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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • RobbZ
    Joined:
    1989 Recommendation
    Not sure why, and probably listen to it a bit more than I should, but July 4th, Buffalo has always been a favorite of mine.
  • RobbZ
    Joined:
    Sports Fans!
    Sports?? I’ll watch/wager on just about any sport. However, I closely follow the NHL and College Football equally (viewing depends on who is playing whom on any given evening). Then the NFL, College Basketball, The NBA, Boxing (was the Mayweather-McGreggor fight boxing?) the CFL, and lastly Baseball. Now don't get me wrong about baseball because it's last on my list...I grew up in Cleveland, minutes from the old Municipal Stadium and watched & cheered many Indian greats such as Ray Fosse, Gaylord Perry, Lenny Barker, Albert Belle, Rick Manning, Mike Hargrove, Super Joe Charboneau, Buddy Bell, and Toby Harrah to name a few. Now a bit later in life, I just prefer a faster game, with an actual clock ending the game. I can't spend 5 or 6 hours watching a baseball game anymore....It's me, not you...LOL @The Outer One…I was actually tuned in last night to the opening of the CFL season, but that lightning delay lasted until I went to sleep. But you can bet I’ll be following the season this year as it progresses…including the Manziel saga in Hamilton. Johnny won me an ass-load of money when he played with A&M…I still talk about that Bama game…LOL @Vguy72…did you not mention the Knights/NHL in your sports post? Blasphemy!! I drove down from Utah three times last season to watch the Knights, would have gone more games but as the season progressed they got better and better and tix were getting expensive. In the mean time I watch the Utah Grizzlies…LOL
  • Thats_Otis
    Joined:
    Happy Friday, DeadLand!
    Here's a little something special from this day in Grateful Dead history - 6/15/85 Greek Theater https://archive.org/details/gd85-06-15.oade-schoeps.sacks.24586.sbeok.f… The AUD sounds really nice too. Perhaps more famous is 6/15/76, which I am enjoying right now, but that 85 Greek show is something special! TONS of energy, and perhaps one of Garcia's finest ballad moments on "She Belongs to Me." His guitar solo is a thing of pure (American)beauty. Hope everyone has a great weekend! PS - Love all the chatter about July 78 Box. Arrowhead is my personal fave - just a compact, tight, smoking show! I also really like St. Paul... aww hell, they're all good! Peace
  • Oroborous
    Joined:
    Boblopes
    Thanks, another great story!
  • Oroborous
    Joined:
    89 Philly
    Right on 80sfan!
  • Oroborous
    Joined:
    Baseball, 89, and hangin with Jer
    BASEBALL; I would of died for baseball when I was a lad, was a pretty good player too, varsity etc.. But like all sports I sadly watched money ruin the game....I was a huge Cardinals fan (used to listen to them on the mighty KMOX) Lou Brock, Bob Gibson, Ted Simmons, Joe Torrey, yeah baby. Dug the Red Sox too, but such heartache. In Wesren NY most kids at the time were big Mets fans, or worse, ahem... So like most things I had to be different, the outcast, the other one! Probably a part of how I came to be a dead head and identified with all you weirdos; ) 89; personally parts of 89 into summer 90, before Brenski started to unravel, is one of my favorite eras. I know that’s contrary to the popular belief of a small but prevalent group on here, but don’t let that stop anyone from checking it out and coming up with your own conclusions.... Alpine for sure, Hampton, 10-16-89 is imho one of the best releases EVER! Philly was awesome, really wish they would get those out. When they played California Earthquake right after the Earthquake it was as good as any big moment in sports, trully powerful experience, at least live anyway. Not as familiar with the rest, of course the Miami DS etc.... EVIL TWIN; thanks so much for the stories! Please keep them coming. That’s perhaps my favorite part of this site; hearing great stories, especially from those who were there during those earlier glory years. 78 Box; even I dug it and I like that era less than some others, like??? Oh I don’t know like.... 73/74!!! So psyched for this new Box. Mostly enjoyed the “Mickey Godchaux” stuff of recent years, really liked the RFK, but I’m dam near Sh#&&ing myself waiting for this one! I’ve stated before I’m not a “taper” or obsessive collector like some. So that influences my wish list differently. I would like to get all the shows I was at, some other must haves or interesting wierd stuff, and I try to get at least copies of all the “official” stuff. Therefore I am not familiar with these shows and at first glance the set lists are perhaps meh? But thanks to all y’all’s comments about monster jams, and after watching Dave’s chat, well it got through my thick skull that these will be some real beauties eh! I mean Late 73 has always been one of my top, if not the top eras, I just wasn’t familiar with earlier stuff and though I like 4-3-73, it didn’t blow me away like say 10-19-73....(although that HCS and subsequent jam are sweet!) In fact how bout the rest of the late fall tour in a box? So there is always that awkward period like Ralphie in the Christmas story where he gets everything except that —“redriderbbgunwiththecompassinthestockandthisthingythattellstime” —when they release something I wasn’t at, but this time that lasted like 5 minutes. Now hopefully Dave’s 27 will come soon as a diversion, because I don’t know how I’ll survive until September! Yee-gads Thanks to Dave and all the gang who work so hard to bring us spoiled, whiney little be-atches all this amazing glory, especially the full led sonically enhanced stuff. And thanks to all y’all that help enlighten us dilatantes to the finer ports of these shows. Happy Friday All!!
