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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Vguy72
    Joined:
    10.1.94's Space into Last Time....
    ....fuckin' Space Invaders video game effects. Liam would be proud. Pissed off of course, but proud....edit. No weed in the wooden box. :( One can't fail for trying.
  • Angry Jack Straw
    Joined:
    Box
    Mine arrived today. Scheduled for Monday, but the UPS truck pulled up around 5:00. Odd for a Saturday. I saw the driver coming up the driveway with a big box in hand so I met him at the door. "I wasn't expecting this until Monday." So you are why I am working today he responded, clearly not happy. "Do you have any pot you can sell me? It's the Grateful Dead." He turns and walks away in disgust. Those who got the download are missing out on a nice box. Even the kids thought it was awesome. Vguy, the number is in a classy little box between the CDs. Similar to a small jewelry box or some place to hide a key. It comes with a cool passage, distinct in Native American undertones. Very well done. I'm holding off on listening until tomorrow. Watching some old episodes of Parts Unknown. Tony was no Jerry, but he was a awesome dude nonetheless. 10/1/94 is the only show from TTATS that I have listened to past 87. Even then I have only listened to the So Many Roads. I have said many times, fall 94 was the dead cat bounce tour. Unexpectedly good.
  • MDJim
    Joined:
    Double Post
    Squirrel
  • LedDed
    Joined:
    They say...
    ...by the way, has anyone figured out yet who "they" are? The grays? The man? The IRS? At any rate, or so I've heard, "they" say that doing the same thing over and over and expecting a different result is the definition of insanity. Hell, I think it's just being a stone-cold gambler. I buy lottery tickets every drawing, using the same numbers, and goddamn it I'm going to hit big one of these decades. Just you wait and see. I really wish my box had arrived today. Alas, it is not to be and I don't know if UPS delivers on Sunday. I've had those non-descript amazon white vans drop stuff on Sunday though, and that feels like Christmas. Although most of my dead.net WEA product arrives via the Good Ol' USPS, and on our street the mail goes into those group box kiosks. You got your box, and on a special day there will be a key waiting inside for one of the parcel boxes (few, and larger). You're always hoping for a key, and when you see it your heart skips a beat. My theory is that the ubiquitous amazon white vans (Sprinters and the like, windowless) are not adorned with "amazon" graphics for several reasons. For one, they'd attract looters and thieves. For another, we'll all get desensitized to them, and one of these times when one pulls up, you'll run out arms wide ready to embrace yet another Grateful Dead offering, and they'll (it's, "them" again) leap out and pull a hood over your head and throw you in the back. When you wake up, tied to a chair in a cold room with only a single, bare light bulb hanging above you, you'll hope like hell Liam Neeson is about to break in and save your ass. \m/
  • MDJim
    Joined:
    GD and OCD
    I have to laugh at these posts.. yesterday a friend of mine sent me an email he got from one of his friends. It's long.. names omitted to protect the guilty. It was written a year or so ago.. so I'm sure it's floated around a bunch. To the author, I hope it's ok to share. The title was Next Level Obsession. ______________________________________________ I love Deadheads with OCD. Not my post but I appreciate the work. Thu Oct 19, 2017 6:49 pm #1 When I was in high school, there was a girl who would always ask me if I had acquired any new Losers of the “sweet Suzy” variety. And so whenever I received a new batch of tapes from some remote part of the country, I’d note any Losers with the “sweet Suzy” verse and then surprise her with one at the next gathering of our mutual group of friends. These gatherings were almost always centrally concerned with new tape acquisitions or new knowledge regarding the Dead. We were a group obsessed with the band and everything swimming through the vast universe of the band, including apparently any Losers with the “sweet Suzy” line. My memory is foggy when it comes to my findings of the “sweet Suzy” Losers, except one distinct time in which I can remember telling her, “Hey, Shannon, I found a ‘sweet Suzy’ for you.” I don’t know which show it was , but I’m pretty certain it was a 1971 Loser. What lives in my memory is precisely where we were and me