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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • KeithFan2112
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    Ha-haaaa
    That was a good once Stoltzie. Made me laugh like this one always gets me. https://m.youtube.com/watch?v=8X_Ot0k4XJc Hippychic, I have a copy, but it really doesn't sound that good. There are channel dropouts galore, and even when that's not happening, it sounds like there's a lot of flutter and wow, and just generally bad fidelity. If you still want it PM me. Jimbo enjoy Dave's Picks 16 on your ride, I really love that Cumberland Blues a lot. The audio dropout during Jerry's solo hurts me deeply, but it picks up about halfway through, so it's not a total loss. I was listening to the Dark Star, Eyes of the World, Playing in the Band the other night, and that really is an awesome disc 3. I don't know about you guys but there are a few songs that fit perfectly with a nice sunny day while driving: Sugar Magnolia, Bird Song, and of course Here Comes Sunshine. Oh, and the Jam from Ladies & Gentlemen - best Jam ever?
  • stonerbud2
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    Enough Phish
    I was into them in high school..now I can only listen to their instrumentals, lyrics drive me nuts like many jam bands.. give me Hunter words anytime. Not to mention many of their fans are so fucking annoying.. as are many Dead fans I realize but something about Phish. As for Dave's Picks, I am hoping the announcement will be 2/26/77
  • stonerbud2
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    Enough Phish
    I was into them in high school..now I can only listen to their instrumentals, lyrics drive me nuts like many jam bands.. give me Hunter words anytime. Not to mention many of their fans are so fucking annoying.. as are many Dead fans I realize but something about Phish. As for Dave's Picks, I am hoping the announcement will be 2/26/77
  • stoltzfus
    Joined:
    speaking of Phish...
    my first show with them was here in Seattle at a place called the Backstage in Ballard (a neighborhood). sometime in 1991. they were cool enough, but I thought the trampolines were kind of lame. I also saw a show there with Ray Manzarek/Michael McClure/Allen Ginsberg some time later. It eventually got converted into a health club. whee.
  • stoltzfus
    Joined:
    and I agree: what about Gainesville?
    I really must make a shirt with that on it. about 10 people on the planet will "get it", but it is a grand cosmic joke for us that do.
  • stoltzfus
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    what's with the Phish fetish, folks?
    whole lot of it around recently. not that there's anything wrong with that...
  • fluffua 01
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    WOW
    That's a great set List.Been Watching all week. Boy did things go bonkers. I must say can't believe the amount of Phish shows that have showed up lately. I like it and as a fan of both bands(Phish brought me to The Dead and I haven't looked back.) The argument about bands best of types is awesome. I like the Beatles answer on studio but because I'm a lot younger with a love of all music I say studio albums of Nine Inch Nails is up there too. Trent was a 1 man band for a lot of years only using other people on the road. I forgot the other 2 parts but I remember some of the answers and it's good conversations. DA27 IMHO will come from 69-74. It just feels right.Good thing is I don't care what show it will be. There's beauty in all eras and I'm glad I can own it. Vguy: What's Green and smells like pig? Kermit's finger. Keep the jokes coming buddy It's been a crazy week but some great stories. Thanks to everybody be well Dave
  • shirdeep
    Joined:
    cosmic country horns
    PHISH, SUNDAY 07/14/1991 TOWNSHEND FAMILY PARK Townshend, VT SET 1: Reba, Llama, The Squirming Coil > Golgi Apparatus, Guelah Papyrus, My Sweet One, Colonel Forbin's Ascent > Fly Famous Mockingbird > The Sloth, I Didn't Know[1] > Possum[2] SET 2: Suzy Greenberg[3], Caravan[3] > Divided Sky[3], Gumbo[3] > Dinner and a Movie[3] > Bouncing Around the Room, Split Open and Melt[3], Magilla[3] > Cavern[3] > Run Like an Antelope[3] SET 3: AC/DC Bag[3] > The Landlady[3], Esther > Chalk Dust Torture, Bathtub Gin[3], Mike's Song[3] > I Am Hydrogen[3] > Weekapaug Groove[3], Hold Your Head Up[3] > Touch Me[4], Harry Hood ENCORE: Contact[3] > Big Black Furry Creature from Mars[3] [1] Fish on trombone. [2] Charlie Chan and Oom Pa Pa signals. [3] Giant Country Horns. [4] Giant Country Horns and Fish on trombone. This show featured The Giant Country Horns for all of the second set except for Bouncing, all of the third set except for Esther, Chalk Dust, and Hood, and for the encore. The show began with a humorous announcement from Trey that he felt “overdressed” during National Nudist Week. My Sweet One included a tease of the Bonanza theme and Magilla included a Flintstones theme tease. I Didn't Know, in which Fish was introduced as "Hank," and Touch Me featured Fish on trombone. Possum included Charlie Chan and Oom Pa Pa signals as well as a Dave’s Energy Guide tease, while Weekapaug included more DEG teases. Trey introduced the Giant Country Horns at the end of Antelope and during BBFCFM. There was a long wait during HYHU for Fish, who was apparently in the bathroom. Hood included full-band Jeopardy! theme teases. This show ran much longer than scheduled (at one point, when Trey noted that they should wind up the show, a fan urged the band to “fuck the clock”), prompting Trey to beg the crowd to leave in a timely and orderly fashion after the encore.
