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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • MDJim
    Joined:
    Re: RS Memories
    Ha..
  • mhammond12
    Joined:
    Record Store Memories
    When I started high school (1969) my mom would give me a dollar a day to buy lunch in the cafeteria. I would skip lunch and pocket the dollar and every Friday I would buy an album at American Records, a hippie record shop, on my way home. $3.69 per. I would have to smuggle the albums into the house. One day while doing laundry my mom found a reciept for an album I had bought in my pockets and wanted an explanation. I told her that occasionally I didn't eat lunch and used that money to buy an album when I had enough. She was furious and told me to go bring her this album that she would hold onto until I had earned enough through chores to buy it back. Now the album I had bought was Live/Dead and I wasn't going to give that to her. So I went upstairs and grabbed a Steve Miller Band album which I had bought earlier and thought was total garbage and with a sad face turned it over to her. Guess I'll never be a Supreme Court Justice.
  • CaseyJanes
    Joined:
    Re: Midway Kid
    Hey now Midway Kid, I live less than 10 minutes from 75th and Metcalf in KC area....I believe the old record store you're referring to was Peaches....I remember going in there with my parents when I was a kid. I think it is now a 24hour fitness or something. I also know that the old Peaches wooden album crates are highly sought after for storing and displaying vinyl....probably $50 a piece. KCJ
  • MDJim
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    Re: Midway Kid
    Great story Midway Kid.. brings back memories. I struggled very hard to get a few of the harder to get albums.. There was a place about 20 min away from where I lived in high school called Record and Tape Traders that got used/older/import items that were not for sale in the standard record stores. When I finally got Garcia's first solo album (Old and in the Way too).. I was in heaven. It took me more than a year to even find a copy let alone one that sounded good and didn't break the bank. The other happy days in my GD listening adventure were my first 'good' tape trading buddy, the time One From the Vault (and later Dicks Picks) started cranking things out and more recently the day I discovered the Live Music Archives at Archive.Org. Heaven.. Thanks to all the good folks who helped bring us the music in the highest quality humanly possible.
  • Morning Sun
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    Box
    By the way, it is confirmed I am not a robot. Good. Love the box--buy it when you can---the music is certainly worth it. The 5/19/74 sound quality is stunning, the immediacy of the instruments and the proper (Garcia up front) soundstage is amazing. Weirdly, it is probably at its best during the songs where the vocals are off. I just crank those up to listen to the three guitarists. Thanks to all for doing this. Greatly appreciated.
  • MidwayKid
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    box set and story
    What a box set. some of the best and mean best recording I have ever heard for the Dead. Anyone who has not bought this who wants it. Buy it. There is so much fantastic music here. Non of the CDs skipped in my box. Thankfully. A quick story from the old days. We did not have such easy access to such great recordings back the day. I was a senior in high school 1987 and had seen the dead for the first time in 1985. I was then and now today a Dead Head. Anyway between 1984 and where I am in the story finding dead albums in record stores was not that easy. At least some of the rare ones at the time. So every record store in Chicago I went too I would go straight to the dead section and see what they had. Every album that I never saw before I would buy if I could, if not go back and buy when I had the money. Till I found all the albums. The two funnest I remember finding was Reckoning. Man that was great. And Europe 72. I remember I had to save up for a couple weeks to buy it I think it might of been 17 dollars. I was so excited to open a three record set and look at all the pictures of the band because they were scarce at that time as well. Anyway to my surprise the whole inside was blank no pictures. I guess they had a book in the original print back in the seventies and got rid of it later. But the songs were great. Anyway back to my story I read in a bulletin somewhere that the Dead were releasing From The Mars Hotel on CD. So I ordered a copy not owning a CD player because they were expensing and I had no CDs. So when it arrived I drove to 75th and Metcalf outside Kansas City. I lived there at this point. A big giant record store. And went to where their full size stereos with CD players were set up for sale. I put the CD in and sat down on the floor and listened to the whole thing right there in the store. Nobody said a word to me. So as I listened to these songs it brought me back to that day. And the fond memories of me learning the songs I had never heard. Another great find was when I found Old And In The Way on CD in what back then was called the import area. I saw what looked to be Garcia on the front and sure enough it was. That CD got tons of play in college. I later many years down the road down the road went back to that same building which was now a boarders books at that point and read all of Phil's book on breaks from work. So oddly that building has two very special grateful memories for me.