saying those exact words to her. It must’ve been a revelatory moment for me regarding the rarity of the “sweet Suzy” Losers, for I have never forgotten that moment after 20+ years. Fast forward to a few months ago, in June of 2017, when I found myself thinking of those great tape-trading days of high school, the discoveries, the euphoria of acquiring a new batch of tapes. And for some reason my mind turned to the “sweet Suzy” versions of Loser, and how I would search out copies of this song without a handy Deadbase at my fingertips, nor a more convenient “etree mobile” app which allowed me to effortlessly flip through shows and fast forward to the two particular instances in which “sweet Suzy” is sung with the simply movement of a finger across my iPhone. Wow, how times have changed with regard to searching for a particular part of a song. So a few months ago I decided to complete the project once and for all. I needed to know when “sweet Suzy” died, and I kind of wanted to arrive at a reason for her death. Sadly, I found her apparent death on October 20th, 1974, then realized she had risen from the dead on January 10th, 1979, only to be buried once again for eternity. Even more tragic is the unknown reason for her death. What I did find, however, is an obscure protraction of her death. Think about all the hours I’ve logged listening to “Last fair deal in the country, sweet Suzy!” and the amount of accumulated thoughts about Suzy, what she must’ve looked like to Hunter and Jerry, what she must’ve meant to Jerry on the nights that he sung her into the song with such love and tenderness and longing, what she must have meant to him on the nights that he abandoned her and left the audience singing her in their own empty words, and what he must’ve thought on January 10th, 1979 when he resurrected her one last time. What drove him to do it? The Dead performed Loser 346 times. Only a few of these shows do we not have the recording. I tally 88 known Losers that include the “sweet Suzy” or just “Suzy” line. Remarkably, of the 54 Losers performed in 1971, only one show did not feature the “sweet Suzy” line. That show is 7/2/71 at the Fillmore West, oddly the last show at that venue. The very first Loser performed on 2/18/71 at Port Chester features a “sweet Suzy” in the first slot and a rare “Suzy”-only in the second slot. All three “Suzy”-only versions were sung in the second slot of the song in 1971, but of the three remaining “Suzy”-only versions in 1972 and 1973, Jerry sang it in the first slot of the song. The first show in which Jerry sings “sweet Suzy” in only one of the two slots is the 22nd performance of Loser on 4/21/71 in Providence, Rhode Island, and it appears in the second slot. There are no other shows or patterns in 1971 of note except to say that toward the middle of the year, immediately following the 7/2/71 Fillmore West show, Jerry starts to exclude the “sweet Suzy” line in one of the two slots more frequently. Between 2/18/71 and 5/30/71, Jerry performs Loser 31 times, and he is fairly regular with the “sweet Suzy” line in all of the Loser versions, singing it both times in all but 2 of the 31 times. But once 7/2/71 hits, the remaining 23 performances of the song are variable when it comes to the singing of the line. Between 7/2/71 and 12/31/71, Jerry sings the line twice during the song only 13 of the 23 times. What this means is that Jerry started the slow death of “sweet Suzy” officially on 4/21/71, booted her from the song for the first time altogether on 7/2/71, and then proceeded to ween her from the song thereafter. 1972 sees the demise of Suzy even more. Of the 39 times Loser is played in 1972, only 4 times does Jerry sing “sweet Suzy” in both slots of the song. 13 times he abandons “sweet Suzy” entirely. 1973 isn’t any better. 25 performances, 7 “sweet Suzy” lines, and none of those 7 times does Jerry sing the line in both slots of the song. 1974 saw “sweet Suzy” virtually die. Of the 10 times Loser is performed (remember, there were only 40 shows this year), only 3 times does “sweet Suzy” make her appearance, the last being on 10/20/74 at Winterland, and it’s sung in the second slot of the song. I fitting farewell to the Grateful Dead at the time and to sweet Suzy, whoever she was. And that is all we know of the mysterious girl called Suzy in the song Loser. For the next 4 years and 45 performances of Loser, not a trace of “sweet Suzy” is found – that is, until the first show of 1979, in Uniondale, New York, on January 10th. Making her appearance one more time – and her last time – was “sweet Suzy” in the first slot of the song. It’s so brief and nondescript. If you blink, you miss it in the recording. There’s no emphasis, no powerful resurgence, no eruption from the audience. It comes and goes in a second and a half. And then it vanishes. Ghostlike. Forever. I knew I had never heard a “sweet Suzy” in the 1980s or 1990s, but I wanted to be sure, and so I listened to all the “Last fair deal in the country….” verses (two per song) of all 169 remaining performances. I sometimes dreamed that I’d find one, hidden within a show that was not on many popular radars. I held out hope that there was a version of the song in the post-Brent era that escaped our listening ears because it was a Vince show. No. I sometimes imagined I heard it because I was listening so hard for it. I truly wanted it to be there. I wanted so badly for Jerry to sing those two words again; I’d even take a delayed and whispered “Suzy.” Alas, it wasn’t going to happen. I have thought about so much along the way. I thought how crazy I am for doing this. I thought how empty this project is. I thought how meaningless and stupid and utterly ridiculous….In short, I thought I had perhaps come to an end of sorts with the band. When I began the journey, I actually was listening to 3/24/73 Spectrum and noticed that Jerry had only sung the “sweet Suzy” line in the second slot. And so I wanted to know what other shows in the March/April ’73 period did this. And then I wanted to know all of 1973. And then I decided I’d do all of the Losers and tally them all up. I searched high and low on the Internet to see if someone had already done this. I found no one. But, above all, I felt like I had to do this. I was reminded of my high school years, and always bringing Shannon new “sweet Suzy” Losers. I simply felt it was my calling to know them all. So, Shannon, if you’re out there, and happen to stumble across this, here are all your “sweet Suzy” and “Suzy”-only Losers. Enjoy… Below are the years and dates in which “sweet Suzy” or just “Suzy” appear. After the date, you’ll see a “1” or “2” or “none,” indicating for that particular show where “sweet Suzy” is sung, “1” being the first slot and “2” being the second slot of the song. “None” obviously means neither slot of the song featured this line. If you see a “Suzy” next to either the “1” or “2,” then that means just the rare “Suzy” was sung. For the inaugural Loser on 2/18, I like that “sweet Suzy” was sung in the first slot and just “Suzy” was sung in the second slot. There are a few shows in which we do not have the recording of Loser: 10/21/72, 11/18/72, 9/12/73 (this one is unclear as to whether the song was player there at all, but I kept it in anyway), 9/28/77, and 2/6/79. Other than those, they’re all here. The penultimate note: the Loser from 5/11/78 does not feature a “sweet Suzy” but rather a Jerry “Yeeeeaaaahhh Arrrrgghhhh” which is the only one of its kind. The ultimate note: I have retained the spelling of “Suzy” as this is how it appears in Hunter’s Box of Rain. 1971 (53) 02/18 1 2 "Suzy" 02/19 1 2 02/20 1 2 02/21 1 2 02/23 1 2 02/24 1 2 03/03 1 2 03/14 1 2 "Suzy" 03/18 1 2 03/20 1 2 03/21 1 2 03/24 1 2 04/04 1 2 04/05 1 2 04/06 1 2 04/07 1 2 04/08 1 2 04/12 1 2 04/13 1 2 04/17 1 2 04/18 1 2 04/21 2 04/22 1 2 04/24 1 2 04/25 1 2 04/26 1 2 04/27 1 2 04/28 1 04/29 1 2 05/29 1 2 05/30 1 2 07/02 none 07/31 1 08/05 1 08/06 1 08/14 2 "Suzy" 08/23 1 2 08/24 1 2 08/26 1 10/21 1 2 10/23 1 10/26 1 2 10/29 1 2 10/30 1 2 10/31 1 2 11/06 2 11/07 1 2 11/12 1 2 11/14 1 11/15 1 2 12/06 1 2 12/10 2 12/14 1 2 12/31 1 1972 (24) 01/02 1 2 03/21 2 03/22 none 03/26 1 "Suzy" 2 03/27 1 04/07 1 04/14 1 04/16 1 2 04/24 1 04/26 1 04/29 none 05/10 none 05/13 2 05/26 1 06/17 2 07/18 1 "Suzy" 07/21 1 07/25 none 08/20 1 08/22 1 08/25 2 09/03 none 09/09 none 09/15 none 09/17 none 09/21 2 09/24 2 09/28 none 09/30 2 10/09 1 10/18 1 10/21 ????? 10/23 2 10/27 1 2 11/14 none 11/18 ????? 11/22 none 12/11 none 12/15 none 1973 (7) 02/21 none 02/26 2 03/16 2 03/21 none 03/24 2 03/28 none 05/13 none 05/20 none 05/26 none 06/09 1 06/26 1 07/31 none 09/07 none 09/11 none 09/12 ?????? 09/17 none 09/20 none 09/26 1 "Suzy" 10/21 none 10/27 none 10/29 none 11/10 2 11/23 none 11/30 none 12/06 none 1974 (3) 02/24 none 05/14 1 06/18 1 06/30 none 07/25 none 08/04 none 09/10 none 09/14 none 10/17 none 10/20 2 1975 None 1976 None 1977 None 09/28 ????? 1978 None 05/11 "Yeaaah arrrgghh" 1979 (1) 01/10 1 02/06 ????? 1980 - 1995 None Thanks, xxxxx
  • Vguy72
    Joined:
    10.1.94's intro into Fire On The Mountain....
