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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • hendrixfreak
    Joined:
    Does anyone know how to ...
    convert a jpg or pdf for posting here? You can PM me or make it public. I've got two pics from Playin', end of first set, 28 July 1973, and a pdf of a front page newspaper that will show the extent of the crowd and reveal how close I was. Stories in 5, 4, 3, 2, 1...
  • Gary Farseer
    Joined:
    Thanks
    Great story and great pics. Monarda it is. Lear something new. We are having the weirdest summer ever. Lows in the mid 60's. Raining like crazy. What I save on the utility bill for a/c I spend in gas to mow the lawn.
  • dmcvt
    Joined:
    WG summer jam (long!)
    hendrixfreak, i can't wait any longer, looking forward to your stuff Wordy feels-like travelogue ahead, “bear” with me. Promise not to do it again. Editing this to 11.10.73 PITB> At the appointed hour… 45 years ago, right about now, about 200 miles west of here, near a racetrack, this music. (most interested to read others accounts… how much did I forget or make up…) Three of us took off from central Maine Thursday July 26 mid-day, old Volvo, scenic route across New Hampshire and Vermont.. It would be a ten hour plus run, never mind whatever we ran into on site, so we decided to split it in two, take time to stop and smell the roses, CKR. Anyone exploring central New Hampshire should enjoy the east-west Kancamagus Highway through the central White Mountains, long as your brakes are good. Figured to get there early Friday as we had an inkling things would get crazy, though we had purchased tickets. Two of us college boys ran the campus radio station, we had news off the AP wire and from friends it would likely bust out. Fan of The Dead for five years by then, but first my show came just four months earlier in Baltimore. Not old enough (parents forbid) Woodstock, largest event before Summer Jam was Concert For Bangladesh at MSG summer 1971. This would be big. We listened to cassettes on the way, especially various ABB and the original Europe 72. CDs would not appear for almost ten years. Don’t recall exactly where we camped out Thursday night, somewhere north of Saratoga Springs in the Adirondacks. Besides camping gear, we had a big cooler packed with home-made gazpacho, sandwiches & beer. As noted previously, the dark ages of beer, or maybe the age of dark beer… already snotty snobs about Bud Miller Coors, Ballantine IPA was barely drinkable, about the most exotic thing we could find being Carlsburg Elephant or Spaten Oktoberfest. Next morning we broke camp quickly, provisioned around Saratoga, made the run to the track asap. We were on schedule, goal was to be situated on site for lunch with enhancements. Like the antique cigarette tin box loaded with fine Columbian fatties (nickname of CKR/seeker). No trouble getting close late Friday morning, parked maybe a third mile away from entrance, spot selected for quick egress. Lots of people around, short lines getting in, plenty of room mid field, excitement and anticipation. Quite the scene walking in from parking to gate, many people just hanging out, vendors for about whatever you might want, setting up shop, free floating. Very relaxed, sunny and getting hot. No hustling to get inside. They were taking tickets at the gate, not yet declared free, things were organized. We strolled down towards the stage, past long rows of porta-potties and pallets stacked with gallon water jugs which early on defined the edges of what space they thought they needed. Hah! Most all the way down in front of the stage, we realized it was up in the air some 10-12 feet, we could not see half way back into mid stage. Eased our way back towards and just short of the sound tent on stilts… set our spot just right of dead center forward. Spent the rest of afternoon blissfully hanging out, wandering around, checking the scene, where you from, folks from all over, more and more people all the time. We had space for our small tent and room around it, we spread out a bit. Slowly but surely everything filled up around us, what that would mean later on. Many rumors circulated early afternoon as to some kind of music that night. Heard stories about the soundcheck being planned, or decided when they realized how many people were there, can’t tell other than there was a very high level of expectation, something would happen. They knew it too. Roadies messed around with stage stuff a lot, re- positioning and finishing touches on equipment, mikes tested, then they would vanish for a break back stage… amps were left on. Someone would play, at least a local/regional band. Time out for images… have seen a bunch of different stuff but found a collection on flikr by Grant Gouldon many of which were taken from very