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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Vguy72
    Joined:
    10.1.94's Space into Last Time....
    ....fuckin' Space Invaders video game effects. Liam would be proud. Pissed off of course, but proud....edit. No weed in the wooden box. :( One can't fail for trying.
  • Angry Jack Straw
    Joined:
    Box
    Mine arrived today. Scheduled for Monday, but the UPS truck pulled up around 5:00. Odd for a Saturday. I saw the driver coming up the driveway with a big box in hand so I met him at the door. "I wasn't expecting this until Monday." So you are why I am working today he responded, clearly not happy. "Do you have any pot you can sell me? It's the Grateful Dead." He turns and walks away in disgust. Those who got the download are missing out on a nice box. Even the kids thought it was awesome. Vguy, the number is in a classy little box between the CDs. Similar to a small jewelry box or some place to hide a key. It comes with a cool passage, distinct in Native American undertones. Very well done. I'm holding off on listening until tomorrow. Watching some old episodes of Parts Unknown. Tony was no Jerry, but he was a awesome dude nonetheless. 10/1/94 is the only show from TTATS that I have listened to past 87. Even then I have only listened to the So Many Roads. I have said many times, fall 94 was the dead cat bounce tour. Unexpectedly good.
  • MDJim
    Joined:
    Double Post
    Squirrel
  • LedDed
    Joined:
    They say...
    ...by the way, has anyone figured out yet who "they" are? The grays? The man? The IRS? At any rate, or so I've heard, "they" say that doing the same thing over and over and expecting a different result is the definition of insanity. Hell, I think it's just being a stone-cold gambler. I buy lottery tickets every drawing, using the same numbers, and goddamn it I'm going to hit big one of these decades. Just you wait and see. I really wish my box had arrived today. Alas, it is not to be and I don't know if UPS delivers on Sunday. I've had those non-descript amazon white vans drop stuff on Sunday though, and that feels like Christmas. Although most of my dead.net WEA product arrives via the Good Ol' USPS, and on our street the mail goes into those group box kiosks. You got your box, and on a special day there will be a key waiting inside for one of the parcel boxes (few, and larger). You're always hoping for a key, and when you see it your heart skips a beat. My theory is that the ubiquitous amazon white vans (Sprinters and the like, windowless) are not adorned with "amazon" graphics for several reasons. For one, they'd attract looters and thieves. For another, we'll all get desensitized to them, and one of these times when one pulls up, you'll run out arms wide ready to embrace yet another Grateful Dead offering, and they'll (it's, "them" again) leap out and pull a hood over your head and throw you in the back. When you wake up, tied to a chair in a cold room with only a single, bare light bulb hanging above you, you'll hope like hell Liam Neeson is about to break in and save your ass. \m/
  • MDJim
    Joined:
    GD and OCD
    I have to laugh at these posts.. yesterday a friend of mine sent me an email he got from one of his friends. It's long.. names omitted to protect the guilty. It was written a year or so ago.. so I'm sure it's floated around a bunch. To the author, I hope it's ok to share. The title was Next Level Obsession. ______________________________________________ I love Deadheads with OCD. Not my post but I appreciate the work. Thu Oct 19, 2017 6:49 pm #1 When I was in high school, there was a girl who would always ask me if I had acquired any new Losers of the “sweet Suzy” variety. And so whenever I received a new batch of tapes from some remote part of the country, I’d note any Losers with the “sweet Suzy” verse and then surprise her with one at the next gathering of our mutual group of friends. These gatherings were almost always centrally concerned with new tape acquisitions or new knowledge regarding the Dead. We were a group obsessed with the band and everything swimming through the vast universe of the band, including