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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Cousins Of The…
    Joined:
    Raw Milk Fromage
    Camembert is not what it used to be, since now in France, they allow pasteurized milk camembert to be labelled as "Appelation Controlee"Dead content? Sure: John Mayer is like a pasteurized Jerry. Still really good, but not the real thing.
  • daverock
    Joined:
    Two sides-Dennis
    Good post-I have never heard of the tv show "Route 66". But your quote provides a great example of how there often (always?) more ways of looking at any given situation than is immediately apparent. I am suddenly reminded of an old Todd Rundgren song -I can't remember what its called, but I'm pretty sure its on "A Wizard, A True Star", The chorus goes-"You want the obvious-you'll get the obvious" or some such.
  • dmcvt
    Joined:
    Raw milk cheese
    point taken on this, however virtually no commercially imported French Camembert is raw milk sourced due to excessive regulations. Small scale artisans minimally process and may use raw milk, see below... What does this have to do with the GOGD? Vermont Senator Pat Leahy is a dead head.But do the cows listen to the dead in the milking parlor? https://culturecheesemag.com/cheese-bites/cheesemakers-congress-call-ou… aw shucks, it might almost look like politics but keep reading, Blythedale is a raw milk cheese producer https://www.realmilk.com/real-milk-finder/vermont/
  • ty627
    Joined:
    Dave’s 27 longshot but I would be happy
    I feel like an 80’s release is coming and the year I would like to see is 1982. If I could pick the show it would be 8-10-82 from Iowa City with an unreal Eyes among other gems. Best guess for an 82 release would be 10-10-82 Frost. I love all of the speculation around the time of a new release. We are spoiled silly and I am happy for whatever may be coming our way.
  • Oroborous
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    Dave’s/Sell outs
    Once again I have to say it. Why don’t they take pre-orders before they run production, then guestsmste what they’ll need for the rest of general market and individual sales etcThis way everybodygets a copy and they don’t get stuck with too much overstock, although some would be good for Johnny come latelys etc... Also, not having limited/numbered etc might remove some of the greed/resale factor...so people wouldn’t be buying multiple copies for resale...
  • Oroborous
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    The Other Side
    Ahh, great board shop back in the day..... I always liked the old saying “there are three sides to every story, side one, side two, and the truth which lies somewhere in the middle ; ) Probably apropos of the book also? As for the Fourth, wierd day, fires all around us, hot and windy, so all Fireworks canceled. It looked surreal, all dark like the flat light in December....HOA just stained the deck and this morning there is ash all stuck to it.... also, back to work today so had to dial the “fun” back.... Hope all y’all had a great day!
  • 80sfan
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    Next release
    Wow I actually totally forgot that we have another Dave's coming in the next several weeks. We are beyond spoiled. Hmm, I'm always bad at guessing these things. Doesn't seem like TPTB care about what year or lineup is "due" (nor should they be), but if you ask me, I think we're going to get a show from 68 or 69. This has already been a pretty incredible year for releases so why not keep it going. Hope everyone had a great 4th (or in Dave Rock's case, a nice Wednesday). I'm still full from eating too many burgers and still have a ringing in my ear from the fireworks. Truly a sign of a good holiday.
  • Dennis
    Joined:
    daverock - two sides to every coin
    Old tv show called Route 66 had a episode called "Three Sides". Excerpt follows. Tod Stiles: I remember something Dad used to say. Buz Murdock: What's that? Tod Stiles: Whenever you reach an impasse look at the third side of the coin. Buz Murdock: The third side? Tod Stiles: Yea. Buz Murdock: I thought there was only two sides to a coin. Tod Stiles: The third side is the edge, the place the two sides come together. The meeting place of heads and tails. Dad used to say that was the best side, because it welds opposites together. And it's a circle, a continuous circle, closed and perfect, as endless as understanding itself.
