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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • #3521
    Mr. Pete
    Joined:
    Gone by the holidays....
    I would guess by the time the box comes out, and deadheads comment on how nice the box looks, that will "seal the deal" for a lot of people.I am not familiar with the NW shows so I am very much looking forward to sitting down, pouring a cold beverage, lighting up one of my dead meerschaum pipes, and enjoying each show. I am sure the quality of the sound will be...excellent! A lot of us forget how bad cassettes were in the day. Not all...but most! Have a great day! Mr. Pete-----------------> aging hippie
  • #3522
    tncorey
    Joined:
    @Keithfan
    Total run time for 6/1 @ Camden was 2 hrs, 54 minutes (18 songs including encore) per my Nugs download. For 6/2, it was 1 hr, 46 minutes (10 songs). I don't have the specific Set 1 vs. Set 2 breakdown at the moment. In listening, I felt like the 6/2 first set seemed longer than usual. On a related note, hoping to catch the boys at Blossom tomorrow if time permits!
  • #3523
    Angry Jack Straw
    Joined:
    Refund
    Not sure why you feel entitled to a refund. You don't get a refund if a baseball game gets called early due to rain. You don't get a refund if you buy a ski pass for the season and it does not snow. Our plow guy certainly does not offer a refund if it does not snow. The same thing happened in Canandaigua a few years back. Sucks, but that is how life works.
  • #3524
    Vguy72
    Joined:
    Fun fact....
    ....Dead & Co busted out The Eleven on the eleventh show of the tour. I don't believe in coincidences....Haha. Poop. Congrats Sixtus.
  • #3525
    frosted
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    Jeff Beck
    Lucky you, daverock and Jim. Have only seen him live once, back in 1979 or 80 (edit: oops, not that anybody cares, but I remember now that it was in 1976. 42 years ago? Ouch) not long after Wired came out, so that and Blow by Blow made up a good portion of the show. How could anyone not like that? Seems he'll be in southern Cal this tour but I'm up north, so will miss him again. In the age of youtube, though, it's easy to see parts of these tours that I cannot attend. He's still among the pinnacle of my rock guitar favorites, with that rare blend of technique, emotion, and inventiveness. I can listen to Garcia endlessly, but when I'm in the right mood, JB has that different sort of mojo that's a cut above. Guys like Clapton, Santana, Robbie Robertson, and name 20 others always had lots of talent, but Beck continued to evolve and innovate, and damn does he ever age? I think his adventurous spirit, constant playing with new and talented sidemen, and restraint on overexposing himself has helped him maintain his longevity and freshness. Just re-read your post daverock, and somehow I missed the Imelda May reference as the warm up act on my first read. Wow, would I have liked to have been at that show! Jim, you'll be lucky if she comes along on his US tour too.
  • #3526
    Sixtus_
    Joined:
    Percentages
    Thx Jimbo. And I did some quick math on your numbers below - they are eerily similar in terms of % unique songs played; FW 69 is 35.4839% 'unique songs' vs. PNW 73/74 being 36.5854% unique songs. Moral of the story seems to be that repeats have long been A Thing across runs. I ain't complainin'! Fun w/#'s Sixtus P.S. and it was the China > Rider transition from 5/19/74, while listening on my Walkman strolling to my French class that had me repeatedly rewinding that Feelin Groovy jam which has since had me 1000% hooked on that little snippet whenever and wherever it pops up.
  • #3527
    JimInMD
    Joined:
    Re: Sixtus III, I'm Shocked, Songs..
    First.. congrats and best of luck Sixtus. Seond.. I got a nice chuckle out of thin being "shocked!" Chortled my coffee a bit.. I suspect the frequent visitors of these threads are mostly all-in on this one with some that are interested but passing for various reasons. I think it's worth it for a cleaned up, pristine PNE 73 alone, add in Seattle 74 and the rest is bonus material. I cannot get enough WRS's either, Truckin' had legs back then, China Riders were going through a pivotal evolution, there are some first set novelties like The Race is On, early Peggy-O's and others and you have the makings for a great box set. ..and that's before the extra time and effort mastering, Plangent, etc. As for songs. Just for kicks and giggles I compared to FW 69. I know there is no comparison, FW was an explosive early high water mark. ..but this is how they match up: FW 69 Shows 4 Songs 62 Avg. Songs per Show 15.5 Unique Songs 22 PNW 73/74 Shows 6 Songs 164 Avg. Songs per Show 27.3 Unique Songs 60
  • #3528
    KeithFan2112
    Joined:
    Dead & Co Rain Out Camden June 2
