• 3,948 replies
    clayv
    Default Avatar
    Joined:

    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

Comments

sort by
Recent
Reset
  • johnny361
    Default Avatar
    Joined:
    6/26/73 Black Peter
    Wow.......Wow
  • deadtony
    Joined:
    Box sound
    I dunno, sounds sweet to me... My box arrived in good condition with one small scuff on one of the discs, nothing to get in a twist about as it plays fine. We are so lucky and spoiled to get this kind of material, most bands don't have anywhere near the amount, and in such great sound quality. Also some charge 2-3 times more. I get the frustration with some of the tunes having dropped vocals, but it doesn't bug me that much within the scope of the whole set. Just my two bits i guess...
  • stoltzfus
    Joined:
    so much GD
    so little time
  • stoltzfus
    Joined:
    after this weekend, I will return to 68-69-70GD
    I recall the Boston December 69 run being hot New Orleans run 1970 10/12/68 and 10/13/68
  • stoltzfus
    Joined:
    OK. I admit it. I AM a robot.
    so fucking what?
  • Pancho Pantera
    Default Avatar
    Joined:
    Music help in Illinois
    Good Day All. My apologies for using this forum for what might be an unrelated Grateful Dead question. I am hoping that someone might be able to help. If you can, I would ask that you use a PM for the reply. I am hoping to communicate with someone on this board that would have access to the Northbrook Public Library in Illinois. If you might be able to help I would genuinely appreciate it. My apologies to all for the interruption. As for the PNW box...this very well could be, the most beautiful pieces of art to hold music in. A perfect place for this music...and the box is still available. Difficult to believe! Have a beautiful day. Regards.
  • Charlie3
    Joined:
    PNW Box '73 Shows
    Sometimes you get what you are hoping for, and that is the case with this box for me. I was really hoping that we would get a '73 box this year, and the addition of the '74 shows is the icing on the cake. I am currently finishing up a more focused listen of all three of the '73 shows after giving the entire box a quick listen to identify skips or defects, hopefully I didn't miss any. The sound on these shows seems great to me overall, the adjustment during the early songs of each show and the couple of vocal drop outs aren't really even a distraction. Everything sounds clear and distinct, and while Jerry is not at the forefront of the mix on every song, I didn't really ever feel like he was lost in the mix either. The extended jam sequences are so good on the '73 shows that I can't even say that the Dark Star sequence from Portland is the highlight and I love Dark Star. As far as the tempo, I dig the slow tempo stuff from the Dead, whatever the era, and the slow tempo stuff in this box is about perfect. There is, however, plenty of energy on the more up-tempo stuff in these shows. All in all, this whole run just reinforces my love of '73 Dead, a time period that seems like a peak to me. Next up, a more detailed listen to the '74 shows in the box. All of the performances of EOTW from the '74 shows really jumped out at me on my initial listen, so I am eager to give them a more focused listen.
  • SkullTrip
    Joined:
    Re: Dick’s 34
    Of all the official ‘77 releases, Dick’s 34 is my least favorite. It just doesn’t catch my ear the way most shows from this year do. Not sure why. But after Dick’s 3, 10, and 29, it was something of a let down for me. More so alongside the Dave’s and box set ‘77 releases. Guess it’s that subjectivity creeping in again. Glad to see it getting some love on vinyl though.
  • Kayak Guy
    Joined:
    icecrmcnkd
    the MIT study had 2 choices and dog wasn't one of them, AI or Human, but if your dog likes DrumSpace it's obviously higher on the evolutionary ladder, like Blood the dog from the Don Johnson movie "A Boy & His Dog" . that link seems deceptive and many of the sets are used but in the shrink wrap that they obviously did before video taping them for sale. i forgot what many looked like as they went into my storage room after ripping if they didn't fit on the CD shelves. 30 Trips looks cooler than i remember, the July 1978 box used was $20 more than here new. must be that Ivy League premium ;) are those Ebay prices?
  • Mind-Left-Body
    Joined:
    Sellout Unkle Sam
    By Christmas guaranteed. The 1974 shows sound as good as any 2 track from that year.The 1973 shows share the same outstanding fidelity as the 1974 shows. Jerry is a little low on some of the songs on the 1973 shows, but he's right where he needs to be most of the time, including standout moments like Dark Star, Bird Song, Here Comes Sunshine, Playing in the Band, and the Truckin' / Other Ones. They're also rarely performed songs like The Race is On, Box of Rain, Money Money, and the only 1973 Bird Song. Agree with you on China Doll, I'm not a big fan. There are some huge moments in the set with the Bird Song, Dark Star, 26 minute Truckin' and The Other Ones, the 46 minute Playing in the Band, the great Black Peter (also a '73 rarity), a couple of the best Eyes of the Worlds you're ever going to hear in the '74 shows, as well as one of the best Weather Report Suites released to date. It also features shows from early Spring 1973, which we have had nothing from until now. From what I've been reading here, the only real issues with this box set are that there were some scratches on some CDs. I had one and it's been replaced already, easy peasy. Dr rhino and Mary E are just incredible customer service representatives. This box set is going to be difficult to come by in a couple of years, and they're going to be going for 500 bucks on eBay. There's only 15,000 of them, which is around the production numbers for Dave's Picks in 2014, and those shows are pricey now on eBay. Sorry you don't like it man. What releases are your preference for '73 / '74?
user picture
Default Avatar