  • Oroborous
    Joined:
    New Books
    Half way through JPB’s, good so far, about what you’d expect, nothing crazy.... Selvins......not enough time for full comment, but generally ok book, could of been good if he’d get out of the way of his own coffee breath as Jon Evison would say....obviously he has an axe to grind with the Lesh’s...There was so much material to work with that a great book could of just reported things without the constant little digs and his personal opinions etc. There where also just enough factual mistakes to question his authority on the subject. For someone who says he’s not a head, but has had all this access and experience on their beat, it occasionally felt like he was just another wanker trying to cash in. I did like how he eventually tied it together in a positive spin about FTW, and how WE the fans made it happen etc, even if I disagree about the choice of Trey and his critique of the music. He did capture the essence of the excitement about the shows, and the travel plans etc. I remember feeling like all that was what made it fun.....reliving the whole excitement and process/preparations etc e.g., where are we going to watch, what are we going to do etc.... As far as surprises, I probably knew about half of it, or most of the general nonsense that was going on. I guess I was enlightened about others participation/roles in the whole mess, and why certain thinks we’re said and done. But of course those opinions are partly based on his obviously biased view, since no one inside has, or probably never will correct the record.....would like to go back and read some of the other books over again now......also, need to read his Altemount to see if this is always his style, or is he really have it out for the Lesh’s? Remeber folks, these guys are just people, not gods. So just like the rest of us, sometimes their going to do dumb/shitty stuff, especially when your scared and your future is completely up in the air etc. I’m not condoning some of the behavior, just saying that when you look at the big picture objectively, you can perhaps understand things a little.... Most importantly, we can’t let any of this diminish what it’s really all about, the MUSIC!! “Sweet, sweet, music....”
  • Oroborous
    Joined:
    Member berries...
    Member.... 1986; 6/30/86 Riverbend and 7/4/86 Buffalo were great, don’t remember so much of Alpine (1st time there, I do remeber it was a blast camping in the far lot etc, and that whole trip was insane!) ...recall thinking Akron was lame? It seemed like altemont with burning tires and wierd shit, but a, that might of been something I ate?? and/or the comparative let down after Riverbend? Remember Dylan came out to jam but it wasn’t happening.....have never heard this show because of my memories, perhaps I should at least give it a spin sometime.... not familiar with 6/22, will have to check it out.... 1978; I’ve tried again to get jazzed by this box, (have listened to 1st, 3rd and 5th so far), but meh, imho it’s white bread...perfectly fine shows etc, I like them (3rd is fav so far...) their just not wierd/psychedelic enough to move me. Of course that’s how I feel in general about the Mickey Godchaux Band.....I’m sure I won’t feel this way about the new Box!! 7-4-87; nother one I recall feeling was lame and the overall vibe was pure shit show??? Got so turned off by summer shit winds tour,(Alpine, Wonderland, Chrotchfester, Boston) combined with choices of venues in the fall, I sat out fall tour.....luckily Hampton 3/26-28/88 rekindled the hope. Did like Chrotchfester show..... 7/4/89; still really dig this one, perhaps tour favorite, or 7/17/89.....both were great shows, 7/4 being home base in those days was great fun. Alpine was great show, bit less fun (personal experience/logistics etc, not the show it self) So Dave WTF......tap, tap, tap hear our collective feet tapping, waiting......for number 27....... Received 23 I think it was 1/22/78 on August 1st last year. If they follow the usual timelines, they ought to be dropping this one sooner than later. Hurry up ya bastids, sone of us have nothing else to look forward too, lol, and we NEED A FIX!!! That is all. Remeber, “Dancing is a contact sport, have fun but be safe” And keep hydrated, and ware your sunblock it’s nasty out there.... Party on Garth!
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Congrats on your new addition. Hope we can have another family outing at a daytime DSO show... Take care and give Ingrid our congrats! Bob and Darlene
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It always amused me that Sonny needed an older generation Italian to "translate" the Sicilian message, "Luca Brasi Sleeps with the Fishes". What if Clemenza wasn't there at that hour to interpret? Sonny would have been like "hey check out this new wall decoration someone sent as a get well gift for Pop...this is so cool....a couple of fish in a bulletproof vest - why didn't I think of that?!?" And then Tom Hagen is like, "no Sonny, this is a Sicilian message" and Sonny's like "I know Tom, I know! I didn't want to discuss too much of the family business in front of Michael - but as always, our trusted concierge, you know best." And turning to Michael, Sonny says, "Tom's right... It's a Sicilian message alright... It means, if Pop makes it through this, he needs to start wearing a bulletproof vest..."
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Congratulations Sixtus family and welcome to il nuovo bambino che rimbalza! We're counting on you Tigran! All the best! Onward!
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Got this one rockin this morning, my first listen....Beautiful Sunday show makes for perfect Saturday morning listening! Gorgeous TLMD, WRS>LIG>China Doll Some other interesting moments...first and last performed "Let It Rock" (Chuck Berry Cover - I wonder why the first & last performed?), and first ever Seastones.... Congrats Sixtus on your new addition to the family!! Big shout out to Jim for helping to fill my calendar for probably the next 3 years...And to Oxford 88 for filling my order for all KC shows that are known to exist, plus the other "tasty boots" that he has promised. You guys rock...thank you very much!!! Oroboros.....I've been thinking about your Winterland Story all week....makes me smile, smile, smile everytime! Looked up the you tube video and sure enough, at the end of Fire on the Mountain, the dragon lurks....so fuckin cool!!! Happy Saturday Dead people, KCJ
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Congratulations, Ingrid, Tigran, and Sixtus! Today is Robert Hunter's birthday, I believe. The word gifts given us by this master poet make the music we all cherish infinitely more fascinating. Without Robert's lyrics, I know I would not crave this band as much as I do. Even on song versions where the group's playing may lack a certain X Factor, I can always take interest in, and find new depth in Robert's poems. Happy Birthday, Robert! You are a crucial member of the Grateful Dead.
