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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • unkle sam
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    stick
    I agree, but it's been up there for a long, long time lol. The band gives half a performance, gives no refund, should be the headline. These guys ain't got a lot of fans as it is, and now they just lost a bunch more. What does 11 oclock curfew have to do with it? The entire situation was handled badly, I feel for any and all who got ripped off for their second set. And yet, nothing from the band, silence, take the money and run. Why? don't they all have enough? definitely not in the true spirit of the Grateful Dead. If they are truly afraid of the elements, why give an outdoor show? Save your money, buy this box instead, a lot more fun and you get Jerry and Phil too. Support Owsley foundation, that Allmans at the Filmore in 1970? Sounds great, they were a jam band back then too.
  • hendrixfreak
    Joined:
    best info on ABB archival release
    The discussion sez Plangent Processes & Jeffrey Norman are on the job, working from original tapes. The 1997 compilation was from 2/11 and 2/14. So 2/13 untapped so far. And unreleased material from 2/11 and 2/14. I lied: apparently July is the announcement of one of the three releases coming this year. I would guess that would be ABB, the band with the biggest fan base. But I'd be curious what else is coming because Owsley's tapes are so well recorded. http://forums.stevehoffman.tv/threads/bears-sonic-journals-allman-broth… Did I just read that Jimi's Axis: Bold as Love is "good," but Dylan & Dead are "great"? Then again, I am hendrixfreak...
  • stoltzfus
    Joined:
    well, someone's got a stick up they angry @$$
    good morning, everyone my morning musings: 5/18/72: first set feels tense and clumsy. Second set is glorious. Jimi Bold as Love album: for years it was "ok, but overall, meh". then listened to it yesterday while doing things around the house. _yeah_. good stuff. Dylan and the Dead: found an old random CD of D&tD 7/4/87. GREAT stuff. I typically do not like guest artists, but this is different. D&C at the Gorge this evening. wish I cared. but I don't. at least there's no chance of a rainout. :) Anthem reissue coming soon. What will DaP27 be? if you need a palate cleanser, listen to Motorhead. "rejoice, rejoice, we have no choice, but to carry on"
  • cub
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    Keithfan My Man
    From a Jerry fan So.. I was at that Dead n Co. mess in Camden on June 2nd which was purchased with funds from a cancelled Ft Lauderdale show December 2017. Well the wait was not worth it! Within mins. of 10pm Lights-On, Camden police were walking the concrete tunnel/sidewalk around the base of mud-hill yelling "SHOWS OVER - GO HOME" At almost the same time, however most of the paid venue staff in red shirts were getting conflicting information thru their coms and told us to "Remain inside, the show would continue". All said with a straight face as the band's bus quietly exited for hotel before any of us could get to our cars neatly parked just across the street. We were held in there for 1 hour! Some packed into the bathroom/vending area with NO return to the venues many empty seats. WTF was that about? Camden is alot of gypsy park lots $30 one day, VIP $70 the next. Zero for us cause we are from S. Jersey.(leukemia piss pot of deregulation) There was no reason to prevent people from leaving the venue except to keep others from the hill, outside. The lighting which was sporadic at best was mostly across the river in Philly n gone by then. I'm done with Dead n Co. (weak tea) No more shows for me and who needs em' with NUGS n edibles n legalization. The 80's Dead-Belt was a great alternative to college and Taper was a good fit for me. But when you don't make a single stage announcement to Bid Us Good'Night and just split the scene, well allow us to do the same. PS: I ordered my box too.
