• 3,948 replies
    clayv
    Default Avatar
    Joined:

    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

Comments

sort by
Recent
Reset
  • Deadheadbrewer
    Joined:
    First/Last Five
    First Five Shows:6/24/91: Sandstone 6/28/91: Mile High (no, did not stay for second night at Sandstone--didn't understand how this game was played back then) 9/4-6/91: Richfield Last Five Read: Electric Kool-Aid Acid Test (don't know why it took me so long to get to it; maybe because I never had much access to LSD?) Rabbi Jesus--Bruce Chilton The Plague--Albert Camus Invisible Man--Ralph Ellison Sula--Toni Morrison (America's greatest author?) Stolzfus--my wife got me a Pink Martini CD for Fathers Day, and we both love it.
  • LedDed
    Joined:
    Heart Attack and Vine...
    https://www.youtube.com/watch?v=z69Sa2WFP8Y Liar liar with your pants on fire, white spades hangin' on the telephone Wire, gamblers reevaluate along the dotted line, you'll never recognize Yourself on heartattack and vine Doctor lawyer beggar man thief, philly joe remarkable looks on in disbelief If you want a taste of madness, you'll have to wait in line, you'll probably See someone you know on heartattack and vine Boney's high on china white, shorty found a punk, don't you know there ain't No devil, there's just god when he's drunk, well this stuff will probably kill You, let's do another line, what you say you meet me down on heartattack and Vine See that little jersey girl in the see-through top, with the peddle pushers Sucking on a soda pop, well i bet she's still a virgin but it's only twenty- Five 'til nine, you can see a million of 'em on heartattack and vine Better off in iowa against your scrambled eggs, than crawling down cahuenga On a broken pair of legs, you'll find your ignorance is blissful every goddamn Time, your're waitin' for the rtd on heartattack and vine \m/
  • Charlie3
    Joined:
    First 5
    10/9/84 Centrum, Worcester, MA4/8/85 Spectrum, Philadelphia, PA 6/27/85 SPAC, Saratoga, NY 11/10/85 Meadowlands, E. Rutherford, NJ 11/11/85 Meadowlands, E. Rutherford, NJ White Blotter - Summer '82 An experiment I had been eager to conduct. 16 seemed pretty grown up to me, so why not... Purple Microdot - Fall '82 What a day at school. Donald Duck Blotter - Spring '83 Another day at school, far out indeed. White Dove on Creamy Pink Blotter 4 way - Summer '83 Wow, mind blown, what a sunset. Purple Microdot - Winter/Spring '84 Yeah, I think I like it. After that I really hit my stride for a few years...
  • Vguy72
    Joined:
    Currently listening to DaP 23....
    ....1.22.78 Eugene. Yeah. That was an "on" night.edit. Not as lucky as mhammond12 either. Was I born too late?
  • mhammond12
    Joined:
    First Five
    12/15/72 Long Beach Arena5/20/73 UCSB Stadium, Santa Barbara 6/29/73 Universal Amphitheater 6/30/73 Universal Amphitheater 7/01/73 Universal Amphitheater I want to see Simonrob's.
  • Vguy72
    Joined:
    First Five Dead Shows (ahem)....
    ....not as lucky as nitecat, but here they are#1 4.13.86 Irvine Meadows (final I Don't Need Love, so there's that. Seventeen years old. I had no clue what was going on. Up to that point in my life, I was deep into heavy metal. Wasn't too impressed with the music tbh. Spent most of my time people watching. Discovered hippy chicks are cute. Box encore. Everyone was flipping out. Something is afoot at the Circle K) #2 7.26.87 Anaheim Stadium (In The Dark was a hit. I said to myself "I remember these guys!" View The Vault 1, Dylan, my first Shakedown Street.) #3 11.15.87 Long Beach Arena (1st show dosed. My buddy and I never actually found or sat in our seats. Just wandered. They played Morning Dew. SOLD! His name was Kim Blanchard. Lost track of him. Hi Kim if you're reading this!) #4 4.23.88 Irvine Meadows (Ate too many mushrooms in the parking lot with my then girlfriend. We both threw up in between the cars, then BOOM! Heaven's Door encore. It was good. I liked it so much that we went back for....) #5 4.24.88 Irvine again (another Box. I'll take it) ....1989 was my heyday. Saw them 12 or 13 times. JGB once. I just said fuck it. I'm catching these guys as much as I can. And I did. Never did catch a Dark Star though. Booooo.... Got big into taping then as well. At one point we had six tape decks patched together. The 2xSpeed tape option was always on the table. So was Dolby C. But no one bit. Remember that? I still have all my tapes. I'm not a hoarder, I pinky swear. I miss Jerry.
  • Slow Dog Noodle
    Joined:
    mhammond12
    I'm writing fiction set in France in 1348, the onset of the black plague. Started looking for history of the 14th century and realized there's not a lot there. I read A Distant Mirror, which was okay, but got hipped to Sumption through Amazon and took a chance. Glad I did. For what its worth I bought the book at the local store. I fear bookstores are going the way of the hardware store and the record store and don't want to see them gone. It's probably in vain. ____ Jamming Minglewood from 3-31-88 right now. Would love to see some '88 released in the Dave's series.
  • nitecat
    Joined:
    First Five
    There you go, what's your First Five? Groovin' to Chinacat jam from 8/24 now! This needs Normanizing!
  • bob t
    Joined:
    nitecat... thanks
    12/31/71 must've been insane!!! That Dancing in the Streets is amazing!!! thanks and have a good weekend!! What a great first 5 shows to see!!!
  • nitecat
    Joined:
    Bob T
    Sure... Winterland 12/31/71 Hollywood Bowl 6/17/72 San Jose 8/20/72 BCT 8/22/72 nitecat
user picture
Default Avatar