    ....the midi flute Garcia plays is beautiful. Then it goes into the mutron tone we all know, then back into a mutron/flute thing. Jerry plays two different tones at once. Pretty neat and pretty incredible. Miss you. I can see how someone's first show being this one could hook you. God bless the GOGD.
  • Vguy72
    Joined:
    OCD....
    ....I don't know what you're talking about LedDed. Now exuse me while I rearrange my bookshelves. It's gotta be just exactly perfect. It's for the grater good.
  • LedDed
    Joined:
    "Wait a minute kids while we get this just exactly perfect..."
    I love it when Bob would say that. I wonder if Deadbase lists how many times he spit that out from the stage. It was tongue in cheek, and endearing. This was a raggedy bunch folks. This music was only ever perfect in it's glorious humanness, flaws and warts and all. I play lots of guitar. There's a thing called, "relicing," where you can pay the Fender Custom Shop or some guy in his garage to scuff up your brand-new guitar and make it look old. Like some clown who goes and buys "distressed" jeans at the mall. Please... my guitars get beat up because I play the hell out of them, and except for my Gibsons (only because the string tension against the angled headstock can snap the neck if they fall over), I don't give a shit if one of the kids knocks it off the couch or a drink spills on it or whatever. I love that stuff. Gives an item character. I will no longer even pick up certain people's guitars. I feel they would experience a cardiac event if my nails (I play with a heavy hand) should leave microscopic scratches in the finish. Museum pieces all, never to be - gasp! - really played or used as the medium of expression they were designed for. Just ask the collectors who keep these "investments" in humidors, to be looked at only, and just don't you dare stare too hard in any one place for very long. I bought a brand-new truck in 2002. For months, I would park at the edge of the lot and struggle in vain to keep it perfect. Once I finally let that shit go, it was a tremendous relief. My $100 Jimmy Page coffee table book arrived damaged from UPS, they'd crushed the box and there's about a 1" divot on the cover. So what? Now when my friends thumb through it I don't cringe if they haven't washed their hands. I understand paying money for something and appreciating it being in new condition, but some of this borders on the obsessive and misses the point. Warren Zevon was just like that, with the T-shirts. Joey Ramone. It's OCD and a few other insanities rolled into one. I respect that we are different, and I don't know if I find these gripes with product minutiae annoying or just hysterical... but I guess with the Dead fanbase, you get that in all kinds of ways. One of my discs does have a flaw, there's like a metallic shriek/white noise in some song. Maybe more than one. I wouldn't know which, because with many thousands of songs I just skip ahead to the next one. I can't be bothered enough to care. It's all about the music...
  • LedDed
    Joined:
    First world problems... yawn
    This morning I got up and put on what I thought was a perfectly crisp, clean white T-shirt. Imagine my horror upon discovering a stray eyelash had fallen onto the left shoulder, and to top it off a tiny wrinkle was discovered below the right underarm. Then, at lunch my Big Mac arrived shoddily assembled. The cheese was unevenly melted and not at all centered on the patty! And the pickles had been hastily thrown on and I think there may have even been a few brown sesame seeds atop the bun.
  • cheyler196
    Default Avatar
    Joined:
    First songs from set
    I got this show in a tape trade about 30 years ago (Portland 1974), and it was incomplete, missing 6 or 7 songs. A few years ago, the complete show started circulating and we all discovered that those tracks were omitted because the vocals were seriously low and I guess someone thought they'd do us all a favor and leave them out. The songs that were left out correspond almost exactly to the songs you mentioned. Sounds to me like they did everything they possibly could to match them up with the sound of the rest of the show. It'll never be perfect, but they did a hell of a job and it's nice to hear it sounding so much better. There's just always shit you can't fix when you're working with two-track tapes.
