Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

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May 8, 2018 - 4:04pm

3,948 replies

clayv

Joined:
March 14, 2018

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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September 23, 2018 - 11:17am

#641

Charlie3

Joined:
September 21, 2015

'80's Dead

I dig '80' Dead, it's just another chapter in the book. Things can change with age and still be good. For example, I find that the ageing of Jerry's voice makes some of the later era versions of Black Peter just that much more poignant, and some of the '80-'90's drums-space sequences were awesome vehicles for some improvisational jamming and wicked transitions from space into whatever came next. And yes, relatively speaking, the Dead were the best game in town in the '80's, a decade in which there seemed little to excite me musically. As far as the parking lot scene, I dug that too - who doesn't like a big, mellow, party before a show? There did seem to be a little more of a frenzy about the scene later, but I attribute that to the increasing difficulty in getting tickets due to the increase in demand, and perhaps a lack of discretion amongst some of the eager partier's in the parking lot. Really the only show that I left disappointed was a '94 show at the Meadowlands in NJ, that one I left bummed. On another note, deadnet can't seem to decide if I'm a robot or not - took me like 3 tries to get that captcha to work.
September 23, 2018 - 11:07am

#642

rbmunkin

Joined:
February 24, 2009

It's a matter of taste

To me the Dead were all about the free form, experimental, jam music.At one time Garcia was the greatest improvisational guitarist. He just couldn't keep that up as the years went by and he got caught up in hard drugs, due to keeping the Dead going. Some people like the "songs". They are okay as filler to me, but it's his jams that I wanted to hear. Even the jams later on became kind of rote. I'm all into things like disk 2 of Dick's Pick's #8, to give you the best example. That is the greatest Dead ever, and they never lived up to that again. As I've said before, I wished they had quit after 1977 and Jerry could do solo stuff and maybe lived longer. He died trying to keep the Dead machine alive because he was employing too many friends and didn't want to quit on them. Anyway, I'll stop. To each their own.
September 23, 2018 - 10:24am

#643

nitecat

Joined:
November 1, 2010

I listen too.

First of all, I completely respect your opinion. At the shows, I also listened intently to all the players, how they interacted, and especially Jerry's solo's and his singing. I surrounded myself on the floor with 20 friends who were all silently listening and enjoying song after song. The band continually changed, adding new songs, changing older ones, reworking their sound, and the 80's versions of the band were different than the 70's and 60's, and clearly not your cup of tea. I respect that. Perhaps they were still musically interesting to the careful listener, like myself, even in the 80's and 90's. I appreciated all the versions, and listened to each one.
September 23, 2018 - 10:06am

#644

rbmunkin

Joined:
February 24, 2009

Mediocre in the '80's, yes

A rare person will agree with me, so let's just say to each their own."bopping, dancing, swirling"...so what? It's easy to dance to any music with a beat. I listen INTENTLY to every note of the music - Jerry's guitar and how the band interacts musically. Not just the "funnestness" of it! LOL! Is that a word? Compared to their earlier music, they were truly mediocre in the later years. I compare them to their own best music, not to what else is out there at the time. It would not be hard to beat what was happening musically in those later years, but they could not compare to what they themselves did earlier. And by the way, MTV destroyed music. When they came onto to scene, music became showmanship and true music was lost. "I will admit Jerry was AWOL a little in the latter 90's" Yeah, he was dead.
September 23, 2018 - 9:51am

#645

nitecat

Joined:
November 1, 2010

Mediocre???

I saw the dead regularly in the 70's 80's and 90's right to the end in '95, and they were rarely mediocre. I will admit Jerry was AWOL a little in the latter 90's. But musically show after show, run after run, they were guaranteed to be the funnest, best shows in town, over and over again. All those shows I attended people everywhere around me were bopping, dancing, swirling around if there was room. Clearly people enjoying the music. They grew and grew in popularity due to their allowing tape recording of their shows, massive tape trading, and a reputation for great shows. Then along came MTV's "Day of the Dead", and "In The Dark" with their radio hit "Touch of Grey", and that bumped their attendance up a lot. Some would say too much, as they began losing some of their coolest venues. That is the true downside of their growing popularity, the parking lot scene got way out of hand, and even when the show was happening inside, there was a huge group of folks outside who just came for the parking lot party. Mediocre? Hardly.
September 23, 2018 - 9:38am

#646

Kayak Guy

Joined:
June 4, 2015

MDJim is right

compared to any other live shows in the 80s there were few bands worth seeing more than once a tour as most popular bands played the same exact show every night for the whole tour. now most of the SBD recordings of that time are flawed and because of the nature of the mix the flaws become accentuated, but a good AUD allows you to hear what the people in the concert heard and it is not as bad as the SBD tapes make it seem.
September 23, 2018 - 9:34am