  • tncorey
    Joined:
    DaP 27
    stoltzfus - That cracked me up! On a side note, I have been in a laid back Dead mood as of late....something from 1976 would be welcome. Plus, admittedly, I don't have a lot from '76. Or Gainesville.
  • Born Cross Eye…
    Joined:
    Dave's Picks 27: 11/29/80
    Don't I wish..."Bolo24" got IT! Alligator Alley Gym University Of Florida Gainesville, FL, USA Set 1: Alabama Getaway Promised Land Candyman New Minglewood Blues Row Jimmy Mama Tried Mexicali Blues Althea Lost Sailor> Saint Of Circumstance Don't Ease Me In Set 2: Shakedown Street> Franklin's Tower> Estimated Prophet> He's Gone> Truckin'> Drums> The Other One> Stella Blue Good Lovin' Encore: Casey Jones Edits from reviews of this show: I was living in St.Augustine, FL, at the time & had heard that The Boys were coming to Gainesville, a mere hour+ ride from the First City. So, like the other guy said, I ran - I didn't walk - to the nearest ticket vendor! It was a great show. I was familiar w/ many of the songs in the Dead's playlist by the fall of 1980. I had become familiar w/ the band around the time of Blues For Allah and Terrapin Station and, after the release of Shakedown Street, the band was summarily thrust into the national spotlight w/ the major smashing success of the title track. They wouldn't see that kind of radio play again until the release of the After Dark album when the believably-unpopular tune, Touch of Grey, thrust our Bay Area Boys into the international limelight once again! Anyway, I've become VERY familiar w/ the set list since this `80 show and had taken in numerous shows by the time August of 1995 rolled around. I've also watched other incarnations like The Other Ones, Phil & Friends & now The Dead w/ great delight & renewed enthusiasm. It's does the heart good to see the music surviving so long after it first commenced in 1965. I guess, truly, The Music Never Stopped, eh?! Anyway, this UF show is a great settie: there are definitely better, there are also certainly worse. But, it will always be a special settie to me `cause it was the night I popped my Grateful Dead cherry, so to speak! Well, as Pierre Robert from 93.3FM/WMMR in Philly was always fond of saying ... "may God Bless the Grateful Dead." Oh, and ... GO `GATORS!!! -------- Yeah, the second set has some good stuff... but I wouldn't say it was mind-blowing. For example, the transition from Shakedown to Franklin's was sloppy. -Anonymous ---- Went to this show as a freshman at UF. Remember being in an nice altered state waiting to get inside and a bus full of Hare Krishna unloaded in front and they started their own jam session. I had never seem Krishna before and just watching them jam was a fun diversion. Anyone else remember that? The place only held about 10k and the bleachers were shanking. "Double shot of whiskey and those Gainesville girls start looking good" ---- Thanks, "Dr. G" for the heads-up on this one!
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Congrats on your new addition. Hope we can have another family outing at a daytime DSO show... Take care and give Ingrid our congrats! Bob and Darlene
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It always amused me that Sonny needed an older generation Italian to "translate" the Sicilian message, "Luca Brasi Sleeps with the Fishes". What if Clemenza wasn't there at that hour to interpret? Sonny would have been like "hey check out this new wall decoration someone sent as a get well gift for Pop...this is so cool....a couple of fish in a bulletproof vest - why didn't I think of that?!?" And then Tom Hagen is like, "no Sonny, this is a Sicilian message" and Sonny's like "I know Tom, I know! I didn't want to discuss too much of the family business in front of Michael - but as always, our trusted concierge, you know best." And turning to Michael, Sonny says, "Tom's right... It's a Sicilian message alright... It means, if Pop makes it through this, he needs to start wearing a bulletproof vest..."
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Congratulations Sixtus family and welcome to il nuovo bambino che rimbalza! We're counting on you Tigran! All the best! Onward!