Member for

6 years 7 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

user picture

Member for

6 years 6 months
Permalink

21st b-day I got dicks 3, 25, and whatever the 12/29/77 Dicks was. it rocked! who needed alcohol? everything on there is probly my favorite. it was my favorite dicks of all time. there was always a disc in the computer, Walkman or cd player the whole spring and summer I got this. it still beats dicks 3.
user picture

Member for

17 years 4 months
Permalink

....but who cares. Reach into the G section of your collection. If its anything but Genesis or Gentle Giant, you're on the right path. Also, did you know, if you turn the Terrapin->Drumz->TOO from DaP 23 up past 40, it sounds better? Try it. Especially at the 6:30 mark of drumz. I get It. Primal '78 throwdown....
user picture

Member for

17 years 4 months
Permalink

....it's so easy to fall. Sorry people. That was a side I'm not proud of. Bitterness is not a good trait.
user picture

Member for

11 years 3 months
Permalink

Sorry.Just thought it was a fun diversion. :o)
user picture

Member for

10 years 2 months
Permalink

The one that always sticks in my mind is the one framed by The Other One on 6th August 1971, at Hollywood. The frame may be better than the picture-but its a great sequence of music. Especially when you hear it for the first time. Its included as a filler on the 4th cd of Dicks Picks 35-an essential purchase.
user picture

Member for

10 years 2 months
Permalink

Everyone's going nuts in England about the World Cup. They didn't need to legalise viagara after all.
user picture

Member for

10 years 3 months
Permalink

I'm off on the morning commute. God I love this. 80 minutes of uninterrupted Grateful Dead at full volume. I'm going into all three Cryptical / Other One / Wharf Rats from DaP 22 and 26. 71 Other Ones are a force to be reckoned with. Saw a comment about me and my uncle. I've always turned to DaP 11 from Wichita Fall '72. Jerry plays a solo that jumps right out of the speaker at you. Turn it up loud.
user picture

Member for

15 years 1 month
Permalink

My ears are bleeding thanks to that ghastly Werewolves Bobby Slide "solo". To each his own...
user picture

Member for

13 years 4 months
Permalink

Well, that word choice made me laugh. I did do a deep dive a couple weeks ago into the July 78 Box and enjoyed it very much. I had forgotten about the collective histrionics and howling. I have also somehow managed to block out the Bobby slide quips and howls as a result of years of therapy. This might mark the very first time in my life I celebrated an anniversary early let alone one-time. Don't we have an announcement coming up? Shake it.. shake it Sugaree....
user picture

