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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Vguy72
    Joined:
    10.1.94's Space into Last Time....
    ....fuckin' Space Invaders video game effects. Liam would be proud. Pissed off of course, but proud....edit. No weed in the wooden box. :( One can't fail for trying.
  • Angry Jack Straw
    Joined:
    Box
    Mine arrived today. Scheduled for Monday, but the UPS truck pulled up around 5:00. Odd for a Saturday. I saw the driver coming up the driveway with a big box in hand so I met him at the door. "I wasn't expecting this until Monday." So you are why I am working today he responded, clearly not happy. "Do you have any pot you can sell me? It's the Grateful Dead." He turns and walks away in disgust. Those who got the download are missing out on a nice box. Even the kids thought it was awesome. Vguy, the number is in a classy little box between the CDs. Similar to a small jewelry box or some place to hide a key. It comes with a cool passage, distinct in Native American undertones. Very well done. I'm holding off on listening until tomorrow. Watching some old episodes of Parts Unknown. Tony was no Jerry, but he was a awesome dude nonetheless. 10/1/94 is the only show from TTATS that I have listened to past 87. Even then I have only listened to the So Many Roads. I have said many times, fall 94 was the dead cat bounce tour. Unexpectedly good.
  • MDJim
    Joined:
    Double Post
    Squirrel
  • LedDed
    Joined:
    They say...
    ...by the way, has anyone figured out yet who "they" are? The grays? The man? The IRS? At any rate, or so I've heard, "they" say that doing the same thing over and over and expecting a different result is the definition of insanity. Hell, I think it's just being a stone-cold gambler. I buy lottery tickets every drawing, using the same numbers, and goddamn it I'm going to hit big one of these decades. Just you wait and see. I really wish my box had arrived today. Alas, it is not to be and I don't know if UPS delivers on Sunday. I've had those non-descript amazon white vans drop stuff on Sunday though, and that feels like Christmas. Although most of my dead.net WEA product arrives via the Good Ol' USPS, and on our street the mail goes into those group box kiosks. You got your box, and on a special day there will be a key waiting inside for one of the parcel boxes (few, and larger). You're always hoping for a key, and when you see it your heart skips a beat. My theory is that the ubiquitous amazon white vans (Sprinters and the like, windowless) are not adorned with "amazon" graphics for several reasons. For one, they'd attract looters and thieves. For another, we'll all get desensitized to them, and one of these times when one pulls up, you'll run out arms wide ready to embrace yet another Grateful Dead offering, and they'll (it's, "them" again) leap out and pull a hood over your head and throw you in the back. When you wake up, tied to a chair in a cold room with only a single, bare light bulb hanging above you, you'll hope like hell Liam Neeson is about to break in and save your ass. \m/
  • MDJim
    Joined:
    GD and OCD
    I have to laugh at these posts.. yesterday a friend of mine sent me an email he got from one of his friends. It's long.. names omitted to protect the guilty. It was written a year or so ago.. so I'm sure it's floated around a bunch. To the author, I hope it's ok to share. The title was Next Level Obsession. ______________________________________________ I love Deadheads with OCD. Not my post but I appreciate the work. Thu Oct 19, 2017 6:49 pm #1 When I was in high school, there was a girl who would always ask me if I had acquired any new Losers of the “sweet Suzy” variety. And so whenever I received a new batch of tapes from some remote part of the country, I’d note any Losers with the “sweet Suzy” verse and then surprise her with one at the next gathering of our mutual group of friends. These gatherings were almost always centrally concerned with new tape acquisitions or new knowledge regarding the Dead. We were a group obsessed with the band and everything swimming through the vast universe of the band, including