  • unkle sam
    Joined:
    random
    saw this set on ebay for 175.00 everyone keep calm, you will be able to get this set for cheaper if you hold out a little bit longer. The 1990 Too box has got to be one of the best sounding, best recorded, best mastered box set, and it took over a year to sell out, so I don't see this one selling out anytime soon. I used to be immortal, but then I was informed that you still get old and feeble, immortality would only be good if you could stay young. So I gave up immortality for the pleasures of the flesh, don't have one regret, well, maybe one or two. Who wants to live to be 90, or 100 if you are all used up and unable to do anything but sit in your wheelchair and look out the window? Live for today, carpe diem
  • RowStevieRow
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    Joined:
    And Then There Were Three...
    Only Grace, Jack and Jorma left, oh man that hits hard. He tried to help without any thought of his own safety at Altamont, a great singer, RIP Marty Balin, fly high.
  • MDJim
    Joined:
    Three
    Grace, Jack and Jorma?.. yes. Seeing 2/3 of this trio in the fall. Life is short, makes one feel a little less immortal. I got to see the revised Jefferson Airplane during their reunion tour I think in 1989? Ziggy Marley opened and Hot Tuna played a few acoustic tunes during set break. As close as I ever came to seeing the real thing.. still, it seemed special at the time.
  • MinasMorgul
    Joined:
    DP 34
    I was never crazy about this one. Odd choice for vinyl when you stop to think about how many better ones there are. I found the show to be just kind of average for 1977. The best thing about it are the bonus tracks from 11/2 at Seneca. There's a really hot Playing in the Band on Dave's Picks 24 from Berkeley. When I say hot, I mean this is in my top 5 all time. There is an intensity that Jerry and Phil provide, which seems to bring up everybody's game. I haven't listened to this show since it came out, and even then I was preoccupied and never gave it its full due.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Well said. I get '76 GD. When I am in the mood.. there is nothing more soothing. That being said, I get in the mood for just about every era if you give it enough time. When I am in the mood and find just the right show, it's like food for the soul and keeps me going. 1976. Yes please. Mattress Firm Amphitheater. They better have some really comfortable seats..
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9 years 1 month
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to read Fare Thee Well. Do want to read Barlow's Mother American Night.
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17 years 4 months
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Will not read it.Fare thee well the book will be relegated to the close out book store sale tables of the near future, whereas the work of John Barlow will last as long as humans still listen to music.
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Yes, I wait all year to listen to 1976 Dead. Particularly June and July each year. So much fun. Has a little of that pre-retirement vibe, but also moving towards the tightness of 1977. The most wholly unique year in the band's history in my opinion.
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14 years 9 months
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I love it
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15 years 6 months
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Is there anything better than a '76 Scarlet or Lazy Lightning/Supplication? I wait all year to listen to the June '76 shows. They are so special. Again, the most unique year in the band's history. Where else will you find Help>Slip>Frank, St. Stephen, Cosmic Charlie and Crazy Fingers all sharing the same setlist? Disco Dancins? Not to mention High Time, stand alone Playin's and Eyes with the '74 jam (Stronger Than Dirt) at the beginning of the song. So magical Oh, and don't forget those muscular NFAs
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17 years 4 months
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....no fence on that tome. Regarding '76 Dead. It hits all the right spots when I want those spots hit, which may not occur every day, but those days do arrive.
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15 years 1 month
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Rock and roll wives can be trouble. The Beatles. Spinal Tap.