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6 years 6 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Well said. I get '76 GD. When I am in the mood.. there is nothing more soothing. That being said, I get in the mood for just about every era if you give it enough time. When I am in the mood and find just the right show, it's like food for the soul and keeps me going. 1976. Yes please. Mattress Firm Amphitheater. They better have some really comfortable seats..
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9 years
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to read Fare Thee Well. Do want to read Barlow's Mother American Night.
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17 years 3 months
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Will not read it.Fare thee well the book will be relegated to the close out book store sale tables of the near future, whereas the work of John Barlow will last as long as humans still listen to music.
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Yes, I wait all year to listen to 1976 Dead. Particularly June and July each year. So much fun. Has a little of that pre-retirement vibe, but also moving towards the tightness of 1977. The most wholly unique year in the band's history in my opinion.
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14 years 8 months
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I love it
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Is there anything better than a '76 Scarlet or Lazy Lightning/Supplication? I wait all year to listen to the June '76 shows. They are so special. Again, the most unique year in the band's history. Where else will you find Help>Slip>Frank, St. Stephen, Cosmic Charlie and Crazy Fingers all sharing the same setlist? Disco Dancins? Not to mention High Time, stand alone Playin's and Eyes with the '74 jam (Stronger Than Dirt) at the beginning of the song. So magical Oh, and don't forget those muscular NFAs
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....no fence on that tome. Regarding '76 Dead. It hits all the right spots when I want those spots hit, which may not occur every day, but those days do arrive.
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15 years
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Rock and roll wives can be trouble. The Beatles. Spinal Tap.
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17 years 2 months
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....what the PNW 73/74 Box dimensions are. Let's hope they don't pull a Stonehenge ala Spinal Tap.
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15 years 11 months
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Yes, it's sketchy, why Steve left, who wants to just play in a band when the leaders wife runs the show (a non musician running a band never works out). I remember rumors of her telling them all there would be NO drugs on tour, not even joints. When Steve got caught catching a fire, she flipped out on him, told him that Phil could not take the temptation and that druggies were not welcome. I too would have told her to go ...herself. Furthur broke up due to the drug use by the band around Jill, not Phil. In my opinion, Jill broke up the band, not drug use. Then she sells out for one more big paycheck that was FTW. Should have been called LTR (laid to rest) The FTW line up had no heart, because she has no clue what the band was meant to be and could be with the love that made them what they were. She will go down forever as the Yoko Ono of the Grateful Dead. Now, no one but Bobby will play with Phil, so, she took all the toys and went home, how's that working for you now. Phil went from one of the greats to being a restaurant owner. Sad, really sad.
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What’s been posted about the FTW book is enough to appease my curiosity. I get it-- can imagine what it would be like if I was still living in a house with my old college buddies and their girlfriends. Tempers flare hottest around those you know best. Best to just go on your own and listen to some June ’76. Cat on a tin roof, dogs in a pile....
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Kevjones I'm right there with you man. They don't call me Seventy-Sixtus for nothin' And never forget June 11th 1976, which I tout at least 76 times a year - an all time favorite among many other favorites in a favorite year. FAVORITE!! https://archive.org/details/gd1976-06-11.141709.sbd.miller.fixed.flac16… Tigran comes home today. I'll put some '76 on for him. Seventy-Sixtus
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.......not a big fan. It seems I'm in the minority here (-all dead is good dead-) but it lacks the imagination of 72-74, and lacks the power of 77 (or 78). I'm hoping for some primal 60's or 79-81, now that I just got 6 hot shows from 73-74. But hey, I'm sure I will be happy with whatever I get. Hope everyone is well. I've been listening to a lot of Yes lately, as I'm seeing them in Detroit on Saturday. Close to the Edge is an album that always works for me.
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17 years 2 months
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....sounds like a bitch. I bet she rocks one of those "I want to see your manager" bob hair styles too.
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15 years
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Huge fan of 76, my 1st show was 10/9; by the fall of that year they were firing on all cylinders. Too bad(for us) they took such a long break before new year's eve, the last show 10/15 is a barn burner with one of the best 2nd sets of the year.
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15 years 8 months
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All this seventysixtus talk... Got the Capitol Theatre show streaming from the Download Vol4 release. Never gave those DL's the nurturing they deserve. I guess I'm biased towards the physical product I can hold in my hand... Bonus nothing better than a Mission in the Rain from 1976 unless it's one from JGB in 1978 ;)
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11 years 11 months
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I'm with Doc (and Thursday) on this one. 76 = The GD on Valium. Does nothing for me. Lot's of folks love it, but I get bored silly listening to it. By the way D&C seem to be headed down that path as well. The summer shows have been way to slow for my taste.