close to where we landed Friday. Like if he had turned a slightly different way, there we were. Thanks Grant. Will publish a link here because simple search will open it up anyway, hope this is OK https://www.flickr.com/photos/grantdabassman/sets/72157603224730871/ Somewhere along into early evening there was a flurry of activity… The Band came out and Robbie Robertson leaned into a mike, “do you mind if we tune up a little”. Roar approval, he seemed a bit goofy/tipsy. Started off with The Night they Drove Old Dixie Down. There was a confederate flag unfurled behind them, iirc. A slightly different world back then. They played for maybe 30 minutes, left the stage. People were breaking out their goodies, chowing down, biggest picnic I ever seen. Flow of inbound people looking for spots had just about stopped, didn’t seem to be much room anymore and moving around was a bit chaotic, a few clear paths. Little more time passed then ABB came out, they looked a little tenuous and played briefly, just a couple few songs iirc. If you don’t know iirc, it means I could be making all this up, but don’t think so. Didn’t seem to me that they played long, not for more than 25-30 minutes.They took off and then things went quiet for a while, people got up and moved around though we saw activity on stage, fingers crossed, they were dead roadies. Still plenty daylight, just starting to fade, almost 8 pm or so. The Dead came out to whistles and cheers, they began fiddling with their stuff. IIRC, vivid memory, Jerry walked right out to the front edge of the stage (precarious) and looked around for what seemed like several minutes scanning/surfing the crowd. Folks called out to him of course. He made eye contact with dozens and dozens of people, nodding his head, picking up the scene. Shook his head as he moved back as if to say, woah, just look at all these people out there. They launched into Promised Land, horrible thin audio. Took first part of that tune to dial it in, no Phil in the mix for a minute. By the time they hit Bird Song, everyone was up and dancing. To date, one of my all time favorite Bird Songs even if you had to be there. A great jazzy feel. My recollection was more better music as it got darker and darker. Two solid sets, they finished around 11 pm. The jam was clearly a special departure. We knew they were deep into it, Phil said a couple times, “remember this is just a soundcheck”. Or maybe there was an echo. We were in an afterglow somewhere way north of midnight. The aftermusic scene down front was wild enough to keep going for a while. About as perfect a day as imaginable for this music punk. Saturday was a let down for me after such a day… hate to say, you’ll see. By late morning our position was being overrun with a crush of humanity, we kept shrinking the footprint to no avail. Getting around anywhere about impossible, first time I ever felt a little claustrophobic… no fear, just no room to breathe… you about had to walk over or on top of many many people, relaxed but way crowded. Maybe the bourbon from the day before had gotten to me… We stuck around for the first dead set, however it became more obvious serious storms were headed that way. Great music, maybe not quite the equal to the previous night, we did not want to leave, but…. Plus it was hot, sun seriously beating down, dark roast, powering up the incoming front. Not like we would ever find another decent spot walking out of the sea of humanity. We could not believe the number of people. We had considered how much more we might endure, our provisions were ok to marginal, we just decided to get the heck out of there. Hard to believe perhaps but elbow to elbow going into bad weather and once it hit, felt we would be stuck among potentially tens of thousands seeking shelter, trying to leave or get back to their cars at the same time… spelling chaos. We headed out reluctantly and made it back to the car just as the first big fat raindrops fell… then held back briefly enough to think we were crazy to leave, before the total downpour. We sailed out easily, wipers on high. So grateful to have been there Friday. Sincere thanks to dead.net and archive.org for providing us with all this wonderful music and a place to discuss it.
  • dmcvt
    Joined:
    red budded? hhmmmmm
    so this time of year... Monarda? hummers here love Monarda ceptin' deer got much of it first... so very fragrant when leaves crushed, like a minty basil aromatic some of those cute fauna eat way too many things intended for food or visual pleasures i offer a free, all expenses paid trip via a havahart trap for chipmunks to the local state park
  • hendrixfreak
    Joined:
    Not even at Gitmo ...
    do they force 'em to listen to Justin Bieber! Okay, I'm making a liquor store run, then gonna do some ramblin' here. Back in a few.
