Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

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May 8, 2018 - 4:04pm

3,948 replies

clayv

Joined:
March 14, 2018

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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September 19, 2018 - 2:38pm

#741

cactuswax

Joined:
June 7, 2007

Dead Awake

I've had a wonderful bout of insomnia these last few nights and it's been an excellent opportunity for me to sneak down around 1, 2 or 3am, slip on the headphones, and dig into these goods. Last night I got to the last one of the box, Seattle '74, and I gotta tell ya, I was hanging on every snare-skiffle and tiger-lick coming outta those cans during that unwieldy raging monster of a PITB ... Shit, man. GOGD.
September 19, 2018 - 1:36pm

#742

Jack Baller

Joined:
January 27, 2015

TIGDH

Here is a tasty, date-appropriate palate cleanser for everyone who has been knee-deep in 73 and 74 for the last week or so (count me among that group)... If you dig 1970 Dark Stars, this one is prime. https://archive.org/details/gd1970-09-19.sbd.reynolds.97906.flac16/gd70… "Why, yes, Dave-- this WOULD make excellent bonus disc material for DaP 30!"
September 19, 2018 - 12:18pm

#743

stoltzfus

Joined:
January 13, 2010

still going on about djg?

kind of like the planets going around and around Donna-time Yes, she was hit and miss when she hit she was very very good when she was miss she was...
September 19, 2018 - 12:00pm

#744

Cousins Of The…

Joined:
September 10, 2009

Donna!

I'll take Donna's few seconds PITB scream anytime, over Bobby's off-key minutes long screaming during Estimated, and his clueless, tone-deaf slide extravaganzas.
September 19, 2018 - 11:33am

#745

Grayteful

Joined:
October 25, 2017

In Donna's Defense

Mostly lurker (a rule I follow says, "If you have nothing to say, shut up."), but decided today to put my head on the chopping block so you folks can kick it around a bit. I've had my own fun at Donna's expense in conversations with a Deadhead friend or two. But two things in her defense come to mind that I've not seen mentioned. 1. The consistency of what she tried to do on a given song, comparing performances, suggests she did what she was told or asked to do by the band. Doing it would have been a leap of faith on her part, but the tendency to take chances was integral to the Grateful Dead's DNA. 2. I know from experience that if one is playing an instrument, be it a voice or something man-made, the frequency range of the output of that instrument says much about likelihood of hitting that "sweet spot" where it sounds good and blends well with other instruments / voices (lower frequency output than itself in the "mix"). Hitting that frequency (the note) squarely is more difficult for the female singer because the target progressively shrinks as the frequency rises, and the result is usually hideous. Bonus comments (no additional charge): 1. Some have said she couldn't hear herself, which if possible (and with that massive sound system they had), could mean she leaned in closer to the microphone diaphragm to have a better chance of hearing herself (and adjusting). The result, if the mike gain wasn't adjusted, is she could have come off as shrill as well as sharp or flat. 2. There have been times where I've made notes in a loose-leaf notebook I keep to retain things I notice in GD performance recordings, where she's hit her pitch and sent it (forgive the pun) out of the ballpark - it sounded fine to me. That could be 1 time in 3, but still ... Ask me to cite an example, and I'd have to be home with that notebook to do it. Reputedly she was (and is) a professional singer who's made her living doing it for decades. She couldn't have liked the sound situation at live GD concerts herself, and developed her chops in more controlled conditions, so I'm inclined to cut her some slack. 3. If having idiosyncrasies of a voice like hers is the cost of having a recording with keyboard work by her late husband Keith, it might still be worth it (decide for yourself). The Godchauxs were a package. I really like Keith's earlier work on the mighty Steinway, including in this box set. 4. The trove of recordings we have access to doesn't lie - the problems are there. I have come to accept them as being a fact of life if I'm going to listen to this stuff. I'd rather have the recordings than not, and I can make my own jokes at her expense in private (but with subliminal empathy). So it goes ...
September 19, 2018 - 11:17am

#746

dreading

Joined:
January 17, 2018

Now I love those cowboys

I love their gold. It lured my uncle, God rest his soul. Nuff said :-) But it begs the question, how honest is a Denver man?
September 19, 2018 - 10:18am

#747

wilfredtjones

Joined:
June 4, 2007

dreading

Is your uncle still around? Or, did you leave his dead ass there by the side of the road?
September 19, 2018 - 10:16am

