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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • Oxford 88
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    Joined:
    Cumberland County Blues...
    Owl's Head- You churned two memories directly related to the Mighty Cumberland County Civic Center, Portland's music mecca. Saw many great shows, including the Heads in 83 and Hamstrung in 86. I saw the Stop Making Sense show three times within a week (Springfield, Portland, Cape Cod) and while the show had just a little variation with the set list, these are the best concerts I ever saw. Musicianship, energy, choreography (a word not often used in discussions about live Dead). This was the show to end all shows (no wonder they never toured again). The movie and soundtrack are still in heavy rotation. The Hamstrung Blues was part of a strange night at the old barn. The first set was pretty fun. We had seen the shows in Hampton and beside the Box breakout, that run was really weak. Right up front for the first set, the playing was energetic (in relative terms-I was always quite critical about the shows I saw) with Jerry providing good energy. The Hamstrung Blues split the set up with people scratching their heads, trying to figure out if they had heard it before. Second set was very run of the mill... Portland shows were always great with the Old Port rocking and laid back security inside. Would love a 9/17/82 release. I appreciate the Maine loving on 30 trips.
  • pghas1
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    Joined:
    Brent...
    My years were 87-94 so I was and still am a huge Brent fan - thought that his high range vocals with snarl fit perfectly. In terms of his playing, he really worked tremendously well with Jerry and pushed him to new heights during that renaissance period. He knew where his spaces were and how to get in and out of them. Because of the nature of the two instruments, Garcia really needed a keyboard player he could work with and Brent was the guy. My personal opinion, touching also on the Garcia interview, is that he was both devastated and furious at Brent's death. To the point where it wasnt too long after that that he lapsed back into serious drug use and never really recovered. And man, even if you weren't crazy about Brent at the time, how could you not love him once Vince Welnick joined the band? Now that was a pick made with the "we've got 4 weeks until tour and he has a high register voice" decision, because I never felt like his style meshed with what they were doing.
  • boblopes
    Joined:
    Sneakpeak & re: Talking Heads
    Three of my favorite TH tunes are "No Compassion", "Warning Signs" & "Crosseyed and Painless". Got a better appreciation for Cities after I saw Phish cover it at Lemonwheel... When they added Bernie Worrell and that intensive persussion section, they definitely stepped up their game. Saw David Byrne at Avalon (Now HOB) probably 10 years ago and it was a good show... I could not resist, I created a playlist of what I had from the archive that's being released on 30 Trips. I'm listening to it in chronicle order and was pleasantly surprised by Pigpen doing "It's a man's man's man's world" channeling Janice without her dynamic range (of course). People are in for a treat!!! Almost want to stop listening so I will get totally blown away by the stuff I never heard... Come on Dave, unless you're redoing the seaside chats with less wind, release another chat!!! Or at least a sneakpeak at the box... EDIT: fixing bad grammar...
  • Cousins Of The…
    Joined:
    More Brent"(and Weir)
    I thought he was ok the first few years, soundwise; though his songs were definitely late 70's "light rock" However, I cannot listen to his ad-libs on Little Red Rooster, just plain vulgar and ugly. On the other hand, Weir's songs after Terrapin got really clunky both lyrically and musically. It's hard to believe the same songwriting team that wrote a piece as melodic as Weather Report Suite(not to mention the whole Ace LP), came up with Feel Like a Stranger and Picasso Moon.
  • stoltzfus
    Joined:
    Brent
    Keepers: just a little light, pocky, a bunch of others the one I wish had never been brought out (keep it in the family): I will take you home. Way too personal of a song. in any case Brent's awesome. a little showboaty sometimes, but still awesome. listen to 9/24/83's Uncle John's Band. Brent's keys are so freakin' beautiful.