apparently any Losers with the “sweet Suzy” line. My memory is foggy when it comes to my findings of the “sweet Suzy” Losers, except one distinct time in which I can remember telling her, “Hey, Shannon, I found a ‘sweet Suzy’ for you.” I don’t know which show it was , but I’m pretty certain it was a 1971 Loser. What lives in my memory is precisely where we were and me saying those exact words to her. It must’ve been a revelatory moment for me regarding the rarity of the “sweet Suzy” Losers, for I have never forgotten that moment after 20+ years. Fast forward to a few months ago, in June of 2017, when I found myself thinking of those great tape-trading days of high school, the discoveries, the euphoria of acquiring a new batch of tapes. And for some reason my mind turned to the “sweet Suzy” versions of Loser, and how I would search out copies of this song without a handy Deadbase at my fingertips, nor a more convenient “etree mobile” app which allowed me to effortlessly flip through shows and fast forward to the two particular instances in which “sweet Suzy” is sung with the simply movement of a finger across my iPhone. Wow, how times have changed with regard to searching for a particular part of a song. So a few months ago I decided to complete the project once and for all. I needed to know when “sweet Suzy” died, and I kind of wanted to arrive at a reason for her death. Sadly, I found her apparent death on October 20th, 1974, then realized she had risen from the dead on January 10th, 1979, only to be buried once again for eternity. Even more tragic is the unknown reason for her death. What I did find, however, is an obscure protraction of her death. Think about all the hours I’ve logged listening to “Last fair deal in the country, sweet Suzy!” and the amount of accumulated thoughts about Suzy, what she must’ve looked like to Hunter and Jerry, what she must’ve meant to Jerry on the nights that he sung her into the song with such love and tenderness and longing, what she must have meant to him on the nights that he abandoned her and left the audience singing her in their own empty words, and what he must’ve thought on January 10th, 1979 when he resurrected her one last time. What drove him to do it? The Dead performed Loser 346 times. Only a few of these shows do we not have the recording. I tally 88 known Losers that include the “sweet Suzy” or just “Suzy” line. Remarkably, of the 54 Losers performed in 1971, only one show did not feature the “sweet Suzy” line. That show is 7/2/71 at the Fillmore West, oddly the last show at that venue. The very first Loser performed on 2/18/71 at Port Chester features a “sweet Suzy” in the first slot and a rare “Suzy”-only in the second slot. All three “Suzy”-only versions were sung in the second slot of the song in 1971, but of the three remaining “Suzy”-only versions in 1972 and 1973, Jerry sang it in the first slot of the song. The first show in which Jerry sings “sweet Suzy” in only one of the two slots is the 22nd performance of Loser on 4/21/71 in Providence, Rhode Island, and it appears in the second slot. There are no other shows or patterns in 1971 of note except to say that toward the middle of the year, immediately following the 7/2/71 Fillmore West show, Jerry starts to exclude the “sweet Suzy” line in one of the two slots more frequently. Between 2/18/71 and 5/30/71, Jerry performs Loser 31 times, and he is fairly regular with the “sweet Suzy” line in all of the Loser versions, singing it both times in all but 2 of the 31 times. But once 7/2/71 hits, the remaining 23 performances of the song are variable when it comes to the singing of the line. Between 7/2/71 and 12/31/71, Jerry sings the line twice during the song only 13 of the 23 times. What this means is that Jerry started the slow death of “sweet Suzy” officially on 4/21/71, booted her from the song for the first time altogether on 7/2/71, and then proceeded to ween her from the song thereafter. 1972 sees the demise of Suzy even more. Of the 39 times Loser is played in 1972, only 4 times does Jerry sing “sweet Suzy” in both slots of the song. 13 times he abandons “sweet Suzy” entirely. 1973 isn’t any better. 