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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • NCDead
    Joined:
    AOTS
    Looks like my AOTS 50th is sitting on my door step. I do not remember getting fast shipment on this maybe they finally realized smart-post is a horrible service.
  • Vguy72
    Joined:
    Getting familiar with the Junkies....
    https://youtu.be/N3TVgEpMyhI.... nothing like the present!
  • Vguy72
    Joined:
    Junkies live....
    ....I've seen them three times. Only once in Vegas. The audience was pretty rowdy. They haven't been back since. Twice in California.
  • Across the Rio
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    Duke City
    Yes Strider, that wind before the ABQ show was crazy. Never had a wind delay before, and it really made a mess of the entrance. Was just walking through the gates when Halfstep started and made it to our seats just in time for across the rio grandio. My wife was wowed by Meyer and how he fit with the group. She was not wowed with how they slowed down Johnny B Good compared to the old days ("That must have been Bobby's decision" she said, "John should have taken over like he did on Uncle John's Band"). Was pretty confident they would open with Halfstep about a mile from the rio, having looked at the last 6 show lists, it was one of the best choices not played recently to open and boy did it fit the locale. Good show, but not as good as either of last years shows I saw in Boulder (I think, about the same as the first night).
  • DaveStrang
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    C. Junkies
    Same here - I've loved 'em since Trinity Session and onward. I've never had the chance to see them live, you?
  • Oroboros
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    My evil twin Oroborous reminded I promised a story, and it
    relates to the Dead era of this upcoming box set release, however this location was the midwest, instead of the northwest. But still 1974. This was my first show and it was on 6-16-74 in Des Moines, Iowa. This was a musical road-trip starting in Lincoln NE and four of us traveled down to Kansas City's Arrowhead Stadium on Friday night (6-14-74) to see the Allman Bros. Band. That was quite a hot show and ABB were loud and the guitar work on their raucous blues and rock was stratospheric. We got up early and were travelling in my convertible VW bug (top down) and took country roads back up to the Des Moines Fairground. Yes, back roads because we were not fit to drive on the interstate (nor the highways) with regular citizens, but staying on those gravel roads with occasional stops for exploration fit the bill in our crazed state. These were the 70's I remind you, so this era commanded a sort of reckless abandon. And we answered the call, but were unprepared for the aural adventure on tap in Des Moines. I recall our tickets to see the Grateful Dead ($3.75?) said the show starts at 1:00 on Sunday. This would be quite a treat, as I had never seen the Dead before, but I had listened avidly to Europe 72, Skeleton & Roses (Skullfuck), Workingman's Dead the new one Wake of the Flood. And the weather was wonderful as we traversed those back-roads, laughing, partying, and goofing to our hearts content. Needless to say the statutes of limitations have lapsed on that prankster period but I will stick to the show story as opposed to the side trip. We pulled into a campground and set up camp and as was our penchant 'back in the daze' began furiously rolling smoke-able party favors for the looming Dead show. The next day we arrived at the Des Moines State Fairground and it turned out to be a wonderful outdoor spot with the 'Wall of Sound' erected several hundred yards in front of the Fairgrounds covered grandstand. We were standing out front milling about, being part of the show and watching others do their part, frizbee, t-shirts (still have mine, a threadbare wonderful homemade "Garcia" image, not quite my size anymore ;o}), sales of various items and all of a sudden we hear a bullhorn announce "the show will start at 12:30." So we decide to head on in. I heard later they heard a storm was blowing into the plains so they started early to beat the rain. I never since saw or heard of an early start of a Dead show, have you? It is hard to describe how striking that 'Wall of sound" was sitting in front of us. It was simply immense. As you approached it, the massive assemblage of speakers seemed to grow outward and upward. So many stacks upon stacks. I thought the Allman Bros. sound system was loud 2 nights before but their system was absolutely dwarfed by this massive scaffolding & speaker construction. Crosby Stills Nash and Young's system wasn't even 1/2 this size and they blew our socks off. So what would this behemoth sound like? We all ran about in the crowd before the show started and there was a little stand for Rounder records with some miniature album covers advertising Jerry's new album (his second solo), a Kingfish album and the Grateful Dead's upcoming release "Mars Hotel". I marveled at the wonderful