apparently any Losers with the “sweet Suzy” line. My memory is foggy when it comes to my findings of the “sweet Suzy” Losers, except one distinct time in which I can remember telling her, “Hey, Shannon, I found a ‘sweet Suzy’ for you.” I don’t know which show it was , but I’m pretty certain it was a 1971 Loser. What lives in my memory is precisely where we were and me saying those exact words to her. It must’ve been a revelatory moment for me regarding the rarity of the “sweet Suzy” Losers, for I have never forgotten that moment after 20+ years. Fast forward to a few months ago, in June of 2017, when I found myself thinking of those great tape-trading days of high school, the discoveries, the euphoria of acquiring a new batch of tapes. And for some reason my mind turned to the “sweet Suzy” versions of Loser, and how I would search out copies of this song without a handy Deadbase at my fingertips, nor a more convenient “etree mobile” app which allowed me to effortlessly flip through shows and fast forward to the two particular instances in which “sweet Suzy” is sung with the simply movement of a finger across my iPhone. Wow, how times have changed with regard to searching for a particular part of a song. So a few months ago I decided to complete the project once and for all. I needed to know when “sweet Suzy” died, and I kind of wanted to arrive at a reason for her death. Sadly, I found her apparent death on October 20th, 1974, then realized she had risen from the dead on January 10th, 1979, only to be buried once again for eternity. Even more tragic is the unknown reason for her death. What I did find, however, is an obscure protraction of her death. Think about all the hours I’ve logged listening to “Last fair deal in the country, sweet Suzy!” and the amount of accumulated thoughts about Suzy, what she must’ve looked like to Hunter and Jerry, what she must’ve meant to Jerry on the nights that he sung her into the song with such love and tenderness and longing, what she must have meant to him on the nights that he abandoned her and left the audience singing her in their own empty words, and what he must’ve thought on January 10th, 1979 when he resurrected her one last time. What drove him to do it? The Dead performed Loser 346 times. Only a few of these shows do we not have the recording. I tally 88 known Losers that include the “sweet Suzy” or just “Suzy” line. Remarkably, of the 54 Losers performed in 1971, only one show did not feature the “sweet Suzy” line. That show is 7/2/71 at the Fillmore West, oddly the last show at that venue. The very first Loser performed on 2/18/71 at Port Chester features a “sweet Suzy” in the first slot and a rare “Suzy”-only in the second slot. All three “Suzy”-only versions were sung in the second slot of the song in 1971, but of the three remaining “Suzy”-only versions in 1972 and 1973, Jerry sang it in the first slot of the song. The first show in which Jerry sings “sweet Suzy” in only one of the two slots is the 22nd performance of Loser on 4/21/71 in Providence, Rhode Island, and it appears in the second slot. There are no other shows or patterns in 1971 of note except to say that toward the middle of the year, immediately following the 7/2/71 Fillmore West show, Jerry starts to exclude the “sweet Suzy” line in one of the two slots more frequently. Between 2/18/71 and 5/30/71, Jerry performs Loser 31 times, and he is fairly regular with the “sweet Suzy” line in all of the Loser versions, singing it both times in all but 2 of the 31 times. But once 7/2/71 hits, the remaining 23 performances of the song are variable when it comes to the singing of the line. Between 7/2/71 and 12/31/71, Jerry sings the line twice during the song only 13 of the 23 times. What this means is that Jerry started the slow death of “sweet Suzy” officially on 4/21/71, booted her from the song for the first time altogether on 7/2/71, and then proceeded to ween her from the song thereafter. 1972 sees the demise of Suzy even more. Of the 39 times Loser is played in 1972, only 4 times does Jerry sing “sweet Suzy” in both slots of the song. 13 times he abandons “sweet Suzy” entirely. 1973 isn’t any better. 