• 3,948 replies
    clayv
    Default Avatar
    Joined:

    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

Comments

sort by
Recent
Reset
  • Vguy72
    Joined:
    10.1.94's Space into Last Time....
    ....fuckin' Space Invaders video game effects. Liam would be proud. Pissed off of course, but proud....edit. No weed in the wooden box. :( One can't fail for trying.
  • Angry Jack Straw
    Joined:
    Box
    Mine arrived today. Scheduled for Monday, but the UPS truck pulled up around 5:00. Odd for a Saturday. I saw the driver coming up the driveway with a big box in hand so I met him at the door. "I wasn't expecting this until Monday." So you are why I am working today he responded, clearly not happy. "Do you have any pot you can sell me? It's the Grateful Dead." He turns and walks away in disgust. Those who got the download are missing out on a nice box. Even the kids thought it was awesome. Vguy, the number is in a classy little box between the CDs. Similar to a small jewelry box or some place to hide a key. It comes with a cool passage, distinct in Native American undertones. Very well done. I'm holding off on listening until tomorrow. Watching some old episodes of Parts Unknown. Tony was no Jerry, but he was a awesome dude nonetheless. 10/1/94 is the only show from TTATS that I have listened to past 87. Even then I have only listened to the So Many Roads. I have said many times, fall 94 was the dead cat bounce tour. Unexpectedly good.
  • MDJim
    Joined:
    Double Post
    Squirrel
  • LedDed
    Joined:
    They say...
    ...by the way, has anyone figured out yet who "they" are? The grays? The man? The IRS? At any rate, or so I've heard, "they" say that doing the same thing over and over and expecting a different result is the definition of insanity. Hell, I think it's just being a stone-cold gambler. I buy lottery tickets every drawing, using the same numbers, and goddamn it I'm going to hit big one of these decades. Just you wait and see. I really wish my box had arrived today. Alas, it is not to be and I don't know if UPS delivers on Sunday. I've had those non-descript amazon white vans drop stuff on Sunday though, and that feels like Christmas. Although most of my dead.net WEA product arrives via the Good Ol' USPS, and on our street the mail goes into those group box kiosks. You got your box, and on a special day there will be a key waiting inside for one of the parcel boxes (few, and larger). You're always hoping for a key, and when you see it your heart skips a beat. My theory is that the ubiquitous amazon white vans (Sprinters and the like, windowless) are not adorned with "amazon" graphics for several reasons. For one, they'd attract looters and thieves. For another, we'll all get desensitized to them, and one of these times when one pulls up, you'll run out arms wide ready to embrace yet another Grateful Dead offering, and they'll (it's, "them" again) leap out and pull a hood over your head and throw you in the back. When you wake up, tied to a chair in a cold room with only a single, bare light bulb hanging above you, you'll hope like hell Liam Neeson is about to break in and save your ass. \m/
  • MDJim
    Joined:
    GD and OCD
    I have to laugh at these posts.. yesterday a friend of mine sent me an email he got from one of his friends. It's long.. names omitted to protect the guilty. It was written a year or so ago.. so I'm sure it's floated around a bunch. To the author, I hope it's ok to share. The title was Next Level Obsession. ______________________________________________ I love Deadheads with OCD. Not my post but I appreciate the work. Thu Oct 19, 2017 6:49 pm #1 When I was in high school, there was a girl who would always ask me if I had acquired any new Losers of the “sweet Suzy” variety. And so whenever I received a new batch of tapes from some remote part of the country, I’d note any Losers with the “sweet Suzy” verse and then surprise her with one at the next gathering of our mutual group of friends. These gatherings were almost always centrally concerned with new tape acquisitions or new knowledge regarding the Dead. We were a group obsessed with the band and everything swimming through the vast universe of the band, including apparently any Losers with the “sweet Suzy” line. My memory is foggy when it comes to my findings of the “sweet Suzy” Losers, except one distinct time in which I can remember telling her, “Hey, Shannon, I found a ‘sweet Suzy’ for you.” I don’t know which show it was , but I’m pretty certain it was a 