Member for

12 years 7 months
Permalink

......this is why I go away for long periods of time. I see some people are telling others that they are not welcome here. LMAO. We are laying down the rules and the law are we? On a Dead board. I'm about to rant, so I'm outta here...
user picture

Member for

14 years 9 months
Permalink

"I can tell, seen beforeKnow the way, I know the law"
user picture
Default Avatar

Member for

17 years 3 months
Permalink

Tonight's story on The Twilight Zone is somewhat unique and calls for a different kind of introduction. This, as you may recognize, is a map of the United States, and there's a little town there called Peaksville. On a given morning not too long ago, the rest of the world disappeared and Peaksville was left all alone. Its inhabitants were never sure whether the world was destroyed and only Peaksville left untouched or whether the village had somehow been taken away. They were, on the other hand, sure of one thing: the cause. A monster had arrived in the village. Just by using his mind, he took away the automobiles, the electricity, the machines—because they displeased him—and he moved an entire community back into the dark ages—just by using his mind. Now I'd like to introduce you to some of the people in Peaksville, Ohio. This is Mr. Fremont. It's in his farmhouse that the monster resides. This is Mrs. Fremont. And this is Aunt Amy, who probably had more control over the monster in the beginning than almost anyone. But one day she forgot. She began to sing aloud. Now, the monster doesn't like singing, so his mind snapped at her, turned her into the smiling, vacant thing you're looking at now. She sings no more. And you'll note that the people in Peaksville, Ohio have to smile. They have to think happy thoughts and say happy things because, once displeased, the monster can wish them into a cornfield or change them into a grotesque, walking horror. This particular monster can read minds, you see. He knows every thought, he can feel every emotion. Oh yes, I did forget something, didn't I? I forgot to introduce you to the monster. This is the monster. His name is Anthony Fremont. He's six years old, with a cute little-boy face and blue, guileless eyes. But when those eyes look at you, you'd better start thinking happy thoughts, because the mind behind them is absolutely in charge. This is the Twilight Zone.
user picture

Member for

14 years 9 months
Permalink

how did Pigpen get to the top of the building? "elevator! elevator! elevator!"
user picture

Member for

10 years 3 months
Permalink

We play this game every fourth of July When I visit my uncle and cousin a d family. They're actually more like dead fans and not so much hardcore deadhead Message Board enthusiasts. So the game is this: my cousin has serious radio so we put on The Grateful Dead station. And it's my job to guess the performance date slash album. I heard Friend of the Devil over the 4th of July weekend and because it was they full Electric version, I was able to narrow it down to that week in September when they were playing it almost every show, Dick's Picks 11 Dick's Picks 23, Waterford Connecticut 30 trips Dick's Picks 36. There was also the recent Berkeley show, but the fake base gives that one away and it definitely wasn't it. What this version did feature was, Bobby high in the mix, and Jerry a little bit lower than usual. This is characteristic of the 30 trips 1972 show, and so I got it. I also got I need a miracle, from winterland New Year's Eve closing. They have no idea how easy that one was for me, but I know that version like the back of my hand. And then there was Bobby's slide. There was a good Scarlet fire going, actually much better than I remembered as it turned out so this one was a challenge for me. Bobby's slide guitar definitely put it in the range of April to November 1978. Now keep in mind in my experience serious usually plays released material. I discovered this wasn't always the case when they played Tempe Arizona from the november of 73, but for the most part I was expecting official releases. I don't have Sirius so it's always an adventure. I definitely heard Bobby slide so it was definitely 78. There was no let it burn let it burn let it burn, so I knew it wasn't Dave's Picks Volume 7 from normal Illinois. I considered Dave picks 12, but Keith piano was not nearly loud enough for it to be that one. I considered road trip 78 from Egypt with love, but I recall that one being a little bit rougher of a recording then what I was hearing. So I had it narrowed down to one of the two versions on the 1978 box set. The question was St Paul or Red Rocks, which I told them. As I mentioned earlier I found this version to be much better than I remembered either version on the July 78 set, and and I have heard the Red Rocks version a lot more than St Paul. I figured if one of those two versions was going to ring in as better than I remembered it it would have to be the one I hadn't listened to quite as much, so I went with St Paul and nailed it. These people acted impressed, but I think they believe I'm an idiot savant like the rain man.
user picture