25 performances, 7 “sweet Suzy” lines, and none of those 7 times does Jerry sing the line in both slots of the song. 1974 saw “sweet Suzy” virtually die. Of the 10 times Loser is performed (remember, there were only 40 shows this year), only 3 times does “sweet Suzy” make her appearance, the last being on 10/20/74 at Winterland, and it’s sung in the second slot of the song. I fitting farewell to the Grateful Dead at the time and to sweet Suzy, whoever she was. And that is all we know of the mysterious girl called Suzy in the song Loser. For the next 4 years and 45 performances of Loser, not a trace of “sweet Suzy” is found – that is, until the first show of 1979, in Uniondale, New York, on January 10th. Making her appearance one more time – and her last time – was “sweet Suzy” in the first slot of the song. It’s so brief and nondescript. If you blink, you miss it in the recording. There’s no emphasis, no powerful resurgence, no eruption from the audience. It comes and goes in a second and a half. And then it vanishes. Ghostlike. Forever. I knew I had never heard a “sweet Suzy” in the 1980s or 1990s, but I wanted to be sure, and so I listened to all the “Last fair deal in the country….” verses (two per song) of all 169 remaining performances. I sometimes dreamed that I’d find one, hidden within a show that was not on many popular radars. I held out hope that there was a version of the song in the post-Brent era that escaped our listening ears because it was a Vince show. No. I sometimes imagined I heard it because I was listening so hard for it. I truly wanted it to be there. I wanted so badly for Jerry to sing those two words again; I’d even take a delayed and whispered “Suzy.” Alas, it wasn’t going to happen. I have thought about so much along the way. I thought how crazy I am for doing this. I thought how empty this project is. I thought how meaningless and stupid and utterly ridiculous….In short, I thought I had perhaps come to an end of sorts with the band. When I began the journey, I actually was listening to 3/24/73 Spectrum and noticed that Jerry had only sung the “sweet Suzy” line in the second slot. And so I wanted to know what other shows in the March/April ’73 period did this. And then I wanted to know all of 1973. And then I decided I’d do all of the Losers and tally them all up. I searched high and low on the Internet to see if someone had already done this. I found no one. But, above all, I felt like I had to do this. I was reminded of my high school years, and always bringing Shannon new “sweet Suzy” Losers. I simply felt it was my calling to know them all. So, Shannon, if you’re out there, and happen to stumble across this, here are all your “sweet Suzy” and “Suzy”-only Losers. Enjoy… Below are the years and dates in which “sweet Suzy” or just “Suzy” appear. After the date, you’ll see a “1” or “2” or “none,” indicating for that particular show where “sweet Suzy” is sung, “1” being the first slot and “2” being the second slot of the song. “None” obviously means neither slot of the song featured this line. If you see a “Suzy” next to either the “1” or “2,” then that means just the rare “Suzy” was sung. For the inaugural Loser on 2/18, I like that “sweet Suzy” was sung in the first slot and just “Suzy” was sung in the second slot. There are a few shows in which we do not have the recording of Loser: 10/21/72, 11/18/72, 9/12/73 (this one is unclear as to whether the song was player there at all, but I kept it in anyway), 9/28/77, and 2/6/79. Other than those, they’re all here. The penultimate note: the Loser from 5/11/78 does not feature a “sweet Suzy” but rather a Jerry “Yeeeeaaaahhh Arrrrgghhhh” which is the only one of its kind. The ultimate note: I have retained the spelling of “Suzy” as this is how it appears in Hunter’s Box of Rain. 1971 (53) 02/18 1 2 "Suzy" 02/19 1 2 02/20 1 2 02/21 1 2 02/23 1 2 02/24 1 2 03/03 1 2 03/14 1 2 "Suzy" 03/18 1 2 03/20 1 2 03/21 1 2 03/24 1 2 04/04 1 2 04/05 1 2 04/06 1 2 04/07 1 2 04/08 1 2 04/12 1 2 04/13 1 2 04/17 1 2 04/18 1 2 04/21 2 04/22 1 2 04/24 1 2 04/25 1 2 04/26 1 2 04/27 1 2 04/28 1 04/29 1 2 05/29 1 2 05/30 1 2 07/02 none 07/31 1 08/05 1 08/06 1 08/14 2 "Suzy" 08/23 1 2 08/24 1 2 08/26 1 10/21 1 2 10/23 1 10/26 1 2 10/29 1 2 10/30 1 2 10/31 1 2 11/06 2 11/07 1 2 11/12 1 2 11/14 1 11/15 1 2 12/06 1 2 12/10 2 12/14 1 2 12/31 1 1972 (24) 01/02 1 2 03/21 2 03/22 none 03/26 1 "Suzy" 2 03/27 1 04/07 1 04/14 1 04/16 1 2 04/24 1 04/26 1 04/29 none 05/10 none 05/13 2 05/26 1 06/17 2 07/18 1 "Suzy" 07/21 1 07/25 none 08/20 1 08/22 1 08/25 2 09/03 none 09/09 none 09/15 none 09/17 none 09/21 2 09/24 2 09/28 none 09/30 2 10/09 1 10/18 1 10/21 ????? 