  • hendrixfreak
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    Allmans & RogueDeadGuy
    Hey bro, the Owsley Foundation only announced that the ABB set was coming, plus two other release announcements, all in July. No preorder as they haven't actually launched these releases. However, it looks like a one-disc compilation is listed on Amazon, but no set list, so impossible to tell what it is. The ABB release from 2/70 is -- I paraphrase -- all the existing material from their three sets over the three nights. So it doesn't sound like they have complete sets. But if the ABB played (3) 90-minute sets (minimum) and the OF has only half that material, they'd have two solid hours. The 1997 release was 72 minutes. So maybe they have another disc or two of material? In any case, this will be Owsley-recorded original ABB on several discs. We already have a compilation from 1997, with more to come, presumably delivered as 2/11, 2/13 and 2/14 -- i.e., properly archived and presented. We're talkin' about a fresh archival release of Duane Allman and his boys opening for the GD at the Fillmore East in February 1970. Need I say more?
  • Thin
    Joined:
    This box is amazing - 2 boxes in one.
    So not only are the shows and sound quality amazing, but the box itself is as well. I just looked into this artists past work - I gotta say I'm intrigued. I'm simply giddy about his release. I would have been ecstatic if they just released the 3 '73 shows, then the other 3 '74 shows next year. But instead we get them together. THANK YOU Dave & Co for all you do. I'm listening to a lot of NON 73-74 until this comes out.... I LOVE 1973! Looser and jazzier than any other year. Anyone who doesn't get this will be disappointed when it finally sells out. Again, the box alone will be highly sought after item for years to come. And the 6 shows inside are amazing - an absolute gem.
  • daverock
    Joined:
    73-74 is okay by me
    Having criticized the potential size of this box-I feel I must add that this is a very minor consideration for me. The music is what counts, and I agree with Jim that 1973-1974 are for me very exciting years-even the mistakes are valid as they are part and parcel of the experimental approach that yielded such gems. So however they are housed-as long as they play alright-that's alright with me. I was also interested to read of release of the rest of The Allmans sets from the Fillmore 1970. Hope they come out on cd, though.
  • JimInMD
    Joined:
    Re: rdevil
    Well put. I seem to have more internal hype for this than it seems permeates through this thread. I suspect this will not be sold out by the time it hits the streets and I expect some added hype once people get their first complete listens. I get more exited over 73 and 74 then I do about 77. Less predictable, more exploratory and jazzy. It doesn't bother me when the miss the mark as they seem to just recoil and spring out all over again until they scratch that sweet spot. I had to run some errands during the lunchtime show on Sirius.. today's concert was 4/5/71 at the Manhattan Center. It reminded me of the 76 conversation the other day. Some liked 76 and some didn't.. (surprise). I think was the Ice Cream Cone Kid that commented on variety. I think 1971 was to 1972 as 76 was to 77. Breaking out new material and new equipment, testing new arrangements and by the end of the year they were able to make sense of it all and the following year was built on the accumulated strength. Like 68 was to 69, etc. I am very happy they continued to experiment and reinvent themselves and I am ore than happy to spend an evening revisiting these shows. I like the follow the progression and hear the learning curve real time. There's revelations baked into those early moments.
  • rdevil
    Joined:
    6-28-74
    Haven't been posting here much the past year and a half but felt compelled to sing the praises of 6-28-74. I remember the joy of discovery when I first got that tape many years ago. I'm a strongly opinionated "complete show guy" but DiP12 is among the best releases I have. Sugar Mags through the end is just incredible and the "jam" on disc 3 is just exactly what I love the most about this band. This really is what it is all about for me.I know that everyone has their sweet spot but I'm WAY more excited about this box than the GSTL box (not that I don't dig that one, I do). I just feel that 6-22-73 and 5-19-74 are perfect examples of the many shows that are much better than any played after the hiatus. It's cool with me if you have a different opinion, it really is. But seeing "6-28" just made me want to share my passion.
  • Angry Jack Straw
    Joined:
    Still whining about the rainout, huh?
    Get over it. 11:00 hard curfew. Well known. And not being treated properly? Good one. NJ is the biggest pisshole the band ever played. Totally obnoxious and abusive security.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Boy that box looks big. Is there something in there that we are not being told? A big thank you to Cosmic Charlie for turning me on to Swing Auditorium, San Bernardino, CA (2/26/77). A terrapin opener. Hunter's Trix Vol 80.
