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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • deadegad
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    Jerry on Pete and setlists/ The Doors live
    I read an interview with Jerry talking about how Pete T was telling Jerry how depressed he was with having to play the same show and setlist night after night. Yet Pete did not know how to stop doing that. I guess, obviously, that is what the fans wanted so The Who delivered it over and over. The Who watching The Dead at those joint Day on The Green shows showed them outside the box musical-thinking. How do they do that? And of course The Who always delivered The Power while The Dead delivered The Magic with a few Train Wrecks here and there. What's your pleasure? Hey SimonRob I know Jerry thought that The Doors music sounded too thin and brittle live. He was right, but, I do love their Absolutely Live disc. Were The Doors too 'thin' sounding live for you? Perhaps kind of a 'dinky' sound rather like some here hear 'dinky' 'plinky' keys from Brent here and there? Jerry mentioned that The Doors did not impress initially and Jim seemed like a Mick Jagger clone.Jerry did, however, likeThe Doors ir later stuff. I guess Jerry liked Morrison Hotel and LA Woman with their blues influence. Come to think of it: The song LA Woman has a guitar tone similar sounding to what what Jerry liked and played? No? Or am I tripping? I love The Doors but I think that if I were to have seen them live then what Jerry described regarding their sound being to thin would have been confirmed. And if Uncle JimBo had been too drunk then it may have been a disaster and a waste of time. The Doors seemed to be self-aware of this problem. Jim thought that their music does not work in day light. Likewise, after LA Woman they were going to have Elvis bass player Jerry Sheff join them on tour but without dropping Manzarek's bass-line keys which was a very unique part of their sound. I do not know if they were also going to add a second rhythm guitarist but that would have fattened their sound considerably. The what ifs of music history! Just one more thing: The Who's Sparks song sequence and playing was 'just exactly perfect.' Love it!
  • deadegad
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    Jerry on Pete and setlists/ The Doors live
    I read an interview with Jerry talking about how Pete T was telling Jerry how depressed he was with having to play the same show and setlist night after night. Yet Pete did not know how to stop doing that. I guess, obviously, that is what the fans wanted so The Who delivered it over and over. The Who watching The Dead at those joint Day on The Green shows showed them outside the box musical-thinking. How do they do that? And of course The Who always delivered The Power while The Dead delivered The Magic with a few Train Wrecks here and there. What's your pleasure? Hey SimonRob I know Jerry thought that The Doors music sounded too thin and brittle live. He was right, but, I do love their Absolutely Live disc. Were The Doors too 'thin' sounding live for you? Perhaps kind of a 'dinky' sound rather like some here hear 'dinky' 'plinky' keys from Brent here and there? Jerry mentioned that The Doors did not impress initially and Jim seemed like a Mick Jagger clone.Jerry did, however, likeThe Doors ir later stuff. I guess Jerry liked Morrison Hotel and LA Woman with their blues influence. Come to think of it: The song LA Woman has a guitar tone similar sounding to what what Jerry liked and played? No? Or am I tripping? I love The Doors but I think that if I were to have seen them live then what Jerry described regarding their sound being to thin would have been confirmed. And if Uncle JimBo had been too drunk then it may have been a disaster and a waste of time. The Doors seemed to be self-aware of this problem. Jim thought that their music does not work in day light. Likewise, after LA Woman they were going to have Elvis bass player Jerry Sheff join them on tour but without dropping Manzarek's bass-line keys which was a very unique part of their sound. I do not know if they were also going to add a second rhythm guitarist but that would have fattened their sound considerably. The what ifs of music history! Just one more thing: The Who's Sparks song sequence and playing was 'just exactly perfect.' Love it!