10/23 2 10/27 1 2 11/14 none 11/18 ????? 11/22 none 12/11 none 12/15 none 1973 (7) 02/21 none 02/26 2 03/16 2 03/21 none 03/24 2 03/28 none 05/13 none 05/20 none 05/26 none 06/09 1 06/26 1 07/31 none 09/07 none 09/11 none 09/12 ?????? 09/17 none 09/20 none 09/26 1 "Suzy" 10/21 none 10/27 none 10/29 none 11/10 2 11/23 none 11/30 none 12/06 none 1974 (3) 02/24 none 05/14 1 06/18 1 06/30 none 07/25 none 08/04 none 09/10 none 09/14 none 10/17 none 10/20 2 1975 None 1976 None 1977 None 09/28 ????? 1978 None 05/11 "Yeaaah arrrgghh" 1979 (1) 01/10 1 02/06 ????? 1980 - 1995 None Thanks, xxxxx
  • Vguy72
    Joined:
    10.1.94's intro into Fire On The Mountain....
    ....the midi flute Garcia plays is beautiful. Then it goes into the mutron tone we all know, then back into a mutron/flute thing. Jerry plays two different tones at once. Pretty neat and pretty incredible. Miss you. I can see how someone's first show being this one could hook you. God bless the GOGD.
  • Vguy72
    Joined:
    OCD....
    ....I don't know what you're talking about LedDed. Now exuse me while I rearrange my bookshelves. It's gotta be just exactly perfect. It's for the grater good.
  • LedDed
    Joined:
    "Wait a minute kids while we get this just exactly perfect..."
    I love it when Bob would say that. I wonder if Deadbase lists how many times he spit that out from the stage. It was tongue in cheek, and endearing. This was a raggedy bunch folks. This music was only ever perfect in it's glorious humanness, flaws and warts and all. I play lots of guitar. There's a thing called, "relicing," where you can pay the Fender Custom Shop or some guy in his garage to scuff up your brand-new guitar and make it look old. Like some clown who goes and buys "distressed" jeans at the mall. Please... my guitars get beat up because I play the hell out of them, and except for my Gibsons (only because the string tension against the angled headstock can snap the neck if they fall over), I don't give a shit if one of the kids knocks it off the couch or a drink spills on it or whatever. I love that stuff. Gives an item character. I will no longer even pick up certain people's guitars. I feel they would experience a cardiac event if my nails (I play with a heavy hand) should leave microscopic scratches in the finish. Museum pieces all, never to be - gasp! - really played or used as the medium of expression they were designed for. Just ask the collectors who keep these "investments" in humidors, to be looked at only, and just don't you dare stare too hard in any one place for very long. I bought a brand-new truck in 2002. For months, I would park at the edge of the lot and struggle in vain to keep it perfect. Once I finally let that shit go, it was a tremendous relief. My $100 Jimmy Page coffee table book arrived damaged from UPS, they'd crushed the box and there's about a 1" divot on the cover. So what? Now when my friends thumb through it I don't cringe if they haven't washed their hands. I understand paying money for something and appreciating it being in new condition, but some of this borders on the obsessive and misses the point. Warren Zevon was just like that, with the T-shirts. Joey Ramone. It's OCD and a few other insanities rolled into one. I respect that we are different, and I don't know if I find these gripes with product minutiae annoying or just hysterical... but I guess with the Dead fanbase, you get that in all kinds of ways. One of my discs does have a flaw, there's like a metallic shriek/white noise in some song. Maybe more than one. I wouldn't know which, because with many thousands of songs I just skip ahead to the next one. I can't be bothered enough to care. It's all about the music...