  • Slow Dog Noodle
    Joined:
    Cash Grab
    Had a salad for lunch yesterday. I didn't get to make it myself, but it was delicious. It was a total cash grab though. They didn't really care whether or not I liked the way the radishes were cut into those little swirly shapes. And the way the cashier pressed those buttons on the register with no elan, I could tell his heart and soul just wasn't in the transaction. I knew by then they were just in it for the money. I shook my head in disgust but proceeded to sit alone and eat the salad - even the radishes, in spite of it all.
  • Oroboros
    Joined:
    Cousins- SpaceBro often provides informed recommendations re: 89
    But being a Midwesterner, I would point to the Alpine Valley run 7/17-18-19/1989, as an outstanding representation of the boys from that era. And my touring had reduced significantly with the arrival of my three sons, so my knowledge of this era is limited. And Robbz, you asked for another story (sorry cohorts who have heard this one, here it comes again) there is a 'prequel' to that 1978 story. Back in 1977, my girlfriend (now wife), myself, and two buddies decided to road-trip from Lincoln Nebraska to the Winterland for the New Year's Eve run of shows in San Francisco. I toted along with us a clay sculpture that I had made the prior year. It was a one and 1/2 foot (in circumference) dragon that was biting/consuming it's own tail. I had 'scraffitto' (carved designs) into the entire beast's 'hide' and then it was fired and stained. It was the biggest piece of clay sculpture that I have ever made. And I thought it would be fun to give it to the band on New Years. So away we go, get to the venue and secured tickets for the run (12/27-29-30-31-77). The shows were unbefuckinliveable and Winterland was such a great hall. But on the 31st, we were sitting on the sidewalk waiting for the doors to open, talking and watching the circus, ready to hurry and get in for the 'activities' ie. freak volleyball and Bill Graham was going to show us movies (Ray Bradbury's Illustrated Man and the original Beatles Magical Mystery tour) before that evening's show. I thought "I better try to unload the dragon aka 'Oroboros' now, it's heavy and I don't want to try to talk my way though the front gate with it." I spied a door that said 'Backstage' and began knocking on the door. No answer. The line of people on the side walk started getting up and moving toward the entrance. Banged even harder thinking "I've got to get this dragon in there so I can go in the front and join in before the show", and as I pounded harder, the door yanks open with a force that it yanks me into the doorway. This doorway is immediately filled with a gigantic black man in a red event t-shirt, who puts his hand on my chest and leans forward and bellows "WHAT DO YOU WANT?" Startled, I held out the dragon with both hands and stuttered "to give this to the band". The giant took it in his immense hand and his face curls into a grin as he held it closer to inspect it and I watched my dragon shrink to the size of a key chain. He exclaimed "Wow, what is this, I'd like one" and I explained "it's an oroboros and that is the only one there is." He grinned and said "Cool, who do you want me to give it to?" and I said "to Garcia, give it to Jerry Garcia." The giant disappeared as quickly as he appeared and the door slammed shut like the the first time Dorothy tried to get into the Emerald City in the Wizard of Oz. So, I happily gain entrance to the show and needless to say, it was something, 'freak volleyball' followed by the movies, Graham's copy of Bradbury's 'Illustrated Man' followed by a 16 mm Beatles "Magical Mystery Tour". The colorful/wonderful crowd, wonder gal 'rainbow' Rose with an eyedropper of liquid party favor "just one dollar per drop. On your tongue or for the adventurous, a drop in your eye". Oh, and when each person walked through the entrance the staff handed us a piece of paper that had a message about a "Good things come to those who wait, surprise at midnight" with steal your face logo. When you entered Winterland, you could go into the big 'hall' surrounded on all sides by an elevated balcony, (with theater seats). You could also go into a bar, which played some black and white videos on