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Got this one rockin this morning, my first listen....Beautiful Sunday show makes for perfect Saturday morning listening! Gorgeous TLMD, WRS>LIG>China Doll Some other interesting moments...first and last performed "Let It Rock" (Chuck Berry Cover - I wonder why the first & last performed?), and first ever Seastones.... Congrats Sixtus on your new addition to the family!! Big shout out to Jim for helping to fill my calendar for probably the next 3 years...And to Oxford 88 for filling my order for all KC shows that are known to exist, plus the other "tasty boots" that he has promised. You guys rock...thank you very much!!! Oroboros.....I've been thinking about your Winterland Story all week....makes me smile, smile, smile everytime! Looked up the you tube video and sure enough, at the end of Fire on the Mountain, the dragon lurks....so fuckin cool!!! Happy Saturday Dead people, KCJ
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Congratulations, Ingrid, Tigran, and Sixtus! Today is Robert Hunter's birthday, I believe. The word gifts given us by this master poet make the music we all cherish infinitely more fascinating. Without Robert's lyrics, I know I would not crave this band as much as I do. Even on song versions where the group's playing may lack a certain X Factor, I can always take interest in, and find new depth in Robert's poems. Happy Birthday, Robert! You are a crucial member of the Grateful Dead.
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Whereabouts in South Jersey, KeithFan? 'Cause that's the land of my origin.
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I am continuing my gentle canter through Europe 1972, and today was Amsterdam, 5/10/72. Its a show that meant absolutely nothing to me-I've played it before-3 or 4 times , I guess, but nothing stuck in my mind about it. Surprising-because its amazing! The first set-in fact the first two cds are pretty good-like any other cds of a band you like playing at the top of their game. Its on the 3rd cd that things really take off-an incredible jam from Truckin' to The Other One-Me and Bobby Mcghee-The Other One and winding up with Wharf Rat. One of the best uses of a wah wah pedal I have ever heard. A truly exceptional sequence of music. The 4th cd feature some more high energy music, punctuated by another excellent Sing Me Back Home. If they hadn't played so many other great shows in Europe 1972-and maybe if they hadn't all been released at the same time (not that I'm complaining) this would surely have been heralded as one of the best shows of all time. I normally leave a gap after playing a Europe 72 show...but after this I felt like some more-so off we go into Rotterdam for the following night. Great news from Sixtus, too-happy days indeed!
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Happy belated birthday Tigris. Hopefully you'll find a way to get some sleep.
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Holy Smokes!!!!! Sweden has got to be wondering how the hell a ball can spin like that!!!!!That was awesome, regardless if you dig the Germans or not. Would have liked to see the Swedes advance. But no denying the skill of that last goal! Darn!!
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Thanks for the link eyes43. I was able to catch Peter Rowan's set. Dang, that brought back memories. I used to see him at the Birchmere in Alexandria, VA some 30 years ago. He and his band still sound as great as ever!
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6/23/26 Louis Armstrong6/23/38 Billie Holliday 6/23/57 Hank Mobley 6/23/58 Count Basie 6/23/67 Miles Davis 6/23/74 GOGD And one more for Septimus: Sound Dimension: Mojo Rocksteady Beat (wicked!)
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....damn Deadicated. That is some serious mini umbrella drinking, smoking ganja stuff going on. Thanks!! Loving the trombone. Kudos....p.s. Spotify is your friend.
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Great place to see a show.. I hope everyone there is having a good time.
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It would be nice to see a portion of the proceeds for this amazing release being donated to the tribes of the Northwest Coast for using their traditional story-telling iconography. This is by far the the most beautiful cover art to ever grace the band's albums.
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please enjoy 12/3/79 another nice show from 79 where _dat_ box at?
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Sitting here sipping a little coffee and jamming on a crunchy Miller SBD of 6/24/90 (he does just as good a job as Jeffrey Norman) Just sliding into Slipknot!!!! Love it!!!
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Mitch Mitchell was a cool drummer. He was a major part of the JHE's sound, at least live.
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And get the hell of my lawn, you damned hippies!Guess Bobby was having a bad day. Happens to the best of us.
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Any indication of the size of the actual box? Dave mentioned in his seaside chat that he was thinking about displaying this box in his home as a de facto piece of art or some sort of display piece. Despite my wife's love for Vancouver Island and the fact that we already have a Roy Henry Vickers print hanging in our home, that will be a tough sell in my house if this box is ginormous, beautiful as it may be.
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Been diving into early 80s Grateful Dead recently. While the setlists may seem uninteresting on paper, this era contains some of the most imaginative playing of the band's career; particularly Jerry. I listened to the Dane County show and Poplar Creek shows from 1983 this weekend. Jerry's playing is inventive and different. He seemed to be at the peak of his creative power in the early 80s, before the diabetes and health issues really began to take effect. This is a generally unfamiliar era for me, with scores of shows I've never heard, but it's worth digging around a little bit, and you will find yourself pretty blown away.