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Maybe empty and will be a nice case for some existing releases. I am going to assume closed in like 30 trips and a lot of unused space. I am also assume like 30 trip it will be wood.
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I made the comment a few months back about my "downward spiral of metal." To which you responded, "I get you now." Paraphrasing both. I got to see Iron Maiden on the Killers tour. I was was in my peak of metal in 1981, and yes I occasionally will put on a grinder just to shake things up. It was Maiden as the original group (adding Adrian Smith)and they blew us away. Hard, loud, powerful, and sounding great. They played almost all of Killers and most of their first album as well. Aha, Murders in the Roe Morgue! From the first album I can remember Running Free, Charlotte the harlot and Iron Maiden. Of course, then Priest came out and destroyed what was left of the Fox in Atlanta. Less than 6 months later I was turned on to these guys and slowly started the Golden Road. That road has continued since always cleaning and purifying to the point where Grateful Dead is almost 100% what I listen to. Cheers! g Edit:Sux caused I missed the dead there in 80, of course too young. But then got shut out to 1 of the 1985 shows at the Fox. It was hard to find heads when all of your buddies are full on metal gods.
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Don't forget Dick's Picks 19. 10/19/73 Oklahoma. Complete concert. Very good sound quality. Killer show.
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Thanks Shirdeep! Saw them many times during their short-lived existence, Jerry was on fire every for single show, arguably his best playing of that year was with Reconstruction. An official release would be welcome.
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Agree. Amazing show and still one of my favorite releases.
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17 years 4 months
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DP19 is my favorite release to date. Perfect from start to finish. I wonder if anything will be released to change that.
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Speaking of DiP19, it is a great release. Every so often it comes up and I am amazed at how many think it is the best so far. I guess I need to try again. Dont get me wrong I love it. I just need that extra persuasion that it is a love supreme. I think I have two copies should someone need it. I will double check. g
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I found this cassette while trading with a guying Texas about 20 years ago. I was floored when I heard the 2nd set.... couldn't stop listening to it - like no other show I'd ever heard, and still amazes me every time I hear it. If you don't have this show, you are missing out!
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I felt the center of the universe shift just a little to the left...., I think a Sixtus may have been born... I can't BELIEVE we haven't gotten any updates. Where are his priorities?
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Back when I was raiding the Archives, the shows from this release just didn't have the recording quality I was looking for. So I'm really looking forward to this one. I did grab the UW Hec Ed show just for the novelty of the long PITB. An LP version would fill both sides of an entire album. Maybe it's just me, but in a 'Beavis and Butthead' kinda way I find it hilarious that in the main graphic the 8 figures arrayed around the skull are so, uh, anatomically correct.
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Are they gonna keep our $$ this many months in advance, or are they gonna refund it to us for now, and re-charge shortly before shipping?
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Good eye, drifter's. I totally missed that.
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17 years 4 months
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Great catch indeed. Helen Lovejoy - will somebody think of the children.
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Look at the top large picture and focus on the 8 figures (male and female) that circle the center skull image.
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I hope its better quality than the 30 trips box. My 30 trips box was cracked on arrival. Music is great, so the box is not that important.
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Thin....you're on to something here... it certainly left a smokin crater in my mind I'd like to blown away! Our guy arrived just after 8'AM this morning....Tigran Victor Abrahamsen. That's Armenian, after Ingrid. She's doing excellent, we're all a little tired. BUT... Back to priorities; I'm still planning to stream tonight! Ha ha Ha from our hospital room. Long live Alpine Valley! Be well out there people. Sixtus
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While not likely I'd like to see an all music edition get released after the E72 crate & the 30TATS box I've run out of room to store these mega packaged releases call this one MiniZilla. It's Friday DeadLand did you kind folks PLAY DEAD today, here is a good selection for today 6/22/91.
