Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

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May 8, 2018 - 4:04pm

3,948 replies

clayv

Joined:
March 14, 2018

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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September 19, 2018 - 2:38pm

#741

cactuswax

Joined:
June 7, 2007

Dead Awake

I've had a wonderful bout of insomnia these last few nights and it's been an excellent opportunity for me to sneak down around 1, 2 or 3am, slip on the headphones, and dig into these goods. Last night I got to the last one of the box, Seattle '74, and I gotta tell ya, I was hanging on every snare-skiffle and tiger-lick coming outta those cans during that unwieldy raging monster of a PITB ... Shit, man. GOGD.
September 19, 2018 - 1:36pm

#742

Jack Baller

Joined:
January 27, 2015

TIGDH

Here is a tasty, date-appropriate palate cleanser for everyone who has been knee-deep in 73 and 74 for the last week or so (count me among that group)... If you dig 1970 Dark Stars, this one is prime. https://archive.org/details/gd1970-09-19.sbd.reynolds.97906.flac16/gd70… "Why, yes, Dave-- this WOULD make excellent bonus disc material for DaP 30!"
September 19, 2018 - 12:18pm

#743

stoltzfus

Joined:
January 13, 2010

still going on about djg?

kind of like the planets going around and around Donna-time Yes, she was hit and miss when she hit she was very very good when she was miss she was...
September 19, 2018 - 12:00pm

#744

Cousins Of The…

Joined:
September 10, 2009

Donna!

I'll take Donna's few seconds PITB scream anytime, over Bobby's off-key minutes long screaming during Estimated, and his clueless, tone-deaf slide extravaganzas.
September 19, 2018 - 11:33am

#745

Grayteful

Joined:
October 25, 2017

In Donna's Defense

Mostly lurker (a rule I follow says, "If you have nothing to say, shut up."), but decided today to put my head on the chopping block so you folks can kick it around a bit. I've had my own fun at Donna's expense in conversations with a Deadhead friend or two. But two things in her defense come to mind that I've not seen mentioned. 1. The consistency of what she tried to do on a given song, comparing performances, suggests she did what she was told or asked to do by the band. Doing it would have been a leap of faith on her part, but the tendency to take chances was integral to the Grateful Dead's DNA. 2. I know from experience that if one is playing an instrument, be it a voice or something man-made, the frequency range of the output of that instrument says much about likelihood of hitting that "sweet spot" where it sounds good and blends well with other instruments / voices (lower frequency output than itself in the "mix"). Hitting that frequency (the note) squarely is more difficult for the female singer because the target progressively shrinks as the frequency rises, and the result is usually hideous. Bonus comments (no additional charge): 1. Some have said she couldn't hear herself, which if possible (and with that massive sound system they had), could mean she leaned in closer to the microphone diaphragm to have a better chance of hearing herself (and adjusting). The result, if the mike gain wasn't adjusted, is she could have come off as shrill as well as sharp or flat. 2. There have been times where I've made notes in a loose-leaf notebook I keep to retain things I notice in GD performance recordings, where she's hit her pitch and sent it (forgive the pun) out of the ballpark - it sounded fine to me. That could be 1 time in 3, but still ... Ask me to cite an example, and I'd have to be home with that notebook to do it. Reputedly she was (and is) a professional singer who's made her living doing it for decades. She couldn't have liked the sound situation at live GD concerts herself, and developed her chops in more controlled conditions, so I'm inclined to cut her some slack. 3. If having idiosyncrasies of a voice like hers is the cost of having a recording with keyboard work by her late husband Keith, it might still be worth it (decide for yourself). The Godchauxs were a package. I really like Keith's earlier work on the mighty Steinway, including in this box set. 4. The trove of recordings we have access to doesn't lie - the problems are there. I have come to accept them as being a fact of life if I'm going to listen to this stuff. I'd rather have the recordings than not, and I can make my own jokes at her expense in private (but with subliminal empathy). So it goes ...
September 19, 2018 - 11:17am