    On a different note, I decided I wanted to know where it said in my ticket agreement that the BB&T Pavilion can cancel a show at some point through it without offering a refund. They are offering some free streaming stuff, but to be frank, I was treated rather belligerently by the woman I spoke to. She actually interrupted me, and said the words, "you're not getting a refund" after cutting me off several times in an impatient tone. I was very cordial in my questions and demeanor, so, clearly no respect for the customer (not because I wasn't given a refund right), but because I was talked down to and interrupted. This woman, after not knowing the answers, told me to Google it. I guess I can't be too surprised at poor customer service, but I can't remember the last time congeniality was reciprocated by condescension. I asked for her manager and was forwarded to his voice mail, so I left him a message. I don't know about you guys, but this sort of thing sticks in my craw, and frankly the discussion on Hell Freezes Over and increased ticket sales prices is what really got me to thinking I'm not happy with this outcome, and that I was going to call about it. I believe that the cost to either BB&T Pavilion and or Dead and Company to redo the show is going to hurt their pocketbooks a lot less than a great number of fans who attended, once you break it down to percentages and household income, etc. If it says in my ticket or anywhere in my purchase agreement that they have a right to do this, then it is what it is and I'm fine with it. If anyone out there has statistics on the number of minutes played at any Dead & Co shows, I would be grateful for them (like, if you have a show loaded up on your iPod, and the total runtime for both sets and Encore equals x number of minutes, that would be great thanks). The June 1st and 2nd Camden shows especially.
  • #3529
    Sixtus_
    Joined:
    Sixtus The Third
    Hey Now Just checking in after a bit of a hiatus - life's curveballs, you know? Busy times and not so busy times but busy times will indeed REIGN when Sixtus III arrives this Friday AM so long as all goes as scheduled. Then, crazy train. Good to catch up from the last several days, here. Psyched for this Big Box. Just looking forward to the smooth sound upgrade and some monster shows, just gimme it All. Dead & Co have been a lot of fun lately - that Billy Tell > Eleven rolled me over (sounds like VGuy too). Also coming out of Space into Eyes? My cup O' Tea. Be well people! revel in the summertime - I will certainly try and will do my best to check in and offer some candid updates. That may or may not involve poop. Sixtus
  • #3530
    KeithFan2112
    Joined:
    Pacific Northwest Sellout Efficacy
    It's almost impossible to compare sales performance of any one Grateful Dead box set to another. Some we don't know how many they produced (Winterland 1973 & 1977); some are from extremely famous runs (Cornell, Europe '72); some are relatively expensive; some are relatively inexpensive; and some are available for download, so we can't even measure their sales. In hindsight, it seems clear why Cornell, Europe 72, Fillmore West 1969, and 30 Trips Around the Sun sold out quickly. It is interesting that Winterland June 1977 and Winterland 1973 took about five years to sell out, while the May 1977 box set took less than a year. Judging by eBay prices, the Winterland '77 Box is in much higher demand. This has me thinking they either manufactured an assload of Winterland June 1977 boxes, or the "Limited Edition" marketing scheme is hugely effective. I can't see Pacific Northwest box being on the shelves for more than 6 months after the September 7th release date for the following reasons: * The time of their career it encompasses, '73 / '74 * The 15K Limited Edition production run (a number we know doesn't last too too long) * The fact that it's in the medium to low price range * Its availability for the holiday season * The "word of mouth" advertising this box is sure to get (I believe it's a foregone conclusion that it's going to sound great and contain outstanding performances - we are going to be raving about it after it hits our doorsteps, and if it didn't sell out by then, they will start selling like hotcakes as the holiday season approaches) * The Grateful Dead's back catalogue is arguably in higher demand than ever. Dead & Co's impact, I believe, has contributed greatly to this. Even if one doesn't think there is any relevance there, the fact remains the back catalog is in higher demand than ever based on the increased production numbers of Dave's Picks. So yeah, good times good times. I'm not surprised that this didn't sell out overnight. It's not Europe 72. I think it's most akin to the Dave's Picks yearly subscription sales. We all know the boxes are out there in comparatively high numbers, and we all know the rate at which they're selling. Some of us are taking our time because we have time to take. But the window will shorten once the product hits the street and the holidays are upon us. You can't keep half a dozen brand new releases from one of the Grateful Dead's most cherished eras out of the hands of Deadheads for long. This is not Cornell or Europe 72, but it is also no July 1978 or RFK '89. I think after all is said and done, the Pacific Northwest box may reflect the sales pattern of 30 Trips Around the Sun.
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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Submitted by JimInMD on Tue, 06/26/2018 - 21:20