#647

nitecat

Joined:
November 1, 2010

Almost through...and a funny story

I'm almost through the first complete chronological listen. I'm up to the massive Seattle 74 Playin', scheduled for tonight's listen. Wonderful sound overall. On first listen the 73 Vancouver has a better mix than the other two 73's. The 74's sound better than the 73's. I chalk that up to their perfecting the Wall configuration(s) in 73. True also the first sets have many repeated songs, but they are played so well! Every show has really strong jazzy jams that were the hallmark of 73-74. Most of the shows have a strong Bobby presence, which I really love. I love to hear the awesome wierd imaginative chords he plays. However, I'm listening to Seattle 74, and he seems lost in the mix, kinda there, but not prominent. Funny thing happened on the way home with my box. My box was delivered to work. I was on the train coming home with the box on my lap, and a guy sitting across from me was eyeing the box and said: "Pardon me, is that a box of smoked salmon?"
September 23, 2018 - 9:17am

#648

rbmunkin

Joined:
February 24, 2009

MDJim

You are probably right about most of your post.But one issue I'll never change my opinion about: the Dead were mediocre in the '80's and into the '90's (a great show was rare) and that is when their popularity soared.
September 23, 2018 - 9:00am

#649

MDJim

Joined:
March 16, 2017

Re: MORE popular as their music became worse

Not so sure about that.. I saw a ton of live music during this period.. not just the GD. Seeing a better live act in the 80's than the boys was an elusive task, comparatively they still delivered night after night. If I accept the premise that they had declined (I'd prefer to sidestep that controversy altogether).. Bands that performed better in this era were few and far between. Might I say.. they were still kick ass and if care and attention went into recording shows, I bet opinions would shift too. Their numbers grew gradually, over the years. The term 'on the bus' is exactly correct.. As for the parking lot/zoo scene, I think that's a separate issue than the music.. but I still believe the whole scene was 90%+ about the music. I wouldn't bang on fourwinds for what is clearly word choice and semantics. I think there's a quote from Jerry in Long Strange Trip where he admits he used to sabotage their success. I see this issue as one where there is truth on both sides and reality meets somewhere in the middle. Jerry was a serious musician, Mountain Girl is quick to point out how much he practices and what a professional musician he was, especially in the early years.. up very early every day practicing scales and working out problems. Anyway.. If I had the crystal ball of truth, I bet you two aren't as far apart as it appears and from afar, you both have points..
September 23, 2018 - 8:25am

#650

rbmunkin

Joined:
February 24, 2009

Dude, you misunderstood Jerry

He was a VERY serious musician and the quality of his music mattered a GREAT DEAL to him.He was super bummed when they played bad. Maybe your attitude explains something I never totally understood: why the Dead became MORE popular as their music became worse and worse. The masses don't have the ear to hear what's good or bad. They just liked the "scene" and the music was unimportant.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

Dead & Co. Tickets for June 30, Eugene, OR

Hey now Dead freaks, I have 4 Dead and Co. tickets for sale if anybody wants them. I bought them earlier in the year thinking that I would have more travel time this summer, but sadly it's not working out. They are are field GA seats with hard copy 3D Souvenir tickets. I will mail the tickets to you at my expense, and I am only trying to get my money back that I spent. Below is copy of my receipt from Ticket Bastard.....$724.75 total. Please PM me if you are interested! Thanks in advance.....CaseyJanes Dead & Company Sat, Jun 30 @ 7:00 PM-Autzen Stadium - Eugene, OR Dead & Company Presale + 3D Collector Tix By Ticketmaster Verified Fan Sec GA3, (General Admission) USD $160.00 x 4 Fees USD $1.75 (Order Processing Fee) USD $19.00 (Service Fee) x 4 Ticket Delivery Standard Mail: Allow 10 to 14 days for delivery USD $7.00 USD $724.75 Edit: Sold 1 and so there are 3 left - $181.00 each face value and will sell singles

Ordered!

Though I was not at these PNW shows, I've placed my order. Also, I ordered the t-shirt! I love the First Nations artwork on it. David, will we ever see an official release of Eugene 1990? Those were two awesome shows as well as Brent's last shows in the PNW. Thanks!

Excellent...

Signed on here this morning hoping for an announcement and was not disappointed. Had my preorder in an hour before I got the email announcement. I was hoping for a boxset from '73, so this is about perfect, getting what I hoped for plus the shows from '74 as well, can't do much better than that. Plus the artwork looks excellent as well.

As Usual....

You got me. Looking forward to this release. :)

I need another tee shirt like i need a hole in my head....

....but what the hell. It's just money.