  • Mr.Dc
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    The Who, The Doors, live recordings
    While I haven't listened to very many live shows from the who, I personally have found the few I have to be quite jarring and sloppy sounding. Surprising for a band that played the same songs the same way all the time, right down to the smashing of their instruments every night. They were a great studio band, and probably cool to see in person, but their live recordings are in my opinion, for the die hard fans or those that are looking for a rawer, punk, lofi sound to their favorite who songs which at times can get old from being overplayed on the radio. The Doors live is hit or miss for me, there are definitely shows worth checking out for their performances, setlists, and I have found some great sounding recordings of them. The Isle of Wight recording is one that up until very recently I had always seen at the top of the lists for worst/laziest Doors show, funny how its now being marketed as the last great performance and being hyped up. I actually find the Doors at the Isle of Wight to be a chill show, that while not very memorable is certainly not even close to the worst Doors recording available. Enjoyed that Beefheart video, the Captain was definitely worth seeing live and though the recordings of him are usually very poor sounding, there are more than a few shows out there worth one's time. Also mentioned where the Almond bros and LedZep, both are bands with great live recordings available that are as good or better than their studio work in my opinion.
  • Forensicdoceleven
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    82 deserves some good lovin' too!!
    Yo, rockers!!!! First & foremost, I have not fallen and hit my head. Second, way big thanks to Frank Streeter, Tim Dalton, Charlie Miller, Scott Clugston, and everybody else who has made this possible. Yes, Frank Streeter's excellent tapes from the Summer of 1982 have finally started to circulate widely. Released so far: 7/27/82 7/31/82 8/1/82 8/4/82 (my favorite) 8/8/82 8/10/82 Used to listen to these quite a bit back in the day. Whether you like the 80s or not, these sure sound good!! Time to share. You know where to find me............ Rock on, Doc P.S. You forgot 4/8/71 P.P.S. Excellent copy of 10/10/82 is out as well.......... P.P.P.S. The Who, Boston Garden 4/1/76, 20 rows back, dead center, best rock n roll show I ever saw...............
  • lebowski99
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    Live at Leeds, Fillmore East, The Concorde and a time machine
    2-14-70. Always amazed that Leeds show happened the same day as one of my favorite Dead shows. A time machine could get me to one, but which one? Would have to be Fillmore, but a part of me would always be wondering if I made the right choice. But then I remember the time difference between continents and I imagine I could close out the Leeds show, jump on the Concord to cross the Atlantic and parachute into New York in time for the Cold Rain opener at the Fillmore. (Perhaps inspired by Phil Collins traveling across the pond during Live Aid to drum for Zep??? Never mind the quality of said performance.) Anyway, I think I could make it work. And my mind is somehow eased by not having to make that choice.
  • 80sfan
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    4/8
    Happy 4/8 indeed. 4/8 1971 and 4/8 1972 are two of my favorite shows so will certainly be doing some listening today. I'm in NJ so feeling the pain of an extended winter as well. Been a long cold lonely winter in more ways than one. Thank god for the dead who have been keeping me in good spirits since I was 13. No idea what my life would have been like without them.
  • fourwindsblow
    Joined:
    Re: Where is spring?
    Yea sometimes it snows but it's just been cold not even a mild day anywhere and they just said below normal temp's for and other week after a brief warm up I take a couple days of above normal temp's before it drops again. It's been a long cold lonely winter. haha p.s. It's been warmer in Alaska than in the northeast. Darn global warming.
  • iGrateful
    Joined:
    ...Where is Spring?
    Sometimes it snows in April O(+>
  • Gratefulhan
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    The Who and others.
    Hi all, interesting discussion about other bands. Once I got into downloading Dead shows, I eventually found my way into sites that had a treasure trove of bootlegs from everybody. I got some great shows, everything from Floyd to Zappa, even Lou Reed and Derek and The Dominos. I am sure a lot of you are way ahead of me on this. Now I can say I am not well versed in all of these bands live shows, but looking at the British band being mentioned - Floyd Stones, Who, Beatles, and Zeppelin, I think Zeppelin had some jam-improved shows. Now it is true their set lists were almost identical, but Zep seemed to have their own jam launching songs. Dazed and Confused, Whole Lotta Love, Moby Dick (drums) are few. IN later years, No Quarter was a jam vehicle for them. Again this is what I came across, but I may not be so accurate. I believe we have few resident Zeppelin fans who can shed light on this. However I feel like I listened to a lot of these bands live shows, and even when I include the Allmans and Phish, The Grateful Dead are the apex for me. To quote Booby they are "just exactly perfect". You know variety is the spice of life though.