Member for

6 years 8 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

user picture

Member for

15 years 9 months
Permalink

Congrats on your new addition. Hope we can have another family outing at a daytime DSO show... Take care and give Ingrid our congrats! Bob and Darlene
user picture

Member for

10 years 3 months
Permalink

It always amused me that Sonny needed an older generation Italian to "translate" the Sicilian message, "Luca Brasi Sleeps with the Fishes". What if Clemenza wasn't there at that hour to interpret? Sonny would have been like "hey check out this new wall decoration someone sent as a get well gift for Pop...this is so cool....a couple of fish in a bulletproof vest - why didn't I think of that?!?" And then Tom Hagen is like, "no Sonny, this is a Sicilian message" and Sonny's like "I know Tom, I know! I didn't want to discuss too much of the family business in front of Michael - but as always, our trusted concierge, you know best." And turning to Michael, Sonny says, "Tom's right... It's a Sicilian message alright... It means, if Pop makes it through this, he needs to start wearing a bulletproof vest..."
user picture

Member for

10 years 5 months
Permalink

Congratulations Sixtus family and welcome to il nuovo bambino che rimbalza! We're counting on you Tigran! All the best! Onward!
user picture

Member for

7 years
Permalink

Got this one rockin this morning, my first listen....Beautiful Sunday show makes for perfect Saturday morning listening! Gorgeous TLMD, WRS>LIG>China Doll Some other interesting moments...first and last performed "Let It Rock" (Chuck Berry Cover - I wonder why the first & last performed?), and first ever Seastones.... Congrats Sixtus on your new addition to the family!! Big shout out to Jim for helping to fill my calendar for probably the next 3 years...And to Oxford 88 for filling my order for all KC shows that are known to exist, plus the other "tasty boots" that he has promised. You guys rock...thank you very much!!! Oroboros.....I've been thinking about your Winterland Story all week....makes me smile, smile, smile everytime! Looked up the you tube video and sure enough, at the end of Fire on the Mountain, the dragon lurks....so fuckin cool!!! Happy Saturday Dead people, KCJ
user picture

Member for

14 years 9 months
Permalink

Congratulations, Ingrid, Tigran, and Sixtus! Today is Robert Hunter's birthday, I believe. The word gifts given us by this master poet make the music we all cherish infinitely more fascinating. Without Robert's lyrics, I know I would not crave this band as much as I do. Even on song versions where the group's playing may lack a certain X Factor, I can always take interest in, and find new depth in Robert's poems. Happy Birthday, Robert! You are a crucial member of the Grateful Dead.
user picture

Member for

6 years 10 months
Permalink

Whereabouts in South Jersey, KeithFan? 'Cause that's the land of my origin.
user picture

Member for

10 years 2 months
Permalink

I am continuing my gentle canter through Europe 1972, and today was Amsterdam, 5/10/72. Its a show that meant absolutely nothing to me-I've played it before-3 or 4 times , I guess, but nothing stuck in my mind about it. Surprising-because its amazing! The first set-in fact the first two cds are pretty good-like any other cds of a band you like playing at the top of their game. Its on the 3rd cd that things really take off-an incredible jam from Truckin' to The Other One-Me and Bobby Mcghee-The Other One and winding up with Wharf Rat. One of the best uses of a wah wah pedal I have ever heard. A truly exceptional sequence of music. The 4th cd feature some more high energy music, punctuated by another excellent Sing Me Back Home. If they hadn't played so many other great shows in Europe 1972-and maybe if they hadn't all been released at the same time (not that I'm complaining) this would surely have been heralded as one of the best shows of all time. I normally leave a gap after playing a Europe 72 show...but after this I felt like some more-so off we go into Rotterdam for the following night. Great news from Sixtus, too-happy days indeed!
user picture