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6 years 10 months
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Whereabouts in South Jersey, KeithFan? 'Cause that's the land of my origin.
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I am continuing my gentle canter through Europe 1972, and today was Amsterdam, 5/10/72. Its a show that meant absolutely nothing to me-I've played it before-3 or 4 times , I guess, but nothing stuck in my mind about it. Surprising-because its amazing! The first set-in fact the first two cds are pretty good-like any other cds of a band you like playing at the top of their game. Its on the 3rd cd that things really take off-an incredible jam from Truckin' to The Other One-Me and Bobby Mcghee-The Other One and winding up with Wharf Rat. One of the best uses of a wah wah pedal I have ever heard. A truly exceptional sequence of music. The 4th cd feature some more high energy music, punctuated by another excellent Sing Me Back Home. If they hadn't played so many other great shows in Europe 1972-and maybe if they hadn't all been released at the same time (not that I'm complaining) this would surely have been heralded as one of the best shows of all time. I normally leave a gap after playing a Europe 72 show...but after this I felt like some more-so off we go into Rotterdam for the following night. Great news from Sixtus, too-happy days indeed!
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Happy belated birthday Tigris. Hopefully you'll find a way to get some sleep.
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Holy Smokes!!!!! Sweden has got to be wondering how the hell a ball can spin like that!!!!!That was awesome, regardless if you dig the Germans or not. Would have liked to see the Swedes advance. But no denying the skill of that last goal! Darn!!
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Thanks for the link eyes43. I was able to catch Peter Rowan's set. Dang, that brought back memories. I used to see him at the Birchmere in Alexandria, VA some 30 years ago. He and his band still sound as great as ever!
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6/23/26 Louis Armstrong6/23/38 Billie Holliday 6/23/57 Hank Mobley 6/23/58 Count Basie 6/23/67 Miles Davis 6/23/74 GOGD And one more for Septimus: Sound Dimension: Mojo Rocksteady Beat (wicked!)
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....damn Deadicated. That is some serious mini umbrella drinking, smoking ganja stuff going on. Thanks!! Loving the trombone. Kudos....p.s. Spotify is your friend.
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13 years 4 months
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Great place to see a show.. I hope everyone there is having a good time.
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16 years 7 months
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It would be nice to see a portion of the proceeds for this amazing release being donated to the tribes of the Northwest Coast for using their traditional story-telling iconography. This is by far the the most beautiful cover art to ever grace the band's albums.
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please enjoy 12/3/79 another nice show from 79 where _dat_ box at?
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15 years 6 months
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Sitting here sipping a little coffee and jamming on a crunchy Miller SBD of 6/24/90 (he does just as good a job as Jeffrey Norman) Just sliding into Slipknot!!!! Love it!!!
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Mitch Mitchell was a cool drummer. He was a major part of the JHE's sound, at least live.
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And get the hell of my lawn, you damned hippies!Guess Bobby was having a bad day. Happens to the best of us.
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10 years 3 months
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Any indication of the size of the actual box? Dave mentioned in his seaside chat that he was thinking about displaying this box in his home as a de facto piece of art or some sort of display piece. Despite my wife's love for Vancouver Island and the fact that we already have a Roy Henry Vickers print hanging in our home, that will be a tough sell in my house if this box is ginormous, beautiful as it may be.
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Been diving into early 80s Grateful Dead recently. While the setlists may seem uninteresting on paper, this era contains some of the most imaginative playing of the band's career; particularly Jerry. I listened to the Dane County show and Poplar Creek shows from 1983 this weekend. Jerry's playing is inventive and different. He seemed to be at the peak of his creative power in the early 80s, before the diabetes and health issues really began to take effect. This is a generally unfamiliar era for me, with scores of shows I've never heard, but it's worth digging around a little bit, and you will find yourself pretty blown away.
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that when ya read it(or type it or write it...),it reads "Mississippi Half-Step Uptown Toodeloo" but when they sing it it's "Half-Step...Mississippi Uptown...Toodeloo"? Bueller...Bueller...
