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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • hendrixfreak
    Joined:
    Does anyone know how to ...
    convert a jpg or pdf for posting here? You can PM me or make it public. I've got two pics from Playin', end of first set, 28 July 1973, and a pdf of a front page newspaper that will show the extent of the crowd and reveal how close I was. Stories in 5, 4, 3, 2, 1...
  • Gary Farseer
    Joined:
    Thanks
    Great story and great pics. Monarda it is. Lear something new. We are having the weirdest summer ever. Lows in the mid 60's. Raining like crazy. What I save on the utility bill for a/c I spend in gas to mow the lawn.
  • dmcvt
    Joined:
    WG summer jam (long!)
    hendrixfreak, i can't wait any longer, looking forward to your stuff Wordy feels-like travelogue ahead, “bear” with me. Promise not to do it again. Editing this to 11.10.73 PITB> At the appointed hour… 45 years ago, right about now, about 200 miles west of here, near a racetrack, this music. (most interested to read others accounts… how much did I forget or make up…) Three of us took off from central Maine Thursday July 26 mid-day, old Volvo, scenic route across New Hampshire and Vermont.. It would be a ten hour plus run, never mind whatever we ran into on site, so we decided to split it in two, take time to stop and smell the roses, CKR. Anyone exploring central New Hampshire should enjoy the east-west Kancamagus Highway through the central White Mountains, long as your brakes are good. Figured to get there early Friday as we had an inkling things would get crazy, though we had purchased tickets. Two of us college boys ran the campus radio station, we had news off the AP wire and from friends it would likely bust out. Fan of The Dead for five years by then, but first my show came just four months earlier in Baltimore. Not old enough (parents forbid) Woodstock, largest event before Summer Jam was Concert For Bangladesh at MSG summer 1971. This would be big. We listened to cassettes on the way, especially various ABB and the original Europe 72. CDs would not appear for almost ten years. Don’t recall exactly where we camped out Thursday night, somewhere north of Saratoga Springs in the Adirondacks. Besides camping gear, we had a big cooler packed with home-made gazpacho, sandwiches & beer. As noted previously, the dark ages of beer, or maybe the age of dark beer… already snotty snobs about Bud Miller Coors, Ballantine IPA was barely drinkable, about the most exotic thing we could find being Carlsburg Elephant or Spaten Oktoberfest. Next morning we broke camp quickly, provisioned around Saratoga, made the run to the track asap. We were on schedule, goal was to be situated on site for lunch with enhancements. Like the antique cigarette tin box loaded with fine Columbian fatties (nickname of CKR/seeker). No trouble getting close late Friday morning, parked maybe a third mile away from entrance, spot selected for quick egress. Lots of people around, short lines getting in, plenty of room mid field, excitement and anticipation. Quite the scene walking in from parking to gate, many people just hanging out, vendors for about whatever you might want, setting up shop, free floating. Very relaxed, sunny and getting hot. No hustling to get inside. They were taking tickets at the gate, not yet declared free, things were organized. We strolled down towards the stage, past long rows of porta-potties and pallets stacked with gallon water jugs which early on defined the edges of what space they thought they needed. Hah! Most all the way down in front of the stage, we realized it was up in the air some 10-12 feet, we could not see half way back into mid stage. Eased our way back towards and just short of the sound tent on stilts… set our spot just right of dead center forward. Spent the rest of afternoon blissfully hanging out, wandering around, checking the scene, where you from, folks from all over, more and more people all the time. We had space for our small tent and room around it, we spread out a bit. Slowly but surely everything filled up around us, what that would mean later on. Many rumors circulated early afternoon as to some kind of music that night. Heard stories about the soundcheck being planned, or decided when they realized how many people were there, can’t tell other than there was a very high level of expectation, something would happen. They knew it too. Roadies messed around with stage stuff a lot, re- positioning and finishing touches on equipment, mikes tested, then they would vanish for a break back stage… amps were left on. Someone would play, at least a local/regional band. Time out for images… have seen a bunch of different stuff but found a collection on flikr by Grant Gouldon many of which were taken from very close to where we landed Friday. Like if he had turned a slightly different way, there we were. Thanks Grant. Will publish a link here because simple search will open it up anyway, hope this is OK https://www.flickr.com/photos/grantdabassman/sets/72157603224730871/ Somewhere along into early evening there was a flurry of activity… The Band came out and Robbie Robertson leaned into a mike, “do you mind if we tune up a little”. Roar approval, he seemed a bit goofy/tipsy. Started off with The Night they Drove Old Dixie Down. There was a confederate flag unfurled behind them, iirc. A slightly different