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17 years 4 months
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....what the PNW 73/74 Box dimensions are. Let's hope they don't pull a Stonehenge ala Spinal Tap.
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16 years 1 month
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Yes, it's sketchy, why Steve left, who wants to just play in a band when the leaders wife runs the show (a non musician running a band never works out). I remember rumors of her telling them all there would be NO drugs on tour, not even joints. When Steve got caught catching a fire, she flipped out on him, told him that Phil could not take the temptation and that druggies were not welcome. I too would have told her to go ...herself. Furthur broke up due to the drug use by the band around Jill, not Phil. In my opinion, Jill broke up the band, not drug use. Then she sells out for one more big paycheck that was FTW. Should have been called LTR (laid to rest) The FTW line up had no heart, because she has no clue what the band was meant to be and could be with the love that made them what they were. She will go down forever as the Yoko Ono of the Grateful Dead. Now, no one but Bobby will play with Phil, so, she took all the toys and went home, how's that working for you now. Phil went from one of the greats to being a restaurant owner. Sad, really sad.
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What’s been posted about the FTW book is enough to appease my curiosity. I get it-- can imagine what it would be like if I was still living in a house with my old college buddies and their girlfriends. Tempers flare hottest around those you know best. Best to just go on your own and listen to some June ’76. Cat on a tin roof, dogs in a pile....
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Kevjones I'm right there with you man. They don't call me Seventy-Sixtus for nothin' And never forget June 11th 1976, which I tout at least 76 times a year - an all time favorite among many other favorites in a favorite year. FAVORITE!! https://archive.org/details/gd1976-06-11.141709.sbd.miller.fixed.flac16… Tigran comes home today. I'll put some '76 on for him. Seventy-Sixtus
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12 years 7 months
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.......not a big fan. It seems I'm in the minority here (-all dead is good dead-) but it lacks the imagination of 72-74, and lacks the power of 77 (or 78). I'm hoping for some primal 60's or 79-81, now that I just got 6 hot shows from 73-74. But hey, I'm sure I will be happy with whatever I get. Hope everyone is well. I've been listening to a lot of Yes lately, as I'm seeing them in Detroit on Saturday. Close to the Edge is an album that always works for me.
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17 years 4 months
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....sounds like a bitch. I bet she rocks one of those "I want to see your manager" bob hair styles too.
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15 years 1 month
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Huge fan of 76, my 1st show was 10/9; by the fall of that year they were firing on all cylinders. Too bad(for us) they took such a long break before new year's eve, the last show 10/15 is a barn burner with one of the best 2nd sets of the year.
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All this seventysixtus talk... Got the Capitol Theatre show streaming from the Download Vol4 release. Never gave those DL's the nurturing they deserve. I guess I'm biased towards the physical product I can hold in my hand... Bonus nothing better than a Mission in the Rain from 1976 unless it's one from JGB in 1978 ;)
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I'm with Doc (and Thursday) on this one. 76 = The GD on Valium. Does nothing for me. Lot's of folks love it, but I get bored silly listening to it. By the way D&C seem to be headed down that path as well. The summer shows have been way to slow for my taste.
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The cause of the slow tempos are detailed in the FTW book; it's all Bobby's doing: his concept is to sing the songs very slowly, to emphasize the story telling aspect of them. I'm guessing he might have gotten that from Jerry, for example when he slowed down Friend of the Devil(which I never understood: the original tempo conveyed the running from the devil exactly perfect)
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To me phil comes off as playing in a Grateful Dead covers band. I never have had any interest is seeing any post dead. It seems that Bob is trying not to recreate what the dead did but pay the music homage by presenting it in a different light. I am now interested in seeing Bob again in something like his campfire band or even Dead and company. I think like the wheel he has moved on from the past and embraced the present with a view to the future. Good for you Bob and our drummers.
