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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Vguy72
    Joined:
    Greta Van Fleet released a new song....
    https://youtu.be/hurQgJXtpKI....in case anyone else likes them like me.
  • icecrmcnkd
    Joined:
    Muleskinner
    Don’t freak out but some Dick’s Picks actually have the spelling ‘Brown Eyed Woman’ (Women is the correct spelling). Onkyo DX-C390 6-CD carousel changer will treat you right. Mine is paired with an Onkyo TX-8050 receiver, Bose subwoofer, and Bose 301’s that are about 5.5 feet off the floor.
  • icecrmcnkd
    Joined:
    Vguy, excellent recovery after the icy joke
    .
  • KeithFan2112
    Joined:
    Cyanide Prescription
    Bravo Vguy! Sellout Pacific NW - someone posted yesterday there about 7,800 left, so roughly half. I think people are waiting until closer to the shipping date. I would be surprised if it makes it to October without selling out. That's 3 weeks after it hits the street, and I think a lot of the people who are on the fence are going to hear how good it is and decide it's better to ask for forgiveness than permission.
  • Charlie3
    Joined:
    CD Player
    I picked up a Sony CDP-CE500 5 disc changer a couple of years ago when my last cd player died. At the time it was a pretty good deal but in checking amazon it looks like the price about tripled. It works fine, I use the digital output to my receiver so the DAC in my receiver is actually doing most of the work. For what it's worth.
  • Vguy72
    Joined:
    Using port-a-lets while under the influence....
    ....believe me when I say that I would hold it as long as I possibly could before i had to use one of those. Definitely not on my bucket list.
  • estimated-eyes
    Joined:
    Alpine 89
    And then there was Alpine 89, which cemented by love of the band. I had one year of college in me where I had met some like-minded people. I had a chance to go to the MECCA shows in the spring, but we didn't have tickets, so I did not accompany my friends down. My best friend (see earlier post) Andy and I decided to hit all three shows at Alpine and camp on-site. Memories from that weekend of amazing shows are good-- I skipped many extracurriculars and stuck to basics. July 17 was obviously the shit-- beautiful evening and the best GD show I ever saw. We got up front of the lawn that night and every night of that run, which kept us out of the mudslides the next two nights as they were higher up. I was more versed with GD music after a year of collecting shows, so all was familiar to me-- except the bust out of 'We Bid You Good night." I could tell it was special, but I also recall enjoying the JBG closer to send us out rockin'. The lot was rocking from that amazing show and the weather was still good for a couple hours. I had a Port-o-Potty incident that scared me off those things for years. I opened the door to one to find human waste piled a foot over the seat. I still marvel at how people perched themselves to make that happen.... We were near a tree line, so I didn't come close to one the rest of our time at Alpine. We were parked next to a fellow selling balloons (I did not partake), so for two nights we went to sleep and woke up to the sound of balloons being filled. We woke up to rain. And it rained for two days with the hardest coming on the last day/night. 7/18 was a fine show. The Sugar Mags into Scarlet was a surprise and listening today that transition was seamless. I felt ripped off, however, when Scarlet was not followed by Fire (my favorite tune at that point in time). The rest of the set was solid though. The last night was soaking wet. I can still see the dancers high stepping on the lawn on the sides of the pavilion seats during the Bucket opener. The Deal set closer smoked (as we all know from Downhill From Here) and set II was hot with some rain tunes included. We called for Phil and got Box. I remember the rain picking up during D/S and a huge lightning bolt during Other One. An amazing couple nights, despite the rain. I never went on tour-- too invested in college to make the leap-- but did Chicago shows when I could. I took 1992-93 off of shows due to a girlfriend who hated them, then hit Soldier Field in 94 and 95. After Jerry died I got into the Stones and the blues heavier with some GOGD mixed in. What got me back? "Ladies and Gentlemen, The Grateful Dead" set-- that Fillmore East 1971 set got me back and I haven't looked back. And I am listening to Alpine 89 this week.
