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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • RobbZ
    Joined:
    1989 Recommendation
    Not sure why, and probably listen to it a bit more than I should, but July 4th, Buffalo has always been a favorite of mine.
  • RobbZ
    Joined:
    Sports Fans!
    Sports?? I’ll watch/wager on just about any sport. However, I closely follow the NHL and College Football equally (viewing depends on who is playing whom on any given evening). Then the NFL, College Basketball, The NBA, Boxing (was the Mayweather-McGreggor fight boxing?) the CFL, and lastly Baseball. Now don't get me wrong about baseball because it's last on my list...I grew up in Cleveland, minutes from the old Municipal Stadium and watched & cheered many Indian greats such as Ray Fosse, Gaylord Perry, Lenny Barker, Albert Belle, Rick Manning, Mike Hargrove, Super Joe Charboneau, Buddy Bell, and Toby Harrah to name a few. Now a bit later in life, I just prefer a faster game, with an actual clock ending the game. I can't spend 5 or 6 hours watching a baseball game anymore....It's me, not you...LOL @The Outer One…I was actually tuned in last night to the opening of the CFL season, but that lightning delay lasted until I went to sleep. But you can bet I’ll be following the season this year as it progresses…including the Manziel saga in Hamilton. Johnny won me an ass-load of money when he played with A&M…I still talk about that Bama game…LOL @Vguy72…did you not mention the Knights/NHL in your sports post? Blasphemy!! I drove down from Utah three times last season to watch the Knights, would have gone more games but as the season progressed they got better and better and tix were getting expensive. In the mean time I watch the Utah Grizzlies…LOL
  • Thats_Otis
    Joined:
    Happy Friday, DeadLand!
    Here's a little something special from this day in Grateful Dead history - 6/15/85 Greek Theater https://archive.org/details/gd85-06-15.oade-schoeps.sacks.24586.sbeok.f… The AUD sounds really nice too. Perhaps more famous is 6/15/76, which I am enjoying right now, but that 85 Greek show is something special! TONS of energy, and perhaps one of Garcia's finest ballad moments on "She Belongs to Me." His guitar solo is a thing of pure (American)beauty. Hope everyone has a great weekend! PS - Love all the chatter about July 78 Box. Arrowhead is my personal fave - just a compact, tight, smoking show! I also really like St. Paul... aww hell, they're all good! Peace
  • Oroborous
    Joined:
    Boblopes
    Thanks, another great story!
  • Oroborous
    Joined:
    89 Philly
    Right on 80sfan!
  • Oroborous
    Joined:
    Baseball, 89, and hangin with Jer
    BASEBALL; I would of died for baseball when I was a lad, was a pretty good player too, varsity etc.. But like all sports I sadly watched money ruin the game....I was a huge Cardinals fan (used to listen to them on the mighty KMOX) Lou Brock, Bob Gibson, Ted Simmons, Joe Torrey, yeah baby. Dug the Red Sox too, but such heartache. In Wesren NY most kids at the time were big Mets fans, or worse, ahem... So like most things I had to be different, the outcast, the other one! Probably a part of how I came to be a dead head and identified with all you weirdos; ) 89; personally parts of 89 into summer 90, before Brenski started to unravel, is one of my favorite eras. I know that’s contrary to the popular belief of a small but prevalent group on here, but don’t let that stop anyone from checking it out and coming up with your own conclusions.... Alpine for sure, Hampton, 10-16-89 is imho one of the best releases EVER! Philly was awesome, really wish they would get those out. When they played California Earthquake right after the Earthquake it was as good as any big moment in sports, trully powerful experience, at least live anyway. Not as familiar with the rest, of course the Miami DS etc.... EVIL TWIN; thanks so much for the stories! Please keep them coming. That’s perhaps my favorite part of this site; hearing great stories, especially from those who were there during those earlier glory years. 78 Box; even I dug it and I like that era less than some others, like??? Oh I don’t know like.... 73/74!!! So psyched for this new Box. Mostly enjoyed the “Mickey Godchaux” stuff of recent years, really liked the RFK, but I’m dam near Sh#&&ing myself waiting for this one! I’ve stated before I’m not a “taper” or obsessive collector like some. So that influences my wish list differently. I would like to get all the shows I was at, some other must haves or interesting wierd stuff, and I try to get at least copies of all the “official” stuff. Therefore I am not familiar with these shows and at first glance the set lists are perhaps meh? But thanks to all y’all’s comments about monster jams, and after watching Dave’s chat, well it got through my thick skull that these will be some real beauties eh! I mean Late 73 has always been one of my top, if not the top eras, I just wasn’t familiar with earlier stuff and though I like 4-3-73, it didn’t blow me away like say 10-19-73....(although that HCS and subsequent jam are sweet!) In fact how bout the rest of the late fall tour in a box? So there is always that awkward period like Ralphie in the Christmas story where he gets everything except that —“redriderbbgunwiththecompassinthestockandthisthingythattellstime” —when they release something I wasn’t at, but this time that lasted like 5 minutes. Now hopefully Dave’s 27 will come soon as a diversion, because I don’t know how I’ll survive until September! Yee-gads Thanks to Dave and all the gang who work so hard to bring us spoiled, whiney little be-atches all this amazing glory, especially the full led sonically enhanced stuff. And thanks to all y’all that help enlighten us dilatantes to the finer ports of these shows. Happy Friday All!!