25 performances, 7 “sweet Suzy” lines, and none of those 7 times does Jerry sing the line in both slots of the song. 1974 saw “sweet Suzy” virtually die. Of the 10 times Loser is performed (remember, there were only 40 shows this year), only 3 times does “sweet Suzy” make her appearance, the last being on 10/20/74 at Winterland, and it’s sung in the second slot of the song. I fitting farewell to the Grateful Dead at the time and to sweet Suzy, whoever she was. And that is all we know of the mysterious girl called Suzy in the song Loser. For the next 4 years and 45 performances of Loser, not a trace of “sweet Suzy” is found – that is, until the first show of 1979, in Uniondale, New York, on January 10th. Making her appearance one more time – and her last time – was “sweet Suzy” in the first slot of the song. It’s so brief and nondescript. If you blink, you miss it in the recording. There’s no emphasis, no powerful resurgence, no eruption from the audience. It comes and goes in a second and a half. And then it vanishes. Ghostlike. Forever. I knew I had never heard a “sweet Suzy” in the 1980s or 1990s, but I wanted to be sure, and so I listened to all the “Last fair deal in the country….” verses (two per song) of all 169 remaining performances. I sometimes dreamed that I’d find one, hidden within a show that was not on many popular radars. I held out hope that there was a version of the song in the post-Brent era that escaped our listening ears because it was a Vince show. No. I sometimes imagined I heard it because I was listening so hard for it. I truly wanted it to be there. I wanted so badly for Jerry to sing those two words again; I’d even take a delayed and whispered “Suzy.” Alas, it wasn’t going to happen. I have thought about so much along the way. I thought how crazy I am for doing this. I thought how empty this project is. I thought how meaningless and stupid and utterly ridiculous….In short, I thought I had perhaps come to an end of sorts with the band. When I began the journey, I actually was listening to 3/24/73 Spectrum and noticed that Jerry had only sung the “sweet Suzy” line in the second slot. And so I wanted to know what other shows in the March/April ’73 period did this. And then I wanted to know all of 1973. And then I decided I’d do all of the Losers and tally them all up. I searched high and low on the Internet to see if someone had already done this. I found no one. But, above all, I felt like I had to do this. I was reminded of my high school years, and always bringing Shannon new “sweet Suzy” Losers. I simply felt it was my calling to know them all. So, Shannon, if you’re out there, and happen to stumble across this, here are all your “sweet Suzy” and “Suzy”-only Losers. Enjoy… Below are the years and dates in which “sweet Suzy” or just “Suzy” appear. After the date, you’ll see a “1” or “2” or “none,” indicating for that particular show where “sweet Suzy” is sung, “1” being the first slot and “2” being the second slot of the song. “None” obviously means neither slot of the song featured this line. If you see a “Suzy” next to either the “1” or “2,” then that means just the rare “Suzy” was sung. For the inaugural Loser on 2/18, I like that “sweet Suzy” was sung in the first slot and just “Suzy” was sung in the second slot. There are a few shows in which we do not have the recording of Loser: 10/21/72, 11/18/72, 9/12/73 (this one is unclear as to whether the song was player there at all, but I kept it in anyway), 9/28/77, and 2/6/79. Other than those, they’re all here. The penultimate note: the Loser from 5/11/78 does not feature a “sweet Suzy” but rather a Jerry “Yeeeeaaaahhh Arrrrgghhhh” which is the only one of its kind. The ultimate note: I have retained the spelling of “Suzy” as this is how it appears in Hunter’s Box of Rain. 1971 (53) 02/18 1 2 "Suzy" 02/19 1 2 02/20 1 2 02/21 1 2 02/23 1 2 02/24 1 2 03/03 1 2 03/14 1 2 "Suzy" 03/18 1 2 03/20 1 2 03/21 1 2 03/24 1 2 04/04 1 2 04/05 1 2 04/06 1 2 04/07 1 2 04/08 1 2 04/12 1 2 04/13 1 2 04/17 1 2 04/18 1 2 04/21 2 04/22 1 2 04/24 1 2 04/25 1 2 04/26 1 2 04/27 1 2 04/28 1 04/29 1 2 05/29 1 2 05/30 1 2 07/02 none 07/31 1 08/05 1 08/06 1 08/14 2 "Suzy" 08/23 1 2 08/24 1 2 08/26 1 10/21 1 2 10/23 1 10/26 1 2 10/29 1 2 10/30 1 2 10/31 1 2 11/06 2 11/07 1 2 11/12 1 2 11/14 1 11/15 1 2 12/06 1 2 12/10 2 12/14 1 2 12/31 1 1972 (24) 01/02 1 2 03/21 2 03/22 none 03/26 1 "Suzy" 2 03/27 1 04/07 1 04/14 1 04/16 1 2 04/24 1 04/26 1 04/29 none 05/10 none 05/13 2 05/26 1 06/17 2 07/18 1 "Suzy" 07/21 1 07/25 none 08/20 1 08/22 1 08/25 2 09/03 none 09/09 none 09/15 none 09/17 none 09/21 2 09/24 2 09/28 none 09/30 2 10/09 1 10/18 1 10/21 ????? 