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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • bob t
    Joined:
    Pacific Northwest Box set
    I am excited to get this. I am looking forward to all of it. I am most excited about the 6/24/73 show. The reason is back in tape trading days this one really didn't exist.. My Dead Base VI has the second set incomplete and nfa>gdtrfb>nfa as the only 3 songs.... I sort of already know what disc i am going to listen to first... have a good weekend everyone.. be good bob t
  • friscokid77
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    Joined:
    Box Set Reveal
    I wonder if this box is big enough to fit all the other boxesthat sit on my shelf and collect dust? The art is SO COOL! I wouldn't mind having this one on display, I'm just not sure what should go in it (since I'm old-school, the cd's are going on my CD shelf)
  • August West Wh…
    Joined:
    MUATM & THis bad ass box
    What fun last night at MAUTM! There weren't many of us and the volume was low at first, but got better by the middle of the 1st set. we stood up and hooped and hollered between songs and sang along w/ IKO when Jerry told us to ... I enjoyed it thoroughly being there with a few buddies, but I am wondering why they would choose something already released on DVD. I love the show and have the DVD but am hoping that next year we get something we haven't seen released officially ... and then they can release it after and we'll buy it up. Something from Summer '91 perhaps!? PS -pumped for this bad ass box! Sept is going to rock!!!!
  • Kayak Guy
    Joined:
    Box Set reveal
    The MUATM was very nice and seeing a happy Jerry interacting with Brent was sweet. There was about 20 people in the theater, all quiet for the show, but watching a show in deluxe lazy boy seats is so cool. thought we had missed the preview, but it came at the end AFTER the final credits and will probably be on this page soon as the Artist information clip. it was a short but interesting introduction to artist Roy Henry Vickers, who had the box in front of him as he described the idea behind it. it started with Dave, and he states that the artist is responsible for all the interior art. they might have showed the top cover taken off and the book is the top layer covering the contents, maybe a smaller wooden box that reminded me of the Warlocks box flashed by, but then went back to the artist. it is probably on youtube already and they just need to link it to this page, it's a standard seaside chat type clip. the box is a little smaller than the 30 Trips box, and won't fit on my shelves where it deserves to be, so it's off to the storage room after ripping. this should help move more copies as it looks really nice and they stuck to the outside, so no unpacking or reveal of the CD holders/digipacks. could be laminated card board or pressed sawdust, but from the outside it looks as sweet as the 72 steamer trunk.
  • Mind-Left-Body
    Joined:
    Sounds great!
    I am so looking forward to this box. The description sounds awesome. No storage room for this prize in my house. I am going to buy a 4 foot fucking pedestal for it and place it where the end table in the family room is soon used to be.
  • KeithFan2112
    Joined:
    Butch Bird Song 1972
    You've picked a great song and a great time to chase it down in. This is probably one of my top five Grateful Dead songs. I like them all a lot. I think the Download Series one from July is my least favorite, only because I don't think it's quite as developed at that point (for example the opening chords aren't quite as sharply executed, and the jam section where Jerry solos is shorter). Veneta is hard to beat, because it's longest, it's multi-track sourced, and the playing is exceptional. DaP 11 is also up there with Veneta for me. That one came almost 3 months later and the playing is just so good from having performed it so much by that time. Jerry's solo at the 3 minute mark is divine. Just listen to how he begins it! And of course the three from 9/21 - 9/27 are all solid (Jerry's a wee bit lower in the mix at Waterbury / 30 Trips). I'm still digesting DaP 24. The enhanced bass production is distracting for me. Once in awhile I can tune it out or get the EQ just right. I can't overstate how much Bill the drummer brings to this song. He's all over it with the drum rolls and ride cymbal. And then of course he has his little drum fill during that brief instrumental break before they all come back in again. Legendary. I'm looking forward to the first officially released 1973 Bird Song, coming along on this PNW Box Set. I'm going with the Dark Star finale from Dick's Picks 16 this morning. Unbelievable how good Uncle John's Band Jam sounds. I used to cherry-pick this song out for mixes, but it's even better within the structure of the complete Dark Star.