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that when ya read it(or type it or write it...),it reads "Mississippi Half-Step Uptown Toodeloo" but when they sing it it's "Half-Step...Mississippi Uptown...Toodeloo"? Bueller...Bueller...
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First - I always only type "Mississippi Half-Step" in my song titles. I have found if the titles get too long I can have file path names that are too long for my backups. This isn't the bone. The "Bone" - I'm working thru the labeling of D&C shows and I find they played a show at the "Ruoff Home Mortgage Music Center"!!! What the hell kind of name is that!?! Nothing said musical entertainment like home mortgage. Remember when they called them things like "performing art centers",, "memorial stadiums" (sure we memorialize our troops until we could sell the name for a buck) This is a thing I wish they stop. You see a name today like "Preparation H Hemorrhoidal Stadium" and NEVER think you're seeing the Yankees. The other side I hate,,, everytime we talk about corporate tax we hear corps don't pay taxes, customers do. Then who the hell is paying for the name on the building???? Can you show me one report that shows return on advertising dollars from stadium naming rights! Ok, bone picked. Back to what you were doing.
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The tapes from that show suck.. but if you were there you know how hot a show that was... Just saying, you had to be there. Too funny.. I hate that too. We have become so corporate and not for the better.
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Excellent, entertaining read; very detailed and fascinating insight into all the business aspects of post-Jerry years, as well as all the inter personal ups and downs. All things considered, not as ugly as I expected; Jill Lesh comes across as a greedy control freak, the exit of Steve Kimock was particularly unpleasant. Other than that, it's pretty much typical band arguments. Of note, was the disagreements regarding tempos and loudness, with Bobby insisting on slowing everything down to emphasize lyrics, and wanting Phil to turn down his bass(sacrilege!) Oh, we also learned that rowdy Billy K. grabbed Jill's breastusses backstage...
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you have to wonder how much money are in mattress sales that you can afford to purchase naming rights? Or do new mattress come with cash in them?
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....they should let everyone bring a pillow in. During drumz, let everyone have a pillow fight. That would be awesome!!
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Mattress Firm? Cripes. Proud of KC's Arrowhead and Kaufman Stadiums. Hang in there KC.
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I recall there being some drama as Kimock left The Other Ones.... He appeared a week or so later at a separate event and, If I recall correctly, he got a rousing ovation and flipped an emphatic double-bird, as if at his previous band mates.. Can someone give a quick thumbnail gyst of that beef? I call the song in question simply "Half Step." I think the multiple "official" names are just a SNAFU, similar to "Brown Eyed Women" being given a typo and accidentally listed (and officially published as) "Brown Eyed Woman" (singular instead of plural) on Europe '72. As for song tempos and bass volume, etc... I'm in a band - these topics are all pawns in a power struggle. As with all rock bands, you get to a point where you're not going to back down after xxx years.... Me, I like the slower tempos - most of the time it works, but sometimes yes, it drags. As for bass volume, my experience is the bass may be too loud on stage, but away from the stage it sounds just right - this is why bass players are often placed on a far corner of the stage, not in the middle, as Phil likes to do sometimes.
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Steve Parish & Ramrod fired by the Leshes; they resented the fact that Jill was making decisions such as how to load/unload equipment, and what attire was acceptable or not on stage.Parish told Kimock he should be making more $$ Kimock asks Jill for a raise, Jill goes on a tirade. Kimock leaves the room. Jill catches up with him, yelling and then throws a bunch of crumpled dollar bills at Kimock, while shouting "you want more money?" Kimock left the tour the next day, quoting Dylan and Hunter on his website. After reading the book, it's obvious all these people had really bad tempers!!
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………..lost in a shaft of sunlight, The wild thyme unseen, or the winter lightning Or the waterfall, or music heard so deeply That it is not heard at all, but you are the music While the music lasts. T.S. Eliot
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Just popped in 6/26/76 Relaxing, sipping a brewski I feel bad for Heads that don't get '76. Such good vibes. Looking forward to the Playin>St.Stephen>Wheel>Playin' sandwich
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I think Kimock split from a Phil and Friends Tour Fall '99. We saw P&F play 3 shows at The Fillmore in Denver, 10/21-23. Band was Phil, Steve, John Molo, Paul Barrere and Billy Payne. Fun line up. Steve was also with Phil and Warren at Red Rocks that August. I remember a guy with a "Got Kimock?" shirt (play on got milk?) in line outside Fillmore one night. From there, band was hooking up with Dylan's band for a series of shows. Whatever went down happened at Fillmore or at next show on tour (10/27), as Steve (or someone for him) sent out a cryptic email 10/28 that he had left tour. Sigh. I'll have to do some time traveling and revisit those shows on sugarmegs. I loved the instrumental Stella Blue they were playing in those days. At Red Rocks they played Stella -> Wish You Were Here. Yowza.
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