10/23 2 10/27 1 2 11/14 none 11/18 ????? 11/22 none 12/11 none 12/15 none 1973 (7) 02/21 none 02/26 2 03/16 2 03/21 none 03/24 2 03/28 none 05/13 none 05/20 none 05/26 none 06/09 1 06/26 1 07/31 none 09/07 none 09/11 none 09/12 ?????? 09/17 none 09/20 none 09/26 1 "Suzy" 10/21 none 10/27 none 10/29 none 11/10 2 11/23 none 11/30 none 12/06 none 1974 (3) 02/24 none 05/14 1 06/18 1 06/30 none 07/25 none 08/04 none 09/10 none 09/14 none 10/17 none 10/20 2 1975 None 1976 None 1977 None 09/28 ????? 1978 None 05/11 "Yeaaah arrrgghh" 1979 (1) 01/10 1 02/06 ????? 1980 - 1995 None Thanks, xxxxx
  • Vguy72
    Joined:
    10.1.94's intro into Fire On The Mountain....
    ....the midi flute Garcia plays is beautiful. Then it goes into the mutron tone we all know, then back into a mutron/flute thing. Jerry plays two different tones at once. Pretty neat and pretty incredible. Miss you. I can see how someone's first show being this one could hook you. God bless the GOGD.
  • Vguy72
    Joined:
    OCD....
    ....I don't know what you're talking about LedDed. Now exuse me while I rearrange my bookshelves. It's gotta be just exactly perfect. It's for the grater good.
  • LedDed
    Joined:
    "Wait a minute kids while we get this just exactly perfect..."
    I love it when Bob would say that. I wonder if Deadbase lists how many times he spit that out from the stage. It was tongue in cheek, and endearing. This was a raggedy bunch folks. This music was only ever perfect in it's glorious humanness, flaws and warts and all. I play lots of guitar. There's a thing called, "relicing," where you can pay the Fender Custom Shop or some guy in his garage to scuff up your brand-new guitar and make it look old. Like some clown who goes and buys "distressed" jeans at the mall. Please... my guitars get beat up because I play the hell out of them, and except for my Gibsons (only because the string tension against the angled headstock can snap the neck if they fall over), I don't give a shit if one of the kids knocks it off the couch or a drink spills on it or whatever. I love that stuff. Gives an item character. I will no longer even pick up certain people's guitars. I feel they would experience a cardiac event if my nails (I play with a heavy hand) should leave microscopic scratches in the finish. Museum pieces all, never to be - gasp! - really played or used as the medium of expression they were designed for. Just ask the collectors who keep these "investments" in humidors, to be looked at only, and just don't you dare stare too hard in any one place for very long. I bought a brand-new truck in 2002. For months, I would park at the edge of the lot and struggle in vain to keep it perfect. Once I finally let that shit go, it was a tremendous relief. My $100 Jimmy Page coffee table book arrived damaged from UPS, they'd crushed the box and there's about a 1" divot on the cover. So what? Now when my friends thumb through it I don't cringe if they haven't washed their hands. I understand paying money for something and appreciating it being in new condition, but some of this borders on the obsessive and misses the point. Warren Zevon was just like that, with the T-shirts. Joey Ramone. It's OCD and a few other insanities rolled into one. I respect that we are different, and I don't know if I find these gripes with product minutiae annoying or just hysterical... but I guess with the Dead fanbase, you get that in all kinds of ways. One of my discs does have a flaw, there's like a metallic shriek/white noise in some song. Maybe more than one. I wouldn't know which, because with many thousands of songs I just skip ahead to the next one. I can't be bothered enough to care. It's all about the music...