a 'big screen' taken from pro shots of the Winterland stage when Hendrix or Airplane or etc played. Very entertaining on many levels. Hey, the New Riders of the Purple Sage are starting, got to get in there, the sound is loud and they are rocking the house. Anticipation was high and the Dead came out for the first set. Our party favors are now starting to engage..., things began to sparkle, and the old Winterland venue takes notice, and her walls start to sweat and, then to sway with the strains of familiar music as the Dead coaxes this old hall to dance with us. This is such a delight, I know the vista cruiser is engaged and then I notice when the house lights went down, and the stage lights went dark in between songs, then I saw 'it'. On top of a monitor, in between Billy and Mickey, there was a flame, it was a white candle sitting in front of a dragon consuming it's tail. It was Oroboros, ON STAGE WITH THE DEAD! I watched as Jerry walked over and lit a cigarette off the candle next to the ceramic beast. They took a break and the surprise for the second half was Uncle BoBo (as Bobby liked to call Graham) dressed up as Uncle Sam on a motorcycle sliding down on a cable suspended high from the back of the hall (over us) to the stage. They put spotlights on him (as the Dead made appropriate musical anticipatory noise) and he approached the stage and it was hilarious. Because as Graham came to the stage, the weight of the bike and BoBo was too much. He and the bike were far below the lip of the stage, so the stage hands had to rush out and drag him onstage. Which triggered the explosion of Sugar Magnolia, complete with the dropping balloons. And flanking the Dead a gal and guy dressed in a diaper as the 'New Year' babies. I was 'sittin' on top of the world (Dead reference intended). What a night!! Hey if you pull up 'YouTube', type in Dead NYE show 1977- Fire on the Mountain video, and right at the end of Fire on the Mountain, the camera does zoom in on the 'oroboros' for a couple of seconds. RDevil here on Deadnet found that 'view' a couple of years ago and he clued me into it. And then I showed it to my 3 sons to demonstrate the old man is not full of beans or any other'brown material'. Anyway, what a treat that run in 1977 was. At many levels, the return of China Cat-Rider, my being able to 'gift' our band, who poured out so much to us. But unknown to me, the best would be yet to come. We walked out into the cool San Francisco early morning and drove through the fog back to Nebraska. This is not the end of the tale. Fast forward to 2-3-78 and another road trip to Madison, Wisconsin. The Dead were on a roll and this was really a killer show. That Cold Rain and Snow to start out and the tremendous second half with Estimated>Eyes>Wheel that will knock you into orbit. The next morning before I left the hotel, I got a wild hair and called the front desk and asked "Could I have Jerry Garcia's room please?" and the phone rang and Jerry answered! I said "Hey, I'm the guy that brought the dragon to the New Year's show" and Garcia immediately said "Meet you in the coffee shop in 20 minutes". I couldn't believe what was happening but stumbled into the coffee shop at the appointed time and looked around and saw Jerry Garcia seated at a table with a ravishingly beautiful raven-haired gypsy woman. I walked over and introduced myself, and 'shook the hand, that shook the hand, of PT Barnum and Charlie Chan'. Jerry beamed that smile and gestured and said "sit down, man". He asked me "How did you fire that dragon so that it didn't explode in the kiln?" and I explained how I had cut it in half and hollowed it out and then joined it back together. I told him how I had used a guitar string to 'halve it" and we locked eyes at that moment and he burst into laughter and I said "Ironic, huh?" and Jerry quipped "No, man that makes perfect sense." And then we laughed some more. Then the gypsy/beauty said "where are you from?" and I replied Nebraska. And she shot Garcia a glance and stated "he came all the way up here from Nebraska to see the band!" To which Jerry shrugged his shoulders and quickly retorted "we didn't ask him to come". Garcia looked over to me and we both howled with laughter again. No deadhead was she. We talked more about art