Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

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May 8, 2018 - 4:04pm

3,948 replies

clayv

Joined:
March 14, 2018

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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July 27, 2018 - 7:15pm

#2201

Vguy72

Joined:
June 29, 2007

Hold on hendrixfreak....

....I need to make some more popcorn and mescaline.
July 27, 2018 - 7:04pm

#2202

hendrixfreak

Joined:
February 26, 2014

Noon-ish is not the best time to catch a full-blown show.....

My memory has clearly telescoped events, because I almost think I remember rolling over in my sleeping bag and, for breakfast, snorting a pile of 'chocolate' mescaline off one of those mini-cereal boxes. I definitely took some blotter. But even if we'd 'slept in,' it must of been 10-ish or something. Surely we'd had some water and a snack, probably provided by a merciful neighbor. We were still 15 and we looked like what we were: goddamm-near children! Ah, so I was saying, we dropped acid and snorted mescaline and fired up the pipe with Numero Uno and, hey, is that freakin' Jerry on stage? Wait, Bobby. Phil. Bill. The piano guy. Jer kept dipping his cigarette into a brass ashtray and, when he re-lit it, it flared up. I didn't hit the blow til '75 but later, I thought, freebase. I hope someone can clarify this, but I think I recall the band starting just a bit after NOON(!). As far as I was concerned at the time, they fucking rocked the place for hours. I do recall, as I often feel, feeling goofy about a camera while tripping. But I managed to snap off three shots, of which two survive, which catch the three guitarists blasting away on Playing in the Band, then turning towards each other to converse more intimately, finally arriving in a tight circle and sending tides of sound across the crowd. I think this was the time I experienced Phil's bass as physical, purple pulses in my chest and the realization that vibrations, rather than corporeal reality, were at the heart of existence. I clearly remember the gospel treatment at the end of He's Gone and at the end of Sugar Mag, Weir thrust his arm skyward for stop time, ran back to his amps, downed the rest of a Heineken and raced back to the mic for the coda. Still, I was 15, down front at one of the biggest gatherings of humans in history. I did look back over the crowd, but, as usual, there wasn't much profit in looking back. Not with the Grateful Dead killing it in front of me.
July 27, 2018 - 6:44pm

#2203

hendrixfreak

Joined:
February 26, 2014

The Soundcheck

The Allmans rocked big time. They'd slayed us at RFK after the Dead when, exhausted and dehydrated, we had retreated to the shaded overhang of RFK and been simply psychedelically rolled over by the ABB. They smoked the Dead that day. Back to the Soundcheck. I got up and hiked around the scene while it was still afternoon. A very loose scene with lots of elbow room, cool air, breathing. I returned to our space, easily located, for The Band. It was nearly sunset when the Grateful Dead took the stage. We had all the room we needed. I started the soundcheck boogie-ing upright, shakin it to the rock 'n roll. I had snorted some mescaline and taken maybe a half tab of the blotter. Everyone knew this was unprecedented in GD history. Here we were, groovin' on a cool pine forest evening, high but not pressed and our favorite band was blasting away on the finest sound system we'd ever heard. I do not recall individual songs, just the transition between comprehensible songs and jams that had us smiling for reasons we knew not. [Beautiful Jam from So Many Roads is blasting in the background as I write these words.] I do clearly recall the feeling of complete ease as I nestled down into my sleeping bag, head on cool gallon jug, looking up at the band just jamming away. We rode it out after the band departed and the next thing we knew, it was morning and the crowd was bustling, hustling, and by noon it was show time all over again.
July 27, 2018 - 6:39pm

#2204

icecrmcnkd

Joined:
October 20, 2015

Hendrixfreak

I hope you are writing these in a word processing program and saving them.You probably should combine your memories and pictures and put it out on the internets where it will hopefully be forever preserved. Maybe upload the final version to the archive someday.
July 27, 2018 - 6:32pm