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Congratulations man. All the best to you and your crew.
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The "mother-of-all-1973-shows"?Hardly likely. Just one of my all-time favorite shows, as with the big Dick Latvala himself. I am under the impression that Dave Lemieux was reading Latvala's notes, so in my minute, twisted, perverse, acid-soaked, pea-brain, Dick was still calling the shots (from the great beyond) Mentally, I still can see those two AudioMagnetics C-90 Type-I cassettes with poor muddy and hissy sound in my cheap boom-box cranking out this show.
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Sixtus so happy for you and yours. You and Jim and a couple of others may be the most energetic people I have ever seen. How you can keep us posted, be a married man, a father, an employee, wow! Wish some of that energy would rub off on me. Congrats to yall. Dang my short term memory, the Mrs' name escapes me, maybe Ingrid??? Let her know we are all pulling for you all! g Edit: d'oh, didnt see you said her name. I am proud of myself for remembering something more than 2 hours old.
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Hardly likely at this point. Only if this box sold out within the first four days or a very short time, much quicker than expected, would Rhino/Warner Music Group think of quickly creating an AME.
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So you named her after Jerry's "Tiger" guitar... (or perhaps the Tiger jam?) I predict you get a Row Jimmy tonight for Tigran: "Rock your baby to and fro, Not too fast and not too slow."
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The recording has always sounds papery and thin, at least throughout most of the first disc. There's just not a lot of depth to it. And too much hiss. Things improve somewhat as the show progresses, but not by much. Then again, most of Kidd's recordings sound that way, at least to my ear. Dave's 21 (love this one) is a Rex recording, and the difference is like proverbial night and day. It's not without its own flaws (name a recording that doesn't have them) but there's much more resonance. Again, not saying I don't appreciate Dave's 16. It's become a repeat play. But my ear sockets need to adjust each time I listen to it before I settle in for the ride.
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....that would be cool as shit. I'm gonna root for one! What's Become Of The Baby would be even more awesome!
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This looks freaking awesome!! It's boxes like this and 30 Trips that make me hate the fact I lock them up in the shipping box and put the discs in slim cases. Easy money for me Dave keep them coming.
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This looks freaking awesome!! It's boxes like this and 30 Trips that make me hate the fact I lock them up in the shipping box and put the discs in slim cases. Easy money for me Dave keep them coming.
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Sixtus :-) Skull - I agree with your opinion on DaP 16 & 21. I would have said 16 was "airier"? I gave all of a 5 minute listen to Stella's, both were amazing clear. That one on 16 thinnest sound great at volume. A hollow hall, standing on the edge of the pit, glowing before you, the way a stella should be, right? Anyway, how do account for the difference in recording techniques. Feeds used? Mixes made on fly? Mike placement? All of the above? Opinions on sound at both venues? Jim - when I went back I saw you had the voiced on the 16/21 recordings/shows. But what I went back for was you very fine quote - "flawlessly flawed". :-) You probably stole it. That was Twain, right? In the time since I've started this, I've got thru both recording of Stella. I think 21 is a little closer, warmer and intimate. Where the jam in 16 is "larger/spacious", 21's is bluer, more controlled, was it played on a Sunday? Sounds like a Sunday. Crazy huh? In any event Stella is a great across the eras tune. It may sound different but it's one you can get lost in your own thoughts while listening to and still snap out for the return to lyrics. But all the while you weren't really thinking about the era, but floating on the sound, right? Just hit the 3 from the spring 90 collection. The one from 1990-03-16 - Capital Centre - Landover, MD, was stella. That recording was very dimensional (in my book). Also the later Stella's soared, Phoenix from ashes shit (imho). I'm always impressed(?);-) with the width and depth of arcane knowledge. I'm excited about this box, because comparisons will be nice, but yeah, the box. I do like then cluttering the shelfs. As I look around, what other band has this many "box things", that aren't just repackage stuff already available. Now where am I going to put it,,, the books must go! Yes dear I gave them to charity, I knew you were never going to read War & Peace again. You said Infinite Jest twice was enough. (she still looking up footnotes) Speaking of box sets, is Pink Floyd going to release another box set? The Later Years?