and the dragon and I didn't know at that time of Garcia's interest and practice in art (this kind anyway). He was completely engaged in the topic of art, but quick witted with 'turn on a dime' twists, turns, and little commentaries on a variety of topics. Jerry was also focused on listening, not acting like he was the important one, giving me time and locked in on our discussion and talking about our shared interests. The gypsy woman frowned in disbelief as she asked me "You went out to San Francisco for New Years and then you came up to Wisconsin" and I said 'yes.' She looked perplexed. Then I turned to Garcia and asked him "Why don't you bring the circus back to Lincoln, Nebraska?" He quickly replied "You mean to Perishing Auditorium?" And I corrected him "No, it is Pershing Auditorium, after the army general" and he quickly retorted "No man, it was perishing, really!" And we both burst out laughing again. At that Lincoln, Ne. Dead show on 2-26-73, there were a bunch of drunk frat boys yelling 'boogie, boogie" at the top of their lungs.., but that show is top-notch! Anyway, I asked Garcia "could you bring the Dead back to Nebraska" and Jerry grinned that Cheshire cat grin and said "who knows?" I took my leave (their breakfast arrived) and drove home. Then that summer the Dead came back to Omaha, Ne. on 7-5-78, and I taped them with my NAK 550 in FOB, and followed them to their/my first Red Rocks shows. What a run! And now it is available in all its Plantagenet glory. I will always claim that Omaha show as mine. So that is my story, Jerry Garcia was totally gracious, engaging, enthusiastic, and kind to a deadhead who approached him at one moment in time. I know, I repeat myself, such is my lot in life at this juncture, but thought I would 'complete the circle' of this story. Anyway, sorry for the repeat, but 'looks like the old man is getting on'. Forgive me and give me a day and I will conjour up my account of my first show at the Des Moines fair ground in 1974 (which is more in line with this wonderful Northwest 73 & 74 offering). This era is when I first saw the Grateful Dead and was swept into an extraordinary adventure 'on the bus' and have been 'enjoying the ride'. "It ain't what I don't know that gets me into trouble, it is what I know for sure, that ain't so". -Mark Twain
  • tncorey
    Joined:
    Oroboros Winterland 77
    New story to me...and much appreciated!
  • 80sfan
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    Joined:
    89 recommendation
    Fall tour is well documented with the Hampton shows, the Nightfall of Diamonds meadowlands show and the Miami 30 trips release...but the Spectrum run (10/18-10/20) is really excellent. 10/19 is one of my favorite shows of all time. Reach out if you'd like a copy...
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6 years 7 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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The trunk has been claimed here in San Francisco, thanks for playing...
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Hot tip about the Owsley sets! All I could see was a Merle and Doc Watson box on their site. Which certainly looks cool . . . But the entire Allmans run from Fillmore Feb. 70 ?!!! Do you have a link for a pre order or anything?
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I'm really excited to listen to these shows... there's something magical about the first time I journey through a Dead show I've never heard... It is for this reason, I am choosing not to listen to the glimpses being shared with us, such as the first glimpse and this Listening Party... Believe me, it's a white-knuckling effort. In the mean time, I'm glad to hear good things from those of you who are listening... damn; I'm really psyched about this boxed set!!!
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6/28/1991 Carlos Santana opened just after having been released from an arrest at the Mexico border. Mile High Stadium was the last stop on the tour. Some cat we fed for free in Kansas found some butter for us so we could continue our grilled cheese sales.Great end to a stellar tour!
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Thanks too to the PTB for this box and all that has preceded. Keep up the rockin!