Member for

12 years
Permalink

>>>>>>“Let he who have no sin apon his hand cast the first stone” Right after that an old lady pushed thru the crowd with a huge boulder and crushed the sinner dead. Jesus turned and said "Mom, sometimes you piss me off" INRI - I'm Nailed Right In
user picture

Member for

10 years 2 months
Permalink

Talking of Deep Purple and Motorhead-Overkill has always sounded to me as though it was based on Fireball. Not that it matters-cracking tracks.
user picture

Member for

17 years 4 months
Permalink

To some extent I understand your point of view. That someone had posted something totally unrelated to what this board is here for and that you found highly contentious is naturally reprehensible and cannot be condoned. You say "Would you not feel the desire to respond." My answer is, yes I would feel the desire to respond, but I would also be well aware that any response, particularly one that is emotionally charged, would only escalate matters and that is indeed what occurred. To make matters worse, others jumped in with equally divisive and opinionated posts which simply fuelled the rage. We all know that the subject matter on these boards ranges far wider than simply discussing the Grateful Dead and their music. Mostly these ramblings are light-hearted and humorous and interesting to follow, however we are all aware that there are certain topics that produce only vitriolic reactions and we are also aware that these subjects (and I'm referring to politics and religion in particular) have no place on here. Despite this, every once in a while someone feels the need to bring up such a topic and others feel the need to react. The result is predictable and unpleasant but could so easily be avoided. There are other places and other forums where one can discuss (or argue) one's point on every subject imaginable. Here is not the place for that in my opinion.
user picture

Member for

13 years 5 months
Permalink

If I could travel back in time to do only one thing, it would be to pay Steve Parrish $100 to "lose" Bob Weir's slide.
user picture
Default Avatar

Member for

16 years 6 months
Permalink

I hear you. For the most part I just read the dead info. Most of the posters while younger than me know way more about the shows and I enjoy checking stuff out. The memory banks are fraying at the edges. That said I have been studying history, politics and economics fot 55 years and when someone spews out bumper sticker slogans I just can't help it
user picture

Member for

17 years 4 months
Permalink

....awesome some points from both of you. I have always been an advocate for keeping politics and religion away from this site. You all know that. I know the exact time this board made a hard left and spun out of control, as I'm sure you all do as well. And it was prior to Lovejerry. At the end of the day, if you get confused, listen to the music play....
user picture

Member for

17 years 4 months
Permalink

....I called in sick today due to a bad case of diarrhea.My boss told me to get my shit together....ba-dum-dum-tisssh
user picture

Member for

10 years 3 months
Permalink

Good to see you back. I'll chip in a hundred on the Bobby slide prevention measures. It got to me most when it was over top of something really cool Jerry was doing. The ironic thing is that the first thing I ever heard it on was Stagger Lee from closing of winterland, this was one of my first Dead CDs. And I remember thinking, wow that's some great slide, is that Jerry? And then as I got to know the band better and listen to the song a few more times, I realized that Jerry was still playing rhythm and lead melodies. I still think he sounds kind of good on it, maybe that was his High Point. Come on, nobody was impressed with my Name That Tune shenanigans at my families Fourth of July get together? I feel like I walked into a room full of PTSD people. Was it over when the Germans bombed Pearl Harbor?!? I'm listening to road trips 1973 Denver playing in the band medley the ride home. I suggest you do the same. Edit - Werewolves of London again. Jack baller I took your advice and put on Dick's Picks Volume 25, and I am kind of enjoying this one. He is loud as hell on this one. I actually had a pina colada at the very Trader Vic's being sung about in London. Edit II - I always get a hankering for beef chow mein after listening to this song. All right now I'm comparing it to Red Rocks. I think Red Rocks is the version the Dave says they take themselves seriously on and it's the best one at all and it sounds awesome according to Dave and everything so that's what I'm going to do.
user picture