#746

dreading

Joined:
January 17, 2018

Now I love those cowboys

I love their gold. It lured my uncle, God rest his soul. Nuff said :-) But it begs the question, how honest is a Denver man?
September 19, 2018 - 10:18am

#747

wilfredtjones

Joined:
June 4, 2007

dreading

Is your uncle still around? Or, did you leave his dead ass there by the side of the road?
September 19, 2018 - 10:16am

#748

Crossroads

Joined:
November 5, 2007

Unkle Sam: Not much they can do with the mix on a 2 track tape

These are 45 year old tapes that were 2 track analog tapes. There is not a lot they can do to change the mix of the tapes. They can just clean it up and enhance the sound. But, the mix is what the mix is. I am kind of actually enjoying paying attention to some of the other instruments that usually don't stand out in the mix (particularly Billy, as well as all the instruments in that '74 show that has a stretch of about 4 songs with all the vocals very low). We are very lucky and spoiled that they recorded as much as they did and as well as they did. Even so, there are still gonna be some less than stellar portions of tapes this old.
September 19, 2018 - 9:48am

#749

Lovemygirl

Joined:
April 29, 2016

.

.
September 19, 2018 - 9:21am

#750

dreading

Joined:
January 17, 2018

Born X-Eyed

I agree, Jerry is too low in the mix, but only in the 1973 shows. The vocals also come in louder than usual, so they seem to step on the music. This bothered me at first, but I'm getting used to it. Me and my uncle saw the dead several times from 72 to 74, and Donna was never that loud in the house mix that the audience heard. What we are experiencing on these CDs is not what audiences experienced. I don't know much about soundboard recording, but I know they never planned to release these as live albums. Maybe not enough attention to detail was made. Or maybe, since it is well documented that she could not hear herself on stage, Donna asked to have her voice raised in the recording, so that she could review it afterward and make sure that her blind voice was at least on key. I also read that the WoS required a new board for mixing. Maybe 1974 either represents a shortcoming of the new mixing board (as it pertains to recording the show), or perhaps Donna had access to the volume controls that made her on stage monitors louder, so that she could hear herself and perhaps that also affected the board recording. All speculation, but the important thing to take away is that this is not how she sounded at the show to the audience. Kind of a shame that the release of these tapes has blemished her reputation.

John Perry Barlow

John Perry Barlow

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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

Big Box

Boy that box looks big. Is there something in there that we are not being told? A big thank you to Cosmic Charlie for turning me on to Swing Auditorium, San Bernardino, CA (2/26/77). A terrapin opener. Hunter's Trix Vol 80.

Big Box @allman

Maybe empty and will be a nice case for some existing releases. I am going to assume closed in like 30 trips and a lot of unused space. I am also assume like 30 trip it will be wood.

Haha Vguy

I made the comment a few months back about my "downward spiral of metal." To which you responded, "I get you now." Paraphrasing both. I got to see Iron Maiden on the Killers tour. I was was in my peak of metal in 1981, and yes I occasionally will put on a grinder just to shake things up. It was Maiden as the original group (adding Adrian Smith)and they blew us away. Hard, loud, powerful, and sounding great. They played almost all of Killers and most of their first album as well. Aha, Murders in the Roe Morgue! From the first album I can remember Running Free, Charlotte the harlot and Iron Maiden. Of course, then Priest came out and destroyed what was left of the Fox in Atlanta. Less than 6 months later I was turned on to these guys and slowly started the Golden Road. That road has continued since always cleaning and purifying to the point where Grateful Dead is almost 100% what I listen to. Cheers! g Edit:Sux caused I missed the dead there in 80, of course too young. But then got shut out to 1 of the 1985 shows at the Fox. It was hard to find heads when all of your buddies are full on metal gods.

06 22 79

Talkin 73

Don't forget Dick's Picks 19. 10/19/73 Oklahoma. Complete concert. Very good sound quality. Killer show.