  • JimZ musicaficionado
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    Meet Up At The Movies Box Set tease
    So after tonight's Meet Up At The Movies...DL talks about this new box and introduces the artist behind the packaging.....What a BEAUTIFUL sight to see....Looks very sturdy and well constructed....I buy everything this band puts out from every era, and I know it is all about the music...but geez these packages look like sculptures on the display table.Meet Up At The Movies was great as usual, even though I already own the DVD, it is nice to chat with others that appreciate this band as much as I do. Don't miss this box!!!
  • dmcvt
    Joined:
    Watkins Glen redux, RFK & The Stones
    thanks for comments... striving to provide some feels like... we left the electric wild turkey with our new friends and neighbors, took over an hour to carefully wade out to the fringes, CKR was our code for Columbian Killer Reefer. Best thing available in Maine at the time. folks might not be aware that it is less than thirty miles between Watkins Glen and Cornell, each at the southern end of adjacent finger lakes talk about tripping reminded me of another event, will hop on the wayback machine ... a slightly out of control scene at my first Rolling Stones concert. Could have seen them in Baltimore in 1969 when my parents took my fourteen year old brothers ticket away from him after they figured out where he was headed, I said I would go, but in a perverse sense of fairness, they said if he can't go, we can't let you go either... Mom, Dad, its The Stones!!! Mother's little helper!! 17 at the time and would have driven there in a heartbeat. Get your Ya-yas out tour. So a quasi communal group of us dropped on our way down to RFK stadium on July 4, 1972 for Stevie Wonder and the Stones. Following the usual procedures, to enjoy and get the most of the experience, plan ahead for the right surroundings and people, have as much as possible set up for positive outcomes, a sober guide/monitor present if its a larger group. Not necessarily a large concert... We got in, found our seats, Stevie started to play but a lot of people weren't paying him much attention, he was back round for large scale craziness. Typical hot steamy DC late afternoon. What did get our attention was the tear gas trickling in from outside the stadium. Overly excited DC police were trying to stop people scaling the stadiums outside walls to get in free. Think about it, being up in the air over pavement, wall climbing and tear gassed, or inside admission paid and tripping and you get whiffs of tear gas. Whole sections of people got up and moved around to better air. Loud booing and jeering. DC police were pretty quick to use tear gas for crowd control back then, in the archives I have photos I took at Viet Nam antiwar demonstrations on the national mall and at the capital with smoking canisters flying every which way through the air. They herded demonstrators onto buses in those mass antiwar arrests and where did they take detainees for processing? Why RFK stadium of course. Fortunately the tear gas traces inside RFK that day were not horrific and passed quickly, the Stones eventually came out also at peak, Exile on Main Street tour, a great and long show and there were fireworks.... lots of fireworks
  • Born Cross Eye…
    Joined:
    So, what do think about this one: Jerry 11/23/77?
    So Jerry would have been 76 today, Happy Birthday, Jerry!We miss him to say the least. Actually this is one for the Jerry Garcia Archive. If you have this show, what do you think about: Jerry Garcia Band November 23, 1977 Palace Theater Waterbury, Connecticut, USA Audience recording - soundboard recording unavailable. Set 1: How Sweet It Is (To Be Loved By You) Catfish John That's What Love Will Make You Do I'll Take A Melody Simple Twist Of Fate Mission In The Rain SET 2: Let It Rock They Love Each Other Mystery Train Love In The Afternoon Reuben And Cherise Gomorrah Midnight Moonlight ENCORE: Lonesome And A Long Way From Home* A.) Inspired B.) Uninspired C.) This show is releaseable in the official GarciaLive release series. D.) This show is unreleaseable because it sux. E.) B-b-b-boring. F.) What a little blotter will do to give the listener the thought, "this is the greatest Jerry show ever!" G.) It wasn't the greatest, but for my former tape trading partner, Paul M. from Wolcott, CT., he had a great time with his GF - who is now his wife. *My copy does not have the encore.
  • CHebel
    Joined:
    Driving on Acid...
    Loudon Wainwright III once wrote... Driving on acid is easy Driving on acid's a breeze Just keep the car on the highway Don't laugh and don't fart and don't sneeze
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Well said. I get '76 GD. When I am in the mood.. there is nothing more soothing. That being said, I get in the mood for just about every era if you give it enough time. When I am in the mood and find just the right show, it's like food for the soul and keeps me going. 1976. Yes please. Mattress Firm Amphitheater. They better have some really comfortable seats..
