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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • #3761
    NCDead
    Joined:
    @72LiveDead
    That is why they offer the digital version, save some money and shelf space.
  • #3762
    BartonBoy
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    Joined:
    Impulse buys
    I can't resist. I graduated from Cornell about a month ago so, naturally, the Get Shown the Light Box has been on constant repeat for the last year with the occasional break for the newest DaP. It's about time I splurged and inserted something new in my stereo. September can't come soon enough. Shameless promotion: Cornell's clock tower put on chimes concerts with GD music both May 8 this year and last. They're not bad. Look them up. I'm sure they're on YouTube.
  • #3763
    RobbZ
    Joined:
    Well over 10,000 left...
    What the fuck was I freaking out about 48 hours ago?....LOL
  • #3764
    Gollum
    Joined:
    Crocuses
    Yeah Oxford, me too. I'm enjoying the posts about this box. I think I'm more excited about this box than any before. Like others, I've had tapes of the shows for many years, but haven't given them focused listening. Once Dick's Picks started rolling my tape collection fell to the wayside. Can't wait for the 46 min PITB. I think the "longest jam" performances often get short shrift. People always point out that longest is not necessarily best. True, but it doesn't mean that it cannot be arguably the best or unsurpassed. I consider the 5/11/72 Star unsurpassed and it has nothing to do with its length. It's hard for me to believe the epic Fresno PITB mindbender (7/19/74; Dave's 17) could be topped but I'm all ears for 5/21/74. Kudos to Hippychick for the suggestive photo and banter. It is much appreciated in these parts. Seriously.
  • #3765
    FiveBranch
    Joined:
    @72LiveDeadOverblown
    @72LiveDead Overblown packaging? Everything else is superfluous? I’m sure the working, living, breathing artists involved with E’72, both Spring ‘90s, July ’78, all the Dave Picks series, and now, Pacific Northwest ’73 – ’74 would take great offense at such diminution. Personal vision was placed into all of those efforts, and then, not unlike prints and lithographs, offered only in limited editions. Limited enough to appreciate in value on their own, independently from the music? Not likely. Production of fifteen thousand is a heck of a lot more than two hundred. But unique enough to give the collector something special. Hopefully you are going with the download only because I can only assume yours will end up in a landfill someday!
  • #3766
    Alain
    Joined:
    @ SkullTrip
    @ SkullTripLike you, the Grateful dead music is one of the great joys of my life. She has helped illuminate my life through the decades. I'm forever grateful to the members of the band, and to David Lemieux and the whole team.
  • #3767
    SkullTrip
    Joined:
    Re: The Cost of Regret
    This band and their music have gotten me through some pretty dismal days over the decades. And they've made the bright days that much brighter. They are my sanctuary, my solace, and my internal smile. These official releases are worth every penny I've ever spent and will continue to spend. Plus, I agree with Charlie3. I think you really do get a lot of bang for your buck when you break it all down (and factor in the uniqueness and artistry of each box set).
  • #3768
    72LiveDead
    Joined:
    Northwest Box
    The art work looks pretty cool, though in no way shape or form are the oversized containers, a la the cheap snow flake cut outs of the last over-sized box from Cornell and company May '77 is welcomed. Alas that is the deal, big ideas rarely come in reasonable size packages. If a CD holder was meant to be the size of an LP, I'd buy LP's. But such is life in the over blown society we live in. The music is key and everything else is superfluous. 73-74 sound quality is expected to be pretty good, and Phil, Jerry and the rest should be in top form. The repetition of so many songs is a drag, but if the Jams are there and let's face a statement like, "The greatest improvisational jam ever" is probably a snake oil salesman over reaching the necessity of the situation but that remains to be heard. Looking over some reviews of these shows, always taken with a grain of salt because different people hear and like different things in music, but most of these six shows have luke-warm reviews in the Taping Compendium and on Archive.org Looking forward to how massive the Phil Zone is and I want HUGE.
  • #3769
    Oxford 88
    Default Avatar
    Joined:
    Another comforting consistency
    ...the charming duplicate post challenge. I am getting too old for this stuff! See you all in September
  • #3770
    Oxford 88
    Default Avatar
    Joined:
    Like the crocuses of spring, the berries of summer
    Or the hockey arenas of spring and the sheds of summer... I always marveled at the rhythms of the seasonal tours that contained the chaos of our traveling troupe. Now We have the same vibration contained within these boards- new folks coming on line, grizzled veterans keeping things in line, the usual suspects, providing various levels of snark, cynicism and humor. I don't jump in as much as I used to, but there is a certain comfort to seeing the same names, bringing the same perspective while others swirl around. As always, if anyone is looking for specific shows, shoot me a PM; I can send discs, or flash drive, any format you choose. Keep the vibe rolling! As for "Chests of the Pacific Northwest" I am not sure why my mind went to National Geographic from back in the day...
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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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15 years 5 months