  • LedDed
    Joined:
    First world problems... yawn
    This morning I got up and put on what I thought was a perfectly crisp, clean white T-shirt. Imagine my horror upon discovering a stray eyelash had fallen onto the left shoulder, and to top it off a tiny wrinkle was discovered below the right underarm. Then, at lunch my Big Mac arrived shoddily assembled. The cheese was unevenly melted and not at all centered on the patty! And the pickles had been hastily thrown on and I think there may have even been a few brown sesame seeds atop the bun.
  • cheyler196
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    Joined:
    First songs from set
    I got this show in a tape trade about 30 years ago (Portland 1974), and it was incomplete, missing 6 or 7 songs. A few years ago, the complete show started circulating and we all discovered that those tracks were omitted because the vocals were seriously low and I guess someone thought they'd do us all a favor and leave them out. The songs that were left out correspond almost exactly to the songs you mentioned. Sounds to me like they did everything they possibly could to match them up with the sound of the rest of the show. It'll never be perfect, but they did a hell of a job and it's nice to hear it sounding so much better. There's just always shit you can't fix when you're working with two-track tapes.
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6 years 8 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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A great band-I will definitely be having a look at the reissue of Sweetheart as a possible purchase. My favourite albums by them were actually the three before it-5th Dimension, Younger Than Yesterday and Notorious Byrd Brothers. But Sweetheart is great, too. This new Buffalo Springfield box set could be worth a punt, too. Nothing that hasn't been available for years...but supposedly now in better sound.
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7 years 4 months
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I was curious how many dead.net would allow me to place in my cart... the answer? Precisely 9,894 copies. I'm wondering how accurate a measure this is. Could it be only 5,106 copies have sold so far?
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6 years 7 months
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I think people are wanting to work on getting the july 78 box set before they get this one. cuz there seems there was a quite a bit of purchases for it after the positive talk of it. and why not its a really good box set, everyone seems to be taken with that Arrow Head show. well as for me i'm delving into '86 today.
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I am currently working on the HJK February shows with summer '95 on the appropriate days of what I have. josie the cat saw a rabbit in the backyard and just couldn't understand what was going on at all. 4th of july used to be awesome for me, when I first moved here I could step into back yard on 4th of july and have an excellent view of the fire dept doing fireworks. now they moved and if I want to see em I can in my front yard but horribly blocked by trees. it sucks I wish it could go back the way it was. going to the park blows too many people and its used as a means to try sneak beer in and drink in public.
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Mooresville is not known for its brightest individuals. the drivers here alone prove that so they should not drink in public lol. and we definitely don't have any fireworks as fancy as that
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17 years 4 months
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....and it's T for Timbuktu. T for Texas. And it's T for Timbuktu. And it's T for "insert a local name here" , where the little girls know what to do. One could call that song perverted. I'm just going down the road feeling bad. Listening to the top shelf American band in the Land. Mama tried to set me right. I'm guilty of losing focus. Apologies Mom.You want sparkles? Cue up 6.22.86. On my third tour. Really good show. Short sentences. I blame the IPA's. See how easy it is?
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7 years 4 months
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St. Stephen just began from May 5, 1977... Damn, this is a great set!
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8 years 6 months
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Happy Fourth of July to everyone out there! We're a lucky and blessed bunch to live in this great country and to be fans of this band. Enjoy it all. It goes by too fast! Wave that Flag!!!
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....ever release a Greeks Box, 6.22.86 better be on it. Gets better every time. The Truckin' -> Stella Blue transition is flawless. Jerry In Red....I know you're listening.
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12 years 8 months
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“They say that patriotism is the last refuge to which a scoundrel clings, steal a little and they throw you in jail. Steal a lot and then they make you king.” bob dylan 1983
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sam-u sound like a sheep who sits in front of his tv watching fake news-chicken little the sky is falling- TURN OFF YOUR FUCKIN TV
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....US Blues encore. Box Of Rain bonus. Fuck yeah. Believe It If You Need It.