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7 years 8 months
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Listening to Eagles gems, in honor of what passes for their remains playing across town tonight at the baseball field. Ever since Felder left, it hasn't been the same for me. And with Frey dead, adding Vince Gill and Frey Jr. just isn't enough. Joe Walsh is the lone remaining draw. Oh, and I suppose Tim Schmit singing, "I Can't Tell You Why" once more. Beautiful song. The deluxe reissue of Guns N' Roses "Appetite For Destruction" just arrived. Along with AC/DC's "Back In Black," one of the two greatest hard rock albums of all time. I can't put any other record in that conversation - it's a closed club. I'm going to wait until tomorrow to give it a first, loud as hell listen in the car. Seems appropriate. \m/
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From a Jerry fan So.. I was at that Dead n Co. mess in Camden on June 2nd which was purchased with funds from a cancelled Ft Lauderdale show December 2017. Well the wait was not worth it! Within mins. of 10pm Lights-On, Camden police were walking the concrete tunnel/sidewalk around the base of mud-hill yelling "SHOWS OVER - GO HOME" At almost the same time, however most of the paid venue staff in red shirts were getting conflicting information thru their coms and told us to "Remain inside, the show would continue". All said with a straight face as the band's bus quietly exited for hotel before any of us could get to our cars neatly parked just across the street. We were held in there for 1 hour! Some packed into the bathroom/vending area with NO return to the venues many empty seats. WTF was that about? Camden is alot of gypsy park lots $30 one day, VIP $70 the next. Zero for us cause we are from S. Jersey.(leukemia piss pot of deregulation) There was no reason to prevent people from leaving the venue except to keep others from the hill, outside. The lighting which was sporadic at best was mostly across the river in Philly n gone by then. I'm done with Dead n Co. (weak tea) No more shows for me and who needs em' with NUGS n edibles n legalization. The 80's Dead-Belt was a great alternative to college and Taper was a good fit for me. But when you don't make a single stage announcement to Bid Us Good'Night and just split the scene, well allow us to do the same. PS: I ordered my box too.
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Get over it. 11:00 hard curfew. Well known. And not being treated properly? Good one. NJ is the biggest pisshole the band ever played. Totally obnoxious and abusive security.
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Haven't been posting here much the past year and a half but felt compelled to sing the praises of 6-28-74. I remember the joy of discovery when I first got that tape many years ago. I'm a strongly opinionated "complete show guy" but DiP12 is among the best releases I have. Sugar Mags through the end is just incredible and the "jam" on disc 3 is just exactly what I love the most about this band. This really is what it is all about for me.I know that everyone has their sweet spot but I'm WAY more excited about this box than the GSTL box (not that I don't dig that one, I do). I just feel that 6-22-73 and 5-19-74 are perfect examples of the many shows that are much better than any played after the hiatus. It's cool with me if you have a different opinion, it really is. But seeing "6-28" just made me want to share my passion.
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Well put. I seem to have more internal hype for this than it seems permeates through this thread. I suspect this will not be sold out by the time it hits the streets and I expect some added hype once people get their first complete listens. I get more exited over 73 and 74 then I do about 77. Less predictable, more exploratory and jazzy. It doesn't bother me when the miss the mark as they seem to just recoil and spring out all over again until they scratch that sweet spot. I had to run some errands during the lunchtime show on Sirius.. today's concert was 4/5/71 at the Manhattan Center. It reminded me of the 76 conversation the other day. Some liked 76 and some didn't.. (surprise). I think was the Ice Cream Cone Kid that commented on variety. I think 1971 was to 1972 as 76 was to 77. Breaking out new material and new equipment, testing new arrangements and by the end of the year they were able to make sense of it all and the following year was built on the accumulated strength. Like 68 was to 69, etc. I am very happy they continued to experiment and reinvent themselves and I am ore than happy to spend an evening revisiting these shows. I like the follow the progression and hear the learning curve real time. There's revelations baked into those early moments.
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Having criticized the potential size of this box-I feel I must add that this is a very minor consideration for me. The music is what counts, and I agree with Jim that 1973-1974 are for me very exciting years-even the mistakes are valid as they are part and parcel of the experimental approach that yielded such gems. So however they are housed-as long as they play alright-that's alright with me. I was also interested to read of release of the rest of The Allmans sets from the Fillmore 1970. Hope they come out on cd, though.
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11 years 4 months
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So not only are the shows and sound quality amazing, but the box itself is as well. I just looked into this artists past work - I gotta say I'm intrigued. I'm simply giddy about his release. I would have been ecstatic if they just released the 3 '73 shows, then the other 3 '74 shows next year. But instead we get them together. THANK YOU Dave & Co for all you do. I'm listening to a lot of NON 73-74 until this comes out.... I LOVE 1973! Looser and jazzier than any other year. Anyone who doesn't get this will be disappointed when it finally sells out. Again, the box alone will be highly sought after item for years to come. And the 6 shows inside are amazing - an absolute gem.