world back then. They played for maybe 30 minutes, left the stage. People were breaking out their goodies, chowing down, biggest picnic I ever seen. Flow of inbound people looking for spots had just about stopped, didn’t seem to be much room anymore and moving around was a bit chaotic, a few clear paths. Little more time passed then ABB came out, they looked a little tenuous and played briefly, just a couple few songs iirc. If you don’t know iirc, it means I could be making all this up, but don’t think so. Didn’t seem to me that they played long, not for more than 25-30 minutes.They took off and then things went quiet for a while, people got up and moved around though we saw activity on stage, fingers crossed, they were dead roadies. Still plenty daylight, just starting to fade, almost 8 pm or so. The Dead came out to whistles and cheers, they began fiddling with their stuff. IIRC, vivid memory, Jerry walked right out to the front edge of the stage (precarious) and looked around for what seemed like several minutes scanning/surfing the crowd. Folks called out to him of course. He made eye contact with dozens and dozens of people, nodding his head, picking up the scene. Shook his head as he moved back as if to say, woah, just look at all these people out there. They launched into Promised Land, horrible thin audio. Took first part of that tune to dial it in, no Phil in the mix for a minute. By the time they hit Bird Song, everyone was up and dancing. To date, one of my all time favorite Bird Songs even if you had to be there. A great jazzy feel. My recollection was more better music as it got darker and darker. Two solid sets, they finished around 11 pm. The jam was clearly a special departure. We knew they were deep into it, Phil said a couple times, “remember this is just a soundcheck”. Or maybe there was an echo. We were in an afterglow somewhere way north of midnight. The aftermusic scene down front was wild enough to keep going for a while. About as perfect a day as imaginable for this music punk. Saturday was a let down for me after such a day… hate to say, you’ll see. By late morning our position was being overrun with a crush of humanity, we kept shrinking the footprint to no avail. Getting around anywhere about impossible, first time I ever felt a little claustrophobic… no fear, just no room to breathe… you about had to walk over or on top of many many people, relaxed but way crowded. Maybe the bourbon from the day before had gotten to me… We stuck around for the first dead set, however it became more obvious serious storms were headed that way. Great music, maybe not quite the equal to the previous night, we did not want to leave, but…. Plus it was hot, sun seriously beating down, dark roast, powering up the incoming front. Not like we would ever find another decent spot walking out of the sea of humanity. We could not believe the number of people. We had considered how much more we might endure, our provisions were ok to marginal, we just decided to get the heck out of there. Hard to believe perhaps but elbow to elbow going into bad weather and once it hit, felt we would be stuck among potentially tens of thousands seeking shelter, trying to leave or get back to their cars at the same time… spelling chaos. We headed out reluctantly and made it back to the car just as the first big fat raindrops fell… then held back briefly enough to think we were crazy to leave, before the total downpour. We sailed out easily, wipers on high. So grateful to have been there Friday. Sincere thanks to dead.net and archive.org for providing us with all this wonderful music and a place to discuss it.
  • dmcvt
    Joined:
    red budded? hhmmmmm
    so this time of year... Monarda? hummers here love Monarda ceptin' deer got much of it first... so very fragrant when leaves crushed, like a minty basil aromatic some of those cute fauna eat way too many things intended for food or visual pleasures i offer a free, all expenses paid trip via a havahart trap for chipmunks to the local state park
  • hendrixfreak
    Joined:
    Not even at Gitmo ...
    do they force 'em to listen to Justin Bieber! Okay, I'm making a liquor store run, then gonna do some ramblin' here. Back in a few.
  • Gary Farseer
    Joined:
    The Wheel Is Turning
    I sit in my fun room looking out the window. Yes yes when the family migrated from Europe to found this country they cleared and blasted their way through the wilderness, practically hunting the pests into extinction. Now the pendulum has swung the other way with the environmentalists. As I stare out the window, wheels spinning in my head, I look out on this rejuvenated nature. Last year, a young red tailed hawk matured in the trees in my back yard. Now I am looking out at what looks like 10-12 youngins. Just 10 feet away, there is a baby rabbit gnawing on some clover. Little does the rabbit realize that in just a few months he will be lunch for one of these red tails. Precious! Also, have a few hummingbirds feasting on the nectar of some red budded plant. They are literally just 5 feet from me, if they only knew...
  • Gary Farseer
    Joined:
    Love it Love it
    When the warmth of my medicine kicks in. Mmmmm
  • bob t
    Joined:
    Keith Fan and Vault tapes
    I remember reading once that Bill K had listened to the 9/14/74 Munich show and being excited how well it sounded... around the time of the Winterland October 74 shows...