Member for

13 years 4 months
Permalink

Happy belated birthday Tigris. Hopefully you'll find a way to get some sleep.
user picture

Member for

7 years 8 months
Permalink

Holy Smokes!!!!! Sweden has got to be wondering how the hell a ball can spin like that!!!!!That was awesome, regardless if you dig the Germans or not. Would have liked to see the Swedes advance. But no denying the skill of that last goal! Darn!!
user picture

Member for

13 years 11 months
Permalink

Thanks for the link eyes43. I was able to catch Peter Rowan's set. Dang, that brought back memories. I used to see him at the Birchmere in Alexandria, VA some 30 years ago. He and his band still sound as great as ever!
user picture

Member for

17 years 5 months
Permalink

6/23/26 Louis Armstrong6/23/38 Billie Holliday 6/23/57 Hank Mobley 6/23/58 Count Basie 6/23/67 Miles Davis 6/23/74 GOGD And one more for Septimus: Sound Dimension: Mojo Rocksteady Beat (wicked!)
user picture

Member for

17 years 4 months
Permalink

....damn Deadicated. That is some serious mini umbrella drinking, smoking ganja stuff going on. Thanks!! Loving the trombone. Kudos....p.s. Spotify is your friend.
user picture

Member for

13 years 4 months
Permalink

Great place to see a show.. I hope everyone there is having a good time.
user picture
Default Avatar

Member for

16 years 7 months
Permalink

It would be nice to see a portion of the proceeds for this amazing release being donated to the tribes of the Northwest Coast for using their traditional story-telling iconography. This is by far the the most beautiful cover art to ever grace the band's albums.
user picture

Member for

14 years 10 months
Permalink

please enjoy 12/3/79 another nice show from 79 where _dat_ box at?
user picture

Member for

15 years 6 months
Permalink

Sitting here sipping a little coffee and jamming on a crunchy Miller SBD of 6/24/90 (he does just as good a job as Jeffrey Norman) Just sliding into Slipknot!!!! Love it!!!
user picture

Member for

14 years 10 months
Permalink

Mitch Mitchell was a cool drummer. He was a major part of the JHE's sound, at least live.
user picture

Member for

13 years 4 months
Permalink

And get the hell of my lawn, you damned hippies!Guess Bobby was having a bad day. Happens to the best of us.
user picture
Default Avatar

Member for

10 years 3 months
Permalink

Any indication of the size of the actual box? Dave mentioned in his seaside chat that he was thinking about displaying this box in his home as a de facto piece of art or some sort of display piece. Despite my wife's love for Vancouver Island and the fact that we already have a Roy Henry Vickers print hanging in our home, that will be a tough sell in my house if this box is ginormous, beautiful as it may be.
user picture

Member for

15 years 6 months
Permalink

Been diving into early 80s Grateful Dead recently. While the setlists may seem uninteresting on paper, this era contains some of the most imaginative playing of the band's career; particularly Jerry. I listened to the Dane County show and Poplar Creek shows from 1983 this weekend. Jerry's playing is inventive and different. He seemed to be at the peak of his creative power in the early 80s, before the diabetes and health issues really began to take effect. This is a generally unfamiliar era for me, with scores of shows I've never heard, but it's worth digging around a little bit, and you will find yourself pretty blown away.
user picture

Member for

11 years 3 months
Permalink

that when ya read it(or type it or write it...),it reads "Mississippi Half-Step Uptown Toodeloo" but when they sing it it's "Half-Step...Mississippi Uptown...Toodeloo"? Bueller...Bueller...
user picture

Member for

12 years
Permalink

First - I always only type "Mississippi Half-Step" in my song titles. I have found if the titles get too long I can have file path names that are too long for my backups. This isn't the bone. The "Bone" - I'm working thru the labeling of D&C shows and I find they played a show at the "Ruoff Home Mortgage Music Center"!!! What the hell kind of name is that!?! Nothing said musical entertainment like home mortgage. Remember when they called them things like "performing art centers",, "memorial stadiums" (sure we memorialize our troops until we could sell the name for a buck) This is a thing I wish they stop. You see a name today like "Preparation H Hemorrhoidal Stadium" and NEVER think you're seeing the Yankees. The other side I hate,,, everytime we talk about corporate tax we hear corps don't pay taxes, customers do. Then who the hell is paying for the name on the building???? Can you show me one report that shows return on advertising dollars from stadium naming rights! Ok, bone picked. Back to what you were doing.
user picture