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03/28/85 Nassau Coliseum - Uniondale, NY Set 1: Truckin' Smokestack Lightning High Time El Paso Peggy-O Cassidy China Cat Sunflower I Know You Rider Set 2: Scarlet Begonias Fire On The Mountain Looks Like Rain Drums Gimme Some Lovin' The Other One Black Peter Sugar Magnolia Encore: Day Job
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Submitted by kyleharmon on Tue, 06/26/2018 - 21:42

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I am finally able to listen to all of 3/28/85 I only had set one. 3/28/85 is damn good. it needs to be a Dave's Picks.
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Submitted by MKCBrown93 on Wed, 06/27/2018 - 06:44

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Shit... just being realistic, I was thinking simply painted pine: it's cheap, it's light-weight, and it's a dominant tree from the region in which the shows were played. Anyway, I guess we'll see when it comes... The only boxed sets I own are Winterland '73 and May 1977: Get Shown the Light (All Music Edition). My favorite era for the Dead is '73-'74; of what few albums I own, Dick's Picks, Vol. 14 and Winterland '73 have blown me away like no other, though I have to say One from the Vault (8/13/1975) is phenomenal, too.
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Submitted by hbob1995 on Wed, 06/27/2018 - 07:00

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I would have much preferred a box the size of the May ‘77 or July ‘78 box. Those fit nicely on a shelf. I think Dave and the gang are getting to hung up on trying to win a Grammy for presentation. IMHO Rock on
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Submitted by frosted on Wed, 06/27/2018 - 07:06

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I wonder if they can make box sets out of bamboo wood more cheaply, and paint over it. Probably not, but we have a bamboo floor in our cottage out back, and it sure is purty. Listening to Jimmy Raney Live in Tokyo right now. Like they say, rock guitarists play 3 chords in front of a thousand people, and jazz guitarists play a thousand chords in front of 3 people. I'm one of those three people this morning. Jimmy was a bebop god with nonstop taste.
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Submitted by friscokid77 on Wed, 06/27/2018 - 08:16

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Greetings gang,I tried to read as many posts as I could before posting this so I wasn't repeating anything, and didn't see the question asked, so ... Is it possible that GD will release an "all music edition" for this box like they did with "Get Shown the Light"? I love the work they put into all these special packaging, but all I really want are the CD's in a nice digipack (like the Fillmore West box, or even the Winterland '73 or '77 box). I have oversized boxes (like the Spring '90 box, Get Shown The Light etc.) that are just sitting around taking up space. The "extras" are nice too, but they all stay in the box never seeing the light of day. I never even checked them out once for fear of getting fingerprints on them and then they would no longer be "mint". Don't get me wrong, I am super psyched about the Pacific Northwest box, but when I see the actual box pictured, I do not know what I would do with that. I am too old-school to do a FLAC download too. I am a CD collector, not a file or box collector. Any Thoughts? Thanks, friscokid77
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Submitted by Dennis on Wed, 06/27/2018 - 09:19

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>>>>>> faux sealskin This is the DEAD, FAUX????? Only real. ...and he started in to whippin' on my fav'rite baby seal with a lead-filled snow shoe....
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Submitted by wadeocu on Wed, 06/27/2018 - 09:33