1971 Loser. What lives in my memory is precisely where we were and me saying those exact words to her. It must’ve been a revelatory moment for me regarding the rarity of the “sweet Suzy” Losers, for I have never forgotten that moment after 20+ years. Fast forward to a few months ago, in June of 2017, when I found myself thinking of those great tape-trading days of high school, the discoveries, the euphoria of acquiring a new batch of tapes. And for some reason my mind turned to the “sweet Suzy” versions of Loser, and how I would search out copies of this song without a handy Deadbase at my fingertips, nor a more convenient “etree mobile” app which allowed me to effortlessly flip through shows and fast forward to the two particular instances in which “sweet Suzy” is sung with the simply movement of a finger across my iPhone. Wow, how times have changed with regard to searching for a particular part of a song. So a few months ago I decided to complete the project once and for all. I needed to know when “sweet Suzy” died, and I kind of wanted to arrive at a reason for her death. Sadly, I found her apparent death on October 20th, 1974, then realized she had risen from the dead on January 10th, 1979, only to be buried once again for eternity. Even more tragic is the unknown reason for her death. What I did find, however, is an obscure protraction of her death. Think about all the hours I’ve logged listening to “Last fair deal in the country, sweet Suzy!” and the amount of accumulated thoughts about Suzy, what she must’ve looked like to Hunter and Jerry, what she must’ve meant to Jerry on the nights that he sung her into the song with such love and tenderness and longing, what she must have meant to him on the nights that he abandoned her and left the audience singing her in their own empty words, and what he must’ve thought on January 10th, 1979 when he resurrected her one last time. What drove him to do it? The Dead performed Loser 346 times. Only a few of these shows do we not have the recording. I tally 88 known Losers that include the “sweet Suzy” or just “Suzy” line. Remarkably, of the 54 Losers performed in 1971, only one show did not feature the “sweet Suzy” line. That show is 7/2/71 at the Fillmore West, oddly the last show at that venue. The very first Loser performed on 2/18/71 at Port Chester features a “sweet Suzy” in the first slot and a rare “Suzy”-only in the second slot. All three “Suzy”-only versions were sung in the second slot of the song in 1971, but of the three remaining “Suzy”-only versions in 1972 and 1973, Jerry sang it in the first slot of the song. The first show in which Jerry sings “sweet Suzy” in only one of the two slots is the 22nd performance of Loser on 4/21/71 in Providence, Rhode Island, and it appears in the second slot. There are no other shows or patterns in 1971 of note except to say that toward the middle of the year, immediately following the 7/2/71 Fillmore West show, Jerry starts to exclude the “sweet Suzy” line in one of the two slots more frequently. Between 2/18/71 and 5/30/71, Jerry performs Loser 31 times, and he is fairly regular with the “sweet Suzy” line in all of the Loser versions, singing it both times in all but 2 of the 31 times. But once 7/2/71 hits, the remaining 23 performances of the song are variable when it comes to the singing of the line. Between 7/2/71 and 12/31/71, Jerry sings the line twice during the song only 13 of the 23 times. What this means is that Jerry started the slow death of “sweet Suzy” officially on 4/21/71, booted her from the song for the first time altogether on 7/2/71, and then proceeded to ween her from the song thereafter. 1972 sees the demise of Suzy even more. Of the 39 times Loser is played in 1972, only 4 times does Jerry sing “sweet Suzy” in both slots of the song. 13 times he abandons “sweet Suzy” entirely. 1973 isn’t any better. 