Submitted by boblopes on Fri, 06/22/2018 - 22:27

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Congrats on your new addition. Hope we can have another family outing at a daytime DSO show... Take care and give Ingrid our congrats! Bob and Darlene
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9 years 10 months

Submitted by KeithFan2112 on Sat, 06/23/2018 - 04:03

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It always amused me that Sonny needed an older generation Italian to "translate" the Sicilian message, "Luca Brasi Sleeps with the Fishes". What if Clemenza wasn't there at that hour to interpret? Sonny would have been like "hey check out this new wall decoration someone sent as a get well gift for Pop...this is so cool....a couple of fish in a bulletproof vest - why didn't I think of that?!?" And then Tom Hagen is like, "no Sonny, this is a Sicilian message" and Sonny's like "I know Tom, I know! I didn't want to discuss too much of the family business in front of Michael - but as always, our trusted concierge, you know best." And turning to Michael, Sonny says, "Tom's right... It's a Sicilian message alright... It means, if Pop makes it through this, he needs to start wearing a bulletproof vest..."
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Submitted by JeffSmith on Sat, 06/23/2018 - 06:53

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Congratulations Sixtus family and welcome to il nuovo bambino che rimbalza! We're counting on you Tigran! All the best! Onward!
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6 years 7 months

Submitted by CaseyJanes on Sat, 06/23/2018 - 07:28

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Got this one rockin this morning, my first listen....Beautiful Sunday show makes for perfect Saturday morning listening! Gorgeous TLMD, WRS>LIG>China Doll Some other interesting moments...first and last performed "Let It Rock" (Chuck Berry Cover - I wonder why the first & last performed?), and first ever Seastones.... Congrats Sixtus on your new addition to the family!! Big shout out to Jim for helping to fill my calendar for probably the next 3 years...And to Oxford 88 for filling my order for all KC shows that are known to exist, plus the other "tasty boots" that he has promised. You guys rock...thank you very much!!! Oroboros.....I've been thinking about your Winterland Story all week....makes me smile, smile, smile everytime! Looked up the you tube video and sure enough, at the end of Fire on the Mountain, the dragon lurks....so fuckin cool!!! Happy Saturday Dead people, KCJ
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14 years 4 months

Submitted by Deadheadbrewer on Sat, 06/23/2018 - 08:26

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Congratulations, Ingrid, Tigran, and Sixtus! Today is Robert Hunter's birthday, I believe. The word gifts given us by this master poet make the music we all cherish infinitely more fascinating. Without Robert's lyrics, I know I would not crave this band as much as I do. Even on song versions where the group's playing may lack a certain X Factor, I can always take interest in, and find new depth in Robert's poems. Happy Birthday, Robert! You are a crucial member of the Grateful Dead.
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6 years 5 months

Submitted by SkullTrip on Sat, 06/23/2018 - 10:33

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Whereabouts in South Jersey, KeithFan? 'Cause that's the land of my origin.
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9 years 9 months

Submitted by daverock on Sat, 06/23/2018 - 11:42

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I am continuing my gentle canter through Europe 1972, and today was Amsterdam, 5/10/72. Its a show that meant absolutely nothing to me-I've played it before-3 or 4 times , I guess, but nothing stuck in my mind about it. Surprising-because its amazing! The first set-in fact the first two cds are pretty good-like any other cds of a band you like playing at the top of their game. Its on the 3rd cd that things really take off-an incredible jam from Truckin' to The Other One-Me and Bobby Mcghee-The Other One and winding up with Wharf Rat. One of the best uses of a wah wah pedal I have ever heard. A truly exceptional sequence of music. The 4th cd feature some more high energy music, punctuated by another excellent Sing Me Back Home. If they hadn't played so many other great shows in Europe 1972-and maybe if they hadn't all been released at the same time (not that I'm complaining) this would surely have been heralded as one of the best shows of all time. I normally leave a gap after playing a Europe 72 show...but after this I felt like some more-so off we go into Rotterdam for the following night. Great news from Sixtus, too-happy days indeed!
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7 years 4 months

Submitted by FloridaBobalooToo on Sat, 06/23/2018 - 13:09

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Holy Smokes!!!!! Sweden has got to be wondering how the hell a ball can spin like that!!!!!That was awesome, regardless if you dig the Germans or not. Would have liked to see the Swedes advance. But no denying the skill of that last goal! Darn!!
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13 years 7 months