  • bob t
    Joined:
    Dave's arrived today
    Wasn't suppose to arrive until Monday!!!
  • simonrob
    Joined:
    Fake news...
    Hendrixfreak - guilty as charged. Sentence: 120 hours of continuous forced listening to Justin Bieber and Rick Astley. But seriously, I (and many others) wanna hear your stories.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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03/28/85 Nassau Coliseum - Uniondale, NY Set 1: Truckin' Smokestack Lightning High Time El Paso Peggy-O Cassidy China Cat Sunflower I Know You Rider Set 2: Scarlet Begonias Fire On The Mountain Looks Like Rain Drums Gimme Some Lovin' The Other One Black Peter Sugar Magnolia Encore: Day Job
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I am finally able to listen to all of 3/28/85 I only had set one. 3/28/85 is damn good. it needs to be a Dave's Picks.
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Shit... just being realistic, I was thinking simply painted pine: it's cheap, it's light-weight, and it's a dominant tree from the region in which the shows were played. Anyway, I guess we'll see when it comes... The only boxed sets I own are Winterland '73 and May 1977: Get Shown the Light (All Music Edition). My favorite era for the Dead is '73-'74; of what few albums I own, Dick's Picks, Vol. 14 and Winterland '73 have blown me away like no other, though I have to say One from the Vault (8/13/1975) is phenomenal, too.
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I would have much preferred a box the size of the May ‘77 or July ‘78 box. Those fit nicely on a shelf. I think Dave and the gang are getting to hung up on trying to win a Grammy for presentation. IMHO Rock on
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I wonder if they can make box sets out of bamboo wood more cheaply, and paint over it. Probably not, but we have a bamboo floor in our cottage out back, and it sure is purty. Listening to Jimmy Raney Live in Tokyo right now. Like they say, rock guitarists play 3 chords in front of a thousand people, and jazz guitarists play a thousand chords in front of 3 people. I'm one of those three people this morning. Jimmy was a bebop god with nonstop taste.
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Greetings gang,I tried to read as many posts as I could before posting this so I wasn't repeating anything, and didn't see the question asked, so ... Is it possible that GD will release an "all music edition" for this box like they did with "Get Shown the Light"? I love the work they put into all these special packaging, but all I really want are the CD's in a nice digipack (like the Fillmore West box, or even the Winterland '73 or '77 box). I have oversized boxes (like the Spring '90 box, Get Shown The Light etc.) that are just sitting around taking up space. The "extras" are nice too, but they all stay in the box never seeing the light of day. I never even checked them out once for fear of getting fingerprints on them and then they would no longer be "mint". Don't get me wrong, I am super psyched about the Pacific Northwest box, but when I see the actual box pictured, I do not know what I would do with that. I am too old-school to do a FLAC download too. I am a CD collector, not a file or box collector. Any Thoughts? Thanks, friscokid77
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>>>>>> faux sealskin This is the DEAD, FAUX????? Only real. ...and he started in to whippin' on my fav'rite baby seal with a lead-filled snow shoe....
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My highly uninformed guess is no. If the ole shopping cart count trick is at all accurate, sales on this thing are unusually slow. So slow in fact that I am doubting the data. You are still able to put 10k in the cart which is the arbitrary ceiling limit on all products indicating less than 5k sold - not sure I believe that. If anything, I think we may see 5/19/74 as a stand alone CD release later. 6/22/73 can stand on its own performance wise but I think the expected significant audience patches would keep that one from being a stand alone release. Come to think of it, the first half dozen or so numbers on 5/19/74 have serious mix issues. That's probably why they went with the compilation the way they did even though it likely has the 7 minute audience patch in the 6/22/73 Other One. Yeah, my guess is definitely no, but, as Sgt Schutlz says, "I Know Nothing!"
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Yes, I agree with most your of comments concerning box sets. I personally prefer ones that are economically packed, taking up as little space as possible. The 1973 and 1977 boxes were perfect. Like yourself, I don't listen to or buy downloads-so I do like cds-just not the suitcases that they sometimes come in. I am not overly keen on extras, either. Things like replicas of tickets don't hold a lot of interest for me, I'm afraid. I thought this one was going to sell out really quickly, too.
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In general I agree with those of you who would rather just have the CDs come in a package that fits right into my CD shelving... That's what I love about the Phish boxed sets I own, like Amsterdam '97 & Chicago '94. The CDs are in little sleeves and the sleeves are in a no-nonsense, paperboard box that takes up very little space; it fits right on my CD shelf with the rest of my CDs. Awesome! I, too, find the Get Shown the Light box to be kind of nuisance; sure, the packaging art is beautiful, but in the end, it just sits there, awkwardly, on the carpet, leaning against the side of my CD shelf. That said, I'm really diggin' the art on this one... I think I'll put it atop my bookcase.
