Warf-Lovelight (end)/ Brokedown (e) 6-22-85 (possible) 6-25-85 or 1st set only as a bonus?? Day Tripper 6-27-85 * (definitely!) 6-28-85 * (definitely!) 6-30-85 * (definitely!) 7-01-85 * (definitely!) 7-13-85 * (definitely!) Smoking first set!!; mix with Cryptical through Around from second set BONUS DISC? OTHER Possible Boxes and/or Dave’s etc —————————— 1-10+20-79; Dark Stars and a St. Stephen 12-5+15-71; Dark Stars etc, BONUS DISC 3-17-70! 69?: need more of those psychedelic suites etc!!!!! 8-21+24-72; Dark Stars etc 7-27+28-73 6-24-84+7-13-84 9-26-91+6-9-91; 1st set, + Bonus 2nd set 7-31+8-1-94 3-20+21-92 (C eh, N eh, D eh!!!) 6-21-84+6-30-87 (C eh, N eh, D eh!!!!) 7-7+8-87 or something similar from venues/Places rarely played???? 9-26-81 6-10-73 12-31-81 4-12-83 FALL 83 BOX?; 10-11,15,17,22-83; St. Stephens etc, supplements DP 6 ——————— SPRING 89 BOX; these are only what I’m familiar with....supplements 4-2+3 ———————— 4-5,6,8,9-89 And FALL 85 BOX? These are what I’m familiar with, obviously could be others.... ———————- 10-31-85 11-2-85 11-5-85 11-7-85 11-8-85 11-10-85 11-21-85 How bout themes like best of venues or cities like.... Rochester Aud. Hampton Coliseum Greek Theater Syracuse TOGA Spectrum Cal Expo Alpine etc., Or???????????? Pick best 5 or 6 unreleased shows from ??????? How about some more videos? Yes, yes I know they didn’t sell etc, but if there is stuff that is already complete and the production costs have already been spent I.e., 7-2-89, why not release small batches like Dave’s? The point is, no matter how great the late 70s, Beatty Boards etc are, and they certainly are (usually, ahem)there is a whole lot more great, and some would argue comparable shows/tours/eras etc out there.... “just gotta poke around”, “free your mind, the rest will follow!”......or “Don’t dominate the rap Jack if you’ve got nothing new to say” yes perhaps the tapes aren’t always top notch, so what, market them at some kind of discount, just get more out before we croak! ; ) Hell, how about announcing possible shows, but having us pay before production so Rhino/GD etc does not lose money, and we don’t get shut out? The ole supply and demand symbiotic thingy.....nudge, nudge, wink, wink know what I mean. Ok, that being said, let the games begin. Oh, and you cant hurt my feelings cause I’ve seen shows in three decades (5 if you add post JG), and have listened to soooo much magnificent music for over 50 years now! So go ahead haters, make my day, “you cannot block my stoyyyllle!”
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The record companies are anxious to milk the hardcore fan market as fewer and fewer people actually pay for music. The company behind Guns And Roses' huge debut album, Appetite For Destruction, has just started the marketing campaign for the marketing campaign for that album's re-issues. 5 editions, I think. The topmost edition is priced at $999. Vinyl LPs, vinyl singles, CDs, BluRay, and LOTS of replica paper and tchochkes all in a "faux" wood/leather box. Only the $999 and $180 editions include 5.1 tracks. How long before Rhino sees that this idea will make lots o' money from the devotees of American Beauty and Wake Of The Flood? And what will they limit to only being in the ultra-pricy editions? Some Deadheads may have to sell their Cadillacs... As for my listen to Dap26: 11/17 was very fine, particularly the PITB and TO1. I have noticed before that the jam section in DS and the one in TO1 cover very similar ground by late '72 (see 8/21 & 22 for evidence), but this is the first time I noticed motifs I expect in the DS jam section occuring in an TO1 jam section in a '71 show. REALLY ENJOYED that TO1! The two sampler discs from 12/14 were fine listening, but I always have trouble getting into live Dead that isn't full-show-in-order. Oh well. VGuy, sorry for you and your family's loss. Some say death isn't "the end", but it sure does feel like it. Keep on keeping on...