25 performances, 7 “sweet Suzy” lines, and none of those 7 times does Jerry sing the line in both slots of the song. 1974 saw “sweet Suzy” virtually die. Of the 10 times Loser is performed (remember, there were only 40 shows this year), only 3 times does “sweet Suzy” make her appearance, the last being on 10/20/74 at Winterland, and it’s sung in the second slot of the song. I fitting farewell to the Grateful Dead at the time and to sweet Suzy, whoever she was. And that is all we know of the mysterious girl called Suzy in the song Loser. For the next 4 years and 45 performances of Loser, not a trace of “sweet Suzy” is found – that is, until the first show of 1979, in Uniondale, New York, on January 10th. Making her appearance one more time – and her last time – was “sweet Suzy” in the first slot of the song. It’s so brief and nondescript. If you blink, you miss it in the recording. There’s no emphasis, no powerful resurgence, no eruption from the audience. It comes and goes in a second and a half. And then it vanishes. Ghostlike. Forever. I knew I had never heard a “sweet Suzy” in the 1980s or 1990s, but I wanted to be sure, and so I listened to all the “Last fair deal in the country….” verses (two per song) of all 169 remaining performances. I sometimes dreamed that I’d find one, hidden within a show that was not on many popular radars. I held out hope that there was a version of the song in the post-Brent era that escaped our listening ears because it was a Vince show. No. I sometimes imagined I heard it because I was listening so hard for it. I truly wanted it to be there. I wanted so badly for Jerry to sing those two words again; I’d even take a delayed and whispered “Suzy.” Alas, it wasn’t going to happen. I have thought about so much along the way. I thought how crazy I am for doing this. I thought how empty this project is. I thought how meaningless and stupid and utterly ridiculous….In short, I thought I had perhaps come to an end of sorts with the band. When I began the journey, I actually was listening to 3/24/73 Spectrum and noticed that Jerry had only sung the “sweet Suzy” line in the second slot. And so I wanted to know what other shows in the March/April ’73 period did this. And then I wanted to know all of 1973. And then I decided I’d do all of the Losers and tally them all up. I searched high and low on the Internet to see if someone had already done this. I found no one. But, above all, I felt like I had to do this. I was reminded of my high school years, and always bringing Shannon new “sweet Suzy” Losers. I simply felt it was my calling to know them all. So, Shannon, if you’re out there, and happen to stumble across this, here are all your “sweet Suzy” and “Suzy”-only Losers. Enjoy… Below are the years and dates in which “sweet Suzy” or just “Suzy” appear. After the date, you’ll see a “1” or “2” or “none,” indicating for that particular show where “sweet Suzy” is sung, “1” being the first slot and “2” being the second slot of the song. “None” obviously means neither slot of the song featured this line. If you see a “Suzy” next to either the “1” or “2,” then that means just the rare “Suzy” was sung. For the inaugural Loser on 2/18, I like that “sweet Suzy” was sung in the first slot and just “Suzy” was sung in the second slot. There are a few shows in which we do not have the recording of Loser: 10/21/72, 11/18/72, 9/12/73 (this one is unclear as to whether the song was player there at all, but I kept it in anyway), 9/28/77, and 2/6/79. Other than those, they’re all here. The penultimate note: the Loser from 5/11/78 does not feature a “sweet Suzy” but rather a Jerry “Yeeeeaaaahhh Arrrrgghhhh” which is the only one of its kind. The ultimate note: I have retained the spelling of “Suzy” as this is how it appears in Hunter’s Box of Rain. 1971 (53) 02/18 1 2 "Suzy" 02/19 1 2 02/20 1 2 02/21 1 2 02/23 1 2 02/24 1 2 03/03 1 2 03/14 1 2 "Suzy" 03/18 1 2 03/20 1 2 03/21 1 2 03/24 1 2 04/04 1 2 04/05 1 2 04/06 1 2 04/07 1 2 04/08 1 2 04/12 1 2 04/13 1 2 04/17 1 2 04/18 1 2 04/21 2 04/22 1 2 04/24 1 2 04/25 1 2 04/26 1 2 04/27 1 2 04/28 1 04/29 1 2 05/29 1 2 05/30 1 2 07/02 none 07/31 1 08/05 1 08/06 1 08/14 2 "Suzy" 08/23 1 2 08/24 1 2 08/26 1 10/21 1 2 10/23 1 10/26 1 2 10/29 1 2 10/30 1 2 10/31 1 2 11/06 2 11/07 1 2 11/12 1 2 11/14 1 11/15 1 2 12/06 1 2 12/10 2 12/14 1 2 12/31 1 1972 (24) 01/02 1 2 03/21 2 03/22 none 03/26 1 "Suzy" 2 03/27 1 04/07 1 04/14 1 04/16 1 2 04/24 1 04/26 1 04/29 none 05/10 none 05/13 2 05/26 1 06/17 2 07/18 1 "Suzy" 07/21 1 07/25 none 08/20 1 08/22 1 08/25 2 09/03 none 09/09 none 09/15 none 09/17 none 09/21 2 09/24 2 09/28 none 09/30 2 10/09 1 10/18 1 10/21 ????? 10/23 2 10/27 1 2 11/14 none 11/18 ????? 11/22 none 12/11 none 12/15 none 1973 (7) 02/21 none 02/26 2 03/16 2 03/21 none 03/24 2 03/28 none 05/13 none 05/20 none 05/26 none 06/09 1 06/26 1 07/31 none 09/07 none 09/11 none 09/12 ?????? 09/17 none 09/20 none 09/26 1 "Suzy" 10/21 none 10/27 none 10/29 none 11/10 2 11/23 none 11/30 none 12/06 none 1974 (3) 02/24 none 05/14 1 06/18 1 06/30 none 07/25 none 08/04 none 09/10 none 09/14 none 10/17 none 10/20 2 1975 None 1976 None 1977 None 09/28 ????? 1978 None 05/11 "Yeaaah arrrgghh" 1979 (1) 01/10 1 02/06 ????? 1980 - 1995 None Thanks, xxxxx