  • Slow Dog Noodle
    Joined:
    Cash Grab
    Had a salad for lunch yesterday. I didn't get to make it myself, but it was delicious. It was a total cash grab though. They didn't really care whether or not I liked the way the radishes were cut into those little swirly shapes. And the way the cashier pressed those buttons on the register with no elan, I could tell his heart and soul just wasn't in the transaction. I knew by then they were just in it for the money. I shook my head in disgust but proceeded to sit alone and eat the salad - even the radishes, in spite of it all.
  • Oroboros
    Joined:
    Cousins- SpaceBro often provides informed recommendations re: 89
    But being a Midwesterner, I would point to the Alpine Valley run 7/17-18-19/1989, as an outstanding representation of the boys from that era. And my touring had reduced significantly with the arrival of my three sons, so my knowledge of this era is limited. And Robbz, you asked for another story (sorry cohorts who have heard this one, here it comes again) there is a 'prequel' to that 1978 story. Back in 1977, my girlfriend (now wife), myself, and two buddies decided to road-trip from Lincoln Nebraska to the Winterland for the New Year's Eve run of shows in San Francisco. I toted along with us a clay sculpture that I had made the prior year. It was a one and 1/2 foot (in circumference) dragon that was biting/consuming it's own tail. I had 'scraffitto' (carved designs) into the entire beast's 'hide' and then it was fired and stained. It was the biggest piece of clay sculpture that I have ever made. And I thought it would be fun to give it to the band on New Years. So away we go, get to the venue and secured tickets for the run (12/27-29-30-31-77). The shows were unbefuckinliveable and Winterland was such a great hall. But on the 31st, we were sitting on the sidewalk waiting for the doors to open, talking and watching the circus, ready to hurry and get in for the 'activities' ie. freak volleyball and Bill Graham was going to show us movies (Ray Bradbury's Illustrated Man and the original Beatles Magical Mystery tour) before that evening's show. I thought "I better try to unload the dragon aka 'Oroboros' now, it's heavy and I don't want to try to talk my way though the front gate with it." I spied a door that said 'Backstage' and began knocking on the door. No answer. The line of people on the side walk started getting up and moving toward the entrance. Banged even harder thinking "I've got to get this dragon in there so I can go in the front and join in before the show", and as I pounded harder, the door yanks open with a force that it yanks me into the doorway. This doorway is immediately filled with a gigantic black man in a red event t-shirt, who puts his hand on my chest and leans forward and bellows "WHAT DO YOU WANT?" Startled, I held out the dragon with both hands and stuttered "to give this to the band". The giant took it in his immense hand and his face curls into a grin as he held it closer to inspect it and I watched my dragon shrink to the size of a key chain. He exclaimed "Wow, what is this, I'd like one" and I explained "it's an oroboros and that is the only one there is." He grinned and said "Cool, who do you want me to give it to?" and I said "to Garcia, give it to Jerry Garcia." The giant disappeared as quickly as he appeared and the door slammed shut like the the first time Dorothy tried to get into the Emerald City in the Wizard of Oz. So, I happily gain entrance to the show and needless to say, it was something, 'freak volleyball' followed by the movies, Graham's copy of Bradbury's 'Illustrated Man' followed by a 16 mm Beatles "Magical Mystery Tour". The colorful/wonderful crowd, wonder gal 'rainbow' Rose with an eyedropper of liquid party favor "just one dollar per drop. On your tongue or for the adventurous, a drop in your eye". Oh, and when each person walked through the entrance the staff handed us a piece of paper that had a message about a "Good things come to those who wait, surprise at midnight" with steal your face logo. When you entered Winterland, you could go into the big 'hall' surrounded on all sides by an elevated balcony, (with theater seats). You could also go into a bar, which played some black and white videos on a 'big screen' taken from pro shots of the Winterland stage when Hendrix or Airplane or etc played. Very entertaining on many levels. Hey, the New Riders of the Purple Sage are starting, got to get in there, the sound is loud and they are rocking the house. Anticipation was high and the Dead came out for the first set. Our party favors are now starting to engage..., things began to sparkle, and the old