  • estimated-eyes
    Joined:
    Alpine 88
    The Alpine reminisces take me back... My first Dead show was as a 17 soon-to-be 18 year old at Alpine Valley in 1988. That hot, dry summer I remember well. I had moved to a suburb outside Madison, WI for my senior year after living my whole life in a suburb of Milwaukee. Tough transition making friends as a senior in a new school. Toward the end of the year I got to be friends with a good group of people-- including two who are now my best buds and Deadheads forever. Anyway, my original high school was full of Deadheads-- talking 84-86 here-- but I was not one of them at that time. Though I was starting to get into them as my high school years progressed. By the spring of 88 I was listening to plenty of studio Dead and I talked my new friends into going to Alpine Valley for a show. The new school did not have any Heads yet. It ended up being a pretty big caravan of us down. We didn't know how to get to Alpine and we rolled into East Troy wondering how to get to the venue. Heads were in the town square taking over town, the small corner store had nothing on the shelves. This was the Sunday night show that year and they sold waaaaay too many tickets for that concert. We couldn't even get parked in the lot, parked on the highway down from the venue. Alpine made corrections to this policy by summer 89. Recollections are vague due to ingestions that day, but I clearly remember the UJB, Miracle, D/S, Throwing Stones and Knockin'. A few of us had our minds blown that day (the jams in UJB and Playin' got me) and became Heads (four of us to be exact). The other dozen had a good time, but never went back and couldn't understand why some of us did. My next shows were the following year, same venue...
  • Dennis
    Joined:
    Looking to meet up?
    Anyone going to Lockn this year? Let me know (if you want) and we can hang a bit. Also for those in Jersey, I will be there at my sister's after Lockn 8/28 - 8/31. I "plan" on humping up the Delaware Water Gap during the week and hitting Hot Dog Johnny's after. (really, hot dog johnny's, look it up) My sister lives in Asbury off 78. (not Asbury park!) We will probably hit the Pattenburg House where my sister is super friends with owners and can hang in the "upstairs" room. I also "plan" on hitting "tie-dye Tuesdays" at Donavan's Reef in Seabright. All reports have been good about the dead cover bands that have been playing there. So if hangin at Lockn is your thing, climbing the Water Gap, going to local bar or dead covers in seabright, hit me with a pm. I hang with a very mellow group who like to party. D
  • Vguy72
    Joined:
    A woman walked into a pharmacy....
    .......and told the pharmacist that she needed some cyanide. The pharmacist said, "Why in the world do you need cyanide?" The woman then explained she needed it to poison her husband. The pharmacist's eyes got big and he said, "Lord, have mercy -- I can't give you cyanide to kill your husband! That's against the law! I'll lose my license; they'll throw you and me in jail. Just leave and forget you ever came in here before I call the police The woman reached into her purse and pulled out a picture of her husband in bed with the pharmacist's wife. The pharmacist looked at the picture and replied, "Well, now. You didn't tell me you had a prescription."
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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What's in John Boy's fanny pack? Inquiring heads gotta know. Billy's stash?!
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15 years 1 month
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I really hope it's a super cool box because if not that's 70 bucks per Ship Of Fools.
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17 years 4 months
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....I tried tying my fanny pack with one of those. It worked. I had one that was homemade with small ropes instead of the clip. Found it on a Shakedown at Shoreline. Fuckin lost it a few years later. So it goes....
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i guess my post wasn't all that clear. the reasons i gave were what pushed it over the top for me. i plan to listen to the entire box set. i'm sure it will be worth multiple plays. ----
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I'm looking at the photos of the box and thinking it's big enough to house proper digipacks (like the old Rhino reissues of the studio albums), which I hope is the case rather than flimsy cardboard sleeves or worse. Surely the book won't take up that much room. Somehow never heard Seattle '74 but could a 47 minute PITB possibly be as good as it sounds? Needless to say I am getting excited about this. September seems a long way off! Hey Dave - how about an 'unboxing' video??
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worth every cent if they're good ones :-) It was the song in my head when I walked out of AT&T
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I may have said this before, but I see this as more of a JGB song, not Dead. The Dead don't do sappy, over-literal "I love you sooo much" songs (OK Looks Like Rain... but that's Bobby). Jerry Garcia Band DID do sappy love songs. But there's no real jam in it so it didn't make the JGBand cut either....