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to read Fare Thee Well. Do want to read Barlow's Mother American Night.
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17 years 3 months
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Will not read it.Fare thee well the book will be relegated to the close out book store sale tables of the near future, whereas the work of John Barlow will last as long as humans still listen to music.
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Yes, I wait all year to listen to 1976 Dead. Particularly June and July each year. So much fun. Has a little of that pre-retirement vibe, but also moving towards the tightness of 1977. The most wholly unique year in the band's history in my opinion.
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I love it
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15 years 4 months
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Is there anything better than a '76 Scarlet or Lazy Lightning/Supplication? I wait all year to listen to the June '76 shows. They are so special. Again, the most unique year in the band's history. Where else will you find Help>Slip>Frank, St. Stephen, Cosmic Charlie and Crazy Fingers all sharing the same setlist? Disco Dancins? Not to mention High Time, stand alone Playin's and Eyes with the '74 jam (Stronger Than Dirt) at the beginning of the song. So magical Oh, and don't forget those muscular NFAs
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17 years 2 months
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....no fence on that tome. Regarding '76 Dead. It hits all the right spots when I want those spots hit, which may not occur every day, but those days do arrive.
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15 years
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Rock and roll wives can be trouble. The Beatles. Spinal Tap.
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17 years 2 months
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....what the PNW 73/74 Box dimensions are. Let's hope they don't pull a Stonehenge ala Spinal Tap.
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15 years 11 months
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Yes, it's sketchy, why Steve left, who wants to just play in a band when the leaders wife runs the show (a non musician running a band never works out). I remember rumors of her telling them all there would be NO drugs on tour, not even joints. When Steve got caught catching a fire, she flipped out on him, told him that Phil could not take the temptation and that druggies were not welcome. I too would have told her to go ...herself. Furthur broke up due to the drug use by the band around Jill, not Phil. In my opinion, Jill broke up the band, not drug use. Then she sells out for one more big paycheck that was FTW. Should have been called LTR (laid to rest) The FTW line up had no heart, because she has no clue what the band was meant to be and could be with the love that made them what they were. She will go down forever as the Yoko Ono of the Grateful Dead. Now, no one but Bobby will play with Phil, so, she took all the toys and went home, how's that working for you now. Phil went from one of the greats to being a restaurant owner. Sad, really sad.
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What’s been posted about the FTW book is enough to appease my curiosity. I get it-- can imagine what it would be like if I was still living in a house with my old college buddies and their girlfriends. Tempers flare hottest around those you know best. Best to just go on your own and listen to some June ’76. Cat on a tin roof, dogs in a pile....
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Kevjones I'm right there with you man. They don't call me Seventy-Sixtus for nothin' And never forget June 11th 1976, which I tout at least 76 times a year - an all time favorite among many other favorites in a favorite year. FAVORITE!! https://archive.org/details/gd1976-06-11.141709.sbd.miller.fixed.flac16… Tigran comes home today. I'll put some '76 on for him. Seventy-Sixtus
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.......not a big fan. It seems I'm in the minority here (-all dead is good dead-) but it lacks the imagination of 72-74, and lacks the power of 77 (or 78). I'm hoping for some primal 60's or 79-81, now that I just got 6 hot shows from 73-74. But hey, I'm sure I will be happy with whatever I get. Hope everyone is well. I've been listening to a lot of Yes lately, as I'm seeing them in Detroit on Saturday. Close to the Edge is an album that always works for me.
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....sounds like a bitch. I bet she rocks one of those "I want to see your manager" bob hair styles too.
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Huge fan of 76, my 1st show was 10/9; by the fall of that year they were firing on all cylinders. Too bad(for us) they took such a long break before new year's eve, the last show 10/15 is a barn burner with one of the best 2nd sets of the year.
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All this seventysixtus talk... Got the Capitol Theatre show streaming from the Download Vol4 release. Never gave those DL's the nurturing they deserve. I guess I'm biased towards the physical product I can hold in my hand... Bonus nothing better than a Mission in the Rain from 1976 unless it's one from JGB in 1978 ;)
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I'm with Doc (and Thursday) on this one. 76 = The GD on Valium. Does nothing for me. Lot's of folks love it, but I get bored silly listening to it. By the way D&C seem to be headed down that path as well. The summer shows have been way to slow for my taste.