#2205

Trainwrecked

Joined:
February 4, 2018

5/9/77

Any headphone listeners out there? Or maybe you don't need them. I find the bass on this GSTL recording overwhelming. Bertha and Help On the Way are good places to start. I don't get the same thing with the SB I have if this show. I think Jeff Norman boosted it somehow. Anyone else notice it? Garyfarseer - what kind of medicine?
July 27, 2018 - 6:29pm

#2206

hendrixfreak

Joined:
February 26, 2014

The greatest missed show on Earth

Long story shrunk to size... We had to get home on 10 June 1973 because we were exhausted, dehydrated, broke, without tickets, food, water, anything, so we thumbed back and tried to blend into humanity. I was 15. I lived with my parents, of course, and they needed to see some evidence that I was alive. They never even said a word about my setting out for a multi=day excursion in jeans and a t-shirt. We just did it. We heard the 10 June show was smokin' and we were pissed. We were NOT going to be caught short like that again. No effin' way. So when the news broke of a show with all three of the greatest rock bands of that time -- the Grateful Dead, the Allman Brothers and The Band -- we were on it like white on rice. Tickets cost $10.50? We had 'em. And we'd just seen the Allmans at Madison Square Garden in, May? I smuggled in a bong. A young cop caught me. An older cop said, "Let him go. It's a bong. Don't worry about it." Jesus, this whole law enforcement thing was confusing! But my view was broadening... Late July 1973. The older brother of a hot schoolmate of ours was driving to Watkins Glen. We signed on. Me, Mark L, David W, and a few others. We brought our backpacks. We had a little food. A shit-ton of Numero Uno. No alcohol. I had a sheet of blotter. Someone's adept use of the map enabled us to skirt around the worst of the traffic and we actually accessed the grounds in fine fashion, probably 12 hrs ahead of the hoo-ska-boo that eventually developed. The van's inhabitants split into units and we never saw our driver-host again, until a week later, just before the 31 July - 1 August shows back at Roosevelt Stadium. (Biggies, waiting for release...) So we hike over to the "gate," passing food trucks that specialized in big scoops of weed. We snickered, fully equipped. We were still 15. We entered the gates around midday and for some reason no one took my ticket, so I immediately doubled back to the chain link fence and passed my whole ticket to a have-not. Instinct, communal instinct. Later, my parents said that friends of theirs in Europe had seen footage that included my entrance into the concert site. The stage was perhaps 2/3 of a mile away. As we walked down the gently sloping hill towards the stage it was obvious we were a bit early. In earlier shows we were leery of getting too close because of the physical crush, the volume and the collective high that sometimes ... got a bit hairy. But fresh off missing 10 June, we marched down and claimed a beautiful space about 20 yards from the stage, just a bit left of center. On our way, we'd grabbed a few one-gallon water jugs that were set out free by Bill Graham in response to the scene at RFK in DC 6 weeks earlier. I found myself high on mescaline, laying on my sleeping bag with my head resting on a cool one-gallon jug of potable water and passing a doobie when the crowd sputtered and roared. It was late afternoon and the Allman Brothers had just taken the stage.
July 27, 2018 - 6:06pm

