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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • bakerflippd
    Joined:
    Dead on Amazon.
    Some pretty good deals on Dead related products from Warner Market on Amazon. -Dave's 14, 20, 24, 25, 26 -Hampton Warlocks Box -30 Trips Box
  • icecrmcnkd
    Joined:
    Damn hbob
    That’s worth missing the Glen
  • Guss West
    Joined:
    Know Thyself
    "Psychedelics are to Psychiatry what the microscope is to biology and the telescope to astronomy." ~Stanislav Grov Love the stories and ethos, HF. "God Bless the Freaks!"
  • hendrixfreak
    Joined:
    Glad to tell tales on myself...
    Funny, I still remember key details like the pink shirt with white polka dots I wore at the show. The afternoon ABB show was killer. Then the afternoon thunderstorm that drenched everyone while The Band played, stopped and finished their set with the lights on. Our idyllic little encampment from the Friday night soundcheck was a sordid pit of mud and abandoned blankets. A day and a half of boogeying on our feet, tripping massively, awash in loud rock 'n roll... Is it any wonder that I was done with festivals for the rest of my life? Even Englishtown's 100,000 was a bit too much at the time. Still, great show! There is no question that the event and other GD shows that summer and fall altered my trajectory. I began backpacking solo in the Adirondacks in NY state (black bear country), did the Green Mtns in Vermont, White Mtns in New Hampshire (almost killed in bad weather on Mt. Washington, where little crosses on the mountain say, "Joe Blow last seen near this area"; not "Joe Blow died here," but "last seen near this area" and the date would be years earlier, so obviously no one was waiting for Joe to show back up again). Then the big trip, thumbing from East Coast to West Coast and back in '74, turning 17 on the road -- of course, I thought I was a big boy by then. My poor folks, no cell phones and I was gone for months. Missed the GD that summer and ended up in San Franciso, walking past the Mars Hotel (LP had been out in July/Aug) trying to sell a cheap watch for food (succeeded). Heard about the October shows, but had nothing, no money, no friends in the area, nothing to do but hitch home and ... go to freakin' high school(!). That didn't go well. I got stories. And now, about to turn 61, and still doing the solo backcountry for the past 32 years in the high desert of NW Colo / NE Utah. Pretty alienated at times from ordinary life but still catching shows -- last night at Red Rocks: Tedeschi-Trucks band (back tonight, yea!). And the boomers remain my medicine a handful of times per year. Keeps me on track and has for 46 years. Puts me closer to rock and sky, though I've lowered the dose as I aged. Just don't require as much to get the inner synch going with the universe. Cheers! Maybe tonight Susan will sing Sugaree.............
  • Born Cross Eye…
    Joined:
    LET ME SING YOUR BLUES AWAY
    Lyrics By: Robert Hunter Music By: Keith Godchaux Well hop in the hack, turn on the key Pop in the clutch let the wheel roll free Not a cloud in the sky, such a sunny day Push in the button let the top ten play Come on honey, let me sing 'em away Come on honey, let me sing 'em away Oh, honey, let me sing your blues away. Give me a little of that old time love 'Cause I ain't never had near enough Honey, walk that walk With style and grace This ain't no knock-down, drag-out race. It doesn't matter much, pick any gear Grind you a pound and drop the rear Baby, baby, what can I say I'm here to drive those blues away. I sent a letter to a man I know Said one for the money and two for the show I wait all summer for his reply Said three to get ready and four to fly. Only two things in this world I love That's rock and roll and my turtle dove. When I was a young man, I needed good luck But I'm a little bit older now and I know my stuff. Come on honey let me sing 'em away Come on honey let me sing 'em away Oh honey let me sing your blues away
  • hbob1995
    Joined:
    Watkins Glen vs. Led Zeppelin