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The cause of the slow tempos are detailed in the FTW book; it's all Bobby's doing: his concept is to sing the songs very slowly, to emphasize the story telling aspect of them. I'm guessing he might have gotten that from Jerry, for example when he slowed down Friend of the Devil(which I never understood: the original tempo conveyed the running from the devil exactly perfect)
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To me phil comes off as playing in a Grateful Dead covers band. I never have had any interest is seeing any post dead. It seems that Bob is trying not to recreate what the dead did but pay the music homage by presenting it in a different light. I am now interested in seeing Bob again in something like his campfire band or even Dead and company. I think like the wheel he has moved on from the past and embraced the present with a view to the future. Good for you Bob and our drummers.
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I can't say I'll be rushing to read this book on Fare Thee Well. From what people are saying on here it sounds ghastly. In fact, I'm amazed such a book has been published. I'm not keen on 1976, either. Some of the drifting jams appeal to me-but it sounds like a massive comedown from all the previous years to me. It seems quite an easy listening sort of year. And the shows in 1975 had such promise, too.
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Was watching the rebroadcast of the Mansfield show and one of the commenters who was commenting (or was that trolling) during the broadcast was railing against the slowness and suggested changing the stream to 1.25. I did that and boy did the music seem normal pace. I felt that the D&C shows I saw at Fenway and the Boston Garden were painfully slow last year. More so than the Worcester show for that 1st D&C tour or that first Fenway run (Loved that Acoustic Dark Star). I still loved going to those shows, but after seeing D&C 7 times probably not up for the exorbitant prices the enterprise is charging for not the best seats when JRAD, JGB, DSO can scratch that itch for a lot less scratch. I'm glad the music is out there and hope they continue to perform as long as they're putting quality performances but getting a tad bit too slow for me. Bobby just needs to let John, Oteil and Jeff run with it for a bit. BTW - who is Grateful Dean (Dean Stiller) - I think he is hillarious for his YouTube reviews and seems pretty spot on.
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You didn't hear it from me.. but I hear Steve Parish had Bobby's lovechild and has been raising it in secrecy all these years. It shouldn't surprise any of us that after 50 years there are squabbles. If any of you come from bigger families.. I bet there are a few skeletons in your closet too, and I bet we would be horrified if someone researched and wrote a tell-all book. The truth, we weren't there and no matter what was written there is a likely more to it then how it reads. I have no doubt it's based on real events but it seems to focus on the negative. I sincerely believe deep down inside these guys still love each other and are proud of the body of work they left behind just like I love my brothers and sisters, but I won't be moving back in with them anytime soon. I'm also sure there's a little bad blood.. I threw a screwdriver, a pair of scissors and a can of Spegetti-O's at my brother one day (although honestly.. he deserved worse). I'd like to think all is forgiven.. and honestly, I think we are better off in the way they have diversified and played / interacted with different artists. As for who is the biggest poser and the cover band aspect of it all.. Really? These guys have earned the right to play GD music how ever they see fit. I recently saw Phil Lesh and Friends backed up by the Preservation Hall Jazz Band and it was hardly a cover band. Fresh interpretations that strayed pretty far from the original arrangements. It was fresh, powerful and downright wonderful. I'd see that lineup again in a New York Minute. Let the music play.. it speaks for itself. Step to the side of the small talk and gossip. Just my opinion.. As always, I reserve the right to be tragically and horrifically wrong.
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Most of the book focuses on the business dealings; what comes across as negative gossip is tied to these events. The exception being the "encounter" between Billy and Jill's twins :-) but really, it was only a quick one sentence mention.The detailed descriptions of how the post-Jerry bands evolved, how Terrapin Xroads and Bob's TRI studio came into existence, of the organizing of the FTW shows, and more are indeed quite interesting.
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JimInMD writes: "I sincerely believe deep down inside these guys still love each other and are proud of the body of work they left behind..." Old story I think, I first heard a statement similar to that was about in early 1996 just after they retired the name Grateful Dead and still deeply mourning the death their dear brother, Jerome John Garcia.