#748

Crossroads

Joined:
November 5, 2007

Unkle Sam: Not much they can do with the mix on a 2 track tape

These are 45 year old tapes that were 2 track analog tapes. There is not a lot they can do to change the mix of the tapes. They can just clean it up and enhance the sound. But, the mix is what the mix is. I am kind of actually enjoying paying attention to some of the other instruments that usually don't stand out in the mix (particularly Billy, as well as all the instruments in that '74 show that has a stretch of about 4 songs with all the vocals very low). We are very lucky and spoiled that they recorded as much as they did and as well as they did. Even so, there are still gonna be some less than stellar portions of tapes this old.
September 19, 2018 - 9:48am

#749

Lovemygirl

Joined:
April 29, 2016

.

.
September 19, 2018 - 9:21am

#750

dreading

Joined:
January 17, 2018

Born X-Eyed

I agree, Jerry is too low in the mix, but only in the 1973 shows. The vocals also come in louder than usual, so they seem to step on the music. This bothered me at first, but I'm getting used to it. Me and my uncle saw the dead several times from 72 to 74, and Donna was never that loud in the house mix that the audience heard. What we are experiencing on these CDs is not what audiences experienced. I don't know much about soundboard recording, but I know they never planned to release these as live albums. Maybe not enough attention to detail was made. Or maybe, since it is well documented that she could not hear herself on stage, Donna asked to have her voice raised in the recording, so that she could review it afterward and make sure that her blind voice was at least on key. I also read that the WoS required a new board for mixing. Maybe 1974 either represents a shortcoming of the new mixing board (as it pertains to recording the show), or perhaps Donna had access to the volume controls that made her on stage monitors louder, so that she could hear herself and perhaps that also affected the board recording. All speculation, but the important thing to take away is that this is not how she sounded at the show to the audience. Kind of a shame that the release of these tapes has blemished her reputation.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

KeithFan2112, about that 4/8/71

I'd like a copy. Does it have El Paso? I love Bobby the Cowboy. Pow pa-pow pow! I can't wait another minute for this box set. But only one Dark Star? Waah. Ouch, I think I cut my lip shaving.

Hippy Chic

Orajel works great for that.

Dark-Star

Not that lip.

shazam

just keep moving, stoltzie...

shazam

Ha.. Did we just lose our G rating and entered the land of PG13? Happy Tuesday folks.. Had a great little ride running errands. Started with a pumping albeit short 1970 Cumberland Blues from El Monte CA and when the radio failed to produce I hit play on the CD drive and was treated to a nice electric On The Road Again and my first ever Peggy-O. It was Pretty-O. A serendipitous drive.

Not that lip!?!

From Sweeney Todd (the contest) To shave-a the face To pull-a the toot' Require the grace And not the brute For if-a you slip You nick-a the skin You clip-a the chin You rip-a the lip a bit And that's-a the trut'

Tidbit from ABB camp on RFK and Watkins Glen '73 tapes

A pal just sent me a snippet of a 2001 interview with Kirk West in the ABB camp: First, Kirk notes that the ABB played 45-60 minute opening sets for the GD in Feb '70, which leads me to believe that the upcoming ABB Feb '70 release is at least two discs that will augment the 1997 release of a compilation of Feb 11 and 14. Then Kirk said: "We were also working on two other projects that had release potential - the Dead loved the idea and we loved the idea. These were to be a package from the RFK and Watkins Glen ('73) shows... We went through them and edited them and pieced things together. We were going to do a four-CD release: two Dead, two Brothers.... Then shortly after that, the Brothers sued Polygram, and things got jumbled up. The lawsuits aren't quite resolved yet. Once they are, we'd like to finally get it out..." Unfortunately, if lawsuits ongoing in 2001 were a problem, what to think after 17 years? At least we know that both RFK and Watkins tapes exist, that the GD took a shot at releasing them in tandem with ABB, and now, I'd guess, the "project" is on hold. I'd also guess that the GD knew that RFK 6/9/73 had weak moments, but this info sounds like the GD were willing to release an edited version of 6/10/73. And they knew their 7/28/73 set (the official Watkins set) was not uniformly strong, though the soundcheck (I can tell you from experience) was a real highlight. The shocker, if you will, is that the GD was willing to edit 3 1/2 shows down to 2 discs (160 minutes music, max). Perhaps with Dave L in charge and the success of the DaPs, the GD will realize that those 3 1/2 shows deserve a light edit at best. And they'll make the ABB tapes available to the ABB when the latter are ready to move forward with it. Anyway, I found that tidbit fascinating and hope Dave L now has a firmer hand on what to do with 6/10 and 7/27. Or the whole hot mess...