Winterland venue takes notice, and her walls start to sweat and, then to sway with the strains of familiar music as the Dead coaxes this old hall to dance with us. This is such a delight, I know the vista cruiser is engaged and then I notice when the house lights went down, and the stage lights went dark in between songs, then I saw 'it'. On top of a monitor, in between Billy and Mickey, there was a flame, it was a white candle sitting in front of a dragon consuming it's tail. It was Oroboros, ON STAGE WITH THE DEAD! I watched as Jerry walked over and lit a cigarette off the candle next to the ceramic beast. They took a break and the surprise for the second half was Uncle BoBo (as Bobby liked to call Graham) dressed up as Uncle Sam on a motorcycle sliding down on a cable suspended high from the back of the hall (over us) to the stage. They put spotlights on him (as the Dead made appropriate musical anticipatory noise) and he approached the stage and it was hilarious. Because as Graham came to the stage, the weight of the bike and BoBo was too much. He and the bike were far below the lip of the stage, so the stage hands had to rush out and drag him onstage. Which triggered the explosion of Sugar Magnolia, complete with the dropping balloons. And flanking the Dead a gal and guy dressed in a diaper as the 'New Year' babies. I was 'sittin' on top of the world (Dead reference intended). What a night!! Hey if you pull up 'YouTube', type in Dead NYE show 1977- Fire on the Mountain video, and right at the end of Fire on the Mountain, the camera does zoom in on the 'oroboros' for a couple of seconds. RDevil here on Deadnet found that 'view' a couple of years ago and he clued me into it. And then I showed it to my 3 sons to demonstrate the old man is not full of beans or any other'brown material'. Anyway, what a treat that run in 1977 was. At many levels, the return of China Cat-Rider, my being able to 'gift' our band, who poured out so much to us. But unknown to me, the best would be yet to come. We walked out into the cool San Francisco early morning and drove through the fog back to Nebraska. This is not the end of the tale. Fast forward to 2-3-78 and another road trip to Madison, Wisconsin. The Dead were on a roll and this was really a killer show. That Cold Rain and Snow to start out and the tremendous second half with Estimated>Eyes>Wheel that will knock you into orbit. The next morning before I left the hotel, I got a wild hair and called the front desk and asked "Could I have Jerry Garcia's room please?" and the phone rang and Jerry answered! I said "Hey, I'm the guy that brought the dragon to the New Year's show" and Garcia immediately said "Meet you in the coffee shop in 20 minutes". I couldn't believe what was happening but stumbled into the coffee shop at the appointed time and looked around and saw Jerry Garcia seated at a table with a ravishingly beautiful raven-haired gypsy woman. I walked over and introduced myself, and 'shook the hand, that shook the hand, of PT Barnum and Charlie Chan'. Jerry beamed that smile and gestured and said "sit down, man". He asked me "How did you fire that dragon so that it didn't explode in the kiln?" and I explained how I had cut it in half and hollowed it out and then joined it back together. I told him how I had used a guitar string to 'halve it" and we locked eyes at that moment and he burst into laughter and I said "Ironic, huh?" and Jerry quipped "No, man that makes perfect sense." And then we laughed some more. Then the gypsy/beauty said "where are you from?" and I replied Nebraska. And she shot Garcia a glance and stated "he came all the way up here from Nebraska to see the band!" To which Jerry shrugged his shoulders and quickly retorted "we didn't ask him to come". Garcia looked over to me and we both howled with laughter again. No deadhead was she. We talked more about art and the dragon and I didn't know at that time of Garcia's interest and practice in art (this kind anyway). He was completely engaged in the topic of art, but quick witted with 'turn on a dime' twists, turns, and little commentaries on a variety of topics. Jerry was also focused on listening, not acting like he was the important one, giving me time and locked in on our discussion and talking about our shared interests. The gypsy woman frowned in disbelief as she asked me "You went out to San Francisco for New Years and then you came up to Wisconsin" and I said 'yes.' She looked perplexed. Then I turned to Garcia and asked him "Why don't you bring the circus back to Lincoln, Nebraska?" He quickly replied "You mean to Perishing Auditorium?" And I corrected him "No, it is Pershing Auditorium, after the army