  • Vguy72
    Joined:
    10.1.94's intro into Fire On The Mountain....
    ....the midi flute Garcia plays is beautiful. Then it goes into the mutron tone we all know, then back into a mutron/flute thing. Jerry plays two different tones at once. Pretty neat and pretty incredible. Miss you. I can see how someone's first show being this one could hook you. God bless the GOGD.
  • Vguy72
    Joined:
    OCD....
    ....I don't know what you're talking about LedDed. Now exuse me while I rearrange my bookshelves. It's gotta be just exactly perfect. It's for the grater good.
  • LedDed
    Joined:
    "Wait a minute kids while we get this just exactly perfect..."
    I love it when Bob would say that. I wonder if Deadbase lists how many times he spit that out from the stage. It was tongue in cheek, and endearing. This was a raggedy bunch folks. This music was only ever perfect in it's glorious humanness, flaws and warts and all. I play lots of guitar. There's a thing called, "relicing," where you can pay the Fender Custom Shop or some guy in his garage to scuff up your brand-new guitar and make it look old. Like some clown who goes and buys "distressed" jeans at the mall. Please... my guitars get beat up because I play the hell out of them, and except for my Gibsons (only because the string tension against the angled headstock can snap the neck if they fall over), I don't give a shit if one of the kids knocks it off the couch or a drink spills on it or whatever. I love that stuff. Gives an item character. I will no longer even pick up certain people's guitars. I feel they would experience a cardiac event if my nails (I play with a heavy hand) should leave microscopic scratches in the finish. Museum pieces all, never to be - gasp! - really played or used as the medium of expression they were designed for. Just ask the collectors who keep these "investments" in humidors, to be looked at only, and just don't you dare stare too hard in any one place for very long. I bought a brand-new truck in 2002. For months, I would park at the edge of the lot and struggle in vain to keep it perfect. Once I finally let that shit go, it was a tremendous relief. My $100 Jimmy Page coffee table book arrived damaged from UPS, they'd crushed the box and there's about a 1" divot on the cover. So what? Now when my friends thumb through it I don't cringe if they haven't washed their hands. I understand paying money for something and appreciating it being in new condition, but some of this borders on the obsessive and misses the point. Warren Zevon was just like that, with the T-shirts. Joey Ramone. It's OCD and a few other insanities rolled into one. I respect that we are different, and I don't know if I find these gripes with product minutiae annoying or just hysterical... but I guess with the Dead fanbase, you get that in all kinds of ways. One of my discs does have a flaw, there's like a metallic shriek/white noise in some song. Maybe more than one. I wouldn't know which, because with many thousands of songs I just skip ahead to the next one. I can't be bothered enough to care. It's all about the music...
  • LedDed
    Joined:
    First world problems... yawn
    This morning I got up and put on what I thought was a perfectly crisp, clean white T-shirt. Imagine my horror upon discovering a stray eyelash had fallen onto the left shoulder, and to top it off a tiny wrinkle was discovered below the right underarm. Then, at lunch my Big Mac arrived shoddily assembled. The cheese was unevenly melted and not at all centered on the patty! And the pickles had been hastily thrown on and I think there may have even been a few brown sesame seeds atop the bun.
  • cheyler196
    Default Avatar
    Joined:
    First songs from set
    I got this show in a tape trade about 30 years ago (Portland 1974), and it was incomplete, missing 6 or 7 songs. A few years ago, the complete show started circulating and we all discovered that those tracks were omitted because the vocals were seriously low and I guess someone thought they'd do us all a favor and leave them out. The songs that were left out correspond almost exactly to the songs you mentioned. Sounds to me like they did everything they possibly could to match them up with the sound of the rest of the show. It'll never be perfect, but they did a hell of a job and it's nice to hear it sounding so much better. There's just always shit you can't fix when you're working with two-track tapes.
user picture
Default Avatar