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I think these box sets and releases are a dream come true. I also think the folks behind these things are a dedicated bunch of heads that try really hard to offer something different every time. I also think some folks just love to bitch!!
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Got to watch Phil on this video he's great!
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I have given my wife three simple instructions:1 - If I can't eat toast, pull the plug 2 - I want to die outside, so wheel my ass out there 3 - Bury my ashes on Mt. Tam in the GSTL box Might have to amend to this new Raven Man box ! pEaCE Been rocking some DaP 18 in the car - It's Dead ! Will again be taking the longer drive home to get more listening time
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....is loaded up on the listening party. Tell me all that you know. And I know all about taking the longer route to my destination waiting for the jam to finish. And, I just realized, the '74 Seattle show occurred on my 6th birthday. You know it's gotta be good. Haha.
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Sooo...just wondering if the sea creatures on each disc package are going to be continually moving the way they appear to be doing in the email I just received. If so, that would be the most epic CD packaging ever and well worthy of that Grammy. If not, well, I suppose I am just flashing again due to my incredible eagerness for September to arrive...
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...comments from these threads showing up in the official email. Some of you guys should be getting paid.
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I never liked I Need a Miracle. I'm just not into the lyrics. So they played this at the Blossom show I saw last week. During the line, "I need a woman bout twice my age" I realized.. Bobby is 70 now (I think).. so that means he needs a woman that's 140 years old. Silly. Ok, rant over.. now a random song I really like that they are doing now.. Viola Lee Blues. Now that's a cool song. Love it, love that they are giving it some love.
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....I'm guessing you don't like it Jim, because it wasn't the last song you listened to. Viola, however, is a totally different animal. Not a fair comparison. Ying, meet Yang.
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I was just trying to leave things on a positive note.. Of all the things the GD left us.. the value of the songs reigns supreme. I like perhaps 98% of them.. They left us with some great songs. It's a petty thing, but the song seems out of place in their repertoire. Anyway.. pivoting.. They are playing a lot of Summer 1985 on Today in GD History. Great summer shows. Saw a post referencing the 6/27/84 Merriweather Show.. I loved that run.. we walked to the show from my parents house, which made it practically impossible to get into any serious trouble. I am pretty sure I had buddies camping out in the back yard for the last two Merriweather runs.. So much fun.. not sure what the neighbors thought of it all. 06/27/84 Merriweather Post Pavilion - Columbia, MD Set 1: Jack Straw Friend Of The Devil Little Red Rooster Cumberland Blues My Brother Esau Loser Let It Grow Set 2: Help On The Way Slipknot! Franklin's Tower Estimated Prophet Eyes Of The World Why Don't We Do It In The Road Drums Morning Dew Throwin' Stones Not Fade Away Encore: Brokedown Palace
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They did some nice cherry pickin here between 73 and 74, great shows between a stellar year ,73 and (Wall of Sound) 74. Would have loved to have had the privilege to have sat with Dave and Jeffrey for a day and watch them mix and master this stuff. Great He's Gone. Jim
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...Amazing Artist & artwork :)...I think I know what I’m picking for my next tattoo.... ;)
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At 48 years of age, there are precious few tangible items in this world that give me that pit-o-the-tummy tickle of pure childlike joy. The gorgeous boxes that carry the wondrous Grateful Dead music are one of the few. Pulling a plastic case off the CD shelf carries none of the magic that carefully opening the past five (or so) GD boxed sets does. The creak of the TTATS hinge brings me peals of laughter, and gently going through the process of pulling out a disc from GSTL builds the anticipation of hearing the music like nothing else. Thank you for the beauteous packaging! Other than people, GD music is the best thing in my life, and I love that it receives such gorgeous attire.
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I like Box Sets also. They are deep dives into the music. FW69 was my wake-up. Holy Shit. E72, Winterland 73/77. Warlocks. Spring 90, the cheap seats and the Multi-Track shows. July 78, The 77 Wonders, 30 Trips, etc. Combined they are simply Wowwie Wowwie. What a plethora of incredible shows and discs. They really are my go to when I need inspiration or mood altering inputs. As for packing and artwork, we seem to get that almost for free when you look at the price per disc/show. I do dig it, but I am also running out of space.. my office has become almost a shrine of sorts and I can't bring myself to put up more shelves, it just gets more crowded. I love the artwork of this box, but I hope it is the last large sized offering. I also think the box sets represent the best value, best listening pleasure yielding weapon Dave & Company have to offer. You are either in or you are out.. and if you are in, you might as well be all in. This box is worth it just for PNE alone. '73 and '74, to me, represent a high-water mark.