general" and he quickly retorted "No man, it was perishing, really!" And we both burst out laughing again. At that Lincoln, Ne. Dead show on 2-26-73, there were a bunch of drunk frat boys yelling 'boogie, boogie" at the top of their lungs.., but that show is top-notch! Anyway, I asked Garcia "could you bring the Dead back to Nebraska" and Jerry grinned that Cheshire cat grin and said "who knows?" I took my leave (their breakfast arrived) and drove home. Then that summer the Dead came back to Omaha, Ne. on 7-5-78, and I taped them with my NAK 550 in FOB, and followed them to their/my first Red Rocks shows. What a run! And now it is available in all its Plantagenet glory. I will always claim that Omaha show as mine. So that is my story, Jerry Garcia was totally gracious, engaging, enthusiastic, and kind to a deadhead who approached him at one moment in time. I know, I repeat myself, such is my lot in life at this juncture, but thought I would 'complete the circle' of this story. Anyway, sorry for the repeat, but 'looks like the old man is getting on'. Forgive me and give me a day and I will conjour up my account of my first show at the Des Moines fair ground in 1974 (which is more in line with this wonderful Northwest 73 & 74 offering). This era is when I first saw the Grateful Dead and was swept into an extraordinary adventure 'on the bus' and have been 'enjoying the ride'. "It ain't what I don't know that gets me into trouble, it is what I know for sure, that ain't so". -Mark Twain
  • tncorey
    Joined:
    Oroboros Winterland 77
    New story to me...and much appreciated!
  • 80sfan
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    Joined:
    89 recommendation
    Fall tour is well documented with the Hampton shows, the Nightfall of Diamonds meadowlands show and the Miami 30 trips release...but the Spectrum run (10/18-10/20) is really excellent. 10/19 is one of my favorite shows of all time. Reach out if you'd like a copy...
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Congrats on your new addition. Hope we can have another family outing at a daytime DSO show... Take care and give Ingrid our congrats! Bob and Darlene
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It always amused me that Sonny needed an older generation Italian to "translate" the Sicilian message, "Luca Brasi Sleeps with the Fishes". What if Clemenza wasn't there at that hour to interpret? Sonny would have been like "hey check out this new wall decoration someone sent as a get well gift for Pop...this is so cool....a couple of fish in a bulletproof vest - why didn't I think of that?!?" And then Tom Hagen is like, "no Sonny, this is a Sicilian message" and Sonny's like "I know Tom, I know! I didn't want to discuss too much of the family business in front of Michael - but as always, our trusted concierge, you know best." And turning to Michael, Sonny says, "Tom's right... It's a Sicilian message alright... It means, if Pop makes it through this, he needs to start wearing a bulletproof vest..."
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Congratulations Sixtus family and welcome to il nuovo bambino che rimbalza! We're counting on you Tigran! All the best! Onward!
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Got this one rockin this morning, my first listen....Beautiful Sunday show makes for perfect Saturday morning listening! Gorgeous TLMD, WRS>LIG>China Doll Some other interesting moments...first and last performed "Let It Rock" (Chuck Berry Cover - I wonder why the first & last performed?), and first ever Seastones.... Congrats Sixtus on your new addition to the family!! Big shout out to Jim for helping to fill my calendar for probably the next 3 years...And to Oxford 88 for filling my order for all KC shows that are known to exist, plus the other "tasty boots" that he has promised. You guys rock...thank you very much!!! Oroboros.....I've been thinking about your Winterland Story all week....makes me smile, smile, smile everytime! Looked up the you tube video and sure enough, at the end of Fire on the Mountain, the dragon lurks....so fuckin cool!!! Happy Saturday Dead people, KCJ
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Congratulations, Ingrid, Tigran, and Sixtus! Today is Robert Hunter's birthday, I believe. The word gifts given us by this master poet make the music we all cherish infinitely more fascinating. Without Robert's lyrics, I know I would not crave this band as much as I do. Even on song versions where the group's playing may lack a certain X Factor, I can always take interest in, and find new depth in Robert's poems. Happy Birthday, Robert! You are a crucial member of the Grateful Dead.