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First - I always only type "Mississippi Half-Step" in my song titles. I have found if the titles get too long I can have file path names that are too long for my backups. This isn't the bone. The "Bone" - I'm working thru the labeling of D&C shows and I find they played a show at the "Ruoff Home Mortgage Music Center"!!! What the hell kind of name is that!?! Nothing said musical entertainment like home mortgage. Remember when they called them things like "performing art centers",, "memorial stadiums" (sure we memorialize our troops until we could sell the name for a buck) This is a thing I wish they stop. You see a name today like "Preparation H Hemorrhoidal Stadium" and NEVER think you're seeing the Yankees. The other side I hate,,, everytime we talk about corporate tax we hear corps don't pay taxes, customers do. Then who the hell is paying for the name on the building???? Can you show me one report that shows return on advertising dollars from stadium naming rights! Ok, bone picked. Back to what you were doing.
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The tapes from that show suck.. but if you were there you know how hot a show that was... Just saying, you had to be there. Too funny.. I hate that too. We have become so corporate and not for the better.
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Excellent, entertaining read; very detailed and fascinating insight into all the business aspects of post-Jerry years, as well as all the inter personal ups and downs. All things considered, not as ugly as I expected; Jill Lesh comes across as a greedy control freak, the exit of Steve Kimock was particularly unpleasant. Other than that, it's pretty much typical band arguments. Of note, was the disagreements regarding tempos and loudness, with Bobby insisting on slowing everything down to emphasize lyrics, and wanting Phil to turn down his bass(sacrilege!) Oh, we also learned that rowdy Billy K. grabbed Jill's breastusses backstage...
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12 years
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you have to wonder how much money are in mattress sales that you can afford to purchase naming rights? Or do new mattress come with cash in them?
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17 years 4 months
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....they should let everyone bring a pillow in. During drumz, let everyone have a pillow fight. That would be awesome!!
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Mattress Firm? Cripes. Proud of KC's Arrowhead and Kaufman Stadiums. Hang in there KC.
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I recall there being some drama as Kimock left The Other Ones.... He appeared a week or so later at a separate event and, If I recall correctly, he got a rousing ovation and flipped an emphatic double-bird, as if at his previous band mates.. Can someone give a quick thumbnail gyst of that beef? I call the song in question simply "Half Step." I think the multiple "official" names are just a SNAFU, similar to "Brown Eyed Women" being given a typo and accidentally listed (and officially published as) "Brown Eyed Woman" (singular instead of plural) on Europe '72. As for song tempos and bass volume, etc... I'm in a band - these topics are all pawns in a power struggle. As with all rock bands, you get to a point where you're not going to back down after xxx years.... Me, I like the slower tempos - most of the time it works, but sometimes yes, it drags. As for bass volume, my experience is the bass may be too loud on stage, but away from the stage it sounds just right - this is why bass players are often placed on a far corner of the stage, not in the middle, as Phil likes to do sometimes.
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Steve Parish & Ramrod fired by the Leshes; they resented the fact that Jill was making decisions such as how to load/unload equipment, and what attire was acceptable or not on stage.Parish told Kimock he should be making more $$ Kimock asks Jill for a raise, Jill goes on a tirade. Kimock leaves the room. Jill catches up with him, yelling and then throws a bunch of crumpled dollar bills at Kimock, while shouting "you want more money?" Kimock left the tour the next day, quoting Dylan and Hunter on his website. After reading the book, it's obvious all these people had really bad tempers!!
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………..lost in a shaft of sunlight, The wild thyme unseen, or the winter lightning Or the waterfall, or music heard so deeply That it is not heard at all, but you are the music While the music lasts. T.S. Eliot
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Just popped in 6/26/76 Relaxing, sipping a brewski I feel bad for Heads that don't get '76. Such good vibes. Looking forward to the Playin>St.Stephen>Wheel>Playin' sandwich
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I think Kimock split from a Phil and Friends Tour Fall '99. We saw P&F play 3 shows at The Fillmore in Denver, 10/21-23. Band was Phil, Steve, John Molo, Paul Barrere and Billy Payne. Fun line up. Steve was also with Phil and Warren at Red Rocks that August. I remember a guy with a "Got Kimock?" shirt (play on got milk?) in line outside Fillmore one night. From there, band was hooking up with Dylan's band for a series of shows. Whatever went down happened at Fillmore or at next show on tour (10/27), as Steve (or someone for him) sent out a cryptic email 10/28 that he had left tour. Sigh. I'll have to do some time traveling and revisit those shows on sugarmegs. I loved the instrumental Stella Blue they were playing in those days. At Red Rocks they played Stella -> Wish You Were Here. Yowza.
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