  • LedDed
    Joined:
    First world problems... yawn
    This morning I got up and put on what I thought was a perfectly crisp, clean white T-shirt. Imagine my horror upon discovering a stray eyelash had fallen onto the left shoulder, and to top it off a tiny wrinkle was discovered below the right underarm. Then, at lunch my Big Mac arrived shoddily assembled. The cheese was unevenly melted and not at all centered on the patty! And the pickles had been hastily thrown on and I think there may have even been a few brown sesame seeds atop the bun.
  • cheyler196
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    Joined:
    First songs from set
    I got this show in a tape trade about 30 years ago (Portland 1974), and it was incomplete, missing 6 or 7 songs. A few years ago, the complete show started circulating and we all discovered that those tracks were omitted because the vocals were seriously low and I guess someone thought they'd do us all a favor and leave them out. The songs that were left out correspond almost exactly to the songs you mentioned. Sounds to me like they did everything they possibly could to match them up with the sound of the rest of the show. It'll never be perfect, but they did a hell of a job and it's nice to hear it sounding so much better. There's just always shit you can't fix when you're working with two-track tapes.
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6 years 6 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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9 years 1 month
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What's in John Boy's fanny pack? Inquiring heads gotta know. Billy's stash?!
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15 years
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I really hope it's a super cool box because if not that's 70 bucks per Ship Of Fools.
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17 years 2 months
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....I tried tying my fanny pack with one of those. It worked. I had one that was homemade with small ropes instead of the clip. Found it on a Shakedown at Shoreline. Fuckin lost it a few years later. So it goes....
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12 years 10 months
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i guess my post wasn't all that clear. the reasons i gave were what pushed it over the top for me. i plan to listen to the entire box set. i'm sure it will be worth multiple plays. ----
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I'm looking at the photos of the box and thinking it's big enough to house proper digipacks (like the old Rhino reissues of the studio albums), which I hope is the case rather than flimsy cardboard sleeves or worse. Surely the book won't take up that much room. Somehow never heard Seattle '74 but could a 47 minute PITB possibly be as good as it sounds? Needless to say I am getting excited about this. September seems a long way off! Hey Dave - how about an 'unboxing' video??
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11 years 10 months
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worth every cent if they're good ones :-) It was the song in my head when I walked out of AT&T
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11 years 3 months
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I may have said this before, but I see this as more of a JGB song, not Dead. The Dead don't do sappy, over-literal "I love you sooo much" songs (OK Looks Like Rain... but that's Bobby). Jerry Garcia Band DID do sappy love songs. But there's no real jam in it so it didn't make the JGBand cut either....
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10 years
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I always liked "If I Had The World" well enough-and still do. Maybe it would pall a bit if they had played it as often as Sugar Magnolia, but as it stands-good. This made me think of other songs the band made good studio recordings of, and then never played much live. Ripple, Unbroken Chain and Crazy Fingers are all great in their studio incarnations-but none of them - to me-really translated all that well to live performance. Crazy Fingers was good on 13th August 1975-but it obviously didn't survive long. I'm not even going to mention the 1990s versions.. Another great studio recording, was "New Speedway Boogie". I wonder why that one never became established as a jamming vehicle like "Truckin'" did? "Box of Rain ", too-an incredible song.