Member for

6 years 6 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

user picture

Member for

13 years 2 months
Permalink

03/28/85 Nassau Coliseum - Uniondale, NY Set 1: Truckin' Smokestack Lightning High Time El Paso Peggy-O Cassidy China Cat Sunflower I Know You Rider Set 2: Scarlet Begonias Fire On The Mountain Looks Like Rain Drums Gimme Some Lovin' The Other One Black Peter Sugar Magnolia Encore: Day Job
user picture

Member for

17 years 3 months
Permalink

I am finally able to listen to all of 3/28/85 I only had set one. 3/28/85 is damn good. it needs to be a Dave's Picks.
user picture

Member for

7 years 2 months
Permalink

Shit... just being realistic, I was thinking simply painted pine: it's cheap, it's light-weight, and it's a dominant tree from the region in which the shows were played. Anyway, I guess we'll see when it comes... The only boxed sets I own are Winterland '73 and May 1977: Get Shown the Light (All Music Edition). My favorite era for the Dead is '73-'74; of what few albums I own, Dick's Picks, Vol. 14 and Winterland '73 have blown me away like no other, though I have to say One from the Vault (8/13/1975) is phenomenal, too.
user picture

Member for

17 years 2 months
Permalink

I would have much preferred a box the size of the May ‘77 or July ‘78 box. Those fit nicely on a shelf. I think Dave and the gang are getting to hung up on trying to win a Grammy for presentation. IMHO Rock on
user picture
Default Avatar

Member for

8 years 1 month
Permalink

I wonder if they can make box sets out of bamboo wood more cheaply, and paint over it. Probably not, but we have a bamboo floor in our cottage out back, and it sure is purty. Listening to Jimmy Raney Live in Tokyo right now. Like they say, rock guitarists play 3 chords in front of a thousand people, and jazz guitarists play a thousand chords in front of 3 people. I'm one of those three people this morning. Jimmy was a bebop god with nonstop taste.
user picture
Default Avatar

Member for

14 years 2 months
Permalink

Greetings gang,I tried to read as many posts as I could before posting this so I wasn't repeating anything, and didn't see the question asked, so ... Is it possible that GD will release an "all music edition" for this box like they did with "Get Shown the Light"? I love the work they put into all these special packaging, but all I really want are the CD's in a nice digipack (like the Fillmore West box, or even the Winterland '73 or '77 box). I have oversized boxes (like the Spring '90 box, Get Shown The Light etc.) that are just sitting around taking up space. The "extras" are nice too, but they all stay in the box never seeing the light of day. I never even checked them out once for fear of getting fingerprints on them and then they would no longer be "mint". Don't get me wrong, I am super psyched about the Pacific Northwest box, but when I see the actual box pictured, I do not know what I would do with that. I am too old-school to do a FLAC download too. I am a CD collector, not a file or box collector. Any Thoughts? Thanks, friscokid77
user picture

Member for

11 years 10 months
Permalink

>>>>>> faux sealskin This is the DEAD, FAUX????? Only real. ...and he started in to whippin' on my fav'rite baby seal with a lead-filled snow shoe....
user picture
Default Avatar