Not That Lip

I had tons of funny lines to respond to the other lip comment but I rejected them all. With age comes wisdom. Finally.

Dark Star 12/6/73 Cleveland

If you have an extra 45 minutes and want to get lost in a song ..... wish the whole show was released and not just as a bonus disk!!! but i will take what i can get... be good bob t

BOB T...regarding 12 6 73

check your PM...

4-8-71

Listening now. I love this mix. Bob is loud and clear in my left ear and i'm loving it. Strong Truckin' to open. A few wobbles in Bertha. It was a new song at this point, in the rotation for less than two months. Seems like one of those songs where no matter how many times they played it, and they played it a ton, they could get out of step on it. Garcia seems to regularly fumble the lyrics, leading to mistakes in the progression. See Berkeley '72 Dave's for another example. Another one I notice a lot is the beginning of BIODTL. More often than not someone plays an extra note on whatever the count is. I take that to be more of a running inside joke than actual mistakes though. Nice 'Next Time You See Me'. Short Playin' coming up, after this tuning jam. Ha Ha. Cool to see Playin blossom from early '71 to the monster 45 minute version we're about to enjoy.Really enjoying Keith's arpeggiated chord work in the high register early in this Playin. Check it out. Slow day at work. Had a nasty head cold over the weekend so I missed the good weather. Im trying to break up this massive blockage in my head with some good dead music. That was a solid Playin. Loved Keith in that one. Lots of noodling during dead air in this show. And someone on the crew on a hot mic. Was following the thread over the past few days and bummed about the sniping, but that's the environment that's being encouraged from above, unfortunately. I'll leave it at that. Everybody's praying, and drinking that wine. Edit: Its not Keith on piano. Who is it? Its definitely not Pig.

That's a really nice ham you have there...

....it would be a shame if someone put an 's' at the front and an 'e' at the end.

Why do all hotdogs look the same?....

....because they are in bread.

And...

they blew the count on BIODTL

It's over

France in the Final! Dead content: none Stones content: Mick Jagger was attending the game, warming up for England - Croatia

4-8-71 Who's on Keys?

Ned Lagin plays the keyboards on this one.

Hippy Chic

I think it's "Cowboy Bob", but that's okay ;-) Here's a link: https://drive.google.com/open?id=1FtN9osrklpik4WmYtK1jsjiMiirpBf3k Sorry, I advertised this show and completely forgot to set up the link. Same to you Lightfoot. P.S. - if you could let me know if I just opened up access to my entire google drive, I'd appreciate it (wasn't my intention). If I did...please...just don't delete the porn. I don't care what happens to the rest of it, but leave the porn.

Thanks KeithFan

Downloaded and enjoying every minute of it. When I'm finished I'll give 4/8/71 a listen.

Bobby the Cowboy

This one is for you Hippy Chic.

Big Iron....

....my son has been on a Marty Robbins bender lately. Better than that dubstep crap he was listening to.

Re: KF - Google Drive

Hey KF, I was rummaging through all the detail on that link too. Many thanks man. I downloaded the show and it sounds great. I also think I accidentally downloaded some other random directory. In opening it I had to reset the password to see the contents and it appears to be all your Bitcoin data. Now.. I can't seem to remember the new password. Wow.. you had more than 6,500 Bitcoins. A lot, yes? Does anyone out there know how much that is worth and what I have to do to transfer these into things into Thunderbird wine, lottery tickets and Wallmart gift cards? Yes to Big Iron. I always liked Bobby's cover of this. Edit: Sweet. I'm going big and buying a modified pin-striped lime green hopped up turbo charged Gremlin. Thanks KF!

Big Iron Foot

Thanks Fourwinds that was sweet of you. I heard of Bobby and the Midnights but that was my first time listening. Began like Me and My Uncle it did! And what a handsome young devil our dear Bobby looks:)

07 10 70

This one is better

Lime Green Gremlin

I’m jealous.Although I would be tempted to trade it in for a purple AMC Pacer.