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10 years 8 months
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Hey bro, the Owsley Foundation only announced that the ABB set was coming, plus two other release announcements, all in July. No preorder as they haven't actually launched these releases. However, it looks like a one-disc compilation is listed on Amazon, but no set list, so impossible to tell what it is. The ABB release from 2/70 is -- I paraphrase -- all the existing material from their three sets over the three nights. So it doesn't sound like they have complete sets. But if the ABB played (3) 90-minute sets (minimum) and the OF has only half that material, they'd have two solid hours. The 1997 release was 72 minutes. So maybe they have another disc or two of material? In any case, this will be Owsley-recorded original ABB on several discs. We already have a compilation from 1997, with more to come, presumably delivered as 2/11, 2/13 and 2/14 -- i.e., properly archived and presented. We're talkin' about a fresh archival release of Duane Allman and his boys opening for the GD at the Fillmore East in February 1970. Need I say more?
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14 years 9 months
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good morning, everyone my morning musings: 5/18/72: first set feels tense and clumsy. Second set is glorious. Jimi Bold as Love album: for years it was "ok, but overall, meh". then listened to it yesterday while doing things around the house. _yeah_. good stuff. Dylan and the Dead: found an old random CD of D&tD 7/4/87. GREAT stuff. I typically do not like guest artists, but this is different. D&C at the Gorge this evening. wish I cared. but I don't. at least there's no chance of a rainout. :) Anthem reissue coming soon. What will DaP27 be? if you need a palate cleanser, listen to Motorhead. "rejoice, rejoice, we have no choice, but to carry on"
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10 years 8 months
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The discussion sez Plangent Processes & Jeffrey Norman are on the job, working from original tapes. The 1997 compilation was from 2/11 and 2/14. So 2/13 untapped so far. And unreleased material from 2/11 and 2/14. I lied: apparently July is the announcement of one of the three releases coming this year. I would guess that would be ABB, the band with the biggest fan base. But I'd be curious what else is coming because Owsley's tapes are so well recorded. http://forums.stevehoffman.tv/threads/bears-sonic-journals-allman-broth… Did I just read that Jimi's Axis: Bold as Love is "good," but Dylan & Dead are "great"? Then again, I am hendrixfreak...
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16 years
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I agree, but it's been up there for a long, long time lol. The band gives half a performance, gives no refund, should be the headline. These guys ain't got a lot of fans as it is, and now they just lost a bunch more. What does 11 oclock curfew have to do with it? The entire situation was handled badly, I feel for any and all who got ripped off for their second set. And yet, nothing from the band, silence, take the money and run. Why? don't they all have enough? definitely not in the true spirit of the Grateful Dead. If they are truly afraid of the elements, why give an outdoor show? Save your money, buy this box instead, a lot more fun and you get Jerry and Phil too. Support Owsley foundation, that Allmans at the Filmore in 1970? Sounds great, they were a jam band back then too.
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17 years 4 months
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My excitement level for this box is a solid 10/10. It really doesn't get any better for me than Fall '72-74 and this is right in the sweet spot. I've listened to all of these shows over the years on archive and will the full norman they're going to be bedrocks of the ever-growing collection. I bought two of the boxes and am not anticipating selling the extra. That's how much i'm looking forward to it. At best it'll be a great gift to someone in 30 years. At worst i'll savage it for parts. About the books, i'm much more interested in reading Barlow's book than the Fare Thee Well book. I think Jim's post about the band and their interactions summed it up perfectly, so I have nothing more to add. I've been shamed by the wife into storing all of my GD material so the box's looks and size are non-issues for me. I feel lucky to have my guitars and amps out in the basement and not in their cases. Haha. It happens to us all eventually I guess, maybe in different ways. But it's ok, cause every so often, when I pull out an old box-set its like looking at it again for the first time. I'm streaming the Gainesville '80 show right now. This would be a great choice for a Dave's for sure. Have a good weekend and good 4th all. Stay cool and play dead.