    Unfortunately I could not attend the Glen since I was at MSG in NYC to see Led Zeppelin that night! This was the 2nd night of a 3 night run that was filmed and became the movie The Song Remains The Same. This was the famous n8ght that the hotel safe was burglarized and the band "claimed" to have lost $150K. (In today's dollars that is more like one million). Mystery still surrounds that whole thing. Never trust Peter Grant! His only allegiance was to LZ. All week leading up to the show we were worried about rumors that LZ was going to blow off the Garden and go to the Glen. Thank goodness that did not happen! LZ was loud and phenomenal. I will never forget Page prancing around the stage in his black outfit with the embroidered dragons and such. Plus, we had just seen the ABB at the Garden on the Sat. night before the Glen! Talk about a wealth of musical riches. I had seen my first Dead show in Buffalo, 4 months earlier. 3/31 to be exact. A show that is sandwiched nicely between DaP16, 3/28 in Springfield, and DaP21, 4/2 Boston Garden. (I just finished up listening DaP16 and am now listening to DaP21) I am always hoping for its release but I doubt that will come to pass. I finished up the first disc of DaP27 and it cranks. Jerry is getting it done there for sure! Rock on
  • Born Cross Eye…
    Joined:
    3/31/87
    And... now... for something... completely different: If you like a high energy, well played later 80's show that was broadcast on the FM way back, here's March 31st, 1987 Grateful Dead at The Spectrum in Philadelphia Pa., on the area's leading rock broadcaster at the time, WMMR, 93.3 FM, here is a recording of that broadcast: https://archive.org/details/gd1987-03-31.fm.braverman.7357.shnf/gd87-03… In my opinion, it would be a good addition to the current Dave's Picks Series
  • Born Cross Eye…
    Joined:
    6/10/73
    Hendrixfreak,Thank you very much for your great stories of RFK & Watkins Glen! You're not going to win the Pulitzer Prize for Literature for them, perhaps only just the "Golden Bong Prize" from High Times. A+ My 1st rock concert and 1st GD show was 6/10/73, I was a sweet 16 going on 17. I don't remember too much other than it was very hot and humid. We were in the lowest part of the stands and and looking right we could see the stage. Looking directly straight we saw the soundboard/PA and lighting control "island." Just smoking some grass was involved in that event. We were unable to go to Watkins Glen later that July. Again, I deeply appreciate your stories of RFK & Watkins Glen.
  • nestamon
    Joined:
    Thanks HendrixFreak & DMCVT
    I was eleven in '73 and at sleepaway camp in the Catskills. I knew of the Dead through the bootleg tapes (TDK SA-90) our counselors played nonstop. Those two classic B&W posters of the band in front of Mickeys barn and the one of Garcia in his skeleton jacket was in almost every bunk. It provided the roots to an education, adventure, life philosophy that continues today. I recall hearing the words "Watkins Glen" so often that summer from the counselors that went to the show and knew something great had gone down and lived on those stories all summer. Hendrixfreak & DMCVT's posts bring me right back to those amazing days. The photos are excellent, from the dedhed fashions to the flip top beers, the cars, the lack of merchandise.... I loved looking at every detail in the photos, makes the listening experience even greater. Now 56 sitting in my dedhed themed cabana on the Jersey shore, Im grateful for your posts as all my listening today will consist of only those three bands.
  • Vguy72
    Joined:
    Heading out to see UB40....
    ....I doubt it will be Watkins Glen quality, but I will try. Live music is my pulse. My wife is going too. That's big news in my little circle.
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6 years 6 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Well said. I get '76 GD. When I am in the mood.. there is nothing more soothing. That being said, I get in the mood for just about every era if you give it enough time. When I am in the mood and find just the right show, it's like food for the soul and keeps me going. 1976. Yes please. Mattress Firm Amphitheater. They better have some really comfortable seats..
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to read Fare Thee Well. Do want to read Barlow's Mother American Night.
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17 years 3 months
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Will not read it.Fare thee well the book will be relegated to the close out book store sale tables of the near future, whereas the work of John Barlow will last as long as humans still listen to music.
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Yes, I wait all year to listen to 1976 Dead. Particularly June and July each year. So much fun. Has a little of that pre-retirement vibe, but also moving towards the tightness of 1977. The most wholly unique year in the band's history in my opinion.