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probably too dark a song for a long running jam vehicle? being the horrific story of Altamont free concert gone bad... The Dead left without playing a note after Marty Balin was knocked unconscious, they were scheduled to play second to last, just before Mick and the boys. Four people died that day amidst chaos, one murdered right in front of The Stones on stage. See Gimme Shelter but be ready for some ugly stuff.
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How about never-played/yet-to-be-played songs such as "France"? Could Dead & Co. play thissteel-drum-meets-Lowell-George-meets-Bobby-and-Donna as a one-off by bringing Donna to the Dead & Co. stage?
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as 10/31/84 begins to finally circulate, I ask people out there please check your tapes for uncirculated '95 boards. I myself and others would like to start filling holes in our '95 collection.
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To me, France sounds a Pablo Cruise song. As far as under-played songs, I'll take Rosemary any day.
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Love Donna to pieces, but I don't think her voice is what it used to be. I heard her play with D&C in Boston 2 years ago (and sit in with Ratdog about 9 years ago in New Haven) and while she did OK, she sure didn't sound as god as she used to - I think she doesn't have the range she used to have, which is common among women. Mad respect though. Funny thing is at the concession stand at Fenway, on the field where you could still see the band, I overheard a guy telling his gf/wife it was Mountain Girl. Me: "Actually that's Donna". Girl: "See? I TOLD you!". Guy: "No, IT IS Mountain Girl"... long pause as he glares at me that I had just contradicted him in front of his partner. Guy behind me: "Dude it's Donna Jean Godchaux, she used to be in the Dead in the 70's - who did you say you thought it was???" Guy: "Nevermind", still glaring at me.
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as a post brent fan i'll say crazy fingers was definitely good in the '90's. vinces work on it was a highlight.
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While a different tempo than Blues For Allah, I think Crazy Fingers worked pretty well for the band. A good 90's Bruce/Vinnie version can be found on Dick's #17! I'm also fond of the 6/20/92 RFK version.....and, I just love that damn show! :)
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Moving through GD eras, Keith's grand piano really fits the rock-n-roll and Americana songs, but his electric keyboard during certain songs of 73-74 along with Jerry's wah-wah is a sure fire ticket to outer space. Sounds like a Fender Rhodes?? This is the juice for me! Just wandered through Winterland 1973 - great stuff! Also, IMHO, 73-74 is Bobby at his peak. Not that he lost any chops, but in 73-74 he really stands out in the mix and surely is one of the best all-time rhythm guitarists. The Dead have been and continue to be such a positive force in my life - and it is needed now - Will be teeing up some DaP 26 Albuquerque for the ride home - and a shout out to Phil as a great backing vocalist in his time, those early harmonies were sweet. Thanks Dave, Jeffrey and all the Rhino crew for keeping this going!
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And the modern ones had some grate jams. The transition into Playing from 9-25-91 is spectacular (and real).
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...always loved the bands playing during the 73-74’ era. I really got excited when I heard about the official announcement from the band and company. You can really get lost in amazement @ ah, from each band members performance as a whole... I’m sad to say I had to sell my copy due to an alarming rate of doctor bills. Just returned home from the hospital after a long 33 day recovery and be allowed to return home to my family, friends and my fellow deadhead relationships :). I gonna try my hardest to buy another boxset for myself before they all sell out, wish me luck, Im gratefully in need of some prayers...Peace be with you all my brothers and sisters and have yourself a grand 4th of July celebration ! Smile smile smile :)
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The promotion said Donna will be there. Thank fucking god there's no "Playing" in that set. Jesus Christ, to this day I roll the volume back while she shrieks horridly during those two refrains. All over E72, like swatting away a fly "TURN IT FUCKING DOWNNNNN..." But, I love her. Our hippie priestess. C'mon, Donna Jean meant the dorks had a girl - a Girl! - onstage. She looked nice, at least, Bob, Billy, and so on and so-forth felt so. She was alright. She sang on Elvis records, for Chrissakes. And on Jerry's solo lp's, where she could "hear herself," she was spot-on, a session princess. I am going to be there representing in full Jedi force Sunday, you asses, that's right, parading all across Red Rocks. I may just well be bearing one of my Dead & Co. T-shirts, to spite Phil, and Gyll, after digesting the Joel Selvin book. To hell with it. Pools, waterparks, booze, tits, family, my guitars, yadda... A long fourth-of-July weekend here. As God is living, herself, through every keystroke and breath and shit we all are taking, well, her, let's take Cheers! and make love manifest in all that we are and do. Each and every time, \jm/ LedDed
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Jerry's guitar solo during "Bertha" makes my ear-sockets melt...