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I always liked "If I Had The World" well enough-and still do. Maybe it would pall a bit if they had played it as often as Sugar Magnolia, but as it stands-good. This made me think of other songs the band made good studio recordings of, and then never played much live. Ripple, Unbroken Chain and Crazy Fingers are all great in their studio incarnations-but none of them - to me-really translated all that well to live performance. Crazy Fingers was good on 13th August 1975-but it obviously didn't survive long. I'm not even going to mention the 1990s versions.. Another great studio recording, was "New Speedway Boogie". I wonder why that one never became established as a jamming vehicle like "Truckin'" did? "Box of Rain ", too-an incredible song.
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probably too dark a song for a long running jam vehicle? being the horrific story of Altamont free concert gone bad... The Dead left without playing a note after Marty Balin was knocked unconscious, they were scheduled to play second to last, just before Mick and the boys. Four people died that day amidst chaos, one murdered right in front of The Stones on stage. See Gimme Shelter but be ready for some ugly stuff.
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How about never-played/yet-to-be-played songs such as "France"? Could Dead & Co. play thissteel-drum-meets-Lowell-George-meets-Bobby-and-Donna as a one-off by bringing Donna to the Dead & Co. stage?
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6 years 7 months
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as 10/31/84 begins to finally circulate, I ask people out there please check your tapes for uncirculated '95 boards. I myself and others would like to start filling holes in our '95 collection.
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To me, France sounds a Pablo Cruise song. As far as under-played songs, I'll take Rosemary any day.
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Love Donna to pieces, but I don't think her voice is what it used to be. I heard her play with D&C in Boston 2 years ago (and sit in with Ratdog about 9 years ago in New Haven) and while she did OK, she sure didn't sound as god as she used to - I think she doesn't have the range she used to have, which is common among women. Mad respect though. Funny thing is at the concession stand at Fenway, on the field where you could still see the band, I overheard a guy telling his gf/wife it was Mountain Girl. Me: "Actually that's Donna". Girl: "See? I TOLD you!". Guy: "No, IT IS Mountain Girl"... long pause as he glares at me that I had just contradicted him in front of his partner. Guy behind me: "Dude it's Donna Jean Godchaux, she used to be in the Dead in the 70's - who did you say you thought it was???" Guy: "Nevermind", still glaring at me.
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as a post brent fan i'll say crazy fingers was definitely good in the '90's. vinces work on it was a highlight.
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While a different tempo than Blues For Allah, I think Crazy Fingers worked pretty well for the band. A good 90's Bruce/Vinnie version can be found on Dick's #17! I'm also fond of the 6/20/92 RFK version.....and, I just love that damn show! :)
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Moving through GD eras, Keith's grand piano really fits the rock-n-roll and Americana songs, but his electric keyboard during certain songs of 73-74 along with Jerry's wah-wah is a sure fire ticket to outer space. Sounds like a Fender Rhodes?? This is the juice for me! Just wandered through Winterland 1973 - great stuff! Also, IMHO, 73-74 is Bobby at his peak. Not that he lost any chops, but in 73-74 he really stands out in the mix and surely is one of the best all-time rhythm guitarists. The Dead have been and continue to be such a positive force in my life - and it is needed now - Will be teeing up some DaP 26 Albuquerque for the ride home - and a shout out to Phil as a great backing vocalist in his time, those early harmonies were sweet. Thanks Dave, Jeffrey and all the Rhino crew for keeping this going!
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And the modern ones had some grate jams. The transition into Playing from 9-25-91 is spectacular (and real).