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Whereabouts in South Jersey, KeithFan? 'Cause that's the land of my origin.
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I am continuing my gentle canter through Europe 1972, and today was Amsterdam, 5/10/72. Its a show that meant absolutely nothing to me-I've played it before-3 or 4 times , I guess, but nothing stuck in my mind about it. Surprising-because its amazing! The first set-in fact the first two cds are pretty good-like any other cds of a band you like playing at the top of their game. Its on the 3rd cd that things really take off-an incredible jam from Truckin' to The Other One-Me and Bobby Mcghee-The Other One and winding up with Wharf Rat. One of the best uses of a wah wah pedal I have ever heard. A truly exceptional sequence of music. The 4th cd feature some more high energy music, punctuated by another excellent Sing Me Back Home. If they hadn't played so many other great shows in Europe 1972-and maybe if they hadn't all been released at the same time (not that I'm complaining) this would surely have been heralded as one of the best shows of all time. I normally leave a gap after playing a Europe 72 show...but after this I felt like some more-so off we go into Rotterdam for the following night. Great news from Sixtus, too-happy days indeed!
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Holy Smokes!!!!! Sweden has got to be wondering how the hell a ball can spin like that!!!!!That was awesome, regardless if you dig the Germans or not. Would have liked to see the Swedes advance. But no denying the skill of that last goal! Darn!!
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Thanks for the link eyes43. I was able to catch Peter Rowan's set. Dang, that brought back memories. I used to see him at the Birchmere in Alexandria, VA some 30 years ago. He and his band still sound as great as ever!
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6/23/26 Louis Armstrong6/23/38 Billie Holliday 6/23/57 Hank Mobley 6/23/58 Count Basie 6/23/67 Miles Davis 6/23/74 GOGD And one more for Septimus: Sound Dimension: Mojo Rocksteady Beat (wicked!)
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....damn Deadicated. That is some serious mini umbrella drinking, smoking ganja stuff going on. Thanks!! Loving the trombone. Kudos....p.s. Spotify is your friend.
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13 years
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Great place to see a show.. I hope everyone there is having a good time.
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16 years 3 months
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It would be nice to see a portion of the proceeds for this amazing release being donated to the tribes of the Northwest Coast for using their traditional story-telling iconography. This is by far the the most beautiful cover art to ever grace the band's albums.
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please enjoy 12/3/79 another nice show from 79 where _dat_ box at?
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Sitting here sipping a little coffee and jamming on a crunchy Miller SBD of 6/24/90 (he does just as good a job as Jeffrey Norman) Just sliding into Slipknot!!!! Love it!!!
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Mitch Mitchell was a cool drummer. He was a major part of the JHE's sound, at least live.
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And get the hell of my lawn, you damned hippies!Guess Bobby was having a bad day. Happens to the best of us.
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Any indication of the size of the actual box? Dave mentioned in his seaside chat that he was thinking about displaying this box in his home as a de facto piece of art or some sort of display piece. Despite my wife's love for Vancouver Island and the fact that we already have a Roy Henry Vickers print hanging in our home, that will be a tough sell in my house if this box is ginormous, beautiful as it may be.
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Been diving into early 80s Grateful Dead recently. While the setlists may seem uninteresting on paper, this era contains some of the most imaginative playing of the band's career; particularly Jerry. I listened to the Dane County show and Poplar Creek shows from 1983 this weekend. Jerry's playing is inventive and different. He seemed to be at the peak of his creative power in the early 80s, before the diabetes and health issues really began to take effect. This is a generally unfamiliar era for me, with scores of shows I've never heard, but it's worth digging around a little bit, and you will find yourself pretty blown away.
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10 years 10 months
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that when ya read it(or type it or write it...),it reads "Mississippi Half-Step Uptown Toodeloo" but when they sing it it's "Half-Step...Mississippi Uptown...Toodeloo"? Bueller...Bueller...
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11 years 8 months
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First - I always only type "Mississippi Half-Step" in my song titles. I have found if the titles get too long I can have file path names that are too long for my backups. This isn't the bone. The "Bone" - I'm working thru the labeling of D&C shows and I find they played a show at the "Ruoff Home Mortgage Music Center"!!! What the hell kind of name is that!?! Nothing said musical entertainment like home mortgage. Remember when they called them things like "performing art centers",, "memorial stadiums" (sure we memorialize our troops until we could sell the name for a buck) This is a thing I wish they stop. You see a name today like "Preparation H Hemorrhoidal Stadium" and NEVER think you're seeing the Yankees. The other side I hate,,, everytime we talk about corporate tax we hear corps don't pay taxes, customers do. Then who the hell is paying for the name on the building???? Can you show me one report that shows return on advertising dollars from stadium naming rights! Ok, bone picked. Back to what you were doing.