Member for

7 years
Permalink

I’ll bite on that KeithFan, in fact the guesses on November 30 Days this past year were how I first started following these boards. I was amused, amazed and intrigued by the fact that so many here had that same savant like ability. Since then I have fallen into what probably averages to a show a day habit, and way down the proverbial rabbit hole. My family thinks I am nuts, but sadly my abilities are not even close to yours my friend. So I salute you! I will keep working at it. KCJ
user picture

Member for

17 years 4 months
Permalink

Simonrob: well said, thanks Kiethfan: totally dug your tale. We used to kinda do that. No XM back then but someone would pop a tape in and we’d guess....I can usual get the year, sometimes the tour, certain shows mostly cause I “know” them. No where near as versed as you. When Robbz or was it rv2 gets me my Sirius dead channel weekly show we should have you as a weekly participant ; ) Vguy: I don’t care what anyone says, your all right! Life has been beyond tuff lately, haven’t had much to feel good about etc, (crept maybe a PNW Box!) thanks for making me (us) laugh! I actually have started anticipating your daily gifts to us....
user picture

Member for

9 years
Permalink

Decided to give it a spin. Certainly better than 7-2-95. The guy in front of me at 7-9-95 was using a walkie-talkie type device to listen to the ear monitor conversations. He held it upside down so that the antenna pointed down and he wouldn’t get busted for eaves dropping. When the band was getting ready for the encore he said to his buddy “Black Muddy River” and they walked out. I always wondered if they regretted leaving since it was a 2-song encore, and then it ended up being the last show. “Such a long, long time to be gone, and a short time to be there”
user picture

Member for

10 years 3 months
Permalink

Ah, there it is. Thanks for indulging me. Casey, I hear you. My family thinks I have a loose screw on account of the Dead obsession. What can I say. I've always listened to tunes 24x7, and I was often exclusive with my bands: The Who for 2 years. Rush for a year, Floyd 3 months, The Who 4 months, Led Zeppelin 2 years, back to Rush for 3 months, Yes for 9 months, Stones for 2 years, Beatles for a year, etc. I just happen to be on the Dead for a record 4 years. It's their fault - they have too much music to master. And they keep releasing stuff. Icecrmcnkd when was your 1st show?
user picture

Member for

9 years
Permalink

4-6-892nd was 7-17-89 Downhill From Here.
user picture

Member for

17 years 4 months
Permalink

....for me, it's hard to pass an unbiased opinion of it, so I won't. Still hard to listen to. Old habits die hard.....to the guy conekid referred to. That was me at a '94 Desert Sky Pavilion show. (I think it's called Best Foods Mayonnaise Field now). We had a plane to catch. They played Liberty. Again. My buddy and I bolted. Looking back, we should've sparked a J. Missed flight? Ptth. Book another one.... Help On The Way-> Slipknot!-> Franklin's Tower, Spoonful, Jack A Roe, When I Paint My Masterpiece, Brown Eyed Women, Let It Grow. Set II. Easy Answers, Lazy River Road, Playin' In The Band-> Eyes Of The World-> Drums-> Space-> The Wheel-> The Last Time-> Attics Of My Life-> Good Lovin', E: Liberty Hmmm. Not bad.... https://archive.org/details/gd94-03-06.sbd.kidder.8332.sbeok.shnf
user picture