Reconstruction

Thanks Shirdeep! Saw them many times during their short-lived existence, Jerry was on fire every for single show, arguably his best playing of that year was with Reconstruction. An official release would be welcome.

DP19

Agree. Amazing show and still one of my favorite releases.

Still over 10k left

Selling pretty slow for such a great value.

DP19

DP19 is my favorite release to date. Perfect from start to finish. I wonder if anything will be released to change that.

Spaced Out

Speaking of DiP19, it is a great release. Every so often it comes up and I am amazed at how many think it is the best so far. I guess I need to try again. Dont get me wrong I love it. I just need that extra persuasion that it is a love supreme. I think I have two copies should someone need it. I will double check. g

DiP 19 10/19/73 - Perhaps my fav show of all time

I found this cassette while trading with a guying Texas about 20 years ago. I was floored when I heard the 2nd set.... couldn't stop listening to it - like no other show I'd ever heard, and still amazes me every time I hear it. If you don't have this show, you are missing out!

Feel that?

I felt the center of the universe shift just a little to the left...., I think a Sixtus may have been born... I can't BELIEVE we haven't gotten any updates. Where are his priorities?

Great Release Choice

Back when I was raiding the Archives, the shows from this release just didn't have the recording quality I was looking for. So I'm really looking forward to this one. I did grab the UW Hec Ed show just for the novelty of the long PITB. An LP version would fill both sides of an entire album. Maybe it's just me, but in a 'Beavis and Butthead' kinda way I find it hilarious that in the main graphic the 8 figures arrayed around the skull are so, uh, anatomically correct.

Payment refund

Are they gonna keep our $$ this many months in advance, or are they gonna refund it to us for now, and re-charge shortly before shipping?

anatomy

Good eye, drifter's. I totally missed that.

anatomy

Great catch indeed. Helen Lovejoy - will somebody think of the children.

anatomy....

....i don't get it.

anatomy

Look at the top large picture and focus on the 8 figures (male and female) that circle the center skull image.

30 Trips

I hope its better quality than the 30 trips box. My 30 trips box was cracked on arrival. Music is great, so the box is not that important.

10/19/73 Oklahoma City

This show contains my favorite Row Jimmy.

I Felt That!

Thin....you're on to something here... it certainly left a smokin crater in my mind I'd like to blown away! Our guy arrived just after 8'AM this morning....Tigran Victor Abrahamsen. That's Armenian, after Ingrid. She's doing excellent, we're all a little tired. BUT... Back to priorities; I'm still planning to stream tonight! Ha ha Ha from our hospital room. Long live Alpine Valley! Be well out there people. Sixtus

Happy 45th Birthday Weekend Portland 1973

http://www.gratefulseconds.com/2018/06/a-grand-night-for-rock-culture-p…

PNW AME

While not likely I'd like to see an all music edition get released after the E72 crate & the 30TATS box I've run out of room to store these mega packaged releases call this one MiniZilla. It's Friday DeadLand did you kind folks PLAY DEAD today, here is a good selection for today 6/22/91.

Sixtus

Congratulations man. All the best to you and your crew.

Dick's Picks 19

The "mother-of-all-1973-shows"?Hardly likely. Just one of my all-time favorite shows, as with the big Dick Latvala himself. I am under the impression that Dave Lemieux was reading Latvala's notes, so in my minute, twisted, perverse, acid-soaked, pea-brain, Dick was still calling the shots (from the great beyond) Mentally, I still can see those two AudioMagnetics C-90 Type-I cassettes with poor muddy and hissy sound in my cheap boom-box cranking out this show.

Hip Hip Hippy Hooray!

Sixtus so happy for you and yours. You and Jim and a couple of others may be the most energetic people I have ever seen. How you can keep us posted, be a married man, a father, an employee, wow! Wish some of that energy would rub off on me. Congrats to yall. Dang my short term memory, the Mrs' name escapes me, maybe Ingrid??? Let her know we are all pulling for you all! g Edit: d'oh, didnt see you said her name. I am proud of myself for remembering something more than 2 hours old.