Member for

13 years 4 months
Permalink

The tapes from that show suck.. but if you were there you know how hot a show that was... Just saying, you had to be there. Too funny.. I hate that too. We have become so corporate and not for the better.
user picture

Member for

15 years 2 months
Permalink

Excellent, entertaining read; very detailed and fascinating insight into all the business aspects of post-Jerry years, as well as all the inter personal ups and downs. All things considered, not as ugly as I expected; Jill Lesh comes across as a greedy control freak, the exit of Steve Kimock was particularly unpleasant. Other than that, it's pretty much typical band arguments. Of note, was the disagreements regarding tempos and loudness, with Bobby insisting on slowing everything down to emphasize lyrics, and wanting Phil to turn down his bass(sacrilege!) Oh, we also learned that rowdy Billy K. grabbed Jill's breastusses backstage...
user picture

Member for

12 years
Permalink

you have to wonder how much money are in mattress sales that you can afford to purchase naming rights? Or do new mattress come with cash in them?
user picture

Member for

17 years 4 months
Permalink

....they should let everyone bring a pillow in. During drumz, let everyone have a pillow fight. That would be awesome!!
user picture

Member for

17 years 3 months
Permalink

Mattress Firm? Cripes. Proud of KC's Arrowhead and Kaufman Stadiums. Hang in there KC.
user picture

Member for

11 years 4 months
Permalink

I recall there being some drama as Kimock left The Other Ones.... He appeared a week or so later at a separate event and, If I recall correctly, he got a rousing ovation and flipped an emphatic double-bird, as if at his previous band mates.. Can someone give a quick thumbnail gyst of that beef? I call the song in question simply "Half Step." I think the multiple "official" names are just a SNAFU, similar to "Brown Eyed Women" being given a typo and accidentally listed (and officially published as) "Brown Eyed Woman" (singular instead of plural) on Europe '72. As for song tempos and bass volume, etc... I'm in a band - these topics are all pawns in a power struggle. As with all rock bands, you get to a point where you're not going to back down after xxx years.... Me, I like the slower tempos - most of the time it works, but sometimes yes, it drags. As for bass volume, my experience is the bass may be too loud on stage, but away from the stage it sounds just right - this is why bass players are often placed on a far corner of the stage, not in the middle, as Phil likes to do sometimes.
user picture

Member for

15 years 2 months
Permalink

Steve Parish & Ramrod fired by the Leshes; they resented the fact that Jill was making decisions such as how to load/unload equipment, and what attire was acceptable or not on stage.Parish told Kimock he should be making more $$ Kimock asks Jill for a raise, Jill goes on a tirade. Kimock leaves the room. Jill catches up with him, yelling and then throws a bunch of crumpled dollar bills at Kimock, while shouting "you want more money?" Kimock left the tour the next day, quoting Dylan and Hunter on his website. After reading the book, it's obvious all these people had really bad tempers!!
user picture

Member for

10 years 2 months
Permalink

………..lost in a shaft of sunlight, The wild thyme unseen, or the winter lightning Or the waterfall, or music heard so deeply That it is not heard at all, but you are the music While the music lasts. T.S. Eliot
user picture

Member for

15 years 6 months
Permalink

Just popped in 6/26/76 Relaxing, sipping a brewski I feel bad for Heads that don't get '76. Such good vibes. Looking forward to the Playin>St.Stephen>Wheel>Playin' sandwich
user picture

Member for

9 years 1 month
Permalink

I think Kimock split from a Phil and Friends Tour Fall '99. We saw P&F play 3 shows at The Fillmore in Denver, 10/21-23. Band was Phil, Steve, John Molo, Paul Barrere and Billy Payne. Fun line up. Steve was also with Phil and Warren at Red Rocks that August. I remember a guy with a "Got Kimock?" shirt (play on got milk?) in line outside Fillmore one night. From there, band was hooking up with Dylan's band for a series of shows. Whatever went down happened at Fillmore or at next show on tour (10/27), as Steve (or someone for him) sent out a cryptic email 10/28 that he had left tour. Sigh. I'll have to do some time traveling and revisit those shows on sugarmegs. I loved the instrumental Stella Blue they were playing in those days. At Red Rocks they played Stella -> Wish You Were Here. Yowza.
product sku
081227931391
Product Magento URL
https://store.dead.net/pacific-northwest-73-74-the-complete-recordings-19-cd-boxed-set-1.html