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...always loved the bands playing during the 73-74’ era. I really got excited when I heard about the official announcement from the band and company. You can really get lost in amazement @ ah, from each band members performance as a whole... I’m sad to say I had to sell my copy due to an alarming rate of doctor bills. Just returned home from the hospital after a long 33 day recovery and be allowed to return home to my family, friends and my fellow deadhead relationships :). I gonna try my hardest to buy another boxset for myself before they all sell out, wish me luck, Im gratefully in need of some prayers...Peace be with you all my brothers and sisters and have yourself a grand 4th of July celebration ! Smile smile smile :)
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The promotion said Donna will be there. Thank fucking god there's no "Playing" in that set. Jesus Christ, to this day I roll the volume back while she shrieks horridly during those two refrains. All over E72, like swatting away a fly "TURN IT FUCKING DOWNNNNN..." But, I love her. Our hippie priestess. C'mon, Donna Jean meant the dorks had a girl - a Girl! - onstage. She looked nice, at least, Bob, Billy, and so on and so-forth felt so. She was alright. She sang on Elvis records, for Chrissakes. And on Jerry's solo lp's, where she could "hear herself," she was spot-on, a session princess. I am going to be there representing in full Jedi force Sunday, you asses, that's right, parading all across Red Rocks. I may just well be bearing one of my Dead & Co. T-shirts, to spite Phil, and Gyll, after digesting the Joel Selvin book. To hell with it. Pools, waterparks, booze, tits, family, my guitars, yadda... A long fourth-of-July weekend here. As God is living, herself, through every keystroke and breath and shit we all are taking, well, her, let's take Cheers! and make love manifest in all that we are and do. Each and every time, \jm/ LedDed
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Jerry's guitar solo during "Bertha" makes my ear-sockets melt...
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Yes, funny-you get guys like that in England, too. I have always enjoyed a chat/discussion-and in the past have thought I was being helpful challenging something someone has said-or I have just enjoyed the possibility of opening up a potentially interesting debate. I guess some people take a discussion as an opportunity to assert their superiority-and if someone challenges what they have said they feel personally attacked.
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Good to hear people have enjoyed 1990s versions of Crazy Fingers-its a great song, and as such maybe any airing should be welcome. With New Speedway Boogie, I was forgetting the lyrics when I said that I thought it would have made a good jamming song. "Gimme Shelter" is a horrifying film-and if the song was firmly attached to that event, I can well understand why it wasn't played too often. But musically, the chord sequence, and the rhythm suggest that it was made for jamming.
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just out today, the current administration had help from the Russians in winning the 2016 election, concludes the Senate. How do you feel now? This administration has and will continue to erode all and any past accomplishments in the name of progress and freedom to suit it's own greedy maladjusted agenda. If you believe in Freedom, if you believe in Justice, better wake up and vote in November. The times they are a-changing and it looks like we are going back to the 50's. Affirmative action to be stopped in colleges, tariffs against our allies, gestapo type tactics against any and all immigrants, tax cuts for the rich that will never expire, supreme court being loaded with conservatives that will make all of this craziness the law of the land. WAKE UP and remember what our ancestors fought and died for, Freedom from want, Freedom from fear, the right to life, liberty and the pursuit of happiness, freedom from a government that did not listen to it's own citizens. They fed us the line that democracy was and is the best thing going and we fought and died for it, and now, it is being slowly and deliberately destroyed by greedy, crazy aristocrats who want it all and will take us all down to get it. I love my country, I fought for my country, I was willing to die for it, and now, I don't recognize my home, the idiots are winning and we must fight with all the love that we have to stop what will become the easiest take over of a country by a foreign regime ever. Not one shot being fired, all in the name of greed. Happy 4th of July everyone, I will fly my flag today, upside down, to symbolize a nation in distress and in need of help. I only hope it's not too late. Go ahead, fly your freak flags high, it's just a mater of time before you won't be able to with out fear of retribution from your own government.
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Wave that flag. Wave it wide and high. Democracy has come and gone, my oh my. I picked up a cheap used copy of the Truckin Up to Buffalo DVD recently and watched it last night. 1) Good stuff, although I think Downhill From Here is a little better overall with better video quality -- "Better" being relative since they're both old standard def feeds anyway. I notice there's at least two other video releases from that tour, 7-7 and 7-8, and that seems to be where they mine all the Meet up At the Movies also. 2) Holy hell, that was a ripping All Along the Watchtower. Maybe the best non Jimi version I can remember. Highlight of the show, IMHO. 3) During Drums, Mickey is squeezing something that looks like a giant air filter, and banging on it with something like a crowbar. What is that ?