illustration of a seedy hotel on a Martian landscape for the new album. Ugly rumors indeed! Little did I understand what I was about to witness. Party favors circled about and the crowd swelled against that elevated stage in anticipation. The Dead had played here last summer and I had heard from my grinning buddies about the "double rainbow' that appeared on cue (as was so prone to happen at the Dead shows) during that show. The Dead ambled out to tune up. There is Keith on his grand piano, Billy at his drums in the middle under this cylindrical-suspended-speaker-section, Phil in his shades and a beard, and Bobby with a flannel shirt (to ward of the cool breeze blowing in). But who was that in a red 'Mars Academy' sweatshirt? It looks like a chubby Dustin Hoffman? No, it's JERRY! He shaved off his beard! He still had massive sideburns (ala the sixties). They tuned up and began playing and off we go-"Bertha" yes!!!!!!!!! and the crystalline sound of that system. Unbefuckiin'liveable, just off the charts, beefy bass, and loud!!!! I can hear everyone clearly...Weeee!!!! And the Grateful Dead took me on a journey, of Americana, country, space, rock, jam, fable, fun, roller coaster, and turn on a dime. An aural feast extraordinaire. That first set gifted me with my first Scarlet Begonias. When I first heard those shimmering leads and I first thought it was going to be China Cat Sunflower. No, it was a stand along Scarlet Begonias- from their new album (not yet released). A couple songs later after that was my first live China Cat> I know you Rider. Just exactly perfect. Mexicali-Blues, Row Jimmy, Around and Around and others were in that first set. Then the first set break. This was the old days and this was to be a 3 set show. We were terribly spoiled in those days, my friends. A bounty of riches that hazy overcast day in Iowa. Second set started with a US Blues and then The Race is On. However then the fabric of time slowed and expanded when an ethereal sounds of Eyes of the World soared out of that Wall of Sound. Garcia playing those 'catch me if you can' cascading leads, with Bobby's shimmering upstrokes in alternate rhythms, all the while Keith is playing the keys either in counterpoints or delicate mirrors to Jerry's leads. And Billy's effortless jazzy fills punctuating and driving the boys and Phil's bass dancing low and then those impossibly high bass notes. Bass leads, wait who has ever heard of bass leads? Then the Dead magically segued into Big River (a segue complete with a whiplash collar). This was a glorious Big River for us in the middle of the country right by the big river that Johnny Cash wrote about. Other tunes followed both old and new. This was stupefying, and after Donna joined the boys for Ship of Fools, then Phil delivered bass bombs during a staggering Playin' in the Band to end the second set. The sight of the wall of sound was remarkable but with this speaker construction of Owsley's, transformed Phil's bass notes into a pulsated sonic pressure right into my chest, sneaking into me physically and synchronizing with my breathing. I had to lean forward to not tumble over backwards. End of the second set. Whew... My mouth was hanging agape, I look to my buddies, and they stared wide-eyed back at me, grinning with anticipation. The Dead will be back for more? Another set? How much more can they show us? I thought that I am saturated, no more wonder will fill this cranium. My buddy who had been at last year's show smiles knowingly at me and then leans back to laugh with a Neal Cassady guffaw and we all break up giggling. Then yes, the Dead come out to astound us with more tales, mysteries, and celebrations,.... Set 3 Truckin'> Wharf Rat > Nobody's Fault Jam> Going Down The Road Feeling Bad and then we got an encore of Casey Jones. Aural delights that created a response with the crowd that would ebb and flow, an ocean of sound in Iowa, where the Dead would roll sound out at us and we would all respond with primal howls and cheers back at them, only to have them return with increased energy back to us in the next refrain. I really had no context for this experience. It was beyond belief........... Afterwards we all staggered back to the VW bug to make the trek home to Lincoln, Nebraska. What!! It is really 6:00 p.m.? How long did these guys play?!!!!!!!!!! How long indeed ;o} So my brothers (and sisters) that is how I got on the bus back in June of 1974. "Teachers open the door, but you must enter by yourself"
  • Vguy72
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    Junkies Nomad series....
    ....i own it. I own every Junkies release. Huge fan here.
  • DaveStrang
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    Vguy72/Cowboy Junkies
    Have you heard their 'Nomad' series? 4 individual self-releases all worthy of adding to your collection should you be inclined. They have a box set of the series (actually the size of GD's 'Ladies & Gentlemen'...) with a 5th CD of bonus tracks/outtakes.
  • DaveStrang
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    Joined:
    Another Harmless Joke?