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E72 has all music only edition
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Listening to 3-28-73 now and I don’t hear any hiss or other sound problems.In fact, sounds pretty damn good compared to the cassette tape collection I once had.
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6-22-91I bought an obstructed view seat at the box office the day of the show. The view was obstructed by the soundboard! The ticket was in the taping section. The view definitely was obstructed, so I stood off to the side in the aisle. Also found an upper level ticket on the ground before the show.
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It's poker night here in South Jersey. I'm playing Hold'em with the same four guys I've been playing Hold'em with for at least since Rockin' The Rhein came out. That is in fact the show that made me feel the magnetic pull and infectious delight of the Grateful Dead (Sugar Magnolia in particular). Not long after, my Uncle sent me Ladies and Gentlemen, where the best core version of Uncle John's Band resides, in my humble opinion. I just informed them of who you are and that you have a baby Sixtus in the world with you tonight. My buddy Dominic, who is hosting tonight, breaks out a bottle of 21 year old Redbreast Irish whiskey. My buddy Jimmy the Fish packed up the bong. I put Sugar Magnolia and Uncle John's Band on the stereo, and we toasted baby Tigran, Son of Sixtus. My only regret in this whole escapade, is that I flashed the picture of your dead net avatar, and there's a serious discussion going on about locating and tearing down a Dead End street sign for Dominic's bar.
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Like taffy1969 wrote, this has been a favorite for more than 30 years now, can't wait for the official release. We first had this show missing 6 songs; later on the six songs were added to make the show complete. The reason that six songs were initially left out was the fact that the vocals were too low in the mix. Portland '74 is a two-track tape, isn't it? So it will be re-mastered but no re-mix is possible? That's fine with me, always interested in complete shows as long as the mix isn't terrible...and the mix is superb apart from the six songs with low vocals. Glad to see these six shows available as a boxed set!
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I almost added the animal reference of "Hell in a Bucket" earlier related to my Tiger song ideas... it mentions "your chair and your whip and your pets" and the tiger snarl at the end... Apparently someone called Bobby about Tigran and he's pointing out the Hell in a Bucket connection in addition to my thoughts.
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Oh man, so many wonderful, thoughtful, kind, even creative remarks and well wishes - We are truly touched. I've shown Ingrid All of The Love that's being offered for Tigran and our family. She is similarly warmed in her heart. Thin, he caught that Bucket Opener too - I think he was so excited he pooped! I am an expert poop changer and swaddler, for the record. Two burps in a row meant he was PSYCHED for second set. Truly Feeling The Love. Thank you All for offering such a kind Family Welcome to our newest Deadhead and lifetime clan member. Another generation destined to know Jerry and The Grateful Dead. With Fond and Sincere Regards Sixtus
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I would like to congratulate you both on the birth of your masculine child. -- Luca Brasi
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14 years 9 months
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great show never heard the first set until now have had the 2nd set on cassette for a long time it would a nice part of a Greek box set, Dave
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9 years
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Who is the guy with dark hair and headband that is in the front row of every D&C show?
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My guess is Warren Buffet or Bill Gates.. perhaps Mark Cuban? Lucky bastard.. I hit a string of NY area shows about a decade or so ago. I was working that way and it was easy for me to get there and they were playing a lot.. I guess if was P&F / Further. Anyway.. there was this one guy, thin, kinda wiry.. he was front and center at every NY area show I caught.. and he was a jumper, up and down, up and down.. like straight up and straight down. So we aptly called him Tigger (as in Winnie the Poo Tigger). Perhaps it's Tigger.
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Tigran Mansurian. Highly acclaimed Armenian composer. His "Four Serious Songs for Violin and Orchestra" are really easy on the ears.
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