(No subject)

Turning pages....

....just ordered the new Stephen King book Outsider and Hunter S. Thompson's The Great Shark Hunt. On physical paper, cause reading books on a screen isn't the same. Not by a longshot. Halfway through Mother American Night. Liking it....purple AMC Pacer? I would drive it.

Today I Learned....

....that the interior of Jupiter is made up of liquid metallic hydrogen. Mind. Blown.

Woohoo!

Shipping notice for Anthem received! Sweet. New show on the way.Vguy-I just finished The Outsider. It's fun. Enjoy. HST is a favorite also. Great read. :o)

HDCD article: www.Stereophile.com

This is an old article, republished, with the people who came up with HDCD. If you have a cd player that has this built in you can hear the difference(s). This will explain, in detail, the whole HDCD process. Enjoy the interview article. Mr. Pete-------------> aging hippie

Emotiva CD-100 player plays HDCD discs..and everything else!

I do NOT work for Emotiva but they make very good products. If you are in the market for a cd replacement this model plays HDCD discs. It is priced around $300 which is not bad for a good quality cd player. So, if you have a LOT of dead HDCD's you might give this player some thought. They also make an audiophile cd player for twice the price. I am sure it is excellent...but worth twice the money??? If you have a good stereo you will notice a better sound quality. If you are depressed over the current political situation(s) this might help "snap" you out of your.....funk! Have a nice day. Mr. Pete----------> aging hippie

HDCD

Mr Pete A good way to check the difference between hdcd and none is the original vault 2 didn't have it and the 3 cd reissue does. The difference is readily apparent

D&C backyard BBQ

https://www.setlist.fm/setlist/dead-and-company/2018/unknown-venue-holl…

Me and My Uncle ~ Werewolves of London \ ++* /

Me and My Uncle ~ 7.21.72 ~ Paramount Northwest Theatre ~ Seattle, Washington One of my favorites Werewolves of London ~ 4.19.78 ~ Vet's Memorial Auditorium ~ Columbus, Ohio During drums the band is prepping for the encore with a few wolf howls Hey daverock, World Cup , I'm pulling for England, at the start of tourney the three teams I was expecting to see near the end and rated as best were England, France, Brasil. Harry Kane is a top tier player in this tournament and I expect him to be the difference in today's match. Overall, a lot of the matches have been entertaining , but I feel this has been one of the weaker World Cups. The national teams seem like junior varsity compared to what they have been in previous tournaments

Vguy and Kurt V

Kurt V is/was one of if not the favorite author of this aging freak. The respect is still there but I found a few years ago when I was going to reread all his books that I read years ago I couldn't do it. His cynacism and irory is so depressing I just couldn't do it. Mother Night's a good example. Have you read Player Piano? His 1st and to me his best and so true. It's funny nowadays I read nonfiction I read a 3 vol history of the 3rd Reich but can't read Slaughterhouse Five As far as real books vs kindle hands down I prefer books. The tactile effect, the photos maps etc.

07 11 00

PHISH, TUESDAY 07/11/2000 DEER CREEK MUSIC CENTER Noblesville, IN SET 1: Ya Mar, The Moma Dance, Uncle Pen, Drowned, Chalk Dust Torture Reprise > Chalk Dust Torture, Theme From the Bottom > Cavern SET 2: Also Sprach Zarathustra > Down with Disease -> Moby Dick > Down with Disease > Runaway Jim -> Moby Dick, Back on the Train -> Moby Dick > Back on the Train, Harry Hood > Moby Dick, Hold Your Head Up > Terrapin > Hold Your Head Up > Moby Dick[1] > Hold Your Head Up, Character Zero ENCORE: First Tube > Moby Dick > Chalk Dust Torture Reprise [1] Trey on drums and Fish on vacuum. In keeping with the theme of the second set, Hood included a Moby Dick tease. Trey introduced Fish as “Russell Crowe” during Terrapin. The Moby Dick inside of the HYHU jam featured Trey on drums and Fish on vacuum. The Chalk Dust Reprise was akin to the version last played on December 10, 1994 (391 shows), with the band singing the words “Chalk Dust Torture” over varied music. At the end of the encore, Trey joked that, if anyone missed anything, they should read the book or see the movie. Prior to this show, Moby Dick had not been played since November 29, 1997 (172 shows).