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Thank you for your fine patriotic post.And hats-off to Roguedeadguy, too U.S. Blues Grateful Dead Red and white, blue suede shoes, I'm Uncle Sam, how do you do? Gimme five, I'm still alive, ain't no luck, I learned to duck. Check my pulse, it don't change. Stay seventy-two come shine or rain. Wave the flag, pop the bag, rock the boat, skin the goat. Wave that flag, wave it wide and high. Summertime done, come and gone, my, oh, my. I'm Uncle Sam, that's who I am; Been hidin' out in a rock and roll band. Shake the hand that shook the hand of P.T. Barnum and Charlie Chan. Shine your shoes, light your fuse. Can you use them ol' U.S. Blues? I'll drink your health, share your wealth, run your life, steal your wife. Wave that flag, wave it wide and high. Summertime done, come and gone, my, oh, my. Back to back chicken shack. Son of a gun, better change your act. We're all confused, what's to lose? You can call this all the United States Blues. Wave that flag, wave it wide and high. Summertime done, come and gone, my, oh, my. Songwriters: Jerome J. Garcia / Robert C. Hunter Copyright 1974 Ice Nine Publishing Company, Inc. (ASCAP) U.S. Blues lyrics © Universal Music Publishing Group, Warner/Chappell Music, Inc
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Man, sorry to read about your long bout with the figment of a health care system we suffer under. Glad to know you're home with family & friends and on the mend. Lots of warm, positive vibes radiating to you from west Texas. Onward! Wonder if we can scrape up a box for you?. . .
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SWEETHEART OF THE RODEO 50TH ANNIVERSARY featuring Roger McGuinn, Chris Hillman and Marty Stuart and his Fabulous Superlatives Hi everyone - very excited here. I've pasted in above the announcement from my in-box today regarding 50th anniversary of Sweetheart of the Rodeo. I love the Byrds. Seems like they should have shared some bills with the dead, but I'm not aware of any. Particularly at the end of the Byrds' career when they were an excessively hairy jam-band. Grateful Dead, Byrds, Small Faces, Traffic - these are probably the 4 classic rock bands I've listened to and enjoyed more than any others. I've never seen McGuinn live...seeing him at the Ryman is something to look forward to. Monday October 8 is the day. If anyone wants to come to Nashville for the show let me know and we'll make preparations. Happy 4th to all - hoping for quick recovery and good health for all. Rock on!
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Really looking forward to the announcement... maybe in a couple of weeks?I’m guessing that it’ll be primal Dead. Spring ‘69? Would love June ‘76 though... maybe fall ‘80 (Gainesville?) Maybe the first ‘79 show in the series? Can’t wait.
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Just saw on another thread that Seth Hollander was hoping for 12/12/90.Awesome show... that would be a great choice too!
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11 years 5 months
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And the radical he rant and rage,Singing someone got to turn the page. And the rich man in his summer home, Singing would you like some whine and cheese with that ? Ashes Ashes all fall down.
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12 years
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Jack Hardy. Anyone have a good collection of his stuff? Here's one of his cuts https://www.youtube.com/watch?v=qbMEYfYpa7s He seems to have 2 "collected" works available. Anyone have a copy of these two? I like the guy. OH, also,,,, anyone out there have any Joe Hill, I'm not even sure if he was ever recorded. It seems his songs were covered by a large number of "union" singers.
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10 years 2 months
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"Patriotism is the last refuge of the scoundrel."-Samuel Johnson 1775. I agree with Vguy72-there are two sides to every coin. I would add, though, that sometimes its best not to agree with either of them.
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Member for

17 years 4 months
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....social media is the cancer of the world. When I first got the internet in 1997, I played a ton of Scrabble. Now, it's full of hate and retoric. Personal opinions are viewed upon as "wrong" by people with other viewpoints. Big men behind a big keyboard. Open the barrier and let's see how big their mouths are. I will watch this Four Horsemen doc because I've never seen it. Noticed it was published in 2013. Wierd....
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Member for

6 years 7 months
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uuuuuuuuuuuuugghhhhhhhhhhhh oh my god more political bullshit in here holy fuck balls.
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Member for

17 years 5 months
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Good to see everyone is enjoying the 4th of July.
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Member for

17 years 4 months
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....and a new dog. It's officially Scary Big Boom day. Should be interesting. But seriously. Happy Birthday America. Keep it up, unless it's upside down. Funny. I ran some errands today and saw a lot of US flags. All right side up. Idiots.
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