#2207

hendrixfreak

Joined:
February 26, 2014

RFK, June 1973

Throughout the fall of 1972 and through the winter-spring of 1973 I had ingested numerous psychedelics, including the wonderful agent known as mescaline and naturally a few substantial doses of the Lady Herself. At one point, with my buddy Moose, we were sitting atop a van-sized boulder in a 2,000 acre wooded preserve near home and we focused on the visual margin between the rock beneath us and the ground in the background and felt that we had lifted the boulder upon which we sat perhaps several inches into the air, then lowered it again to its natural resting place. But I digress... June 1973 and me and David W are hitching to RFK in DC about 200 miles away for the 9-10 June 1973 shows. It's summer. So obviously we go in t-shirts, jeans, sneakers, with a ticket and few single dollars/dead presidents in my pocket. Next to the sheet of oval 4-way blotter. A little smokum in the sock, in case we got stopped. Look, we're 15, okay? 16 was months away. We were just up for adventure, loud rock 'n roll and, um, a closer look at the scene. I remember that some of the serious traveling hippies with LSD-dead eyes were there selling pipes, but also passing them around. We had long hair but we were little kids! These folks looked 50 but were probably 20, i.e., impossibly old, grizzled and of unknown origin. But no one actually bothered us, nor was there any attention. Everyone treated us as adults. So we slept on the ground on the grassy parts outside the stadium that night. No water, no food, no equipment. The next day, temperatures climbed towards 100. We were smoking a joint by the grate that blocked one entrance and a black cop motioned us over. We approached cautiously. "Hand me some of that, will you?" he asked. "WHAAAT???" was our initial reaction, having already experienced the pleasure of being cuffed and harassed by the cops for having a beer in the park. Turned out, cops can be cool, too. We burned two with the cat and we bid each other a good day. He was clearly amused by the scene, but in a groovy way. This was 1973 and racism and violence over the Vietnam War made longhairs outcasts, just like minorities of every stripe, then and now. Short story long, me and David split a 4-way and the Dead played that afternoon, opening for the ABB that night. The lines for water were long. We survived on The Lady, a little water and some "Numero Uno" substance we thought was hash but turned out to be opium. Worked for us that day, though, the heat was excruciating and I'm sure a lot of folks needed help in the heat. I got up close for Chinacat at the end of the first set. I was mesmerized. Bobby played a Gibson SG, which in my mind meant "bass guitar." Phil was playing a big possibly semi-hollowbody bass that said to my untutored eyes, "rhythm guitar." But I was already a huge Phil fan (being a Jer fan was too obvious) and this had me confused. At some point some idiot hurled a lit M-80 onto the stage (June 9, right? obviously in close proximity to July 4??) and it rolled up to Jer. In that day, he had a stage mannerism of sort of shuffling in place and I saw him move his right foot forward in perfect time and using the tip of his cowboy boot sent the live M-80 back out over the crowd. I don't even recall hearing it explode. The music was pretty loud.
July 27, 2018 - 5:47pm

#2208

icecrmcnkd

Joined:
October 20, 2015

Nice warmup HF

Patiently waiting for the grand finale....
July 27, 2018 - 5:39pm

#2209

hendrixfreak

Joined:
February 26, 2014

Backstory and launch....

The briefest of backstories: Six years old in 1964, persuaded my mom to buy me a Beatles LP at the checkout counter of the local discount store. Played it on monaural phonograph with one 12" speaker output. Rocked as child. 13 years old in 1970, convince mom to drive me and a friend to a Chambers Bros concert. We dug the music but were too young for 'action.' 15 years old, summer of '72, catch The Byrds and New York Rock 'n Roll Ensemble at college outside Saugerties NY where The Band rec'd Big Pink five years earlier. We drove by Big Pink. (Still Pink.) We were 15. (An older brother was actually driving...) Since 1971, been spinning American Beauty and Skull & Roses LPs on the same phonograph as in 1964, only now it's in the basement where our ping-pong table and hang-out couch are located. 19 Sept 1972, I jump in a car full of older heads with an ounce of hash in my pocket, 33 days after my 15th birthday, and we proceed to the Roosevelt Stadium in lovely Jersey City, New Jersey, and catch my first Grateful Dead show. I had already been 'experienced,' but did not drop at this show; too chaotic, large crowd, determined to survive and catch my ride home. I listened for familiar songs, jams, anything -- nothing! Everything was different. Records, shme-cords. This scene was crazy. Maybe 10,000 people screamin' high groovin', freakin', dancin', gyratin', handing you things you knew best to pass along... I was alone in the giant crowd with the music louder but sweeter than anything I'd ever heard before. The music rocked, I just couldn't grab onto a big Jerry jabbin' guitar riff that would remind me of Skull & Roses. Obviously, this was no American Beauty. As Jer once said, recording in a studio is like building a ship in a bottle. Playing live is like being on the ocean in an open rowboat. And that's kinda how I felt -- out there, surfin', knew I'd have to get home ... 3 hours into the show, I do remember saying to myself, "Well, all righty then, damn good show, YOU CAN STOP PLAYING ANYTIME, I'M GOOD. GOTTA GET SOME REST... MUST SNAG RIDE HOME..." Part II, coming ...
July 27, 2018 - 5:31pm