  • fourwindsblow
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    Happy 4/8...Where the He11 is Spring?
    Lotta poor man make a five dollar bill, Keep him happy all the time...Dark Star -> Sugar Magnolia -> Caution (Do Not Stop On Tracks) April 8, 1972, Wembley Empire Pool, London Long distance runner, what you standin' there for... https://archive.org/details/gd1978-04-08.140922.sbd.miller.sirmick.flac… Baby's back all dressed in black. Silver buttons all down her back... https://archive.org/details/gd1985-04-08.sbd.miller.118375.flac16 Put your gold money where your love is baby... https://archive.org/details/gd1989-04-08.sbd.walker-scotton.miller.8351… Wake up to find out... https://archive.org/details/gd1991-04-08.137103.sbd.miller.flac16
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Thanks for this post space! Great insight to a critical time in Dead history. Grateful as always...
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Feel very lucky and blessed to have seen the Boys @ Autzen Stadium 8/22/93 and again in '94. But like spacebro mentioned, the dip from '93 to '94 was tangible. Had the opportunity to see a '95 Portland show, but decided to pass. TBH, i wasn't nearly the rabid fan then i am now. So much amazing music happening in the mid-90's. I was much more into warehouse raves and disco biscuits at the time. Heh.
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If you have not already heard, leave here at once, it's 4/23/77 ROLL AWAY THE DEW! I think it vanishes in a few hours!! FEATURES>JAM OF THE WEEK at least an hour of one of the top ten all time shows
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My Dave's Picks vol. 25 has finally arrived here (original order was MIA, thanks to Brazil's awful customs/mail services), and I'm totally amazed with the "Mississippi..." version here! Can someone recommend another version as fantastic as this one, please??
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That half-step is possibly the best one. Glad you finally got your DaP25. Hope 26 didn’t go missing.
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download series volume 1 - April 30 1977 with a few highlights from previous night, maybe available on itunes ? hopefully you can access these from Brasil. I remember traveling through the nordeste of Brasil and this was one I enjoyed a bunch. Especially Peggy-O" "Looks Like Rain" "Mississippi Half Step Uptown Toodeloo" all 3 in a row. "Brave the Storm to come" Others were "Friend Of The Devil" St. Stephen -> Not Fade Away > Stella Blue > St. Stephen !!!! "I've stayed in every blue-light cheap hotel" ~ One of the best https://en.wikipedia.org/wiki/Grateful_Dead_Download_Series_Volume_1 its a great download. May 1977 has quite a few of the other top tier performances 5.7.77 5.12.77 5.17.77 9.3.77 11.5.77 , all of these dates have been released, the only one that maybe easy to find and purchase is 9.3.77 aka Dicks Picks 15 a couple from other years are 8.5.74 aka Dicks Picks 31 and 7.12.89 RFK Summer 1989 Box set. I was just commenting on Daves Picks 26 page about this one and the Half-Step you mention and then I saw your post. what part of brasil are you at ?
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Finally after much delay...15039 is on the player as I type. On 1st listen, Set 1 is great, I now 'ave a deeper appreciation for 1/2 Step - killer!
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Is that a replacement, or was it ‘lost in the mail’?If replacement, does it have a number?
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17 years 6 months
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BCE got it off of Amazon from recently discovered overstock...