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so anyways, I decided to walk to corner and saw fireworks better than from home, not as good as if I parked at the shopping center
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Version of history is one one of the most ignorant I have ever read. The revolutionary generation didn't fight for freedom from fear and want let alone the right to life. They fought to establish they had the rights of Englishmen and as the declaration of independence stated they had given up on getting them from the king who they wrongly thought was their protector. BTW glad to see you support the right to life lol.If you knew anything at all about that period in our history you'd know far from wanting the government to provide with freedom from want which by necessity would require a leviathan monstrosity like we have now they want as little as possible . One more thing I'm not much of a fan of ICE but in my work have to deal with them far more than you do, if you've ever actually met one. To call them the Gestapo shows the American Revolution isn't the only period of history that you are completely ignorant of.
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Watching the fireworks and listening to the usual patriotic tunes they play for the soundtrack a thought occured to me. U.S. Blues would make a great fireworks song.
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....You analyze me, tend to despise me.You laugh when I stumble and fall.
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6 years 7 months
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what do you do when someone on your facebook goes off about fourth of july is a hypocrisy??? post about how fucking awesome your fourth of july was and how fourth of july is the best holiday LMFAO!! have a good fourth people
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10 years 2 months
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But just a reminder that not everyone here lives in your "great country". The Dead were a World band-not an American one.
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17 years
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Gonna have to push back on that one, globe-trotting American band with a worldwide audience and groups of simpaticos, okay. But, the Grateful Dead are ABSOLUTELY an American band. I'm a huge fan of camembert but that doesn't make it a global cheese, it's friggin' French... ;)
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11 years 7 months
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Now that our American Independence Day has passed, shall we get back to the music that drew us all here, that we share in such delight? Politics not worthy of debate here, imho, and we are very diverse, does dead.net have a political discussion page for those who would? Nahhhh. OK Cheese, I will debate, Vermont being a dairy state and damn proud of it. We will put our cheese up against anything else in the world... ok it might get sticky, yes. For example. in a small farm not far from me: http://www.vtcheese.com/members/blythedale-farm-2/ If you ever have the chance to put their camembert against ANY French camembert, go ahead try it. We have freaking incredible cheese here. Not going to even mention my favorite Vermont cheeses, don't make enough of them. World Class Cheese, like our World Class Grateful Dead. OK maybe I will mention one, because it is almost out of this world... called Bayley Hazen Blue, served to the French president when he visited the White House in 2014. So good, we shot it into orbit, well... yes folks this is how we have fun in the Green Mountains https://www.youtube.com/watch?v=yBoVgugOGcI Daverock, I do agree, the music groove of NSB is jamworthy.
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16 years 2 months
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Dave's Picks Volume 27 could be revealed as early as today, July 5, 2018 (unlikely) or tomorrow, Friday July 6th, or most likely sometime next week with Friday July 13th being a *good* target date. Oh the irony of a reveal on Friday the 13th, I see a twisted humor in it. DaP 27 will sell out probably within 2 hours of the posting of the new page on the day of the reveal. The selected show? I have no idea what DaP 27 will contain, but it probably won't be from 1967, '68, '71, '73, '74 or 1977. "DaP 27 will be a show from the time period from 1/1/70 to 12/31/79." wissinomingdeadhead "had a dream that DaP 27 was 11/25/79" he could be right about that, but I won't count or bet on that one, but who knows...
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Dave's Pick's really never sell out...there are LOTS of them for sale on eBay. It saddens me, as an old deadhead, that people would buy these to "flip" while others cannot even buy one. I know...capitalism! This would be easy to fix by limiting people to one. That would mean that they would sell out in two days instead of two hours. I hope when the new Dave's picks comes out all of you who want a personal copy get one. Be well! Mr. Pete------------> aging hippie
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I am ALL IN for Vermont Cheese. And also, for a 1970 Dave's 27.And daverock, you are such a SOLID contributor here, I got to have your back. Not every US citizen is proud of our current "government". Rant over. Let's just enjoy the Dead, and the anticipation of a new release!!
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11 years 7 months
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(fermenting to Winterland 73 bonus disc 12/4/73 Cincinnati) Just wanted to make it clear, no negative comment intended on cheese preferences, nationalities, style, aging or fat content intended I am the cheesehead, goo goo g'joob know'm say'n? just look at all those awards for Bayley Hazen Blue and after it came back to earth?... they ate it!!!! back to my kefir making... probiotics to the people!