#2210

icecrmcnkd

Joined:
October 20, 2015

Thanks dmcvt

The photos of the stage show how high it was. Need safety railings to keep the musicians from falling off.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

KeithFan2112, about that 4/8/71

I'd like a copy. Does it have El Paso? I love Bobby the Cowboy. Pow pa-pow pow! I can't wait another minute for this box set. But only one Dark Star? Waah. Ouch, I think I cut my lip shaving.

Hippy Chic

Orajel works great for that.

Dark-Star

Not that lip.

shazam

just keep moving, stoltzie...

shazam

Ha.. Did we just lose our G rating and entered the land of PG13? Happy Tuesday folks.. Had a great little ride running errands. Started with a pumping albeit short 1970 Cumberland Blues from El Monte CA and when the radio failed to produce I hit play on the CD drive and was treated to a nice electric On The Road Again and my first ever Peggy-O. It was Pretty-O. A serendipitous drive.

Not that lip!?!

From Sweeney Todd (the contest) To shave-a the face To pull-a the toot' Require the grace And not the brute For if-a you slip You nick-a the skin You clip-a the chin You rip-a the lip a bit And that's-a the trut'

Tidbit from ABB camp on RFK and Watkins Glen '73 tapes

A pal just sent me a snippet of a 2001 interview with Kirk West in the ABB camp: First, Kirk notes that the ABB played 45-60 minute opening sets for the GD in Feb '70, which leads me to believe that the upcoming ABB Feb '70 release is at least two discs that will augment the 1997 release of a compilation of Feb 11 and 14. Then Kirk said: "We were also working on two other projects that had release potential - the Dead loved the idea and we loved the idea. These were to be a package from the RFK and Watkins Glen ('73) shows... We went through them and edited them and pieced things together. We were going to do a four-CD release: two Dead, two Brothers.... Then shortly after that, the Brothers sued Polygram, and things got jumbled up. The lawsuits aren't quite resolved yet. Once they are, we'd like to finally get it out..." Unfortunately, if lawsuits ongoing in 2001 were a problem, what to think after 17 years? At least we know that both RFK and Watkins tapes exist, that the GD took a shot at releasing them in tandem with ABB, and now, I'd guess, the "project" is on hold. I'd also guess that the GD knew that RFK 6/9/73 had weak moments, but this info sounds like the GD were willing to release an edited version of 6/10/73. And they knew their 7/28/73 set (the official Watkins set) was not uniformly strong, though the soundcheck (I can tell you from experience) was a real highlight. The shocker, if you will, is that the GD was willing to edit 3 1/2 shows down to 2 discs (160 minutes music, max). Perhaps with Dave L in charge and the success of the DaPs, the GD will realize that those 3 1/2 shows deserve a light edit at best. And they'll make the ABB tapes available to the ABB when the latter are ready to move forward with it. Anyway, I found that tidbit fascinating and hope Dave L now has a firmer hand on what to do with 6/10 and 7/27. Or the whole hot mess...

Not That Lip

I had tons of funny lines to respond to the other lip comment but I rejected them all. With age comes wisdom. Finally.

Dark Star 12/6/73 Cleveland

If you have an extra 45 minutes and want to get lost in a song ..... wish the whole show was released and not just as a bonus disk!!! but i will take what i can get... be good bob t

BOB T...regarding 12 6 73

check your PM...