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I love it
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15 years 4 months
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Is there anything better than a '76 Scarlet or Lazy Lightning/Supplication? I wait all year to listen to the June '76 shows. They are so special. Again, the most unique year in the band's history. Where else will you find Help>Slip>Frank, St. Stephen, Cosmic Charlie and Crazy Fingers all sharing the same setlist? Disco Dancins? Not to mention High Time, stand alone Playin's and Eyes with the '74 jam (Stronger Than Dirt) at the beginning of the song. So magical Oh, and don't forget those muscular NFAs
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....no fence on that tome. Regarding '76 Dead. It hits all the right spots when I want those spots hit, which may not occur every day, but those days do arrive.
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15 years
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Rock and roll wives can be trouble. The Beatles. Spinal Tap.
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17 years 2 months
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....what the PNW 73/74 Box dimensions are. Let's hope they don't pull a Stonehenge ala Spinal Tap.
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15 years 11 months
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Yes, it's sketchy, why Steve left, who wants to just play in a band when the leaders wife runs the show (a non musician running a band never works out). I remember rumors of her telling them all there would be NO drugs on tour, not even joints. When Steve got caught catching a fire, she flipped out on him, told him that Phil could not take the temptation and that druggies were not welcome. I too would have told her to go ...herself. Furthur broke up due to the drug use by the band around Jill, not Phil. In my opinion, Jill broke up the band, not drug use. Then she sells out for one more big paycheck that was FTW. Should have been called LTR (laid to rest) The FTW line up had no heart, because she has no clue what the band was meant to be and could be with the love that made them what they were. She will go down forever as the Yoko Ono of the Grateful Dead. Now, no one but Bobby will play with Phil, so, she took all the toys and went home, how's that working for you now. Phil went from one of the greats to being a restaurant owner. Sad, really sad.
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What’s been posted about the FTW book is enough to appease my curiosity. I get it-- can imagine what it would be like if I was still living in a house with my old college buddies and their girlfriends. Tempers flare hottest around those you know best. Best to just go on your own and listen to some June ’76. Cat on a tin roof, dogs in a pile....
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Kevjones I'm right there with you man. They don't call me Seventy-Sixtus for nothin' And never forget June 11th 1976, which I tout at least 76 times a year - an all time favorite among many other favorites in a favorite year. FAVORITE!! https://archive.org/details/gd1976-06-11.141709.sbd.miller.fixed.flac16… Tigran comes home today. I'll put some '76 on for him. Seventy-Sixtus
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.......not a big fan. It seems I'm in the minority here (-all dead is good dead-) but it lacks the imagination of 72-74, and lacks the power of 77 (or 78). I'm hoping for some primal 60's or 79-81, now that I just got 6 hot shows from 73-74. But hey, I'm sure I will be happy with whatever I get. Hope everyone is well. I've been listening to a lot of Yes lately, as I'm seeing them in Detroit on Saturday. Close to the Edge is an album that always works for me.
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....sounds like a bitch. I bet she rocks one of those "I want to see your manager" bob hair styles too.
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Huge fan of 76, my 1st show was 10/9; by the fall of that year they were firing on all cylinders. Too bad(for us) they took such a long break before new year's eve, the last show 10/15 is a barn burner with one of the best 2nd sets of the year.
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All this seventysixtus talk... Got the Capitol Theatre show streaming from the Download Vol4 release. Never gave those DL's the nurturing they deserve. I guess I'm biased towards the physical product I can hold in my hand... Bonus nothing better than a Mission in the Rain from 1976 unless it's one from JGB in 1978 ;)
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I'm with Doc (and Thursday) on this one. 76 = The GD on Valium. Does nothing for me. Lot's of folks love it, but I get bored silly listening to it. By the way D&C seem to be headed down that path as well. The summer shows have been way to slow for my taste.