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10 years 2 months
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I can't say I'll be rushing to read this book on Fare Thee Well. From what people are saying on here it sounds ghastly. In fact, I'm amazed such a book has been published. I'm not keen on 1976, either. Some of the drifting jams appeal to me-but it sounds like a massive comedown from all the previous years to me. It seems quite an easy listening sort of year. And the shows in 1975 had such promise, too.
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Was watching the rebroadcast of the Mansfield show and one of the commenters who was commenting (or was that trolling) during the broadcast was railing against the slowness and suggested changing the stream to 1.25. I did that and boy did the music seem normal pace. I felt that the D&C shows I saw at Fenway and the Boston Garden were painfully slow last year. More so than the Worcester show for that 1st D&C tour or that first Fenway run (Loved that Acoustic Dark Star). I still loved going to those shows, but after seeing D&C 7 times probably not up for the exorbitant prices the enterprise is charging for not the best seats when JRAD, JGB, DSO can scratch that itch for a lot less scratch. I'm glad the music is out there and hope they continue to perform as long as they're putting quality performances but getting a tad bit too slow for me. Bobby just needs to let John, Oteil and Jeff run with it for a bit. BTW - who is Grateful Dean (Dean Stiller) - I think he is hillarious for his YouTube reviews and seems pretty spot on.
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You didn't hear it from me.. but I hear Steve Parish had Bobby's lovechild and has been raising it in secrecy all these years. It shouldn't surprise any of us that after 50 years there are squabbles. If any of you come from bigger families.. I bet there are a few skeletons in your closet too, and I bet we would be horrified if someone researched and wrote a tell-all book. The truth, we weren't there and no matter what was written there is a likely more to it then how it reads. I have no doubt it's based on real events but it seems to focus on the negative. I sincerely believe deep down inside these guys still love each other and are proud of the body of work they left behind just like I love my brothers and sisters, but I won't be moving back in with them anytime soon. I'm also sure there's a little bad blood.. I threw a screwdriver, a pair of scissors and a can of Spegetti-O's at my brother one day (although honestly.. he deserved worse). I'd like to think all is forgiven.. and honestly, I think we are better off in the way they have diversified and played / interacted with different artists. As for who is the biggest poser and the cover band aspect of it all.. Really? These guys have earned the right to play GD music how ever they see fit. I recently saw Phil Lesh and Friends backed up by the Preservation Hall Jazz Band and it was hardly a cover band. Fresh interpretations that strayed pretty far from the original arrangements. It was fresh, powerful and downright wonderful. I'd see that lineup again in a New York Minute. Let the music play.. it speaks for itself. Step to the side of the small talk and gossip. Just my opinion.. As always, I reserve the right to be tragically and horrifically wrong.
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Most of the book focuses on the business dealings; what comes across as negative gossip is tied to these events. The exception being the "encounter" between Billy and Jill's twins :-) but really, it was only a quick one sentence mention.The detailed descriptions of how the post-Jerry bands evolved, how Terrapin Xroads and Bob's TRI studio came into existence, of the organizing of the FTW shows, and more are indeed quite interesting.
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16 years 2 months
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JimInMD writes: "I sincerely believe deep down inside these guys still love each other and are proud of the body of work they left behind..." Old story I think, I first heard a statement similar to that was about in early 1996 just after they retired the name Grateful Dead and still deeply mourning the death their dear brother, Jerome John Garcia.
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13 years 4 months
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Does that mean I am not forgiven for throwing a can of Spagetti-O's at my brother? :D
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15 years 2 months
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I really wanted them to win. Hope the French crush Messi and his buddies next Saturday!
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15 years 2 months
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It all depends if the can was opened or closed.
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9 years
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I think it’s Grate that 76 doesn’t sound like 74, 75, 77, or 78.It would be pretty boring if every year sounded the same.
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13 years 4 months
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It was closed.. left quite the hematoma as I recall. It's one of the few brawls that I clearly won (he's older).. so I am a bit proud of it. If I had given it more thought, I would have opened it first for good measure.