4-8-71

Listening now. I love this mix. Bob is loud and clear in my left ear and i'm loving it. Strong Truckin' to open. A few wobbles in Bertha. It was a new song at this point, in the rotation for less than two months. Seems like one of those songs where no matter how many times they played it, and they played it a ton, they could get out of step on it. Garcia seems to regularly fumble the lyrics, leading to mistakes in the progression. See Berkeley '72 Dave's for another example. Another one I notice a lot is the beginning of BIODTL. More often than not someone plays an extra note on whatever the count is. I take that to be more of a running inside joke than actual mistakes though. Nice 'Next Time You See Me'. Short Playin' coming up, after this tuning jam. Ha Ha. Cool to see Playin blossom from early '71 to the monster 45 minute version we're about to enjoy.Really enjoying Keith's arpeggiated chord work in the high register early in this Playin. Check it out. Slow day at work. Had a nasty head cold over the weekend so I missed the good weather. Im trying to break up this massive blockage in my head with some good dead music. That was a solid Playin. Loved Keith in that one. Lots of noodling during dead air in this show. And someone on the crew on a hot mic. Was following the thread over the past few days and bummed about the sniping, but that's the environment that's being encouraged from above, unfortunately. I'll leave it at that. Everybody's praying, and drinking that wine. Edit: Its not Keith on piano. Who is it? Its definitely not Pig.

That's a really nice ham you have there...

....it would be a shame if someone put an 's' at the front and an 'e' at the end.

Why do all hotdogs look the same?....

....because they are in bread.

And...

they blew the count on BIODTL

It's over

France in the Final! Dead content: none Stones content: Mick Jagger was attending the game, warming up for England - Croatia

4-8-71 Who's on Keys?

Ned Lagin plays the keyboards on this one.

Hippy Chic

I think it's "Cowboy Bob", but that's okay ;-) Here's a link: https://drive.google.com/open?id=1FtN9osrklpik4WmYtK1jsjiMiirpBf3k Sorry, I advertised this show and completely forgot to set up the link. Same to you Lightfoot. P.S. - if you could let me know if I just opened up access to my entire google drive, I'd appreciate it (wasn't my intention). If I did...please...just don't delete the porn. I don't care what happens to the rest of it, but leave the porn.

Thanks KeithFan

Downloaded and enjoying every minute of it. When I'm finished I'll give 4/8/71 a listen.

Bobby the Cowboy

This one is for you Hippy Chic.

Big Iron....

....my son has been on a Marty Robbins bender lately. Better than that dubstep crap he was listening to.

Re: KF - Google Drive

Hey KF, I was rummaging through all the detail on that link too. Many thanks man. I downloaded the show and it sounds great. I also think I accidentally downloaded some other random directory. In opening it I had to reset the password to see the contents and it appears to be all your Bitcoin data. Now.. I can't seem to remember the new password. Wow.. you had more than 6,500 Bitcoins. A lot, yes? Does anyone out there know how much that is worth and what I have to do to transfer these into things into Thunderbird wine, lottery tickets and Wallmart gift cards? Yes to Big Iron. I always liked Bobby's cover of this. Edit: Sweet. I'm going big and buying a modified pin-striped lime green hopped up turbo charged Gremlin. Thanks KF!

Big Iron Foot

Thanks Fourwinds that was sweet of you. I heard of Bobby and the Midnights but that was my first time listening. Began like Me and My Uncle it did! And what a handsome young devil our dear Bobby looks:)

07 10 70

This one is better

Lime Green Gremlin

I’m jealous.Although I would be tempted to trade it in for a purple AMC Pacer.

(No subject)

Turning pages....

....just ordered the new Stephen King book Outsider and Hunter S. Thompson's The Great Shark Hunt. On physical paper, cause reading books on a screen isn't the same. Not by a longshot. Halfway through Mother American Night. Liking it....purple AMC Pacer? I would drive it.

Today I Learned....

....that the interior of Jupiter is made up of liquid metallic hydrogen. Mind. Blown.

Woohoo!

