May 1977: Get Shown The Light (All Music Edition)

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February 17, 2017 - 5:13pm

4,023 replies

heatherlew

Joined:
October 12, 2016

May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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May 15, 2017 - 7:15pm

#1251

Grateful1970

Joined:
May 5, 2017

Get shown the light

Pretty bummed about this set. It arrived in shambles. Almost all discs are scratched and sleeves are torn. There's some type of glue all over everything, and the bottom portion holding the book is creased down the complete left side. Was really looking forward to it after hearing all the stories, but now I'm completely disappointed. Contacted customer service on three different occasions and seem to never get a strait answer. Any help would be Grateful!
May 15, 2017 - 7:03pm

#1252

JimInMD

Joined:
June 27, 2011

Dancin' Challenge

I will have to check that out..bce'd. Nice sleuthing, I had forgotten and with the exception of the bonus disc, don't hit that box too often.
May 15, 2017 - 5:53pm

#1253

Born Cross Eye…

Joined:
August 25, 2008

Dancin' 5/8 A/B test

Try this test:Play Terrapin Station CD with the bonus tracks, go to t12 - Dancin' In The Streets (from 5/8/77). Then play the Dancin' from either the box sets or the standalone 5/8 Cornell 3 disc set, or even the vinyl. Note the difference: the bonus track from Terrapin is a 2nd generation (or even higher) copy. It was mastered in 2004 by Joe Gastwirt and Jamie Horwarth had not developed Plangent Processes yet. On the 2017 official issue, the sound is quite different in my opinion. It's the original 1st generation tape restored using the Plangent Process as part of the restoration. Mastered by Jeff Norman. However, on the Terrapin cut, there is more of an audience presence. I'm not too sure which one I like better.
May 15, 2017 - 4:46pm

#1254

LedDed

Joined:
February 16, 2017

Safe jams

Barton is perhaps the cleanest, most in-the-pocket live show I've heard with total band cohesion. In tune and in time, it's nearly flawless (by GD standards). The music was indeed playing the band. It's an extraordinary performance, I mean, they're up there playing tight like Steely Dan or the Eagles. To me, it makes for a fascinating listen, because most shows just weren't that together. The fact that they could play that way, but usually didn't, speaks to their artistic integrity in going for it every night. As much as I love the slop, and the mistakes or the not-just-exactly-perfectness, to hear them play this well is stunning.
May 15, 2017 - 4:35pm

#1255

JimInMD

Joined:
June 27, 2011

Re: Critique, Taking Chances, Perfection and Mistakes

Nothing ventured, nothing gained.. I agree. These shows are great.. the recordings impeccable. Someone on one of these threads was calling one of the Peggy-O's from this box a best ever. Perhaps.. but I was listening to the Peggy-O from Englishtown a few months later and I really enjoyed the adventuresome risk taking in the solo's.. more stretch, more chances and more risk. That's what I like about the GD.. it was always an evolving musical stew, sort of like a good Cioppino.. I don't think of best of's more like wow-wow factor.
May 15, 2017 - 3:50pm

#1256

Kayak Guy

Joined:
June 4, 2015

Pfox is on to something

Now that the "missing" recordings are now part of the official catalog, and they do sound fantastic, it's that the shows them self are really too clean and well done.To me the best jams are after the screw ups, trying to get back to where they are supposed to be. Spring 77 is sort of them playing well, but it's in a safe zone. There's no challenges to recover from more than a messed up lyric on the new songs and taken as a totality, Spring 77 is sort of too safe. It's almost as if they are tryng to prove Clive Davis right by signing them to Arista and the big marketing of the time, when he bailed them out after GD records went down and the Movie ate up lots of the budget after the hiatus. That's why I love fall 77 and winter 78, there's problems, especially Jerry's voice, but damn if he doesn't try to make it up on the wolf solos.
May 15, 2017 - 3:00pm

#1257

douglas278

Joined:
September 11, 2008

Download issues

If you run Linux, or are able to burn and boot a live Linux CD, you can fix the corrupt zip file issue yourself. http://distrowatch.com/ https://superuser.com/questions/23290/terminal-tool-linux-for-repair-co…
May 15, 2017 - 2:49pm

#1258

PatagonianFox

Joined:
October 25, 2011

if i have one critique of barton hall it's that...

there aren't enough mistakes. the performance almost sounds like a studio album, or a live album that was cleaned up for distribution. miles davis once said: "there are no wrong notes in jazz, only notes in the wrong places." the grateful dead often prove this theory to be true. ----
May 15, 2017 - 2:32pm

#1259

kyleharmon

Joined:
June 5, 2007

I Will Say

I will say people seem to be less critical here than on Phish message boards. for example Dave's 19 Jack Straw derails off the tracks. if that happened on a phish show there'd be some that would say "omg this just completely ruined the show". lol. not all but quite a few. it seems some people there don't buy music to just listen to enjoy but just buy it to just listen for mistakes and point them out. or how the Dead goofed on Mexicali Blues on the '78 box set. I don't mind mistakes. that does not bother me. what did bother me though was they edited English town New Jersey cause jerry sang the verse two times it should've been left in. I thought that was the point of dicks picks "warts and all"
May 15, 2017 - 2:08pm

#1260

_

Joined:
February 21, 2011

Survey says....

da BuffBarton Bean town New Haven

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

kate_c.

i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.

My Favorite Version

I just love this.

Pauses between tracks?

Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth

Gareth

It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.

Testing

1,2

Recommendations for a Newly Grateful Deadhead?

To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth

Gareth

Real gone music is reissuing the Road Trip series. https://shop.realgonemusic.com/products/grateful-dead-road-trips-vol-4-…

Gareth

Newly Grateful Recommendations

You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.

May 1977: Get Shown The Light (All Music Edition)

Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?

Best digital format?

So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

Schrodd, formats

16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

Holiday of a lifetime?

First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

maybe

they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.

Hi there, I downloaded the…

Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

Howdydoody

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

will do! thank you.

May 1977: Get Shown The Light (All Music Edition)

Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

May 77 - Henryben

Excellent news ! I wonder if they will re-release other box sets in this format that originally sold out. Fillmore West 1969 is the one I sadly missed out on and would shell out for in a heartbeat.

Does somebody have problems with tracking number?

Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

Fabian

Send a PM to Marye, she can help.

yes please

Fabian, send me a PM and I'll see if the Doc can shed some light here.

Fabian

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

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