  • owlshead
    Joined:
    Revolutionary Hamstrung Blues
    Anyone? Listening to "Shakedown Stream" from yesterday... doing 1986... the only year for this baby... Brent - he was my keyboard guy when I went to shows: 84-89. And I thought he was fine... Now, at 50+ -- and I can listen to so...... so.... much, that I would never have imagined back when I was a kid. So now, Keith and Donna are my faves.... But yes, Donna sometimes swallowed the mike (as an old friend use to say) and I am another one that is not a big fan of the Pig raps... oh well. But, I love the Beatles too, and I don't love everything... so my 2 cents Speaking of back in the day, any Talking Head fans on this board? I remember that a number of my Dead friends (as well as myself) where into them... in the 80s. Was watching Stop Making Sense last night on youtube... When I saw that movie in 1984, me and a couple other guys I was with were dozed, but my big take (or high-insight at the time, and it still holds) was rhythm and percussion, I was fascinated by it from the movie, and it still informs my acoustic guitar playing to this day! As well as Jer and Bobby -- Jerry had some pretty good rhythm chops too :)
  • JimInMD
    Joined:
    Blow Away
    Blow Away is my destructive Brent Anthem. Great tune live. Also glad I didn't notice that.
  • Mar-T
    Default Avatar
    Joined:
    Ornette and Brent
    Ornette Coleman, free jazz sax legend and Dead collaborator died this morning. Remarkably courageous and powerful player... RIP, man.On the Brent front, I wasn't a fan when I was in my 20's. In fact, "I will take you home" was dubbed "I will take a piss" or "I will get a beer." Great chance to take a breather. Not until he died did I really begin to fully appreciate his contributions. Like Oxford, I am particularly thrilled by his use of the B3 and Leslie. He channeled more authentic blues energy than anyone in the band. Listen to some of those Walking Blues or Never Trust a Woman from 90 and check out his stunning organ and scat solos. The dude had chops. He rocked best to Pocky Way and Blow Away, IMO, not to mention Gimme Some Lovin and Hey Jude. Hell, now that I have two kids of my own, even I Will Take You Home has a place in my heart!
  • Oxford 88
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    Joined:
    Gone South Overnight
    Ooowee, the Brent bashing has reached new lows overnight. My live experiences with the Dead spanned the Brent era. I am not a diehard advocate for Brent's tunes, although that Hey Pocky Way opener at Shoreline 87 blew me away. As a back-up singer, Brent took a few years to hit his stride, but I liked the smoky fills on a number of songs. Jerry loved singing back-up, but he sure needed help for a good stretch of the 80's. In terms of the playing and his "sounds", after he got away from the Schroeder toy piano sound and started working the B-3 with the Leslie, I thought it was outstanding. I liked the semi-soulful, pseudo Allman sound this brought to the mix. Hell, I even liked the cat scratch fills on Loser (haters may want to skip this on 10/21/83-it was incredible live and for me it has held up to multiple listenings). We are a funny bunch- grumbling about too many Lovelight raps from Pig, the off key caterwauling Donna on many tunes and the block chords that Keith resorted to at the end. I listen to it all- yes, I absolutely prefer the strongest eras and the best shows within each. I did not purchase either of the '90 boxes because I knew I wouldn't give them the time they deserve. I am not sure there is a need to tear anyone apart in these forums, whether a band member or current poster. We have the ability to simply move away from what we don't like and allow others their space to enjoy. Even within the world of licorice there are many different textures and tastes.
  • Chris Grand
    Joined:
    minas
    that's a bit harsh, but i agree that the 70's songs sounded better in the 70's. i will say this about brent...i caught a "go ahead" show in new orleans in the late 80's (billy & brent plus some other players), where brent was the bandleader, and it was FANTASTIC something about being the man in the band brought out a side of him rarely seen with the dead. gone were the michael-mcdonald-warbling and the occasional histrionics, and in its place was well played rock/blues/R&B so take that for what its worth...
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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This offering from 30 Trips is a classic Bruce/Vinnie show! The whole fall 1990 tour really. For a band who just hired two new players this tour has some mighty fine moments. New York to the UK and more! Good stuff!
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That'd be 4 CD @Felt Forum '71 4-CD Set!
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if someone could provide me with a copy on cd of this show from 30 trips around the sun I would be eternally grateful. a gorgeous show that you just have to listen to to know its one of the best ever. please let me know and I will provide my details.

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