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Been recently, pleasantly getting back with the 81-82s, whole bunch of great energy there etccheck out 5-17-81; saw in 3rd row, JG was using a McIntosh MC 2500 instead of usual 2300, holy moley was he loud! Great show!...had to take a final the next day and my ears were ringing so bad I couldn’t hear the prof ; ) 7-13-84, I wish...have never heard it, but they musta had a reason to release the hounds.... 6-9-90, unfortunately can’t remeber much. Always love Cal expo, great layout etc. Finally made it to the promised land after being on the bus for like 15 years at that point....3 Cal expos, 2 JGB Warfields, and 3 Shorelines....booyah!!!
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Rehash seems to be a prevailing factor in all things media these days, hell they take half hour tv shows, turn them into an hour by repeating aa you come back from commercials, stuff you just watched!And movies, fo-get-aboutit...is this because there is a lack of creativity/originality (probably cause nobody can see the boys anymore he-he)—or do they know we all suffer from short term memory loss yuck-yuck.. The whole remastered deal is suspect too....usually just crank up and compress the hell out of it...thank goodness not the good ol GD. Norm and the boys know how to let the music breath....you know, this thing called dynamics.... But your right, probably won’t be long before the 10 disc American Beauty rehash with one complete disc of Ram Rod and Steve farting while telling inappropriate jokes etc
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Hello: Pretty new to site. I have few of Dave's Picks However, I was wondering if someone could rate them 1-26 for me. Which ones are the classics. Luman
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17 years 4 months
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Oh boy, that’s like asking “name your 26 favorite beers” hell, that’d be easier!See, imho part of the point of the whole deal was that they were a dynamic, constantly mutating organism, not a one show pony like most top “acts”, where the goal is to play the same show, perfectly, exactly, “just like the record” every show..... Read More than Human, study gestalt theory, sprinkle liberally with the bands whims, influences, whether their backs/feet hurt, it was raining, it was sunny, someone’s ol lady was pissed, combined by the line up; 1 or 2 drummers, which keys etc, new versus stale material, playing to the times, well you see that that’s what makes it the dead.... It was an always changing constant that sometimes sucked, but often transcended....see, its all good, check out what ever you can and “sometimes you get shone the light in the strangest of places if you look at it right” Don’t think, just listen. If you get confused just listen to the music play......
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13 years 4 months
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Mr. Jack Straw is the man. They all have their place and they are all pretty damned good.. but we all have our favorites.
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17 years 4 months
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So true Jim, just ass-uming Luman is newbie and/or young-er, so trying to be leading in old sage/zen like manor of not leading etc, but yaaass, even a proud papa of seven might have a favorite....I just figure let em wander unacumbered and eventually they’ll develop tastes as we all are do.... This being old thing has to be good for something : )
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9 years 3 months
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I too want to wish condolences to Mr. and Mrs. Vguy. I am just catching up on things. Always like Vince Gill Go Rest High on the Mountain. https://www.youtube.com/watch?v=6jXrmAKBBTU Of course Brokedown. Keithfan, just in case. Old Muscle Shoals is in renaissance. A friend of a friend of mine, so an an acquaintance of mine owns all the old studio equipment of FAME studios. Has a studio where I am from in a ranch house in the middle of a subdivision. https://www.al.com/entertainment/index.ssf/2018/04/aerosmiths_steven_ty… One of my funkier ones, James Brown, Future Shock! https://www.al.com/entertainment/index.ssf/2018/05/john_jabo_starks_ala… Hate to loose him, loved James! Make it Funky! G Oh yeah Loving this release. Sound is phenomenal.
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13 years 4 months
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It comes with a lot of pain, so it must be worth it. I did see some really good shows.. but my list pales to some of the others that contribute. I really enjoying hearing tales of old (and new).. The music and the culture.. great fun great memories.. and someone was smart enough to hit the record button.
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9 years 3 months
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Not fair. My understanding is you have both the time traveling lawn mower and the closet full of toads to lick. How does that work? I am without. Lick a toad and mow mow mow.
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13 years 4 months
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Happy Cinco De Maya all.. Why not kick it in with a little free stream from the land of the psychedelic toads, extra anejo tequila and live dead. http://nugs.tv/free/ They seem to be letting you rewind it and start from the beginning and it gets out of the gate with a bang. Great tribute to JPB who had just passed.. here is the setlist: Dead & Company The Barceló, Riviera Maya, Mexico 2018-02-15 Set 1: Playing in the Band Me and My Uncle He's Gone Cassidy Brown-Eyed Women Bertha Good Lovin' La bamba Set 2: Scarlet Begonias Fire on the Mountain Althea Estimated Prophet Eyes of the World Drums Space Looks Like Rain I Need a Miracle Casey Jones Encore: The Weight
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