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Yes, funny-you get guys like that in England, too. I have always enjoyed a chat/discussion-and in the past have thought I was being helpful challenging something someone has said-or I have just enjoyed the possibility of opening up a potentially interesting debate. I guess some people take a discussion as an opportunity to assert their superiority-and if someone challenges what they have said they feel personally attacked.
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Good to hear people have enjoyed 1990s versions of Crazy Fingers-its a great song, and as such maybe any airing should be welcome. With New Speedway Boogie, I was forgetting the lyrics when I said that I thought it would have made a good jamming song. "Gimme Shelter" is a horrifying film-and if the song was firmly attached to that event, I can well understand why it wasn't played too often. But musically, the chord sequence, and the rhythm suggest that it was made for jamming.
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just out today, the current administration had help from the Russians in winning the 2016 election, concludes the Senate. How do you feel now? This administration has and will continue to erode all and any past accomplishments in the name of progress and freedom to suit it's own greedy maladjusted agenda. If you believe in Freedom, if you believe in Justice, better wake up and vote in November. The times they are a-changing and it looks like we are going back to the 50's. Affirmative action to be stopped in colleges, tariffs against our allies, gestapo type tactics against any and all immigrants, tax cuts for the rich that will never expire, supreme court being loaded with conservatives that will make all of this craziness the law of the land. WAKE UP and remember what our ancestors fought and died for, Freedom from want, Freedom from fear, the right to life, liberty and the pursuit of happiness, freedom from a government that did not listen to it's own citizens. They fed us the line that democracy was and is the best thing going and we fought and died for it, and now, it is being slowly and deliberately destroyed by greedy, crazy aristocrats who want it all and will take us all down to get it. I love my country, I fought for my country, I was willing to die for it, and now, I don't recognize my home, the idiots are winning and we must fight with all the love that we have to stop what will become the easiest take over of a country by a foreign regime ever. Not one shot being fired, all in the name of greed. Happy 4th of July everyone, I will fly my flag today, upside down, to symbolize a nation in distress and in need of help. I only hope it's not too late. Go ahead, fly your freak flags high, it's just a mater of time before you won't be able to with out fear of retribution from your own government.
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Wave that flag. Wave it wide and high. Democracy has come and gone, my oh my. I picked up a cheap used copy of the Truckin Up to Buffalo DVD recently and watched it last night. 1) Good stuff, although I think Downhill From Here is a little better overall with better video quality -- "Better" being relative since they're both old standard def feeds anyway. I notice there's at least two other video releases from that tour, 7-7 and 7-8, and that seems to be where they mine all the Meet up At the Movies also. 2) Holy hell, that was a ripping All Along the Watchtower. Maybe the best non Jimi version I can remember. Highlight of the show, IMHO. 3) During Drums, Mickey is squeezing something that looks like a giant air filter, and banging on it with something like a crowbar. What is that ?