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15 years 2 months
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"If you ever have the chance to put their Camembert against ANY French camembert, go ahead try it" That's some statement there! I've tried several American Camembert before, and none of them really came close. I'll try the one in your link if I can find it in California. However, if I'm not mistaken, the production of cheeses made from raw milk has been prohibited in the US since 1949; you cannot make a "Real" camembert without raw milk, ideally raw milk from Normandie.
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@direwulf. As a Frenchman and as a deadhead since 1972, I consider the Grateful Dead to be an American band above all else. In France, the group has never had more than a success of esteem, and it is very little known. I think it is better known and appreciated in Britain and Germany. I'm French, but I recognize that I much prefer the Dead's music than the pie chart. This is of course only a question of personal taste. :-)
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Member.... 1986; 6/30/86 Riverbend and 7/4/86 Buffalo were great, don’t remember so much of Alpine (1st time there, I do remeber it was a blast camping in the far lot etc, and that whole trip was insane!) ...recall thinking Akron was lame? It seemed like altemont with burning tires and wierd shit, but a, that might of been something I ate?? and/or the comparative let down after Riverbend? Remember Dylan came out to jam but it wasn’t happening.....have never heard this show because of my memories, perhaps I should at least give it a spin sometime.... not familiar with 6/22, will have to check it out.... 1978; I’ve tried again to get jazzed by this box, (have listened to 1st, 3rd and 5th so far), but meh, imho it’s white bread...perfectly fine shows etc, I like them (3rd is fav so far...) their just not wierd/psychedelic enough to move me. Of course that’s how I feel in general about the Mickey Godchaux Band.....I’m sure I won’t feel this way about the new Box!! 7-4-87; nother one I recall feeling was lame and the overall vibe was pure shit show??? Got so turned off by summer shit winds tour,(Alpine, Wonderland, Chrotchfester, Boston) combined with choices of venues in the fall, I sat out fall tour.....luckily Hampton 3/26-28/88 rekindled the hope. Did like Chrotchfester show..... 7/4/89; still really dig this one, perhaps tour favorite, or 7/17/89.....both were great shows, 7/4 being home base in those days was great fun. Alpine was great show, bit less fun (personal experience/logistics etc, not the show it self) So Dave WTF......tap, tap, tap hear our collective feet tapping, waiting......for number 27....... Received 23 I think it was 1/22/78 on August 1st last year. If they follow the usual timelines, they ought to be dropping this one sooner than later. Hurry up ya bastids, sone of us have nothing else to look forward too, lol, and we NEED A FIX!!! That is all. Remeber, “Dancing is a contact sport, have fun but be safe” And keep hydrated, and ware your sunblock it’s nasty out there.... Party on Garth!
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Half way through JPB’s, good so far, about what you’d expect, nothing crazy.... Selvins......not enough time for full comment, but generally ok book, could of been good if he’d get out of the way of his own coffee breath as Jon Evison would say....obviously he has an axe to grind with the Lesh’s...There was so much material to work with that a great book could of just reported things without the constant little digs and his personal opinions etc. There where also just enough factual mistakes to question his authority on the subject. For someone who says he’s not a head, but has had all this access and experience on their beat, it occasionally felt like he was just another wanker trying to cash in. I did like how he eventually tied it together in a positive spin about FTW, and how WE the fans made it happen etc, even if I disagree about the choice of Trey and his critique of the music. He did capture the essence of the excitement about the shows, and the travel plans etc. I remember feeling like all that was what made it fun.....reliving the whole excitement and process/preparations etc e.g., where are we going to watch, what are we going to do etc.... As far as surprises, I probably knew about half of it, or most of the general nonsense that was going on. I guess I was enlightened about others participation/roles in the whole mess, and why certain thinks we’re said and done. But of course those opinions are partly based on his obviously biased view, since no one inside has, or probably never will correct the record.....would like to go back and read some of the other books over again now......also, need to read his Altemount to see if this is always his style, or is he really have it out for the Lesh’s? Remeber folks, these guys are just people, not gods. So just like the rest of us, sometimes their going to do dumb/shitty stuff, especially when your scared and your future is completely up in the air etc. I’m not condoning some of the behavior, just saying that when you look at the big picture objectively, you can perhaps understand things a little.... Most importantly, we can’t let any of this diminish what it’s really all about, the MUSIC!! “Sweet, sweet, music....”