    Deleted - in poor taste, not enough morning joe
  • KeithFan2112
    Joined:
    Morning commute / shirdeep question
    Going with choice selections from DP 28 Feb '73. Great Cold Rain & Snow. Fantastic GSET, but the Louie Louie riff Phil plays before it starts drives me nuts every time. I always want them to play the whole song. Also has one of those slow slinky Loose Lucy's. And of course Dark Star. What's everyone else listening to? wissonomingdeadhead - I saw that you listed yes as your favorite studio album band. I'm a huge fan as well. I started buying those 5.1 surround sound Steve Wilson remasters, and they're fantastic. Tales From topographic oceans never sounded better than this. Of all their Studio records that one in its original pressing was always a little disappointing from a Sonic standpoint. It was as though I could never turn the treble up high enough to hear the drums well. Everything was just kind of muffled and muted or something. Not anymore! Did you also pick any of those up? Shirdeep - you seem to have a huge collection of old Grateful Dead pictures. Do you have any Keith pictures? Doing a Google search doesn't really get you too many of him.
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6 years 7 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Boy that box looks big. Is there something in there that we are not being told? A big thank you to Cosmic Charlie for turning me on to Swing Auditorium, San Bernardino, CA (2/26/77). A terrapin opener. Hunter's Trix Vol 80.
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Maybe empty and will be a nice case for some existing releases. I am going to assume closed in like 30 trips and a lot of unused space. I am also assume like 30 trip it will be wood.
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9 years 3 months
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I made the comment a few months back about my "downward spiral of metal." To which you responded, "I get you now." Paraphrasing both. I got to see Iron Maiden on the Killers tour. I was was in my peak of metal in 1981, and yes I occasionally will put on a grinder just to shake things up. It was Maiden as the original group (adding Adrian Smith)and they blew us away. Hard, loud, powerful, and sounding great. They played almost all of Killers and most of their first album as well. Aha, Murders in the Roe Morgue! From the first album I can remember Running Free, Charlotte the harlot and Iron Maiden. Of course, then Priest came out and destroyed what was left of the Fox in Atlanta. Less than 6 months later I was turned on to these guys and slowly started the Golden Road. That road has continued since always cleaning and purifying to the point where Grateful Dead is almost 100% what I listen to. Cheers! g Edit:Sux caused I missed the dead there in 80, of course too young. But then got shut out to 1 of the 1985 shows at the Fox. It was hard to find heads when all of your buddies are full on metal gods.
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15 years 1 month
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Don't forget Dick's Picks 19. 10/19/73 Oklahoma. Complete concert. Very good sound quality. Killer show.
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Thanks Shirdeep! Saw them many times during their short-lived existence, Jerry was on fire every for single show, arguably his best playing of that year was with Reconstruction. An official release would be welcome.
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13 years 4 months
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Agree. Amazing show and still one of my favorite releases.
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17 years 3 months
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DP19 is my favorite release to date. Perfect from start to finish. I wonder if anything will be released to change that.
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Speaking of DiP19, it is a great release. Every so often it comes up and I am amazed at how many think it is the best so far. I guess I need to try again. Dont get me wrong I love it. I just need that extra persuasion that it is a love supreme. I think I have two copies should someone need it. I will double check. g
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I found this cassette while trading with a guying Texas about 20 years ago. I was floored when I heard the 2nd set.... couldn't stop listening to it - like no other show I'd ever heard, and still amazes me every time I hear it. If you don't have this show, you are missing out!
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I felt the center of the universe shift just a little to the left...., I think a Sixtus may have been born... I can't BELIEVE we haven't gotten any updates. Where are his priorities?
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Back when I was raiding the Archives, the shows from this release just didn't have the recording quality I was looking for. So I'm really looking forward to this one. I did grab the UW Hec Ed show just for the novelty of the long PITB. An LP version would fill both sides of an entire album. Maybe it's just me, but in a 'Beavis and Butthead' kinda way I find it hilarious that in the main graphic the 8 figures arrayed around the skull are so, uh, anatomically correct.
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14 years
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Are they gonna keep our $$ this many months in advance, or are they gonna refund it to us for now, and re-charge shortly before shipping?
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13 years 11 months
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Good eye, drifter's. I totally missed that.
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17 years 3 months
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Great catch indeed. Helen Lovejoy - will somebody think of the children.
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17 years 3 months
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Look at the top large picture and focus on the 8 figures (male and female) that circle the center skull image.