PNW All-Music-Edition

Hardly likely at this point. Only if this box sold out within the first four days or a very short time, much quicker than expected, would Rhino/Warner Music Group think of quickly creating an AME.

Tigran Sixtus

So you named her after Jerry's "Tiger" guitar... (or perhaps the Tiger jam?) I predict you get a Row Jimmy tonight for Tigran: "Rock your baby to and fro, Not too fast and not too slow."

Re: Hippychic & Dave's 16

The recording has always sounds papery and thin, at least throughout most of the first disc. There's just not a lot of depth to it. And too much hiss. Things improve somewhat as the show progresses, but not by much. Then again, most of Kidd's recordings sound that way, at least to my ear. Dave's 21 (love this one) is a Rex recording, and the difference is like proverbial night and day. It's not without its own flaws (name a recording that doesn't have them) but there's much more resonance. Again, not saying I don't appreciate Dave's 16. It's become a repeat play. But my ear sockets need to adjust each time I listen to it before I settle in for the ride.

Row Jimmy tonight....

....that would be cool as shit. I'm gonna root for one! What's Become Of The Baby would be even more awesome!

The Box

This looks freaking awesome!! It's boxes like this and 30 Trips that make me hate the fact I lock them up in the shipping box and put the discs in slim cases. Easy money for me Dave keep them coming.

The Box

This looks freaking awesome!! It's boxes like this and 30 Trips that make me hate the fact I lock them up in the shipping box and put the discs in slim cases. Easy money for me Dave keep them coming.

Sixtus & Skull & Jim and boy did that run amuck

Sixtus :-) Skull - I agree with your opinion on DaP 16 & 21. I would have said 16 was "airier"? I gave all of a 5 minute listen to Stella's, both were amazing clear. That one on 16 thinnest sound great at volume. A hollow hall, standing on the edge of the pit, glowing before you, the way a stella should be, right? Anyway, how do account for the difference in recording techniques. Feeds used? Mixes made on fly? Mike placement? All of the above? Opinions on sound at both venues? Jim - when I went back I saw you had the voiced on the 16/21 recordings/shows. But what I went back for was you very fine quote - "flawlessly flawed". :-) You probably stole it. That was Twain, right? In the time since I've started this, I've got thru both recording of Stella. I think 21 is a little closer, warmer and intimate. Where the jam in 16 is "larger/spacious", 21's is bluer, more controlled, was it played on a Sunday? Sounds like a Sunday. Crazy huh? In any event Stella is a great across the eras tune. It may sound different but it's one you can get lost in your own thoughts while listening to and still snap out for the return to lyrics. But all the while you weren't really thinking about the era, but floating on the sound, right? Just hit the 3 from the spring 90 collection. The one from 1990-03-16 - Capital Centre - Landover, MD, was stella. That recording was very dimensional (in my book). Also the later Stella's soared, Phoenix from ashes shit (imho). I'm always impressed(?);-) with the width and depth of arcane knowledge. I'm excited about this box, because comparisons will be nice, but yeah, the box. I do like then cluttering the shelfs. As I look around, what other band has this many "box things", that aren't just repackage stuff already available. Now where am I going to put it,,, the books must go! Yes dear I gave them to charity, I knew you were never going to read War & Peace again. You said Infinite Jest twice was enough. (she still looking up footnotes) Speaking of box sets, is Pink Floyd going to release another box set? The Later Years?

E72

E72 has all music only edition

Today in history....

https://archive.org/details/gd86-06-22.sbd.lai.388.sbefail.shnf/gd86-06… second set opener. Nice show for '86.

Congrats Sixtus Clan

Listening to 3-28-73 now and I don’t hear any hiss or other sound problems.In fact, sounds pretty damn good compared to the cassette tape collection I once had.

Also today in history

6-22-91I bought an obstructed view seat at the box office the day of the show. The view was obstructed by the soundboard! The ticket was in the taping section. The view definitely was obstructed, so I stood off to the side in the aisle. Also found an upper level ticket on the ground before the show.