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15 years
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The cause of the slow tempos are detailed in the FTW book; it's all Bobby's doing: his concept is to sing the songs very slowly, to emphasize the story telling aspect of them. I'm guessing he might have gotten that from Jerry, for example when he slowed down Friend of the Devil(which I never understood: the original tempo conveyed the running from the devil exactly perfect)
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9 years 6 months
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To me phil comes off as playing in a Grateful Dead covers band. I never have had any interest is seeing any post dead. It seems that Bob is trying not to recreate what the dead did but pay the music homage by presenting it in a different light. I am now interested in seeing Bob again in something like his campfire band or even Dead and company. I think like the wheel he has moved on from the past and embraced the present with a view to the future. Good for you Bob and our drummers.
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10 years
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I can't say I'll be rushing to read this book on Fare Thee Well. From what people are saying on here it sounds ghastly. In fact, I'm amazed such a book has been published. I'm not keen on 1976, either. Some of the drifting jams appeal to me-but it sounds like a massive comedown from all the previous years to me. It seems quite an easy listening sort of year. And the shows in 1975 had such promise, too.
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15 years 8 months
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Was watching the rebroadcast of the Mansfield show and one of the commenters who was commenting (or was that trolling) during the broadcast was railing against the slowness and suggested changing the stream to 1.25. I did that and boy did the music seem normal pace. I felt that the D&C shows I saw at Fenway and the Boston Garden were painfully slow last year. More so than the Worcester show for that 1st D&C tour or that first Fenway run (Loved that Acoustic Dark Star). I still loved going to those shows, but after seeing D&C 7 times probably not up for the exorbitant prices the enterprise is charging for not the best seats when JRAD, JGB, DSO can scratch that itch for a lot less scratch. I'm glad the music is out there and hope they continue to perform as long as they're putting quality performances but getting a tad bit too slow for me. Bobby just needs to let John, Oteil and Jeff run with it for a bit. BTW - who is Grateful Dean (Dean Stiller) - I think he is hillarious for his YouTube reviews and seems pretty spot on.
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13 years 2 months
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You didn't hear it from me.. but I hear Steve Parish had Bobby's lovechild and has been raising it in secrecy all these years. It shouldn't surprise any of us that after 50 years there are squabbles. If any of you come from bigger families.. I bet there are a few skeletons in your closet too, and I bet we would be horrified if someone researched and wrote a tell-all book. The truth, we weren't there and no matter what was written there is a likely more to it then how it reads. I have no doubt it's based on real events but it seems to focus on the negative. I sincerely believe deep down inside these guys still love each other and are proud of the body of work they left behind just like I love my brothers and sisters, but I won't be moving back in with them anytime soon. I'm also sure there's a little bad blood.. I threw a screwdriver, a pair of scissors and a can of Spegetti-O's at my brother one day (although honestly.. he deserved worse). I'd like to think all is forgiven.. and honestly, I think we are better off in the way they have diversified and played / interacted with different artists. As for who is the biggest poser and the cover band aspect of it all.. Really? These guys have earned the right to play GD music how ever they see fit. I recently saw Phil Lesh and Friends backed up by the Preservation Hall Jazz Band and it was hardly a cover band. Fresh interpretations that strayed pretty far from the original arrangements. It was fresh, powerful and downright wonderful. I'd see that lineup again in a New York Minute. Let the music play.. it speaks for itself. Step to the side of the small talk and gossip. Just my opinion.. As always, I reserve the right to be tragically and horrifically wrong.
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15 years
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Most of the book focuses on the business dealings; what comes across as negative gossip is tied to these events. The exception being the "encounter" between Billy and Jill's twins :-) but really, it was only a quick one sentence mention.The detailed descriptions of how the post-Jerry bands evolved, how Terrapin Xroads and Bob's TRI studio came into existence, of the organizing of the FTW shows, and more are indeed quite interesting.
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16 years
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JimInMD writes: "I sincerely believe deep down inside these guys still love each other and are proud of the body of work they left behind..." Old story I think, I first heard a statement similar to that was about in early 1996 just after they retired the name Grateful Dead and still deeply mourning the death their dear brother, Jerome John Garcia.