Member for

16 years 5 months
Permalink

My highly uninformed guess is no. If the ole shopping cart count trick is at all accurate, sales on this thing are unusually slow. So slow in fact that I am doubting the data. You are still able to put 10k in the cart which is the arbitrary ceiling limit on all products indicating less than 5k sold - not sure I believe that. If anything, I think we may see 5/19/74 as a stand alone CD release later. 6/22/73 can stand on its own performance wise but I think the expected significant audience patches would keep that one from being a stand alone release. Come to think of it, the first half dozen or so numbers on 5/19/74 have serious mix issues. That's probably why they went with the compilation the way they did even though it likely has the 7 minute audience patch in the 6/22/73 Other One. Yeah, my guess is definitely no, but, as Sgt Schutlz says, "I Know Nothing!"
user picture

Member for

10 years
Permalink

Yes, I agree with most your of comments concerning box sets. I personally prefer ones that are economically packed, taking up as little space as possible. The 1973 and 1977 boxes were perfect. Like yourself, I don't listen to or buy downloads-so I do like cds-just not the suitcases that they sometimes come in. I am not overly keen on extras, either. Things like replicas of tickets don't hold a lot of interest for me, I'm afraid. I thought this one was going to sell out really quickly, too.
user picture

Member for

7 years 2 months
Permalink

In general I agree with those of you who would rather just have the CDs come in a package that fits right into my CD shelving... That's what I love about the Phish boxed sets I own, like Amsterdam '97 & Chicago '94. The CDs are in little sleeves and the sleeves are in a no-nonsense, paperboard box that takes up very little space; it fits right on my CD shelf with the rest of my CDs. Awesome! I, too, find the Get Shown the Light box to be kind of nuisance; sure, the packaging art is beautiful, but in the end, it just sits there, awkwardly, on the carpet, leaning against the side of my CD shelf. That said, I'm really diggin' the art on this one... I think I'll put it atop my bookcase.
user picture
Default Avatar

Member for

11 years 10 months
Permalink

I think these box sets and releases are a dream come true. I also think the folks behind these things are a dedicated bunch of heads that try really hard to offer something different every time. I also think some folks just love to bitch!!
user picture

Member for

15 years 11 months
Permalink

Got to watch Phil on this video he's great!
user picture

Member for

7 years 4 months
Permalink

I have given my wife three simple instructions:1 - If I can't eat toast, pull the plug 2 - I want to die outside, so wheel my ass out there 3 - Bury my ashes on Mt. Tam in the GSTL box Might have to amend to this new Raven Man box ! pEaCE Been rocking some DaP 18 in the car - It's Dead ! Will again be taking the longer drive home to get more listening time
user picture

Member for

17 years 2 months
Permalink

....is loaded up on the listening party. Tell me all that you know. And I know all about taking the longer route to my destination waiting for the jam to finish. And, I just realized, the '74 Seattle show occurred on my 6th birthday. You know it's gotta be good. Haha.
user picture

Member for

9 years 7 months
Permalink

Sooo...just wondering if the sea creatures on each disc package are going to be continually moving the way they appear to be doing in the email I just received. If so, that would be the most epic CD packaging ever and well worthy of that Grammy. If not, well, I suppose I am just flashing again due to my incredible eagerness for September to arrive...
user picture

Member for

8 years 11 months
Permalink

...comments from these threads showing up in the official email. Some of you guys should be getting paid.
user picture

Member for

13 years 2 months
Permalink

I never liked I Need a Miracle. I'm just not into the lyrics. So they played this at the Blossom show I saw last week. During the line, "I need a woman bout twice my age" I realized.. Bobby is 70 now (I think).. so that means he needs a woman that's 140 years old. Silly. Ok, rant over.. now a random song I really like that they are doing now.. Viola Lee Blues. Now that's a cool song. Love it, love that they are giving it some love.
user picture

Member for

17 years 2 months
Permalink

....I'm guessing you don't like it Jim, because it wasn't the last song you listened to. Viola, however, is a totally different animal. Not a fair comparison. Ying, meet Yang.
user picture