Submitted by Gollum on Sat, 06/23/2018 - 14:27

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Thanks for the link eyes43. I was able to catch Peter Rowan's set. Dang, that brought back memories. I used to see him at the Birchmere in Alexandria, VA some 30 years ago. He and his band still sound as great as ever!
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17 years

Submitted by Deadicated on Sat, 06/23/2018 - 14:35

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6/23/26 Louis Armstrong6/23/38 Billie Holliday 6/23/57 Hank Mobley 6/23/58 Count Basie 6/23/67 Miles Davis 6/23/74 GOGD And one more for Septimus: Sound Dimension: Mojo Rocksteady Beat (wicked!)
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17 years

Submitted by Vguy72 on Sat, 06/23/2018 - 18:54

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....damn Deadicated. That is some serious mini umbrella drinking, smoking ganja stuff going on. Thanks!! Loving the trombone. Kudos....p.s. Spotify is your friend.
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13 years

Submitted by JimInMD on Sat, 06/23/2018 - 20:05

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Great place to see a show.. I hope everyone there is having a good time.
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16 years 3 months

Submitted by theelevan on Sat, 06/23/2018 - 21:25

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It would be nice to see a portion of the proceeds for this amazing release being donated to the tribes of the Northwest Coast for using their traditional story-telling iconography. This is by far the the most beautiful cover art to ever grace the band's albums.
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14 years 5 months

Submitted by stoltzfus on Sun, 06/24/2018 - 07:28

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please enjoy 12/3/79 another nice show from 79 where _dat_ box at?
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15 years 2 months

Submitted by kevjones on Sun, 06/24/2018 - 09:40

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Sitting here sipping a little coffee and jamming on a crunchy Miller SBD of 6/24/90 (he does just as good a job as Jeffrey Norman) Just sliding into Slipknot!!!! Love it!!!
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14 years 5 months

Submitted by stoltzfus on Sun, 06/24/2018 - 10:49

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Mitch Mitchell was a cool drummer. He was a major part of the JHE's sound, at least live.
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13 years

Submitted by JimInMD on Sun, 06/24/2018 - 11:47

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And get the hell of my lawn, you damned hippies!Guess Bobby was having a bad day. Happens to the best of us.
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9 years 10 months

Submitted by The Outer One on Sun, 06/24/2018 - 19:15

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Any indication of the size of the actual box? Dave mentioned in his seaside chat that he was thinking about displaying this box in his home as a de facto piece of art or some sort of display piece. Despite my wife's love for Vancouver Island and the fact that we already have a Roy Henry Vickers print hanging in our home, that will be a tough sell in my house if this box is ginormous, beautiful as it may be.
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15 years 2 months

Submitted by kevjones on Sun, 06/24/2018 - 23:04

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Been diving into early 80s Grateful Dead recently. While the setlists may seem uninteresting on paper, this era contains some of the most imaginative playing of the band's career; particularly Jerry. I listened to the Dane County show and Poplar Creek shows from 1983 this weekend. Jerry's playing is inventive and different. He seemed to be at the peak of his creative power in the early 80s, before the diabetes and health issues really began to take effect. This is a generally unfamiliar era for me, with scores of shows I've never heard, but it's worth digging around a little bit, and you will find yourself pretty blown away.
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10 years 10 months

Submitted by jrf68@hotmail.com on Sun, 06/24/2018 - 23:28

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that when ya read it(or type it or write it...),it reads "Mississippi Half-Step Uptown Toodeloo" but when they sing it it's "Half-Step...Mississippi Uptown...Toodeloo"? Bueller...Bueller...
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11 years 7 months

Submitted by Dennis on Mon, 06/25/2018 - 07:30

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First - I always only type "Mississippi Half-Step" in my song titles. I have found if the titles get too long I can have file path names that are too long for my backups. This isn't the bone. The "Bone" - I'm working thru the labeling of D&C shows and I find they played a show at the "Ruoff Home Mortgage Music Center"!!! What the hell kind of name is that!?! Nothing said musical entertainment like home mortgage. Remember when they called them things like "performing art centers",, "memorial stadiums" (sure we memorialize our troops until we could sell the name for a buck) This is a thing I wish they stop. You see a name today like "Preparation H Hemorrhoidal Stadium" and NEVER think you're seeing the Yankees. The other side I hate,,, everytime we talk about corporate tax we hear corps don't pay taxes, customers do. Then who the hell is paying for the name on the building???? Can you show me one report that shows return on advertising dollars from stadium naming rights! Ok, bone picked. Back to what you were doing.
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Submitted by Dennis on Mon, 06/25/2018 - 07:50

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Stadiums do like big holes from above, true?
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13 years