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17 years 4 months
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I hope its better quality than the 30 trips box. My 30 trips box was cracked on arrival. Music is great, so the box is not that important.
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Thin....you're on to something here... it certainly left a smokin crater in my mind I'd like to blown away! Our guy arrived just after 8'AM this morning....Tigran Victor Abrahamsen. That's Armenian, after Ingrid. She's doing excellent, we're all a little tired. BUT... Back to priorities; I'm still planning to stream tonight! Ha ha Ha from our hospital room. Long live Alpine Valley! Be well out there people. Sixtus
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12 years 10 months
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While not likely I'd like to see an all music edition get released after the E72 crate & the 30TATS box I've run out of room to store these mega packaged releases call this one MiniZilla. It's Friday DeadLand did you kind folks PLAY DEAD today, here is a good selection for today 6/22/91.
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Congratulations man. All the best to you and your crew.
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The "mother-of-all-1973-shows"?Hardly likely. Just one of my all-time favorite shows, as with the big Dick Latvala himself. I am under the impression that Dave Lemieux was reading Latvala's notes, so in my minute, twisted, perverse, acid-soaked, pea-brain, Dick was still calling the shots (from the great beyond) Mentally, I still can see those two AudioMagnetics C-90 Type-I cassettes with poor muddy and hissy sound in my cheap boom-box cranking out this show.
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Sixtus so happy for you and yours. You and Jim and a couple of others may be the most energetic people I have ever seen. How you can keep us posted, be a married man, a father, an employee, wow! Wish some of that energy would rub off on me. Congrats to yall. Dang my short term memory, the Mrs' name escapes me, maybe Ingrid??? Let her know we are all pulling for you all! g Edit: d'oh, didnt see you said her name. I am proud of myself for remembering something more than 2 hours old.
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Hardly likely at this point. Only if this box sold out within the first four days or a very short time, much quicker than expected, would Rhino/Warner Music Group think of quickly creating an AME.
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So you named her after Jerry's "Tiger" guitar... (or perhaps the Tiger jam?) I predict you get a Row Jimmy tonight for Tigran: "Rock your baby to and fro, Not too fast and not too slow."
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The recording has always sounds papery and thin, at least throughout most of the first disc. There's just not a lot of depth to it. And too much hiss. Things improve somewhat as the show progresses, but not by much. Then again, most of Kidd's recordings sound that way, at least to my ear. Dave's 21 (love this one) is a Rex recording, and the difference is like proverbial night and day. It's not without its own flaws (name a recording that doesn't have them) but there's much more resonance. Again, not saying I don't appreciate Dave's 16. It's become a repeat play. But my ear sockets need to adjust each time I listen to it before I settle in for the ride.
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17 years 4 months
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....that would be cool as shit. I'm gonna root for one! What's Become Of The Baby would be even more awesome!
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11 years 5 months
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This looks freaking awesome!! It's boxes like this and 30 Trips that make me hate the fact I lock them up in the shipping box and put the discs in slim cases. Easy money for me Dave keep them coming.
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This looks freaking awesome!! It's boxes like this and 30 Trips that make me hate the fact I lock them up in the shipping box and put the discs in slim cases. Easy money for me Dave keep them coming.
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Sixtus :-) Skull - I agree with your opinion on DaP 16 & 21. I would have said 16 was "airier"? I gave all of a 5 minute listen to Stella's, both were amazing clear. That one on 16 thinnest sound great at volume. A hollow hall, standing on the edge of the pit, glowing before you, the way a stella should be, right? Anyway, how do account for the difference in recording techniques. Feeds used? Mixes made on fly? Mike placement? All of the above? Opinions on sound at both venues? Jim - when I went back I saw you had the voiced on the 16/21 recordings/shows. But what I went back for was you very fine quote - "flawlessly flawed". :-) You probably stole it. That was Twain, right? In the time since I've started this, I've got thru both recording of Stella. I think 21 is a little closer, warmer and intimate. Where the jam in 16 is "larger/spacious", 21's is bluer, more controlled, was it played on a Sunday? Sounds like a Sunday. Crazy huh? In any event Stella is a great across the eras tune. It may sound different but it's one you can get lost in your own thoughts while listening to and still snap out for the return to lyrics. But all the while you weren't really thinking about the era, but floating on the sound, right? Just hit the 3 from the spring 90 collection. The one from 1990-03-16 - Capital Centre - Landover, MD, was stella. That recording was very dimensional (in my book). Also the later Stella's soared, Phoenix from ashes shit (imho). I'm always impressed(?);-) with the width and depth of arcane knowledge. I'm excited about this box, because comparisons will be nice, but yeah, the box. I do like then cluttering the shelfs. As I look around, what other band has this many "box things", that aren't just repackage stuff already available. Now where am I going to put it,,, the books must go! Yes dear I gave them to charity, I knew you were never going to read War & Peace again. You said Infinite Jest twice was enough. (she still looking up footnotes) Speaking of box sets, is Pink Floyd going to release another box set? The Later Years?