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17 years 4 months
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....the Dead rarely get any better than that take. I have a solid perma grin from the first noodling notes until the end. That He's gone ain't to shabby either. My excitement level is a solid 11/10.
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7 years 2 months
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Angry Jack, you just made poster child for absurdity with your comment about whining. The king of complaint is complaining about complainers. But that's ok, we need somebody to let us know when to get over it and move on. And somebody needs to let us know which places are pissholes (where do you live by the way?) Oh wait. Here's the best part, where you offer your second pearl of wisdom, just to secure your poster board standing. You said the place has "Totally obnoxious and abusive security." Well then! Sounds like your kind of pisshole!
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6 years 6 months
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I snorted when I read that last sentence. Boys please, no fighting, it's Friday. TGIF and put on Dick's Picks 16. It's the best 1969 release! (eeeks don't throw eggs at me) P&E Box Set Excitement Level: 1986 Bon Jovi record.
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13 years 4 months
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That might just make a total wreck of our Friday afternoons (but in a good way). Listening to 11/8/69 is sort of like falling out of a perfectly good airplane without a parachute and realizing you are going to have to somehow MacGyver your way to safety. The feeling of accomplishment at the end makes it worth the trip. I concur, one incredible show.
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6 years 9 months
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Right? That place is a complete and utter -- SQUIRREL!!!
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9 years 1 month
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I am also fully stoked for this release, that nice jazzy feel to '73 really works for me, and '74 is up there as well. I am so excited in fact that I almost forget to wonder what Dave's Pick 27 will be. I have not indulged in any of the advance listening party stuff for this box, but I am currently listening to DiP14 11/30/73 and 12/2/73, one that I always found to be a gratifying listen with a good dose of that jazzy feel.
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8 years 3 months
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Thx for the follow up. I've now joined the mailing list, and followed them on Facebook and poof found out everything I wanted to know. I'm kinda tempted to do the Adopt A Reel program. I'm gonna name it Earl. Totally geeked for that release, as much as this one. That Steve Hoffman forum has some good info on it, but man is it hard to follow. The way it blocks things with the original post and the reply is confusing. Somewhere in that thread I saw the elusive Kate from these threads, same avatar and everything. I'm sure she was making some salient, insightful comment if I could tell which one it was. Now if they can release the whole ABB run, surely they can release the Dead's whole run from Feb 70. That would make a nice box.
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8 years 3 months
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So are we to understand that this box will be like a Shot Through The Heart ?If that's the case, Who is to blame?
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10 years 8 months
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So I had corresponded with the gentleman who answers email at OF several months ago to see if they had ABB tapes in the collection and, if so, did they need them sponsored?! A: Yes we have ABB reels from the Fillmore and they have been sponsored. Q: Any chance of release? A: Stay tuned. Which meant, definitely slated for release, just not sayin'. So I was gratified to learn the news of the Feb 70 FE release. And I agree, a full Feb 70 GD run at FE would be highly valued. Shucks, I'm 60 and I've got a bit of time. But what's weird about this age (never been here before) is that my feelings about the importance of things change sometimes on a daily basis.
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10 years 6 months
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Release date 27th July, according to Amazon 1 CD Version
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16 years 2 months
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I checked this out at Amazon, this sure looks a reissue of Grateful Dead Records GDCD 4063, that was issued March 1997, with liner notes by Bear and graphics by Gecko Graphics. 1 In Memory Of Elizabeth Reed 9:19 2 Hoochie Coochie Man 6:01 3 Statesboro Blues 4:18 4 Trouble No More 4:12 5 Outskirts Of Town 8:28 6 Whipping Post 8:12 7 Mountain Jam 30:48
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11 years 2 months
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Just received your latest generosities...thank you again. *4-19-1982 The Raven show *6-20-1983 The deluge...last Bob Star...Wharf Rat lightning strike at 5:06(Phil fights back!)...aborigine dreams Sugar Mag. Whew! *2-26-1977 SHWING! Thanks for hooking me back up with some of my original,most favorite tapes that I haven't had in years. :o)
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9 years 2 months
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which one is pink... I think a few weeks back I remember CBS Sunday Morning doing an expose on 1968 and had a segment about music from big pink. It was good.