Submitted by JimInMD on Mon, 06/25/2018 - 07:52

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The tapes from that show suck.. but if you were there you know how hot a show that was... Just saying, you had to be there. Too funny.. I hate that too. We have become so corporate and not for the better.
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14 years 9 months

Submitted by Cousins Of The… on Mon, 06/25/2018 - 08:10

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Excellent, entertaining read; very detailed and fascinating insight into all the business aspects of post-Jerry years, as well as all the inter personal ups and downs. All things considered, not as ugly as I expected; Jill Lesh comes across as a greedy control freak, the exit of Steve Kimock was particularly unpleasant. Other than that, it's pretty much typical band arguments. Of note, was the disagreements regarding tempos and loudness, with Bobby insisting on slowing everything down to emphasize lyrics, and wanting Phil to turn down his bass(sacrilege!) Oh, we also learned that rowdy Billy K. grabbed Jill's breastusses backstage...
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Submitted by Dennis on Mon, 06/25/2018 - 10:34

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you have to wonder how much money are in mattress sales that you can afford to purchase naming rights? Or do new mattress come with cash in them?
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17 years

Submitted by Vguy72 on Mon, 06/25/2018 - 10:48

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....they should let everyone bring a pillow in. During drumz, let everyone have a pillow fight. That would be awesome!!
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16 years 11 months

Submitted by claney on Mon, 06/25/2018 - 12:33

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Mattress Firm? Cripes. Proud of KC's Arrowhead and Kaufman Stadiums. Hang in there KC.
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11 years

Submitted by Thin on Mon, 06/25/2018 - 14:28

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I recall there being some drama as Kimock left The Other Ones.... He appeared a week or so later at a separate event and, If I recall correctly, he got a rousing ovation and flipped an emphatic double-bird, as if at his previous band mates.. Can someone give a quick thumbnail gyst of that beef? I call the song in question simply "Half Step." I think the multiple "official" names are just a SNAFU, similar to "Brown Eyed Women" being given a typo and accidentally listed (and officially published as) "Brown Eyed Woman" (singular instead of plural) on Europe '72. As for song tempos and bass volume, etc... I'm in a band - these topics are all pawns in a power struggle. As with all rock bands, you get to a point where you're not going to back down after xxx years.... Me, I like the slower tempos - most of the time it works, but sometimes yes, it drags. As for bass volume, my experience is the bass may be too loud on stage, but away from the stage it sounds just right - this is why bass players are often placed on a far corner of the stage, not in the middle, as Phil likes to do sometimes.
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14 years 9 months

Submitted by Cousins Of The… on Mon, 06/25/2018 - 13:41

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Steve Parish & Ramrod fired by the Leshes; they resented the fact that Jill was making decisions such as how to load/unload equipment, and what attire was acceptable or not on stage.Parish told Kimock he should be making more $$ Kimock asks Jill for a raise, Jill goes on a tirade. Kimock leaves the room. Jill catches up with him, yelling and then throws a bunch of crumpled dollar bills at Kimock, while shouting "you want more money?" Kimock left the tour the next day, quoting Dylan and Hunter on his website. After reading the book, it's obvious all these people had really bad tempers!!
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9 years 9 months

Submitted by daverock on Mon, 06/25/2018 - 14:33

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………..lost in a shaft of sunlight, The wild thyme unseen, or the winter lightning Or the waterfall, or music heard so deeply That it is not heard at all, but you are the music While the music lasts. T.S. Eliot
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15 years 2 months

Submitted by kevjones on Mon, 06/25/2018 - 16:33

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Just popped in 6/26/76 Relaxing, sipping a brewski I feel bad for Heads that don't get '76. Such good vibes. Looking forward to the Playin>St.Stephen>Wheel>Playin' sandwich
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8 years 9 months

Submitted by bluecrow on Mon, 06/25/2018 - 16:45

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I think Kimock split from a Phil and Friends Tour Fall '99. We saw P&F play 3 shows at The Fillmore in Denver, 10/21-23. Band was Phil, Steve, John Molo, Paul Barrere and Billy Payne. Fun line up. Steve was also with Phil and Warren at Red Rocks that August. I remember a guy with a "Got Kimock?" shirt (play on got milk?) in line outside Fillmore one night. From there, band was hooking up with Dylan's band for a series of shows. Whatever went down happened at Fillmore or at next show on tour (10/27), as Steve (or someone for him) sent out a cryptic email 10/28 that he had left tour. Sigh. I'll have to do some time traveling and revisit those shows on sugarmegs. I loved the instrumental Stella Blue they were playing in those days. At Red Rocks they played Stella -> Wish You Were Here. Yowza.
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