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The cause of the slow tempos are detailed in the FTW book; it's all Bobby's doing: his concept is to sing the songs very slowly, to emphasize the story telling aspect of them. I'm guessing he might have gotten that from Jerry, for example when he slowed down Friend of the Devil(which I never understood: the original tempo conveyed the running from the devil exactly perfect)
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To me phil comes off as playing in a Grateful Dead covers band. I never have had any interest is seeing any post dead. It seems that Bob is trying not to recreate what the dead did but pay the music homage by presenting it in a different light. I am now interested in seeing Bob again in something like his campfire band or even Dead and company. I think like the wheel he has moved on from the past and embraced the present with a view to the future. Good for you Bob and our drummers.
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I can't say I'll be rushing to read this book on Fare Thee Well. From what people are saying on here it sounds ghastly. In fact, I'm amazed such a book has been published. I'm not keen on 1976, either. Some of the drifting jams appeal to me-but it sounds like a massive comedown from all the previous years to me. It seems quite an easy listening sort of year. And the shows in 1975 had such promise, too.
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Was watching the rebroadcast of the Mansfield show and one of the commenters who was commenting (or was that trolling) during the broadcast was railing against the slowness and suggested changing the stream to 1.25. I did that and boy did the music seem normal pace. I felt that the D&C shows I saw at Fenway and the Boston Garden were painfully slow last year. More so than the Worcester show for that 1st D&C tour or that first Fenway run (Loved that Acoustic Dark Star). I still loved going to those shows, but after seeing D&C 7 times probably not up for the exorbitant prices the enterprise is charging for not the best seats when JRAD, JGB, DSO can scratch that itch for a lot less scratch. I'm glad the music is out there and hope they continue to perform as long as they're putting quality performances but getting a tad bit too slow for me. Bobby just needs to let John, Oteil and Jeff run with it for a bit. BTW - who is Grateful Dean (Dean Stiller) - I think he is hillarious for his YouTube reviews and seems pretty spot on.
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You didn't hear it from me.. but I hear Steve Parish had Bobby's lovechild and has been raising it in secrecy all these years. It shouldn't surprise any of us that after 50 years there are squabbles. If any of you come from bigger families.. I bet there are a few skeletons in your closet too, and I bet we would be horrified if someone researched and wrote a tell-all book. The truth, we weren't there and no matter what was written there is a likely more to it then how it reads. I have no doubt it's based on real events but it seems to focus on the negative. I sincerely believe deep down inside these guys still love each other and are proud of the body of work they left behind just like I love my brothers and sisters, but I won't be moving back in with them anytime soon. I'm also sure there's a little bad blood.. I threw a screwdriver, a pair of scissors and a can of Spegetti-O's at my brother one day (although honestly.. he deserved worse). I'd like to think all is forgiven.. and honestly, I think we are better off in the way they have diversified and played / interacted with different artists. As for who is the biggest poser and the cover band aspect of it all.. Really? These guys have earned the right to play GD music how ever they see fit. I recently saw Phil Lesh and Friends backed up by the Preservation Hall Jazz Band and it was hardly a cover band. Fresh interpretations that strayed pretty far from the original arrangements. It was fresh, powerful and downright wonderful. I'd see that lineup again in a New York Minute. Let the music play.. it speaks for itself. Step to the side of the small talk and gossip. Just my opinion.. As always, I reserve the right to be tragically and horrifically wrong.
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Most of the book focuses on the business dealings; what comes across as negative gossip is tied to these events. The exception being the "encounter" between Billy and Jill's twins :-) but really, it was only a quick one sentence mention.The detailed descriptions of how the post-Jerry bands evolved, how Terrapin Xroads and Bob's TRI studio came into existence, of the organizing of the FTW shows, and more are indeed quite interesting.
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JimInMD writes: "I sincerely believe deep down inside these guys still love each other and are proud of the body of work they left behind..." Old story I think, I first heard a statement similar to that was about in early 1996 just after they retired the name Grateful Dead and still deeply mourning the death their dear brother, Jerome John Garcia.
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Does that mean I am not forgiven for throwing a can of Spagetti-O's at my brother? :D
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15 years
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I really wanted them to win. Hope the French crush Messi and his buddies next Saturday!