Thanks

Thanks for the Amazon nod - pretty reasonable price too

well....I think '73 and '74

well....I think '73 and '74 will not be the other Dave's Picks. my box set fund of x-mas and b-day money still covered this spread. but im still pissed that someone stole 100 dollars in the mail from a card from a my mamaw as I found this mother's day when I visited her that day. hope you get caught and hope federal prison was worth it

ordered

Vguy - I thought the same thing on the Thelma T and missed out. Not missing out this time! Psyched for two more HCS to add to the collection!

Wow

Every time I start to waiver about automatically subscribing to DaPs or automatically buying the annual box set release Dave keeps pulling these rabbits out of his hat. Last time it was GSTL. This one is pretty much exactly what I was hoping for. Ordering was scary easy, like "Did that just happen?" easy. Personal note...I always kind of secretly wish shows I was at get an official release. I was at 5/23/73, 6/29/73, 6/30/73, 7/01/73, and 5/24/74. Missed it by that much.

Not fixed yet...

Never mind I found my missing fish, Eric's a slippery bastard.

everyone's faces when they visited the site today

via GIPHY

What to do?

In case anyone from dead.net actually monitors these comments... As a long standing consumer of all things officially released (I even buy the things that I already had through alternative sources), I'm really torn between the very cool collateral that comes with the CD version, but really want the hi-def digital files. My 30 Trips USB Bolt was a nice compromise, but even at that, I got a different package than the CD version. Don't get me wrong, I wouldn't trade my Europe '72 suitcase for anything, but if the files are mastered at 192/24, how can I feel good about ripping the CD's at 44.1/16? I really wish there was a away for me to buy the real box, with all of it's coolness, AND get the hi def files without spending almost $400. Think about it dead.net. Please think about it.

DONE AND EASY

Between this and PHISH's Baker's Dozen box I was conflicted but this won out. Thank You Dave. This is a very good Box and the price is good. I love both bands but 500.00$ isn't worth that run and I loved it. Can't wait to celebrate this on my birthday. I cannot wait to hear that 45 minute Playing.

Yes, that was easy

No drama, no issues in the ordering process. Really looking forward to some high quality 73-74.

I'm a phish fan and I say

I'm a phish fan and I say fuck that phish box set

Thank you!

Very cool concept and admirable patience from Team Dead! Thanks and nice job to DL and all involved. The advance listen sounds amazing.

Booklet

Sorry to see Nick Meriwether is authoring the booklet. I'd rather read an analysis of the music by someone like David Gans or Gary Lambert than more tenured professor liberal drivel from St. Nick. Och weel , the music's the thing anyway. Definitely looking forward to THAT.

kyle harmon

Same here, Kyle. I was blown away by the price of that Phish box. This one on the other hand... I say Fuck Yess!! Ive got the phish bakers dozen sbd's if anyone is ISO

Portland May 19, 1974

http://www.gratefulseconds.com/2017/11/portland-may-19-1974.html

Seattle May 21, 1974

http://www.gratefulseconds.com/2017/07/not-sleepless-in-seattle-uw-stud…

Lightfoot510....

....I'm interested. check your PM.

My reaction when i visited here earlier today

Don't Sell Out until Friday

I can't come up with that scratch until Friday. It better not sell out. I really don't wanna pay scalper prices.

192/24 FLAC or physical box/cds?

I'm having a hell of a time deciding between the higher quality audio download and the actual box, but CD quality. I'm usually audio quality all the way so not sure why I'm hesitant with this (?).

Flacs!

Downloads! Nice! I don't need, and I never look at all the stuff that comes in the box sets. Flacs all the way! Now all I need is more time in my life to give these amazing shows a proper listen(s).

I buy the physical and then

I buy the physical and then rip it on iTunes however I want. which is always ALAC, cuz FLAC is not universal, FLAC will not play on any apple products and wont even load on iTunes.

192/24

I don’t know if I could tell the difference. Fully Normanized Plangents already sound amazing in 44.1/16. But if I could tell the difference......I would be in a quandary. Replace everything with 192/24, or don’t bother since every year my hearing degrades anyway? I’m going backwards anyway, starting buying vinyl.

$160 for D&C?

hahahahahahahahahaha $160. wowzers. and that doesn't include "service fee". all due respect to CJ. not you I'm mocking. it's the price. I remember (old man, look at my life, 24 and I fell on the floor) when $25 was considered high-priced for a GD ticket. LOVE THIS BOX SET. just gotta wait until September.

?

Hey for you guys that have bought t-shirts from GDM do the sizes run a little small or a little big? I've never bought a shirt here but this one has me tempted. Thanks.

thank you for the GIPHY kyleharmon

this box set is outstanding!!!