Sixtus

It's poker night here in South Jersey. I'm playing Hold'em with the same four guys I've been playing Hold'em with for at least since Rockin' The Rhein came out. That is in fact the show that made me feel the magnetic pull and infectious delight of the Grateful Dead (Sugar Magnolia in particular). Not long after, my Uncle sent me Ladies and Gentlemen, where the best core version of Uncle John's Band resides, in my humble opinion. I just informed them of who you are and that you have a baby Sixtus in the world with you tonight. My buddy Dominic, who is hosting tonight, breaks out a bottle of 21 year old Redbreast Irish whiskey. My buddy Jimmy the Fish packed up the bong. I put Sugar Magnolia and Uncle John's Band on the stereo, and we toasted baby Tigran, Son of Sixtus. My only regret in this whole escapade, is that I flashed the picture of your dead net avatar, and there's a serious discussion going on about locating and tearing down a Dead End street sign for Dominic's bar.

Portland 05-19-74

Like taffy1969 wrote, this has been a favorite for more than 30 years now, can't wait for the official release. We first had this show missing 6 songs; later on the six songs were added to make the show complete. The reason that six songs were initially left out was the fact that the vocals were too low in the mix. Portland '74 is a two-track tape, isn't it? So it will be re-mastered but no re-mix is possible? That's fine with me, always interested in complete shows as long as the mix isn't terrible...and the mix is superb apart from the six songs with low vocals. Glad to see these six shows available as a boxed set!

Bucket opener tonight for Tigran

I almost added the animal reference of "Hell in a Bucket" earlier related to my Tiger song ideas... it mentions "your chair and your whip and your pets" and the tiger snarl at the end... Apparently someone called Bobby about Tigran and he's pointing out the Hell in a Bucket connection in addition to my thoughts.

Kindness Prevails! So Many Thanks

Oh man, so many wonderful, thoughtful, kind, even creative remarks and well wishes - We are truly touched. I've shown Ingrid All of The Love that's being offered for Tigran and our family. She is similarly warmed in her heart. Thin, he caught that Bucket Opener too - I think he was so excited he pooped! I am an expert poop changer and swaddler, for the record. Two burps in a row meant he was PSYCHED for second set. Truly Feeling The Love. Thank you All for offering such a kind Family Welcome to our newest Deadhead and lifetime clan member. Another generation destined to know Jerry and The Grateful Dead. With Fond and Sincere Regards Sixtus

Mr. and Mrs. Sixtus

I would like to congratulate you both on the birth of your masculine child. -- Luca Brasi

welcome to this world, Tigran

y'all be cool

thank you vguy for the 6/22/86 link

great show never heard the first set until now have had the 2nd set on cassette for a long time it would a nice part of a Greek box set, Dave

anthem being released soon

then we'll know DaP27then we get the new box :)))

Viola Lee Tigran

They’re thinking of you and the family Sixtus.

D&C headband dude

Who is the guy with dark hair and headband that is in the front row of every D&C show?

Headband douche

Based on the leather vest I think this is him claiming his front row space. https://out.reddit.com/t3_7qk8t7?url=https%3A%2F%2Fimgur.com%2FMzAb5gI&… https://www.reddit.com/r/gratefuldead/comments/7qk8t7/friendly_reminder…

D&C Headband Dude

My guess is Warren Buffet or Bill Gates.. perhaps Mark Cuban? Lucky bastard.. I hit a string of NY area shows about a decade or so ago. I was working that way and it was easy for me to get there and they were playing a lot.. I guess if was P&F / Further. Anyway.. there was this one guy, thin, kinda wiry.. he was front and center at every NY area show I caught.. and he was a jumper, up and down, up and down.. like straight up and straight down. So we aptly called him Tigger (as in Winnie the Poo Tigger). Perhaps it's Tigger.

Tigran

Tigran Mansurian. Highly acclaimed Armenian composer. His "Four Serious Songs for Violin and Orchestra" are really easy on the ears.

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