Member for

17 years 4 months
Permalink

It was pure serendipity that we were at those shows....was going back to collage in my thirties, starting to move on, new beginnings, all that. Had mostly given up on going to shows. Would go if convenient I.e., went to Pittsburgh only that tour. (Decent show!) Had been doing merch through my cousin who was in the bizz. Had been doing Ziggy shows and the 90s version of the Band. So my cousin calls up and says “hey, the Band is opening up, why don’t you guys come and we’ll get you in with your Band lammies. So we did, and not only got in, but full access, including hanging onstage during the Bands sets. It was so cool, everyone from the Dead (crept Jer) at one point was up there watching them play. At one point Bob was literally standing right behind us. Of course once the Band was done they removed us. They weren’t that into folks onstage so much by then. So we scattered for a bit and decided to meet stage left (right) side tunnel at show time. Well time comes, WTF? No one shows. So I think, maybe I have the sides mixed up....so quickest way is back through the tunnel, through back stage hall and out around the other side, so I haul ass and again, no one there? WTF?? Of course most still didn’t have cell phones yet. So I figure like the good Boy Scout I used to be, I should wait where we decided. So I start hauling ass again, back through the tunnel and start to turn into it and head for this single door gate that is the only way through this huge chain link wall at the end of the hall to the dressing rooms etc, and this giant local security guard starts to get up since I’m hauling ass, and of course we’re a, somewhat in the zone shall we say, so don’t notice until last second, just barely enough time to swerve/leep to the side, (ahhh, to still be young and agile), and just miss taking out Garcia! I swear on my dead Mommas grave!!! Jer had his head down and was chugging along cause the band was already out there. His personal guy, the big dude, shit can’t remeber his name, had sorta short black hair, wore a lot of white dress shirts, sans tie, big portly dude. Anyway, he’s behind Jer, but he sees me coming too, and his eyes get big etc,they don’t know who I’m am or WTF, remember he got death threats that tour! But the timing of the whole fiasco was why I ever got that close. Jerry was passing through that gate at just the right moment, so his guy was blocked, and the local guy was a, let’s say didn’t appear to take the job as serious.....so yeah, I came a split second away from taking him out......I often wonder what might of happened if I had plowed him over??? I’m pretty big, and at the rate I was moving, I certainly could theoretically of put him in the hospital........ I’m sure I probably would of suffered a savage beating and been banned, but just think what if he had gone in a hospital?? Those shows were really tough to watch. Like always, there were moments, but they were more and more, few and far between......nice finish though, amazing fireworks with Jimmy accompaniment! As bad as it was though, we never thought that those would be it........ Only saw a hundred something over 17 years, but I truly was blessed with incredible luck when picking shows etc. From Dark Star and TOO at 1st show, right up until going to these final shows completely unplanned, out of left field. The gods were very good to us. Say many historic and/or “firsts” etc, and only got shut out once, 3/26/88, and that was partially cause scalpers are scum and none of us was going to pay THAT much.... Sorry to ramble on, all y’all just woke up those old feelings, brought back the memories. Hopefully it was at least a decent story, actually have a few even better? Not as good as my bazzarro Jerry brother, from another realm mother, Oroboros! In fact I believe he promised us another dandy a few weeks ago? Where you be Brother?
user picture

Member for

14 years 11 months
Permalink

Gotta love Blackmores' solo after Gillians' howling, esp version from Made in Japan.
user picture

Member for

14 years 11 months
Permalink

Gotta love Blackmores' solo after Gillians' howling, esp version from Made in Japan.
user picture

Member for

14 years 11 months
Permalink

Gotta love Blackmores' solo after Gillians' howling, esp version from Made in Japan.
user picture

Member for

11 years 3 months
Permalink

but there's a Diga Rhythm Band session from 5-30-1975 in Golden Gate Park on MidnightCafe that is fantastic.Jerry sits in with 'em on Happiness Is Drumming.(sounds like some kinda Fire patch in there for a little bit...) Get some :o)
user picture