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16 years 3 months
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At first, thanks to all who have been visited my mirrors, mostly XL 'Cats under the stars' mirror listed in cat shop. The mirror is ready for shipping worldwide, you can find it here: https://www.etsy.com/listing/595957100/cats-under-the-stars-mirror-jerr… I'm working currently on another mirror dedicated to Jerry. It's 'The Wheel' mirror, with the lyrics applied on the back side of the mirror. Hasn't been listed yet, but for Jerrys's birthday I listed psychedelic Jerry's hand made as a wall mirror: https://www.etsy.com/listing/632494283/psychedelic-jerry-garcia-hand-de…
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It was lost in the United States Postal Service system.Much frustration with the delay, now turned to joy. The only date I think I see on the label is in the lower section under the 2nd bar code and above the description, which reads: 01/2018. There is also the 3rd of 4 bar codes on the label in that box.
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While it's not surprising that tix to the P&F Headcount Benefit Friday at the Apollo tumbled down several echelons of the firm's socioeconomic caste without claim, I still consider their availability a great fortune. Having never visited, attending any performance at that historically significant venue for the (my) first time would have been cause for a bucketlist deduction, but this was clearly special. Though tired, I returned home to discover that 2018's stellar - and costly - box set run would continue with the wish-list-topping (now that Szell is out) release of BOTT material for Dylan's 14th Bootleg installment. Because the amazon.uk page appears to address a Japanese import edition, I shouldn't imagine that the price quoted for this (purportedly) 6-disc release will be as exorbitant for the conventional Euro & US versions./K https://www.amazon.co.uk/More-Blood-Tracks-Bob-Dylan/dp/B07GVXL5DQ/ref=… Shout out to the old Eleven - I miss you guys! :)
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Rather wondering when someone was going to mention it; I thought it was just ephemera that bore some metaphysical correlation to page 5 of the accompanying text.
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Technology fosters a certain audiologic pedantry that discounts the practical difficulties of archival transfers. Still, while a bit of the 2-track blues is understandable, Plangent alchemy has affected significant sonic upgrades to existing sources. Portland 74 is a well-known quantity to most, but the Truckin' Jam is a luminescent passage that defies contempt for even acute familiarity. While my favourite GDTRFBs tend to grind like roughly upshifted semi gears in transition from the preceding track, this strong rendition ascends from NFA with deliberate fluidity; also, Keith's bubbly, assertive, sometimes catalystic play makes many first-set standards remarkable. The daughter of the woman who cleans house for me**, age 10, was so entranced by the PNW outer & small wood boxes - suggesting it would make for good jewelry storage - that I gifted it immediately; heck, I was only going to shelve it for the next 50 years (according to actuarial tables), but it's become the center of focus for child - if only for a short bit - who exhibits more enthusiasm than I'll ever muster after unboxing. Still, it's easily the most aesthetically pleasing musical release from top-to-bottom that I've ever seen. Couple disks heading back, but that's been par for the course since the beginning, and I've never had a problem with speedy replacement. **This really isn't saying much in-and-of-itself: in Appalachia, if you've got something then it's implied that you will try to help others, and the most dignified way to do is offering work that you might otherwise undertake yourself. You'd be surprised the difference even a little makes here at altitude. :)
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...she's what's yer life's been missing. Caution: the related video library is quite nearly addictive as the ETOH in Billy's 64 oz., genetically attached megathermos.
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Phish tix in the po'box this p.m.; unlike Lockn where I at least feign roughing it in rolling 4 **** accommodations, I've decided my Outback and bricknmortar lodgings will do just fine on what should be an adventurous run from Hampton to Vegas between 10/19 and Halloween Night in Sin City. I'm only taking one show in Rosemont to facilitate a leisurely slog west, to include a one-night cabin rental in Grand Teton before spending another night in SLC (never visited either!). Near-universal wifi and a mobile workstation have revolutionized my quality of life more than quilted toilet paper, hot water heaters, and Trader Joe's Cookie Butter (though none are indispensable at this point). I've got trail running routes mapped along the way in addition to having identified a couple Y's where I can day pass into lap swimming. Happy.
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If anyone is looking for this or any of this year's Dave's Picks, shoot me a PM. $25 plus shipping. The bonus disk is an additional $25.

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