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Old tv show called Route 66 had a episode called "Three Sides". Excerpt follows. Tod Stiles: I remember something Dad used to say. Buz Murdock: What's that? Tod Stiles: Whenever you reach an impasse look at the third side of the coin. Buz Murdock: The third side? Tod Stiles: Yea. Buz Murdock: I thought there was only two sides to a coin. Tod Stiles: The third side is the edge, the place the two sides come together. The meeting place of heads and tails. Dad used to say that was the best side, because it welds opposites together. And it's a circle, a continuous circle, closed and perfect, as endless as understanding itself.
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Wow I actually totally forgot that we have another Dave's coming in the next several weeks. We are beyond spoiled. Hmm, I'm always bad at guessing these things. Doesn't seem like TPTB care about what year or lineup is "due" (nor should they be), but if you ask me, I think we're going to get a show from 68 or 69. This has already been a pretty incredible year for releases so why not keep it going. Hope everyone had a great 4th (or in Dave Rock's case, a nice Wednesday). I'm still full from eating too many burgers and still have a ringing in my ear from the fireworks. Truly a sign of a good holiday.
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Ahh, great board shop back in the day..... I always liked the old saying “there are three sides to every story, side one, side two, and the truth which lies somewhere in the middle ; ) Probably apropos of the book also? As for the Fourth, wierd day, fires all around us, hot and windy, so all Fireworks canceled. It looked surreal, all dark like the flat light in December....HOA just stained the deck and this morning there is ash all stuck to it.... also, back to work today so had to dial the “fun” back.... Hope all y’all had a great day!
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Once again I have to say it. Why don’t they take pre-orders before they run production, then guestsmste what they’ll need for the rest of general market and individual sales etcThis way everybodygets a copy and they don’t get stuck with too much overstock, although some would be good for Johnny come latelys etc... Also, not having limited/numbered etc might remove some of the greed/resale factor...so people wouldn’t be buying multiple copies for resale...
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I feel like an 80’s release is coming and the year I would like to see is 1982. If I could pick the show it would be 8-10-82 from Iowa City with an unreal Eyes among other gems. Best guess for an 82 release would be 10-10-82 Frost. I love all of the speculation around the time of a new release. We are spoiled silly and I am happy for whatever may be coming our way.
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point taken on this, however virtually no commercially imported French Camembert is raw milk sourced due to excessive regulations. Small scale artisans minimally process and may use raw milk, see below... What does this have to do with the GOGD? Vermont Senator Pat Leahy is a dead head.But do the cows listen to the dead in the milking parlor? https://culturecheesemag.com/cheese-bites/cheesemakers-congress-call-ou… aw shucks, it might almost look like politics but keep reading, Blythedale is a raw milk cheese producer https://www.realmilk.com/real-milk-finder/vermont/
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10 years 2 months
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Good post-I have never heard of the tv show "Route 66". But your quote provides a great example of how there often (always?) more ways of looking at any given situation than is immediately apparent. I am suddenly reminded of an old Todd Rundgren song -I can't remember what its called, but I'm pretty sure its on "A Wizard, A True Star", The chorus goes-"You want the obvious-you'll get the obvious" or some such.
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Camembert is not what it used to be, since now in France, they allow pasteurized milk camembert to be labelled as "Appelation Controlee"Dead content? Sure: John Mayer is like a pasteurized Jerry. Still really good, but not the real thing.
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11 years 3 months
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All this talk about the next Dave's pick, all I have to say is "What about Gainesville?" 11-29-80 would make a great pick and would make many happy heads!
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15 years 1 month
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I'm hoping this won't be the next DaP...these two shows deserve the small box treatment, just like RFK last year.
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