Buy physical, then load on HD

I have audio files in AIFF, ALAC, FLAC, and AAC 320kbps.Separate HD’s for each format, with backups. Need to be prepared for all scenarios and situations. My car will play a USB flash drive but only in lossy, so I use the AAC files in the car. Would seem that it wouldn’t be that hard for a factory car stereo to play lossless, but apparently Honda thinks that using 10-year old stereo technology is acceptable.

Which Northwest box?

I can just picture Dave in the meeting with Rhino: "We have an idea for a 3 show '73 box in the Pacific Northwest, and a 3-show '74 box from the same cities, but we don't know which one to release.... they're both amazing..... (pregnant pause followed by silent smiles all around...) As for $160 D&C, I agree it's crazy, but the shows do not disappoint. Speaking of old, I saw a guy at Red Rocks '85 tell some folks he wanted $60 for his spare ticket, and he was suddenly surrounded by a small mob saying he was gauging: "How dare you!" I think he relented for $50, and he looked guilty as heck taking it as folks still shook their heads. Dead at Red Rocks $50!!!!!

Problem with physical though

Problem with physical though is your limited to 44.1/16 no matter what you do to it. With 192/24, I can still put it on a CD at lossy quality at least and play the high res tracks on my nice home rig. Just not sure how much high res will benefit 73/74 recordings.

I had forgotten... 6/22/73

That on the 6/22/73 show there was a very, very long Truckin.' In this official release it's 26:06 I knew that 5/21/74 had the one of the longest Playing In The Band at 47 minutes (46:59 here.) --- In the "How big is big?" department: Is this box in it's shipping container larger than the Complete Europe 72 suitcase in it's shipping container? Is this box bigger than the 30 Trips set in it's shipping container? I am 5' 6" and about 175 lbs. with a bit of a *bay window*/beer belly/pot belly. Is it bigger than myself? Or is it bigger than Phil Lesh? (the tallest of the boys)

Use dBpoweramp

KBM - you can buy and download dBpoweramp for around $40.00 and rip CDs to whatever format you like, including hi-def. I have ripped all my GD HDCDs to that format and use a DAC to get the most out of the music. If you download this software (you will get a lifetime license) and need help, contact me via PM and I can walk you through it.

via GIPHY

Please take it all in

One From the Vault was released in 1991, if you were trading tapes back then, and you could get 6 shows from 73 and 74 of the quality we are going to get!!! Thank you Dave..... bobt

How do you make a white

How do you make a white supremacist sweat?Give him a DNA test. WOKKA WOKKA!!!

via GIPHY

That reminds me....

....what did bolo's Muppets clue have to do with this box set?

Disc 4

I sure hope the fourth disc of the set, and last disc of Vancouver '73 has some hidden philler. I guess a 20+ minute Truckin' will make for some odd tracking....but still. Three short encore songs only?!?

Wow

By my count that's: 5 China>Rider 4 PITB 3 Other One 3 HCS 3 Eyes of the World 2 Ship of Fools 2 WRS 1 Dark Star 1 Bird Song My counting skills my be off but at first glance this is truly a gift. We are such a lucky group.

And, don't forget....

....three Money Money's. It's the magic number.

Thanks for that comment. I

Thanks for that comment. I totally agree!

Thanks for that comment. I

Thanks for that comment. I totally agree!

Clues unraveled, sorta chronologically

Muppet video - spoof of the movie “Se7en” - 7 is for the 70’s, bacon in the box meant post-Pig (you get bacon after the pig has expired). There had been early speculation that it might be a 68-69 box with Pigpen.________________________________________________________________ 6 2 Six over two, which means 6 shows over 2 years _______________________________________________________________ B, No. Fourteen No. Fourteen is the “B” side to the "hit" single “Seven and Seven Is” by Love First 7 is for the decade, second 7 is for the 2 years (3 + 4) ________________________________________________________________ Said Stoltzfus would like the box because he called for a Dark Star (6/24/73), plus he lives in the Seattle area, smack in the middle of the show venues. There might have been more, like a subtle Canada reference, but I'm old and don't remember. That is all.

Hooray for bolo24!!!

y'all be cool.

Plangent Process

I'm listening to my copies of these shows; mostly matrix versions. The plangent-ized sbd two-tracks are going to sound two damn sights better than these (still-tasty) matrix recordings. These shows just shine. After Plangent, I'd suggest not looking directly at the box as its likely to shine so brightly as to cause damage to vision. Wish I had the scratch for this one. Mebbe I'll order it in a fit of delirium tremens before this box sells out!

Disc 4

I, for one, will be happy for a Disc 4 with only 22 minutes. I appreciate the concert in order ... and I'm gonna rip it anyway. There will be plenty here to love.

and speaking of numbers...

...we have 22-24-26, 17-19-21, and today is 6-12-18.

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081227931391

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