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I think it’s Grate that 76 doesn’t sound like 74, 75, 77, or 78.It would be pretty boring if every year sounded the same.
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It was closed.. left quite the hematoma as I recall. It's one of the few brawls that I clearly won (he's older).. so I am a bit proud of it. If I had given it more thought, I would have opened it first for good measure.
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Funny, my last brawl(I was 17) started after I dumped a rice plate over this guy's head durimg lunch...rivalry over a girl, no less.
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As always, so eloquently said and very fair. All excellent points. Speghetti-Oh's story made me chuckle out loud, I have two brothers myself and fully understand said 'brotherly love'. Be well my friend. Sixtus P.S. icecremconekid - your point is also spot on. Life is all about variety, change, adaptation, and love. All Good Things.
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17 years 2 months
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....yuck. No nutritional value whatsover. Would make a good blunt weapon i suppose.
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I haven't read it yet but I'm sure I eventually will (seems like the perfect book to buy in the airport before a long flight). From what I've read and heard though, all of this seems pretty tame compared to other bands "tell all" books. You mean to tell me a band that's been together since 1965 has had their ups and downs? Has had to deal with power struggles or strong personalities? I'm shocked. Also, there isn't a band in the history of bands who didn't have an incident where someone made a pass (or worse) at another guy's wife or girlfriend. Meanwhile the shows (d&c or Phil) continue to be a great time and the music coming out of the vault is as exciting as ever.
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I really enjoy 1976 Dead. In fact I always go back to Dave’s volume 18. Those 4 discs are phenomenal.
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SpaghettiOs! Sorry.
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fuck yeah! spaghetti-O's w/ meatballs! hated the hot dog one. I miss chef Boyardee pac man pasta was a big hit with kids like me who was way into Atari. spaghetti o's, cherry kool aid and Atari. 'MERICA! FUCK YEAH! lol
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My first ever show.
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14 years 8 months
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sooooo good. listening today...The Other One...CUTS. ouch.
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7 years 2 months
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I'm hoping for some kind of wood... my cynical soul is saying plastic... Damn... I hope it's not plastic. There's too much of it in the oceans already; it would be kind of depressingly ironic if this one were made of plastic, given the artistry it bares.
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They are typically heavily processed wood (some sort of glued fibers or essentially a form of cardboard). I hope I'm wrong but doing something like this out of wood just isn't that common and production can be problematic. I am thinking something along the lines of 30 Trips. Plus.. it's painted, so they cover it up anyway. Just being realistic.. I have a ton of box sets, not just GD and the only one I have that is made out of wood is the Warlocks cigar box, and even that is pretty cheesy. ...but if it's wood, I vote for Cherry. Love Cherry, or perhaps zebra striped maple to look like Mayer's new guitar. That would be something.
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This week and next.. what a wonderful thing. Plus, it's still raining here almost every day and the creeks are full.. but back to the music. I am a closet streamer.. when I am interested in something I purchase from Nugs and sometimes just don't have time to watch and listen, but they seem to stick around for a while. Last week I noticed for the first time that one of my unwatched streams was about to expire (from five years ago). Blasphemy I say. So I watched it and by the end of the night I was in no shape to start work by 8 am the next day. So I worked a half day and life was good. Tonight, in honor of my favorite GD cover band I am watching for the first time a Phil N Friends show from 2014 at the Brooklyn Bowl, Vegas (..not slated to expire). JK and Jackie Greene on Guitars.. some simply killer slide guitar on GDTRFB from Senor Greene Joe Russo on drums. Seems ok to me.. Hipsters, tripsters real good chicks sir.. everybody's Doing That Rag. It's too bad this technology wasn't around say.. 55 years ago. Oh.. and the tempo is fast, and it is loud enough to shake the plaster off the ceiling. Fortunately, the river is raging outside so ambient noise gets lost in the shuffle. I bet my neighbors can't even hear it. Life is good. Might sleep in a bit mañana (don't tell my boss).
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