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Does that mean I am not forgiven for throwing a can of Spagetti-O's at my brother? :D
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15 years
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I really wanted them to win. Hope the French crush Messi and his buddies next Saturday!
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8 years 11 months
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I think it’s Grate that 76 doesn’t sound like 74, 75, 77, or 78.It would be pretty boring if every year sounded the same.
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It was closed.. left quite the hematoma as I recall. It's one of the few brawls that I clearly won (he's older).. so I am a bit proud of it. If I had given it more thought, I would have opened it first for good measure.
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Funny, my last brawl(I was 17) started after I dumped a rice plate over this guy's head durimg lunch...rivalry over a girl, no less.
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9 years 10 months
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As always, so eloquently said and very fair. All excellent points. Speghetti-Oh's story made me chuckle out loud, I have two brothers myself and fully understand said 'brotherly love'. Be well my friend. Sixtus P.S. icecremconekid - your point is also spot on. Life is all about variety, change, adaptation, and love. All Good Things.
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17 years 2 months
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....yuck. No nutritional value whatsover. Would make a good blunt weapon i suppose.
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I haven't read it yet but I'm sure I eventually will (seems like the perfect book to buy in the airport before a long flight). From what I've read and heard though, all of this seems pretty tame compared to other bands "tell all" books. You mean to tell me a band that's been together since 1965 has had their ups and downs? Has had to deal with power struggles or strong personalities? I'm shocked. Also, there isn't a band in the history of bands who didn't have an incident where someone made a pass (or worse) at another guy's wife or girlfriend. Meanwhile the shows (d&c or Phil) continue to be a great time and the music coming out of the vault is as exciting as ever.
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12 years 3 months
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I really enjoy 1976 Dead. In fact I always go back to Dave’s volume 18. Those 4 discs are phenomenal.
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15 years
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SpaghettiOs! Sorry.
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17 years 3 months
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fuck yeah! spaghetti-O's w/ meatballs! hated the hot dog one. I miss chef Boyardee pac man pasta was a big hit with kids like me who was way into Atari. spaghetti o's, cherry kool aid and Atari. 'MERICA! FUCK YEAH! lol
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My first ever show.
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14 years 8 months
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sooooo good. listening today...The Other One...CUTS. ouch.
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7 years 2 months
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I'm hoping for some kind of wood... my cynical soul is saying plastic... Damn... I hope it's not plastic. There's too much of it in the oceans already; it would be kind of depressingly ironic if this one were made of plastic, given the artistry it bares.
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They are typically heavily processed wood (some sort of glued fibers or essentially a form of cardboard). I hope I'm wrong but doing something like this out of wood just isn't that common and production can be problematic. I am thinking something along the lines of 30 Trips. Plus.. it's painted, so they cover it up anyway. Just being realistic.. I have a ton of box sets, not just GD and the only one I have that is made out of wood is the Warlocks cigar box, and even that is pretty cheesy. ...but if it's wood, I vote for Cherry. Love Cherry, or perhaps zebra striped maple to look like Mayer's new guitar. That would be something.
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This week and next.. what a wonderful thing. Plus, it's still raining here almost every day and the creeks are full.. but back to the music. I am a closet streamer.. when I am interested in something I purchase from Nugs and sometimes just don't have time to watch and listen, but they seem to stick around for a while. Last week I noticed for the first time that one of my unwatched streams was about to expire (from five years ago). Blasphemy I say. So I watched it and by the end of the night I was in no shape to start work by 8 am the next day. So I worked a half day and life was good. Tonight, in honor of my favorite GD cover band I am watching for the first time a Phil N Friends show from 2014 at the Brooklyn Bowl, Vegas (..not slated to expire). JK and Jackie Greene on Guitars.. some simply killer slide guitar on GDTRFB from Senor Greene Joe Russo on drums. Seems ok to me.. Hipsters, tripsters real good chicks sir.. everybody's Doing That Rag. It's too bad this technology wasn't around say.. 55 years ago. Oh.. and the tempo is fast, and it is loud enough to shake the plaster off the ceiling. Fortunately, the river is raging outside so ambient noise gets lost in the shuffle. I bet my neighbors can't even hear it. Life is good. Might sleep in a bit mañana (don't tell my boss).
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