Jerry Garcia Interview "The History of Rock 'N' Roll"

Flashback!: https://www.youtube.com/watch?v=NVkkbJ_KI2Y For the first 46 minutes of this 52 minute clip, Jerry delights us, well he delighted me, with his views of music and about at the 46 minute mark, "LATVALA COMES ALIVE" Dick Latvala gives us a mini tour of the Grateful Dead vault back when everything was either at the Front Street site or at Bel Marin Keys, and Jerry's vault was still residing with the rest of the Grateful Dead and solo projects vault.

Luke Walton

There is an article on ESPN about the behind the scenes stuff surrounding LeBron James and the Lakers...this part made me chuckle: Luke's father, Bill Walton, would call him from a Grateful Dead concert to help celebrate. "Yeah, and he had [drummer] Mickey Hart in the background yelling at me that, 'The rhythm is the answer to everything in life,'" Luke Walton said with a laugh. "So once I figure out what that means, we'll be good."

thank you BCE

so good to hear and see ol' Jer again. and remember: "Latvala!"

redone Yellow Submarine film coming to Seattle this weekend

5 day engagement. I am there!

Speaking of venues

A cool article on the going on 5 year old SF Jazz Center. Quite a place. Anything that touches on jazz or is somehow related fits the bill. David Grisman and Taj Majal among the upcoming artists there this summer. Says it has 95% occupancy with many sold old shows, and over 470 performances per year. I gotta get down there more often. Great to see this thriving in today's music (ahem) environment. https://www.sfgate.com/music/article/SFJazz-hits-high-note-at-5-year-ma…

box set #'s

I have pre-order most of the box sets. Did not get Fillmore, E72, (was sent download files) and the first Spring 90 box. Had SBDs of Fillmore and '90 so I didn't feel the need. Anyway, I just re-ordered 7/78. My pre-order set was numbered 12568, the re-order was 4482. seems strange?

Re: Seems Strange

These things probably come boxed on a big palate.. and even if they are arranged numerically when they first set foot in the US, they get unboxed, taken off the palate and put on shelves in a warehouse in whatever order they are unpacked. Then as the shelf size shrinks.. they probably get moved at least once to make room for more material. Long story short.. it would cost money to keep them in any kind of order throughout the entire process and they would get exactly zero for the extra effort. Have you ever tried to put something in order with a run size of 18k? Reminds me of two accounting concepts LIFO and FIFO. LIFO is Last In First Out.. like if you are restacking something with a long shelf life or moving gravel (or perhaps big stacks of CD sets). FIFO is First In First Out, good for perishables or something with a shelf life. Makes perfect sense to me, simple economics. Way to go staying up on July 78. Great box.

World Cup-mbarilla-Winterland 73

Yes, England seem to be doing alright. I am not a big football fan, but I have been watching the odd game-with the sound down and some music playing in the background. England seem workmanlike, rather than inspired, from what I have seen. I watched France and Belgium last night, and France looked a lot more skilful-though I wasn't so keen on all the diving they did, pretending to be tripped up when they hadn't been. Brazil were the worst in this respect. I was glad to see the back of them. Last night I was listening to 10th November 1973-the Playing-Uncle Johns-Morning Dew-Uncle Johns-Playing jam. What an exceptional piece of music. Its not the best time to say it, but I've always enjoyed 1972 versions of Playing more than those from subsequent years. They just feel so energetic and exploratory-a raging storm. But that 1973 version is beautiful-its restrained compared to ones from 72, but its so calm and dreamlike, as I said on the other board. Every member of the band plays in perfect response to everyone else. I don't think I've ever enjoyed it as much as I did last night. Anyway, I'm off-its kick off time in a minute.

@Daverock

England off to a good start...5 minutes in, killer free kick!

Re: England

I am finding it hard not to get sucked into this game.. but I'd rather be outside. Ok..... just five more minutes.

England

Such a typical England performance - snatching defeat from the jaws of victory. So often they play so poorly it beggars belief, and tonight was such a performance. People cannot imagine how stressful it is being an England supporter. It is not for nothing that the most common songs to hear on the terraces during and England game are "The great escape" and "Mission impossible". Four more years.

081227931391

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