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13 years 2 months
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Does that mean I am not forgiven for throwing a can of Spagetti-O's at my brother? :D
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15 years
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I really wanted them to win. Hope the French crush Messi and his buddies next Saturday!
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8 years 11 months
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I think it’s Grate that 76 doesn’t sound like 74, 75, 77, or 78.It would be pretty boring if every year sounded the same.
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13 years 2 months
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It was closed.. left quite the hematoma as I recall. It's one of the few brawls that I clearly won (he's older).. so I am a bit proud of it. If I had given it more thought, I would have opened it first for good measure.
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15 years
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Funny, my last brawl(I was 17) started after I dumped a rice plate over this guy's head durimg lunch...rivalry over a girl, no less.
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9 years 10 months
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As always, so eloquently said and very fair. All excellent points. Speghetti-Oh's story made me chuckle out loud, I have two brothers myself and fully understand said 'brotherly love'. Be well my friend. Sixtus P.S. icecremconekid - your point is also spot on. Life is all about variety, change, adaptation, and love. All Good Things.
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17 years 2 months
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....yuck. No nutritional value whatsover. Would make a good blunt weapon i suppose.
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9 years 5 months
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I haven't read it yet but I'm sure I eventually will (seems like the perfect book to buy in the airport before a long flight). From what I've read and heard though, all of this seems pretty tame compared to other bands "tell all" books. You mean to tell me a band that's been together since 1965 has had their ups and downs? Has had to deal with power struggles or strong personalities? I'm shocked. Also, there isn't a band in the history of bands who didn't have an incident where someone made a pass (or worse) at another guy's wife or girlfriend. Meanwhile the shows (d&c or Phil) continue to be a great time and the music coming out of the vault is as exciting as ever.
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12 years 3 months
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I really enjoy 1976 Dead. In fact I always go back to Dave’s volume 18. Those 4 discs are phenomenal.
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15 years
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SpaghettiOs! Sorry.
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17 years 3 months
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fuck yeah! spaghetti-O's w/ meatballs! hated the hot dog one. I miss chef Boyardee pac man pasta was a big hit with kids like me who was way into Atari. spaghetti o's, cherry kool aid and Atari. 'MERICA! FUCK YEAH! lol
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12 years 3 months
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My first ever show.
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14 years 8 months
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sooooo good. listening today...The Other One...CUTS. ouch.
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7 years 2 months
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I'm hoping for some kind of wood... my cynical soul is saying plastic... Damn... I hope it's not plastic. There's too much of it in the oceans already; it would be kind of depressingly ironic if this one were made of plastic, given the artistry it bares.
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13 years 2 months
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They are typically heavily processed wood (some sort of glued fibers or essentially a form of cardboard). I hope I'm wrong but doing something like this out of wood just isn't that common and production can be problematic. I am thinking something along the lines of 30 Trips. Plus.. it's painted, so they cover it up anyway. Just being realistic.. I have a ton of box sets, not just GD and the only one I have that is made out of wood is the Warlocks cigar box, and even that is pretty cheesy. ...but if it's wood, I vote for Cherry. Love Cherry, or perhaps zebra striped maple to look like Mayer's new guitar. That would be something.
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13 years 2 months
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This week and next.. what a wonderful thing. Plus, it's still raining here almost every day and the creeks are full.. but back to the music. I am a closet streamer.. when I am interested in something I purchase from Nugs and sometimes just don't have time to watch and listen, but they seem to stick around for a while. Last week I noticed for the first time that one of my unwatched streams was about to expire (from five years ago). Blasphemy I say. So I watched it and by the end of the night I was in no shape to start work by 8 am the next day. So I worked a half day and life was good. Tonight, in honor of my favorite GD cover band I am watching for the first time a Phil N Friends show from 2014 at the Brooklyn Bowl, Vegas (..not slated to expire). JK and Jackie Greene on Guitars.. some simply killer slide guitar on GDTRFB from Senor Greene Joe Russo on drums. Seems ok to me.. Hipsters, tripsters real good chicks sir.. everybody's Doing That Rag. It's too bad this technology wasn't around say.. 55 years ago. Oh.. and the tempo is fast, and it is loud enough to shake the plaster off the ceiling. Fortunately, the river is raging outside so ambient noise gets lost in the shuffle. I bet my neighbors can't even hear it. Life is good. Might sleep in a bit mañana (don't tell my boss).
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