Shipping notice for Anthem received! Sweet. New show on the way.Vguy-I just finished The Outsider. It's fun. Enjoy. HST is a favorite also. Great read. :o)

HDCD article: www.Stereophile.com

This is an old article, republished, with the people who came up with HDCD. If you have a cd player that has this built in you can hear the difference(s). This will explain, in detail, the whole HDCD process. Enjoy the interview article. Mr. Pete-------------> aging hippie

Emotiva CD-100 player plays HDCD discs..and everything else!

I do NOT work for Emotiva but they make very good products. If you are in the market for a cd replacement this model plays HDCD discs. It is priced around $300 which is not bad for a good quality cd player. So, if you have a LOT of dead HDCD's you might give this player some thought. They also make an audiophile cd player for twice the price. I am sure it is excellent...but worth twice the money??? If you have a good stereo you will notice a better sound quality. If you are depressed over the current political situation(s) this might help "snap" you out of your.....funk! Have a nice day. Mr. Pete----------> aging hippie

HDCD

Mr Pete A good way to check the difference between hdcd and none is the original vault 2 didn't have it and the 3 cd reissue does. The difference is readily apparent

D&C backyard BBQ

https://www.setlist.fm/setlist/dead-and-company/2018/unknown-venue-holl…

Me and My Uncle ~ Werewolves of London \ ++* /

Me and My Uncle ~ 7.21.72 ~ Paramount Northwest Theatre ~ Seattle, Washington One of my favorites Werewolves of London ~ 4.19.78 ~ Vet's Memorial Auditorium ~ Columbus, Ohio During drums the band is prepping for the encore with a few wolf howls Hey daverock, World Cup , I'm pulling for England, at the start of tourney the three teams I was expecting to see near the end and rated as best were England, France, Brasil. Harry Kane is a top tier player in this tournament and I expect him to be the difference in today's match. Overall, a lot of the matches have been entertaining , but I feel this has been one of the weaker World Cups. The national teams seem like junior varsity compared to what they have been in previous tournaments

Vguy and Kurt V

Kurt V is/was one of if not the favorite author of this aging freak. The respect is still there but I found a few years ago when I was going to reread all his books that I read years ago I couldn't do it. His cynacism and irory is so depressing I just couldn't do it. Mother Night's a good example. Have you read Player Piano? His 1st and to me his best and so true. It's funny nowadays I read nonfiction I read a 3 vol history of the 3rd Reich but can't read Slaughterhouse Five As far as real books vs kindle hands down I prefer books. The tactile effect, the photos maps etc.

07 11 00

PHISH, TUESDAY 07/11/2000 DEER CREEK MUSIC CENTER Noblesville, IN SET 1: Ya Mar, The Moma Dance, Uncle Pen, Drowned, Chalk Dust Torture Reprise > Chalk Dust Torture, Theme From the Bottom > Cavern SET 2: Also Sprach Zarathustra > Down with Disease -> Moby Dick > Down with Disease > Runaway Jim -> Moby Dick, Back on the Train -> Moby Dick > Back on the Train, Harry Hood > Moby Dick, Hold Your Head Up > Terrapin > Hold Your Head Up > Moby Dick[1] > Hold Your Head Up, Character Zero ENCORE: First Tube > Moby Dick > Chalk Dust Torture Reprise [1] Trey on drums and Fish on vacuum. In keeping with the theme of the second set, Hood included a Moby Dick tease. Trey introduced Fish as “Russell Crowe” during Terrapin. The Moby Dick inside of the HYHU jam featured Trey on drums and Fish on vacuum. The Chalk Dust Reprise was akin to the version last played on December 10, 1994 (391 shows), with the band singing the words “Chalk Dust Torture” over varied music. At the end of the encore, Trey joked that, if anyone missed anything, they should read the book or see the movie. Prior to this show, Moby Dick had not been played since November 29, 1997 (172 shows).