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My highly uninformed guess is no. If the ole shopping cart count trick is at all accurate, sales on this thing are unusually slow. So slow in fact that I am doubting the data. You are still able to put 10k in the cart which is the arbitrary ceiling limit on all products indicating less than 5k sold - not sure I believe that. If anything, I think we may see 5/19/74 as a stand alone CD release later. 6/22/73 can stand on its own performance wise but I think the expected significant audience patches would keep that one from being a stand alone release. Come to think of it, the first half dozen or so numbers on 5/19/74 have serious mix issues. That's probably why they went with the compilation the way they did even though it likely has the 7 minute audience patch in the 6/22/73 Other One. Yeah, my guess is definitely no, but, as Sgt Schutlz says, "I Know Nothing!"
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Submitted by daverock on Wed, 06/27/2018 - 11:06

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Yes, I agree with most your of comments concerning box sets. I personally prefer ones that are economically packed, taking up as little space as possible. The 1973 and 1977 boxes were perfect. Like yourself, I don't listen to or buy downloads-so I do like cds-just not the suitcases that they sometimes come in. I am not overly keen on extras, either. Things like replicas of tickets don't hold a lot of interest for me, I'm afraid. I thought this one was going to sell out really quickly, too.
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Submitted by MKCBrown93 on Wed, 06/27/2018 - 12:41

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In general I agree with those of you who would rather just have the CDs come in a package that fits right into my CD shelving... That's what I love about the Phish boxed sets I own, like Amsterdam '97 & Chicago '94. The CDs are in little sleeves and the sleeves are in a no-nonsense, paperboard box that takes up very little space; it fits right on my CD shelf with the rest of my CDs. Awesome! I, too, find the Get Shown the Light box to be kind of nuisance; sure, the packaging art is beautiful, but in the end, it just sits there, awkwardly, on the carpet, leaning against the side of my CD shelf. That said, I'm really diggin' the art on this one... I think I'll put it atop my bookcase.
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Submitted by johnny361 on Wed, 06/27/2018 - 15:17

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I think these box sets and releases are a dream come true. I also think the folks behind these things are a dedicated bunch of heads that try really hard to offer something different every time. I also think some folks just love to bitch!!
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Submitted by fourwindsblow on Wed, 06/27/2018 - 18:46

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Got to watch Phil on this video he's great!
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Submitted by MarinSmith on Wed, 06/27/2018 - 17:05

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I have given my wife three simple instructions:1 - If I can't eat toast, pull the plug 2 - I want to die outside, so wheel my ass out there 3 - Bury my ashes on Mt. Tam in the GSTL box Might have to amend to this new Raven Man box ! pEaCE Been rocking some DaP 18 in the car - It's Dead ! Will again be taking the longer drive home to get more listening time
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Submitted by Vguy72 on Wed, 06/27/2018 - 18:55

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....is loaded up on the listening party. Tell me all that you know. And I know all about taking the longer route to my destination waiting for the jam to finish. And, I just realized, the '74 Seattle show occurred on my 6th birthday. You know it's gotta be good. Haha.
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Submitted by Jack Baller on Wed, 06/27/2018 - 19:03

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Sooo...just wondering if the sea creatures on each disc package are going to be continually moving the way they appear to be doing in the email I just received. If so, that would be the most epic CD packaging ever and well worthy of that Grammy. If not, well, I suppose I am just flashing again due to my incredible eagerness for September to arrive...
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Submitted by Charlie3 on Wed, 06/27/2018 - 19:10

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...comments from these threads showing up in the official email. Some of you guys should be getting paid.
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Submitted by JimInMD on Wed, 06/27/2018 - 20:31

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I never liked I Need a Miracle. I'm just not into the lyrics. So they played this at the Blossom show I saw last week. During the line, "I need a woman bout twice my age" I realized.. Bobby is 70 now (I think).. so that means he needs a woman that's 140 years old. Silly. Ok, rant over.. now a random song I really like that they are doing now.. Viola Lee Blues. Now that's a cool song. Love it, love that they are giving it some love.
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Submitted by Vguy72 on Wed, 06/27/2018 - 20:41

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....I'm guessing you don't like it Jim, because it wasn't the last song you listened to. Viola, however, is a totally different animal. Not a fair comparison. Ying, meet Yang.
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Submitted by JimInMD on Wed, 06/27/2018 - 21:01