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immigrant children as young as 3 are being ordered into court for their own deportation proceedings,according to attorneys in Texas,California & D.C. WTF ...sorry. Broke one of my own personal rules. But this is bullshit.
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Just got the scratch to preorder the PNW shows. Can’t believe there were still CDs left! Grew up in the Bay Area, but never saw the band live until the May 19/21 ’74 shows. Only two days apart yet completely different sets, both perfectly attuned to the vibes in those cities: spacey blues in Portland and rock-n-roll in Seattle. No other band could handle that breadth. (Some say the Portland show was boring, but I was trippin’ so it was sweet.) Still waiting for the ’80 show in Portland. Different time, different vibe, but the band opened the 2nd set with Fire On The Mountain just as St. Helens erupted in perfect synchronicity. Drove home wrapped in a fog of volcanic ash!
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Box Set fever, it's driving me crazy! Only one Dark Star, blugh. This thing would be sold out by now if every show had Dark Star! I guess there's no getting around sticking with a common theme. I would have done two shows from 72, two shows from 73, and the two 1974 shows that are left that have a Dark Star that's not released yet, June 23rd and July 25th. Granted we got part of the Dark Star from June 23rd on so many roads, but it's incomplete. Then I would have called the box set "Dark Star Fever" That's a bunch of kidding really. I can't wait for this effing thing to come out!
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>>>>> Bobby is 70 now (I think).. so that means he needs a woman that's 140 years old. And yet on the flip side, he has a bottle and a girl who's just 14!
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11 years 1 month
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Lotsa of talk about the quality and size of the box, but what I really want to know is how these individual discs will be packaged! Honestly, it can make or break a purchase of this size for me. I LOATHED the packaging of the GSTL box (I was one of the unlucky many who had to have discs replaced) and don't relish the idea of finding proper jewel cases to house 19 discs, leaving two big empty ornate boxes to take up unnecessary space. That said, this release is catnip for me, as 74-77 are my 'buy on sight' years, so I'm probably going to take the plunge. Also, that 5/22 "Bird Song" is magnificent. Hoping for an 'unboxing' video before I pull the trigger, though.
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17 years 5 months
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All the fuss over the packageing. Remember when we used to not get more than 1 or 2 releases a year. remember One From The Vault? I'm just damn glad we are getting anything. How can you complain about how its packaged, and not mention the FORTY-SEVEN MINUTE Playin' in the Band.Thanks Dave keep up the good work. maybe the acoustic sets of 1970 can find a way out 09-20-1970 is a good start.
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11 years 1 month
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"How can you complain about how it's packaged?" Well, when the CDs are damaged and wont play, for starters...
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17 years 5 months
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Beautiful. This box is just going to be spectacular.
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10 years 8 months
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First, the '68 Janis. Second, Merle and Doc Watson. Third, the Allman Brothers' remaining tapes from Feb. 11, 13 & 14, 1970 at Fillmore East, beyond the one-disc set released in 1997. And, apparently, two other bands/shows, all announced and/or released within a month's time. If you're an archival tape monster (correct audience, r-r-right?), you owe it to yourself to get the Janis, Doc Watson and ABB releases (sensational acoustic guitar sound on Doc Watson's box). And I throw a $50/year donation to the Owsley Foundation to keep the digital archiving going. If you put I think $400 down for a specific band they won't tell you what specific show you supported, but if it gets released, your name is on it.
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Member for

17 years 4 months
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It just hit me that in the remaining 6 months of 2018 we are going to get 4 more outstanding releases:- July = Aoxomoxoa 50th Anniversary Edition - August = DaP27 - September = PNW Box - November = DaP28 4 outa 6 ain't half bad! Rock on
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Member for

9 years 3 months
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I grew up road-tripping with the family from the Bay Area to the San Juan Islands over many Summers. The PNW artwork resonates with my childhood. I know i'm going to get it, and after that Birdsong listening party, i'm gonna get it soon. My guess is it's smaller than it looks, cause my eyes always see desirable things bigger than they are.Lookin' forward to Dead at the Dump (shoreline amphitheater, previous landfill) on Tuesday.... Cousins of the Pioneers, sent a PM on your offer...nice. All the best for the trail...
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Member for

9 years 3 months
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Dont I remember that you were at the "dont hang off of the balcony" show. Many many times my memory is Fried, Country Fried!
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Member for

9 years 3 months
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Easy Wind! In my aging body that is something I wish for. Edit: miss Mr. Grease...wish like hell I had gotten to see him. Hope much more hidden footage is going to see the lovelight of day!
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