Member for

15 years 6 months
Permalink

I was lucky enough to see final show at Soldier Field. I saw a bunch of shows the last few years, and mostly enjoyed them all. Had a big group of friends together for the final run at Soldier, the first night was pretty terrible with the exception of Visions of Johanna which was exquisite. After the fireworks ended on 7/9, I said to myself "Well, see you boys in the fall". I did have a strange bittersweet feeling about the whole thing though. I mail ordered for Chula Vista later on in July and everything seemed alright. Anyway, I sat down to listen to the final show for the first time in a very, very long time tonight. As a fan of "late era Dead" I have listened to quite a bit of music from 1994 and 1995, and I must say I was pleasantly surprised when revisiting this show tonight. I enjoyed the Charlie Miller SBD. In hindsight, it's obvious that Jerry is not well, but that did not diminish the overall vibe of this particular show. It has an almost mystical feel to it. The Masterpiece, Childhood's End and Cumberland Blues are all fun and well played in my opinion. Jerry is present thoughout the set, although there are some flubs, including Weir botching Promised Land. As I sat down to listen to the second set, I was very pleasantly surprised. The Shakewdown has a very nice vocal jam in the middle, and there is an interesting little jam after it. Samson was a typical version for the time. So Many Roads needs no explanation and catapults this show into "all timer" status. What really surprised me was the band's playing on "Corinna". This was a song that was really getting it's sea legs in 1995, and Jerry and Weir do some pretty amazing stuff throughout the jam at the end. Drumz/Space was very fun. Now this might trigger some people, but I think this is the absolute best version of Unbroken Chain the original band ever played. Jerry's is taking breaks throughout, and they hit it in all the right places. As the band is coming out of Unbroken Chain, Jerry clearly wants to do Morning Dew. He does the lead in to it, but Weir cuts him off with Sugar Mags, I can only imagine how powerful that Dew would have been with it being the final show. The Sugar Mags is serviceable, and Jerry does some fun little "nana nana boo boo" licks towards the end of the song. The Prankster in him never died. The Black Muddy River is perfect and of course the Box of Rain is another "all timer". I encourage open minded heads to really listen to this show, listen to the musicianship, and Phil, Bobby, Mickey and Billy lifting Jerry up as they were about to embark on the second half of their own careers. It's really quite a magical little show. Check the tears, don't scrutinize every little flaw, but just listen and absorb and you might have your own revelations about the bands final years.
user picture

Member for

10 years 3 months
Permalink

Er...there's a great one on 4/8/71, Boston Music Hall....Truckin', Bertha, China Cat, Second That Emotion, Dark Star, St. Stephen, Cumberland, Greatest Story. Sugar Mags. Bobby high in mix, kinda cool on Dark Star....PM me if you need it. Saw them at the Knick 11th to last show.Saw last Help /Slip/Franklin. It was a great time. I was unaware of any problems. I suppose if I'd known the music better at the time I may have picked up on things. Anyway, French Roast awaits me.
user picture

Member for

11 years 4 months
Permalink

Don't worry KeithFan - you're show-calling ability when listening to a song didn't go on deaf ears. I never would have been able to nail that one, but I am known among my brothers and friends for being able to call a show (or come close) as well. Usually in 5 or 10 minutes I'll have it, or a close guess that still impresses them. It's kinda easy with them because they only have the releases, and not many of them. (And many given to them by me!) A few years ago my brother put on a show and instantly I heard Keith AND Pigpen on their respective keys, and the mix was immaculate and very familiar sounding. Within 10 seconds I blurted out "Gotta be April or May '72". He shot me a serious look, then erupted in laughter like I had just done a David Blain magic trick. I then correctly guessed "one of the Paris shows"... (total guess - E'72 shows all sound the same to me) - they still talk about it. i certainly don't always get the show right, but I usually nail the tour, or the month. When I start explaining the rationale they shake their heads like I'm a witch.
user picture

Member for

13 years 4 months
Permalink

Makes me want to drink copious amounts of kick ass coffee and start my day with 71 GD. Right on.. I could always revisit the excellent recording and energy of 12/14/71. This one is far from stale. Rock on folks.
product sku
081227931391
Product Magento URL
https://store.dead.net/pacific-northwest-73-74-the-complete-recordings-19-cd-boxed-set-1.html