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Thank you for your fine patriotic post.And hats-off to Roguedeadguy, too U.S. Blues Grateful Dead Red and white, blue suede shoes, I'm Uncle Sam, how do you do? Gimme five, I'm still alive, ain't no luck, I learned to duck. Check my pulse, it don't change. Stay seventy-two come shine or rain. Wave the flag, pop the bag, rock the boat, skin the goat. Wave that flag, wave it wide and high. Summertime done, come and gone, my, oh, my. I'm Uncle Sam, that's who I am; Been hidin' out in a rock and roll band. Shake the hand that shook the hand of P.T. Barnum and Charlie Chan. Shine your shoes, light your fuse. Can you use them ol' U.S. Blues? I'll drink your health, share your wealth, run your life, steal your wife. Wave that flag, wave it wide and high. Summertime done, come and gone, my, oh, my. Back to back chicken shack. Son of a gun, better change your act. We're all confused, what's to lose? You can call this all the United States Blues. Wave that flag, wave it wide and high. Summertime done, come and gone, my, oh, my. Songwriters: Jerome J. Garcia / Robert C. Hunter Copyright 1974 Ice Nine Publishing Company, Inc. (ASCAP) U.S. Blues lyrics © Universal Music Publishing Group, Warner/Chappell Music, Inc
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Man, sorry to read about your long bout with the figment of a health care system we suffer under. Glad to know you're home with family & friends and on the mend. Lots of warm, positive vibes radiating to you from west Texas. Onward! Wonder if we can scrape up a box for you?. . .
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SWEETHEART OF THE RODEO 50TH ANNIVERSARY featuring Roger McGuinn, Chris Hillman and Marty Stuart and his Fabulous Superlatives Hi everyone - very excited here. I've pasted in above the announcement from my in-box today regarding 50th anniversary of Sweetheart of the Rodeo. I love the Byrds. Seems like they should have shared some bills with the dead, but I'm not aware of any. Particularly at the end of the Byrds' career when they were an excessively hairy jam-band. Grateful Dead, Byrds, Small Faces, Traffic - these are probably the 4 classic rock bands I've listened to and enjoyed more than any others. I've never seen McGuinn live...seeing him at the Ryman is something to look forward to. Monday October 8 is the day. If anyone wants to come to Nashville for the show let me know and we'll make preparations. Happy 4th to all - hoping for quick recovery and good health for all. Rock on!
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Really looking forward to the announcement... maybe in a couple of weeks?I’m guessing that it’ll be primal Dead. Spring ‘69? Would love June ‘76 though... maybe fall ‘80 (Gainesville?) Maybe the first ‘79 show in the series? Can’t wait.
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Just saw on another thread that Seth Hollander was hoping for 12/12/90.Awesome show... that would be a great choice too!
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And the radical he rant and rage,Singing someone got to turn the page. And the rich man in his summer home, Singing would you like some whine and cheese with that ? Ashes Ashes all fall down.
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Jack Hardy. Anyone have a good collection of his stuff? Here's one of his cuts https://www.youtube.com/watch?v=qbMEYfYpa7s He seems to have 2 "collected" works available. Anyone have a copy of these two? I like the guy. OH, also,,,, anyone out there have any Joe Hill, I'm not even sure if he was ever recorded. It seems his songs were covered by a large number of "union" singers.
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"Patriotism is the last refuge of the scoundrel."-Samuel Johnson 1775. I agree with Vguy72-there are two sides to every coin. I would add, though, that sometimes its best not to agree with either of them.
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17 years 2 months
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....social media is the cancer of the world. When I first got the internet in 1997, I played a ton of Scrabble. Now, it's full of hate and retoric. Personal opinions are viewed upon as "wrong" by people with other viewpoints. Big men behind a big keyboard. Open the barrier and let's see how big their mouths are. I will watch this Four Horsemen doc because I've never seen it. Noticed it was published in 2013. Wierd....
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uuuuuuuuuuuuugghhhhhhhhhhhh oh my god more political bullshit in here holy fuck balls.
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17 years 3 months
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Good to see everyone is enjoying the 4th of July.
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....and a new dog. It's officially Scary Big Boom day. Should be interesting. But seriously. Happy Birthday America. Keep it up, unless it's upside down. Funny. I ran some errands today and saw a lot of US flags. All right side up. Idiots.
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