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11 years 8 months
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Stadiums do like big holes from above, true?
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13 years
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The tapes from that show suck.. but if you were there you know how hot a show that was... Just saying, you had to be there. Too funny.. I hate that too. We have become so corporate and not for the better.
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14 years 9 months
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Excellent, entertaining read; very detailed and fascinating insight into all the business aspects of post-Jerry years, as well as all the inter personal ups and downs. All things considered, not as ugly as I expected; Jill Lesh comes across as a greedy control freak, the exit of Steve Kimock was particularly unpleasant. Other than that, it's pretty much typical band arguments. Of note, was the disagreements regarding tempos and loudness, with Bobby insisting on slowing everything down to emphasize lyrics, and wanting Phil to turn down his bass(sacrilege!) Oh, we also learned that rowdy Billy K. grabbed Jill's breastusses backstage...
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11 years 8 months
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you have to wonder how much money are in mattress sales that you can afford to purchase naming rights? Or do new mattress come with cash in them?
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17 years
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....they should let everyone bring a pillow in. During drumz, let everyone have a pillow fight. That would be awesome!!
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16 years 11 months
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Mattress Firm? Cripes. Proud of KC's Arrowhead and Kaufman Stadiums. Hang in there KC.
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11 years
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I recall there being some drama as Kimock left The Other Ones.... He appeared a week or so later at a separate event and, If I recall correctly, he got a rousing ovation and flipped an emphatic double-bird, as if at his previous band mates.. Can someone give a quick thumbnail gyst of that beef? I call the song in question simply "Half Step." I think the multiple "official" names are just a SNAFU, similar to "Brown Eyed Women" being given a typo and accidentally listed (and officially published as) "Brown Eyed Woman" (singular instead of plural) on Europe '72. As for song tempos and bass volume, etc... I'm in a band - these topics are all pawns in a power struggle. As with all rock bands, you get to a point where you're not going to back down after xxx years.... Me, I like the slower tempos - most of the time it works, but sometimes yes, it drags. As for bass volume, my experience is the bass may be too loud on stage, but away from the stage it sounds just right - this is why bass players are often placed on a far corner of the stage, not in the middle, as Phil likes to do sometimes.
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14 years 9 months
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Steve Parish & Ramrod fired by the Leshes; they resented the fact that Jill was making decisions such as how to load/unload equipment, and what attire was acceptable or not on stage.Parish told Kimock he should be making more $$ Kimock asks Jill for a raise, Jill goes on a tirade. Kimock leaves the room. Jill catches up with him, yelling and then throws a bunch of crumpled dollar bills at Kimock, while shouting "you want more money?" Kimock left the tour the next day, quoting Dylan and Hunter on his website. After reading the book, it's obvious all these people had really bad tempers!!
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9 years 10 months
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………..lost in a shaft of sunlight, The wild thyme unseen, or the winter lightning Or the waterfall, or music heard so deeply That it is not heard at all, but you are the music While the music lasts. T.S. Eliot
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15 years 2 months
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Just popped in 6/26/76 Relaxing, sipping a brewski I feel bad for Heads that don't get '76. Such good vibes. Looking forward to the Playin>St.Stephen>Wheel>Playin' sandwich
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8 years 9 months
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I think Kimock split from a Phil and Friends Tour Fall '99. We saw P&F play 3 shows at The Fillmore in Denver, 10/21-23. Band was Phil, Steve, John Molo, Paul Barrere and Billy Payne. Fun line up. Steve was also with Phil and Warren at Red Rocks that August. I remember a guy with a "Got Kimock?" shirt (play on got milk?) in line outside Fillmore one night. From there, band was hooking up with Dylan's band for a series of shows. Whatever went down happened at Fillmore or at next show on tour (10/27), as Steve (or someone for him) sent out a cryptic email 10/28 that he had left tour. Sigh. I'll have to do some time traveling and revisit those shows on sugarmegs. I loved the instrumental Stella Blue they were playing in those days. At Red Rocks they played Stella -> Wish You Were Here. Yowza.
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