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E72 has all music only edition
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9 years
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Listening to 3-28-73 now and I don’t hear any hiss or other sound problems.In fact, sounds pretty damn good compared to the cassette tape collection I once had.
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6-22-91I bought an obstructed view seat at the box office the day of the show. The view was obstructed by the soundboard! The ticket was in the taping section. The view definitely was obstructed, so I stood off to the side in the aisle. Also found an upper level ticket on the ground before the show.
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It's poker night here in South Jersey. I'm playing Hold'em with the same four guys I've been playing Hold'em with for at least since Rockin' The Rhein came out. That is in fact the show that made me feel the magnetic pull and infectious delight of the Grateful Dead (Sugar Magnolia in particular). Not long after, my Uncle sent me Ladies and Gentlemen, where the best core version of Uncle John's Band resides, in my humble opinion. I just informed them of who you are and that you have a baby Sixtus in the world with you tonight. My buddy Dominic, who is hosting tonight, breaks out a bottle of 21 year old Redbreast Irish whiskey. My buddy Jimmy the Fish packed up the bong. I put Sugar Magnolia and Uncle John's Band on the stereo, and we toasted baby Tigran, Son of Sixtus. My only regret in this whole escapade, is that I flashed the picture of your dead net avatar, and there's a serious discussion going on about locating and tearing down a Dead End street sign for Dominic's bar.
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17 years 4 months
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Like taffy1969 wrote, this has been a favorite for more than 30 years now, can't wait for the official release. We first had this show missing 6 songs; later on the six songs were added to make the show complete. The reason that six songs were initially left out was the fact that the vocals were too low in the mix. Portland '74 is a two-track tape, isn't it? So it will be re-mastered but no re-mix is possible? That's fine with me, always interested in complete shows as long as the mix isn't terrible...and the mix is superb apart from the six songs with low vocals. Glad to see these six shows available as a boxed set!
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11 years 4 months
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I almost added the animal reference of "Hell in a Bucket" earlier related to my Tiger song ideas... it mentions "your chair and your whip and your pets" and the tiger snarl at the end... Apparently someone called Bobby about Tigran and he's pointing out the Hell in a Bucket connection in addition to my thoughts.
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9 years 11 months
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Oh man, so many wonderful, thoughtful, kind, even creative remarks and well wishes - We are truly touched. I've shown Ingrid All of The Love that's being offered for Tigran and our family. She is similarly warmed in her heart. Thin, he caught that Bucket Opener too - I think he was so excited he pooped! I am an expert poop changer and swaddler, for the record. Two burps in a row meant he was PSYCHED for second set. Truly Feeling The Love. Thank you All for offering such a kind Family Welcome to our newest Deadhead and lifetime clan member. Another generation destined to know Jerry and The Grateful Dead. With Fond and Sincere Regards Sixtus
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14 years 11 months
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I would like to congratulate you both on the birth of your masculine child. -- Luca Brasi
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14 years 9 months
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great show never heard the first set until now have had the 2nd set on cassette for a long time it would a nice part of a Greek box set, Dave
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9 years
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Who is the guy with dark hair and headband that is in the front row of every D&C show?
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13 years 4 months
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My guess is Warren Buffet or Bill Gates.. perhaps Mark Cuban? Lucky bastard.. I hit a string of NY area shows about a decade or so ago. I was working that way and it was easy for me to get there and they were playing a lot.. I guess if was P&F / Further. Anyway.. there was this one guy, thin, kinda wiry.. he was front and center at every NY area show I caught.. and he was a jumper, up and down, up and down.. like straight up and straight down. So we aptly called him Tigger (as in Winnie the Poo Tigger). Perhaps it's Tigger.
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13 years 11 months
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Tigran Mansurian. Highly acclaimed Armenian composer. His "Four Serious Songs for Violin and Orchestra" are really easy on the ears.
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