Member for

13 years 2 months
Permalink

I was just trying to leave things on a positive note.. Of all the things the GD left us.. the value of the songs reigns supreme. I like perhaps 98% of them.. They left us with some great songs. It's a petty thing, but the song seems out of place in their repertoire. Anyway.. pivoting.. They are playing a lot of Summer 1985 on Today in GD History. Great summer shows. Saw a post referencing the 6/27/84 Merriweather Show.. I loved that run.. we walked to the show from my parents house, which made it practically impossible to get into any serious trouble. I am pretty sure I had buddies camping out in the back yard for the last two Merriweather runs.. So much fun.. not sure what the neighbors thought of it all. 06/27/84 Merriweather Post Pavilion - Columbia, MD Set 1: Jack Straw Friend Of The Devil Little Red Rooster Cumberland Blues My Brother Esau Loser Let It Grow Set 2: Help On The Way Slipknot! Franklin's Tower Estimated Prophet Eyes Of The World Why Don't We Do It In The Road Drums Morning Dew Throwin' Stones Not Fade Away Encore: Brokedown Palace
user picture

Member for

15 years 4 months
Permalink

They did some nice cherry pickin here between 73 and 74, great shows between a stellar year ,73 and (Wall of Sound) 74. Would have loved to have had the privilege to have sat with Dave and Jeffrey for a day and watch them mix and master this stuff. Great He's Gone. Jim
user picture

Member for

8 years 4 months
Permalink

...Amazing Artist & artwork :)...I think I know what I’m picking for my next tattoo.... ;)
user picture

Member for

14 years 7 months
Permalink

At 48 years of age, there are precious few tangible items in this world that give me that pit-o-the-tummy tickle of pure childlike joy. The gorgeous boxes that carry the wondrous Grateful Dead music are one of the few. Pulling a plastic case off the CD shelf carries none of the magic that carefully opening the past five (or so) GD boxed sets does. The creak of the TTATS hinge brings me peals of laughter, and gently going through the process of pulling out a disc from GSTL builds the anticipation of hearing the music like nothing else. Thank you for the beauteous packaging! Other than people, GD music is the best thing in my life, and I love that it receives such gorgeous attire.
user picture

Member for

13 years 2 months
Permalink

I like Box Sets also. They are deep dives into the music. FW69 was my wake-up. Holy Shit. E72, Winterland 73/77. Warlocks. Spring 90, the cheap seats and the Multi-Track shows. July 78, The 77 Wonders, 30 Trips, etc. Combined they are simply Wowwie Wowwie. What a plethora of incredible shows and discs. They really are my go to when I need inspiration or mood altering inputs. As for packing and artwork, we seem to get that almost for free when you look at the price per disc/show. I do dig it, but I am also running out of space.. my office has become almost a shrine of sorts and I can't bring myself to put up more shelves, it just gets more crowded. I love the artwork of this box, but I hope it is the last large sized offering. I also think the box sets represent the best value, best listening pleasure yielding weapon Dave & Company have to offer. You are either in or you are out.. and if you are in, you might as well be all in. This box is worth it just for PNE alone. '73 and '74, to me, represent a high-water mark.
user picture

Member for

11 years 1 month
Permalink

immigrant children as young as 3 are being ordered into court for their own deportation proceedings,according to attorneys in Texas,California & D.C. WTF ...sorry. Broke one of my own personal rules. But this is bullshit.
user picture
Default Avatar

Member for

6 years 2 months
Permalink

Just got the scratch to preorder the PNW shows. Can’t believe there were still CDs left! Grew up in the Bay Area, but never saw the band live until the May 19/21 ’74 shows. Only two days apart yet completely different sets, both perfectly attuned to the vibes in those cities: spacey blues in Portland and rock-n-roll in Seattle. No other band could handle that breadth. (Some say the Portland show was boring, but I was trippin’ so it was sweet.) Still waiting for the ’80 show in Portland. Different time, different vibe, but the band opened the 2nd set with Fire On The Mountain just as St. Helens erupted in perfect synchronicity. Drove home wrapped in a fog of volcanic ash!
user picture