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I was just trying to leave things on a positive note.. Of all the things the GD left us.. the value of the songs reigns supreme. I like perhaps 98% of them.. They left us with some great songs. It's a petty thing, but the song seems out of place in their repertoire. Anyway.. pivoting.. They are playing a lot of Summer 1985 on Today in GD History. Great summer shows. Saw a post referencing the 6/27/84 Merriweather Show.. I loved that run.. we walked to the show from my parents house, which made it practically impossible to get into any serious trouble. I am pretty sure I had buddies camping out in the back yard for the last two Merriweather runs.. So much fun.. not sure what the neighbors thought of it all. 06/27/84 Merriweather Post Pavilion - Columbia, MD Set 1: Jack Straw Friend Of The Devil Little Red Rooster Cumberland Blues My Brother Esau Loser Let It Grow Set 2: Help On The Way Slipknot! Franklin's Tower Estimated Prophet Eyes Of The World Why Don't We Do It In The Road Drums Morning Dew Throwin' Stones Not Fade Away Encore: Brokedown Palace
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Submitted by guit30 on Wed, 06/27/2018 - 21:02

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They did some nice cherry pickin here between 73 and 74, great shows between a stellar year ,73 and (Wall of Sound) 74. Would have loved to have had the privilege to have sat with Dave and Jeffrey for a day and watch them mix and master this stuff. Great He's Gone. Jim
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Submitted by Lovemygirl on Wed, 06/27/2018 - 21:25

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...Amazing Artist & artwork :)...I think I know what I’m picking for my next tattoo.... ;)
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Submitted by Deadheadbrewer on Wed, 06/27/2018 - 21:27

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At 48 years of age, there are precious few tangible items in this world that give me that pit-o-the-tummy tickle of pure childlike joy. The gorgeous boxes that carry the wondrous Grateful Dead music are one of the few. Pulling a plastic case off the CD shelf carries none of the magic that carefully opening the past five (or so) GD boxed sets does. The creak of the TTATS hinge brings me peals of laughter, and gently going through the process of pulling out a disc from GSTL builds the anticipation of hearing the music like nothing else. Thank you for the beauteous packaging! Other than people, GD music is the best thing in my life, and I love that it receives such gorgeous attire.
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Submitted by JimInMD on Wed, 06/27/2018 - 22:16

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I like Box Sets also. They are deep dives into the music. FW69 was my wake-up. Holy Shit. E72, Winterland 73/77. Warlocks. Spring 90, the cheap seats and the Multi-Track shows. July 78, The 77 Wonders, 30 Trips, etc. Combined they are simply Wowwie Wowwie. What a plethora of incredible shows and discs. They really are my go to when I need inspiration or mood altering inputs. As for packing and artwork, we seem to get that almost for free when you look at the price per disc/show. I do dig it, but I am also running out of space.. my office has become almost a shrine of sorts and I can't bring myself to put up more shelves, it just gets more crowded. I love the artwork of this box, but I hope it is the last large sized offering. I also think the box sets represent the best value, best listening pleasure yielding weapon Dave & Company have to offer. You are either in or you are out.. and if you are in, you might as well be all in. This box is worth it just for PNE alone. '73 and '74, to me, represent a high-water mark.
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Submitted by jrf68@hotmail.com on Wed, 06/27/2018 - 23:41

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immigrant children as young as 3 are being ordered into court for their own deportation proceedings,according to attorneys in Texas,California & D.C. WTF ...sorry. Broke one of my own personal rules. But this is bullshit.
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Submitted by Plasma in a Bottle on Thu, 06/28/2018 - 02:49

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Just got the scratch to preorder the PNW shows. Can’t believe there were still CDs left! Grew up in the Bay Area, but never saw the band live until the May 19/21 ’74 shows. Only two days apart yet completely different sets, both perfectly attuned to the vibes in those cities: spacey blues in Portland and rock-n-roll in Seattle. No other band could handle that breadth. (Some say the Portland show was boring, but I was trippin’ so it was sweet.) Still waiting for the ’80 show in Portland. Different time, different vibe, but the band opened the 2nd set with Fire On The Mountain just as St. Helens erupted in perfect synchronicity. Drove home wrapped in a fog of volcanic ash!
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Submitted by Dark-Star on Thu, 06/28/2018 - 05:50