Jerry Garcia Interview "The History of Rock 'N' Roll"

Flashback!: https://www.youtube.com/watch?v=NVkkbJ_KI2Y For the first 46 minutes of this 52 minute clip, Jerry delights us, well he delighted me, with his views of music and about at the 46 minute mark, "LATVALA COMES ALIVE" Dick Latvala gives us a mini tour of the Grateful Dead vault back when everything was either at the Front Street site or at Bel Marin Keys, and Jerry's vault was still residing with the rest of the Grateful Dead and solo projects vault.

Luke Walton

There is an article on ESPN about the behind the scenes stuff surrounding LeBron James and the Lakers...this part made me chuckle: Luke's father, Bill Walton, would call him from a Grateful Dead concert to help celebrate. "Yeah, and he had [drummer] Mickey Hart in the background yelling at me that, 'The rhythm is the answer to everything in life,'" Luke Walton said with a laugh. "So once I figure out what that means, we'll be good."

thank you BCE

so good to hear and see ol' Jer again. and remember: "Latvala!"

redone Yellow Submarine film coming to Seattle this weekend

5 day engagement. I am there!

Speaking of venues

A cool article on the going on 5 year old SF Jazz Center. Quite a place. Anything that touches on jazz or is somehow related fits the bill. David Grisman and Taj Majal among the upcoming artists there this summer. Says it has 95% occupancy with many sold old shows, and over 470 performances per year. I gotta get down there more often. Great to see this thriving in today's music (ahem) environment. https://www.sfgate.com/music/article/SFJazz-hits-high-note-at-5-year-ma…

box set #'s

I have pre-order most of the box sets. Did not get Fillmore, E72, (was sent download files) and the first Spring 90 box. Had SBDs of Fillmore and '90 so I didn't feel the need. Anyway, I just re-ordered 7/78. My pre-order set was numbered 12568, the re-order was 4482. seems strange?

Re: Seems Strange

These things probably come boxed on a big palate.. and even if they are arranged numerically when they first set foot in the US, they get unboxed, taken off the palate and put on shelves in a warehouse in whatever order they are unpacked. Then as the shelf size shrinks.. they probably get moved at least once to make room for more material. Long story short.. it would cost money to keep them in any kind of order throughout the entire process and they would get exactly zero for the extra effort. Have you ever tried to put something in order with a run size of 18k? Reminds me of two accounting concepts LIFO and FIFO. LIFO is Last In First Out.. like if you are restacking something with a long shelf life or moving gravel (or perhaps big stacks of CD sets). FIFO is First In First Out, good for perishables or something with a shelf life. Makes perfect sense to me, simple economics. Way to go staying up on July 78. Great box.

World Cup-mbarilla-Winterland 73

Yes, England seem to be doing alright. I am not a big football fan, but I have been watching the odd game-with the sound down and some music playing in the background. England seem workmanlike, rather than inspired, from what I have seen. I watched France and Belgium last night, and France looked a lot more skilful-though I wasn't so keen on all the diving they did, pretending to be tripped up when they hadn't been. Brazil were the worst in this respect. I was glad to see the back of them. Last night I was listening to 10th November 1973-the Playing-Uncle Johns-Morning Dew-Uncle Johns-Playing jam. What an exceptional piece of music. Its not the best time to say it, but I've always enjoyed 1972 versions of Playing more than those from subsequent years. They just feel so energetic and exploratory-a raging storm. But that 1973 version is beautiful-its restrained compared to ones from 72, but its so calm and dreamlike, as I said on the other board. Every member of the band plays in perfect response to everyone else. I don't think I've ever enjoyed it as much as I did last night. Anyway, I'm off-its kick off time in a minute.

@Daverock

England off to a good start...5 minutes in, killer free kick!

Re: England

I am finding it hard not to get sucked into this game.. but I'd rather be outside. Ok..... just five more minutes.

England

Such a typical England performance - snatching defeat from the jaws of victory. So often they play so poorly it beggars belief, and tonight was such a performance. People cannot imagine how stressful it is being an England supporter. It is not for nothing that the most common songs to hear on the terraces during and England game are "The great escape" and "Mission impossible". Four more years.

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