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13 years 4 months
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No worries my friend, happy to share. I was at two of those three and have extremely fond memories of both. Hey.. I am heading your way the first week in August. Would love to hook up for a beer if you're around. Just chilling in the Rockies with bikes, kayaks, tents and walking shoes. The agenda is pretty full, but will be in Jackson Hole likely the 1st, 2nd or 3rd of August and spending a few days with a buddy in Driggs for good measure. Check your PM, I will send some addl info.
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11 years 2 months
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It'll be down to the wire...but I'll be in contact. :o)
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8 years 1 month
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Count me among the grateful for the Pacific Northeest 73/74 release. This will be a special offering from high water marks for the band. Thank you Dave and the gang! Up until Dave’s last seaside chat I was wondering how the returned soundboards fit into this release. I figured there had to be something from 6/22/73 and now we know. I wonder what else is now available to fill some gaps? I view DiP 19 (10/19/73) as one of the very best releases to date. It’s a complete show and totally sublime. For me it’s a go to show when nothing else seems to percolate (as well as when I just want to listen to it, which is often). And to think that I really wasn’t into this release when it came out. Sometimes with me these things just take time (daverock, I know where you’re coming from). I really dig on DiP 12 as well, but part of me longs for two complete shows... Jim, I had a very similar experience earlier this week while musing on 76. I too think it’s similar to 71 in how they were breaking in new material and re-figuring the band. To be honest, in general, I prefer the sound of 71 to 76, but really, I like all eras and it depends on the mood, etc. I find that I understand and enjoy 77/78 a lot better after digging into 76. I feel similar about 72 after listening through almost the entirety of 71—thank you, Doc. On a blind listen, I have a hard time teasing out some 76 from early-77, but it’s probably my ignorance. DaP 18 is also one of my favorite releases to date. Such a well articulated and creative show. I really enjoy that whole run at the Orpheum.
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16 years 11 months
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I'm with you on 10-19-73, a top ten all time show for me and a top five Dark Star as well. This is yet another cassette (I think I only had the second set) that converted me into a pre-hiatus "snob." I understand about you wishing for complete shows from DiP12 and I agree. I find it even more painful that we don't have complete shows from the DiP14 run. The missing Sugar Mags is essential. It's my intensely strong opinion that the post-horn shows of 1973 are the band at it's absolute best; the highest of the high, the greatest of the greatest era...but you know what they say about opinions.
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17 years 4 months
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....I've never owned more than one dog. I now have two. I want another. Have you peeps heard of the I Want To Be Your Neighbor doc? It's in theaters now. Mr. Rogers. Top shelf. Going tomorrow. With my mom, wife, and son. Catch it if you can. No dogs allowed. Bummer....
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12 years
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In referring to NJ, I was speaking specifcally about the Meadowland's complex. I should have made that more clear. My apologies to the remaining areas of the state.
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7 years 3 months
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Is there really no one available to edit these posts that have NO BUSINESS being on here? If not, this kind of crap makes it too much trouble to scroll through.Simonrob was 100% correct......Sad.
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7 years 2 months
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Why do wives feel the need to cover air conditioning vents? It's 98 freakin degrees out, and my house ain't keeping up. checked the filter, no problem there. checked the temperature of the air, no problem there. checked the thermostat, no problem there. checked one upstairs bedroom, there's a waste basket on one vent and a box of shit on the other. checked another upstairs bedroom, there's a bureau covering half of it (and the vent is closed, and the bureau is covering the half that has the lever to open the vent). checked the bathroom, door was closed, it's now the only cold room in the house. checked the living room, the couch is covering the vent (if you put your bare feet on the floor in front of the couch, you get a nice breeze). checked the living room, there's a rocking chair over the vent, with a bathrobe on the back of it that is trapping the air like a tent. none of this was like this two weeks ago.
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7 years 2 months
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Wife's dog. JimFromMD and Hippychick, I took your advice and bought Dick's Picks volume 16. I didn't realize how different they had become by November. This sounds nothing like Fillmore East or Fillmore West 1969. The recording sounds a little bit "distant", but I can hear everyone. What is this "Uncle John's Band JAM"???? It was like the whole show was effin' awesome, and THEN the whole Dark Star / Other One medley starts. More please powers that be. Stoltzfus, thank you, I felt lost in space for a moment. There's always strength in numbers.
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