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Box Set fever, it's driving me crazy! Only one Dark Star, blugh. This thing would be sold out by now if every show had Dark Star! I guess there's no getting around sticking with a common theme. I would have done two shows from 72, two shows from 73, and the two 1974 shows that are left that have a Dark Star that's not released yet, June 23rd and July 25th. Granted we got part of the Dark Star from June 23rd on so many roads, but it's incomplete. Then I would have called the box set "Dark Star Fever" That's a bunch of kidding really. I can't wait for this effing thing to come out!
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12 years 1 month

Submitted by Dennis on Thu, 06/28/2018 - 06:10

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>>>>> Bobby is 70 now (I think).. so that means he needs a woman that's 140 years old. And yet on the flip side, he has a bottle and a girl who's just 14!
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Submitted by jimmyjack on Thu, 06/28/2018 - 06:14

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Lotsa of talk about the quality and size of the box, but what I really want to know is how these individual discs will be packaged! Honestly, it can make or break a purchase of this size for me. I LOATHED the packaging of the GSTL box (I was one of the unlucky many who had to have discs replaced) and don't relish the idea of finding proper jewel cases to house 19 discs, leaving two big empty ornate boxes to take up unnecessary space. That said, this release is catnip for me, as 74-77 are my 'buy on sight' years, so I'm probably going to take the plunge. Also, that 5/22 "Bird Song" is magnificent. Hoping for an 'unboxing' video before I pull the trigger, though.
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Submitted by deadeloc on Thu, 06/28/2018 - 06:36

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All the fuss over the packageing. Remember when we used to not get more than 1 or 2 releases a year. remember One From The Vault? I'm just damn glad we are getting anything. How can you complain about how its packaged, and not mention the FORTY-SEVEN MINUTE Playin' in the Band.Thanks Dave keep up the good work. maybe the acoustic sets of 1970 can find a way out 09-20-1970 is a good start.
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Submitted by jimmyjack on Thu, 06/28/2018 - 06:45

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"How can you complain about how it's packaged?" Well, when the CDs are damaged and wont play, for starters...
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Submitted by Slow Dog Noodle on Thu, 06/28/2018 - 10:05

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Beautiful. This box is just going to be spectacular.
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Submitted by hendrixfreak on Thu, 06/28/2018 - 10:09

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First, the '68 Janis. Second, Merle and Doc Watson. Third, the Allman Brothers' remaining tapes from Feb. 11, 13 & 14, 1970 at Fillmore East, beyond the one-disc set released in 1997. And, apparently, two other bands/shows, all announced and/or released within a month's time. If you're an archival tape monster (correct audience, r-r-right?), you owe it to yourself to get the Janis, Doc Watson and ABB releases (sensational acoustic guitar sound on Doc Watson's box). And I throw a $50/year donation to the Owsley Foundation to keep the digital archiving going. If you put I think $400 down for a specific band they won't tell you what specific show you supported, but if it gets released, your name is on it.
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Submitted by hbob1995 on Thu, 06/28/2018 - 11:40

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It just hit me that in the remaining 6 months of 2018 we are going to get 4 more outstanding releases:- July = Aoxomoxoa 50th Anniversary Edition - August = DaP27 - September = PNW Box - November = DaP28 4 outa 6 ain't half bad! Rock on
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Submitted by Willysin4wd on Thu, 06/28/2018 - 14:11

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I grew up road-tripping with the family from the Bay Area to the San Juan Islands over many Summers. The PNW artwork resonates with my childhood. I know i'm going to get it, and after that Birdsong listening party, i'm gonna get it soon. My guess is it's smaller than it looks, cause my eyes always see desirable things bigger than they are.Lookin' forward to Dead at the Dump (shoreline amphitheater, previous landfill) on Tuesday.... Cousins of the Pioneers, sent a PM on your offer...nice. All the best for the trail...
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Submitted by Gary Farseer on Thu, 06/28/2018 - 14:53

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Dont I remember that you were at the "dont hang off of the balcony" show. Many many times my memory is Fried, Country Fried!
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Submitted by Gary Farseer on Thu, 06/28/2018 - 14:57

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Easy Wind! In my aging body that is something I wish for. Edit: miss Mr. Grease...wish like hell I had gotten to see him. Hope much more hidden footage is going to see the lovelight of day!
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