Member for

6 years 10 months
Permalink

Box Set fever, it's driving me crazy! Only one Dark Star, blugh. This thing would be sold out by now if every show had Dark Star! I guess there's no getting around sticking with a common theme. I would have done two shows from 72, two shows from 73, and the two 1974 shows that are left that have a Dark Star that's not released yet, June 23rd and July 25th. Granted we got part of the Dark Star from June 23rd on so many roads, but it's incomplete. Then I would have called the box set "Dark Star Fever" That's a bunch of kidding really. I can't wait for this effing thing to come out!
user picture

Member for

11 years 10 months
Permalink

>>>>> Bobby is 70 now (I think).. so that means he needs a woman that's 140 years old. And yet on the flip side, he has a bottle and a girl who's just 14!
user picture
Default Avatar

Member for

11 years
Permalink

Lotsa of talk about the quality and size of the box, but what I really want to know is how these individual discs will be packaged! Honestly, it can make or break a purchase of this size for me. I LOATHED the packaging of the GSTL box (I was one of the unlucky many who had to have discs replaced) and don't relish the idea of finding proper jewel cases to house 19 discs, leaving two big empty ornate boxes to take up unnecessary space. That said, this release is catnip for me, as 74-77 are my 'buy on sight' years, so I'm probably going to take the plunge. Also, that 5/22 "Bird Song" is magnificent. Hoping for an 'unboxing' video before I pull the trigger, though.
user picture

Member for

17 years 3 months
Permalink

All the fuss over the packageing. Remember when we used to not get more than 1 or 2 releases a year. remember One From The Vault? I'm just damn glad we are getting anything. How can you complain about how its packaged, and not mention the FORTY-SEVEN MINUTE Playin' in the Band.Thanks Dave keep up the good work. maybe the acoustic sets of 1970 can find a way out 09-20-1970 is a good start.
user picture
Default Avatar

Member for

11 years
Permalink

"How can you complain about how it's packaged?" Well, when the CDs are damaged and wont play, for starters...
user picture

Member for

17 years 3 months
Permalink

Beautiful. This box is just going to be spectacular.
user picture

Member for

10 years 6 months
Permalink

First, the '68 Janis. Second, Merle and Doc Watson. Third, the Allman Brothers' remaining tapes from Feb. 11, 13 & 14, 1970 at Fillmore East, beyond the one-disc set released in 1997. And, apparently, two other bands/shows, all announced and/or released within a month's time. If you're an archival tape monster (correct audience, r-r-right?), you owe it to yourself to get the Janis, Doc Watson and ABB releases (sensational acoustic guitar sound on Doc Watson's box). And I throw a $50/year donation to the Owsley Foundation to keep the digital archiving going. If you put I think $400 down for a specific band they won't tell you what specific show you supported, but if it gets released, your name is on it.
user picture

Member for

17 years 2 months
Permalink

It just hit me that in the remaining 6 months of 2018 we are going to get 4 more outstanding releases:- July = Aoxomoxoa 50th Anniversary Edition - August = DaP27 - September = PNW Box - November = DaP28 4 outa 6 ain't half bad! Rock on
user picture

Member for

9 years 1 month
Permalink

I grew up road-tripping with the family from the Bay Area to the San Juan Islands over many Summers. The PNW artwork resonates with my childhood. I know i'm going to get it, and after that Birdsong listening party, i'm gonna get it soon. My guess is it's smaller than it looks, cause my eyes always see desirable things bigger than they are.Lookin' forward to Dead at the Dump (shoreline amphitheater, previous landfill) on Tuesday.... Cousins of the Pioneers, sent a PM on your offer...nice. All the best for the trail...
user picture

Member for

9 years 1 month
Permalink

Dont I remember that you were at the "dont hang off of the balcony" show. Many many times my memory is Fried, Country Fried!
user picture

Member for

9 years 1 month
Permalink

Easy Wind! In my aging body that is something I wish for. Edit: miss Mr. Grease...wish like hell I had gotten to see him. Hope much more hidden footage is going to see the lovelight of day!
product sku
081227931391
Product Magento URL
https://store.dead.net/pacific-northwest-73-74-the-complete-recordings-19-cd-boxed-set-1.html