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15 years 2 months
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Funny, my last brawl(I was 17) started after I dumped a rice plate over this guy's head durimg lunch...rivalry over a girl, no less.
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10 years
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As always, so eloquently said and very fair. All excellent points. Speghetti-Oh's story made me chuckle out loud, I have two brothers myself and fully understand said 'brotherly love'. Be well my friend. Sixtus P.S. icecremconekid - your point is also spot on. Life is all about variety, change, adaptation, and love. All Good Things.
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17 years 4 months
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....yuck. No nutritional value whatsover. Would make a good blunt weapon i suppose.
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9 years 6 months
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I haven't read it yet but I'm sure I eventually will (seems like the perfect book to buy in the airport before a long flight). From what I've read and heard though, all of this seems pretty tame compared to other bands "tell all" books. You mean to tell me a band that's been together since 1965 has had their ups and downs? Has had to deal with power struggles or strong personalities? I'm shocked. Also, there isn't a band in the history of bands who didn't have an incident where someone made a pass (or worse) at another guy's wife or girlfriend. Meanwhile the shows (d&c or Phil) continue to be a great time and the music coming out of the vault is as exciting as ever.
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12 years 4 months
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I really enjoy 1976 Dead. In fact I always go back to Dave’s volume 18. Those 4 discs are phenomenal.
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15 years 1 month
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SpaghettiOs! Sorry.
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17 years 5 months
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fuck yeah! spaghetti-O's w/ meatballs! hated the hot dog one. I miss chef Boyardee pac man pasta was a big hit with kids like me who was way into Atari. spaghetti o's, cherry kool aid and Atari. 'MERICA! FUCK YEAH! lol
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12 years 4 months
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My first ever show.
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14 years 9 months
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sooooo good. listening today...The Other One...CUTS. ouch.
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7 years 4 months
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I'm hoping for some kind of wood... my cynical soul is saying plastic... Damn... I hope it's not plastic. There's too much of it in the oceans already; it would be kind of depressingly ironic if this one were made of plastic, given the artistry it bares.
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They are typically heavily processed wood (some sort of glued fibers or essentially a form of cardboard). I hope I'm wrong but doing something like this out of wood just isn't that common and production can be problematic. I am thinking something along the lines of 30 Trips. Plus.. it's painted, so they cover it up anyway. Just being realistic.. I have a ton of box sets, not just GD and the only one I have that is made out of wood is the Warlocks cigar box, and even that is pretty cheesy. ...but if it's wood, I vote for Cherry. Love Cherry, or perhaps zebra striped maple to look like Mayer's new guitar. That would be something.
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This week and next.. what a wonderful thing. Plus, it's still raining here almost every day and the creeks are full.. but back to the music. I am a closet streamer.. when I am interested in something I purchase from Nugs and sometimes just don't have time to watch and listen, but they seem to stick around for a while. Last week I noticed for the first time that one of my unwatched streams was about to expire (from five years ago). Blasphemy I say. So I watched it and by the end of the night I was in no shape to start work by 8 am the next day. So I worked a half day and life was good. Tonight, in honor of my favorite GD cover band I am watching for the first time a Phil N Friends show from 2014 at the Brooklyn Bowl, Vegas (..not slated to expire). JK and Jackie Greene on Guitars.. some simply killer slide guitar on GDTRFB from Senor Greene Joe Russo on drums. Seems ok to me.. Hipsters, tripsters real good chicks sir.. everybody's Doing That Rag. It's too bad this technology wasn't around say.. 55 years ago. Oh.. and the tempo is fast, and it is loud enough to shake the plaster off the ceiling. Fortunately, the river is raging outside so ambient noise gets lost in the shuffle. I bet my neighbors can't even hear it. Life is good. Might sleep in a bit mañana (don't tell my boss).
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081227931391
Product Magento URL
https://store.dead.net/pacific-northwest-73-74-the-complete-recordings-19-cd-boxed-set-1.html