  • Gary Farseer
    Joined:
    The Wheel Is Turning
    I sit in my fun room looking out the window. Yes yes when the family migrated from Europe to found this country they cleared and blasted their way through the wilderness, practically hunting the pests into extinction. Now the pendulum has swung the other way with the environmentalists. As I stare out the window, wheels spinning in my head, I look out on this rejuvenated nature. Last year, a young red tailed hawk matured in the trees in my back yard. Now I am looking out at what looks like 10-12 youngins. Just 10 feet away, there is a baby rabbit gnawing on some clover. Little does the rabbit realize that in just a few months he will be lunch for one of these red tails. Precious! Also, have a few hummingbirds feasting on the nectar of some red budded plant. They are literally just 5 feet from me, if they only knew...
  • Gary Farseer
    Joined:
    Love it Love it
    When the warmth of my medicine kicks in. Mmmmm
  • bob t
    Joined:
    Keith Fan and Vault tapes
    I remember reading once that Bill K had listened to the 9/14/74 Munich show and being excited how well it sounded... around the time of the Winterland October 74 shows...
  • bob t
    Joined:
    Dave's arrived today
    Wasn't suppose to arrive until Monday!!!
  • simonrob
    Joined:
    Fake news...
    Hendrixfreak - guilty as charged. Sentence: 120 hours of continuous forced listening to Justin Bieber and Rick Astley. But seriously, I (and many others) wanna hear your stories.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Greetings GD Community. Apologies to all for the interruption to this board. I am requesting some help for some information from a previous post in this board. I believe that someone posted a comment to this board recently and included that they were a Sandy Denny fan. I have searched and searched the posts for the past several days and I cannot locate it. Perhaps, I never saw this. Or never saw it here. Well, I thought I would ask for some help from you all. If there is anyone that noticed that post and can help me locate it, or perhaps the person who posted it, would you please be able to PM with that information? It would be much appreciated. I thank you all for your time in reading this message. Again, my apologies for the interruption to the discussions. Hope everyone has a beautiful day. Regards
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PHISH, MONDAY 07/12/1999 TWEETER CENTER Mansfield, MA Soundcheck: My Best Friend's Girlfriend, Centerfold, Dream On, Rift SET 1: Foreplay/Long Time[1] > Down with Disease, Back on the Train, What's the Use?, Split Open and Melt, Water in the Sky > Character Zero SET 2: Twist > The Moma Dance > Makisupa Policeman > David Bowie, The Lizards, Guyute ENCORE: Rock and Roll [1] First Phish electric version. Foreplay/Long Time was played for the first time since December 9, 1994 (310 shows) and was the first time Phish had ever performed it electric. Guyute was followed by band introductions, including Mike as "Michael Jordan" and "Air Jordan."
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Thanks for the recommendations, danc. I only really discovered King Crimson recently myself, and I have never heard many of the bands you mention. I will definitely do some exploring. Soft Machine are still touring, and are superb live. They are now led by Theo Travis on sax and John Etheridge on guitar. I also bought a cd by Ray Russell last year, called "Rites and Rituals" which is worth a listen. One new band I came across a few years ago, who play a very frenetic amalgamation of jazz and rock are Norways Elephant9. I saw them at the esteemed jazz venue, Ronnie Scotts, and they blew the roof off the joint. At the intermission, seasoned jazzers could be seen leaving the venue-and I overhead one pundit say-"You can't call THAT jazz!"-They were that good. As to the difference between prog and fusion...I'm not sure! I always think of prog as being more orchestrated-less improvisational and maybe more influenced by light European classical music. Fusion seems to stem from Bitches Brew. Although the free jazz movement of the early 60s is in there, too-Ornette Coleman, Sun Ra, John Coltrane. There were so many categories of music, all loosely played by so called "underground" bands in the early-mid 70s in Britain. Not only the above two, but also space rock-Hawkwind and Gong, heavy rock-Deep Purple and Black Sabbath, folk-Fairport Convention, Incredible String Band, blues-Rory Gallagher, The Groundhogs. None of these categories were recognised as such at the time, I don't think-but there was some great music being played across the spectrum. In about 1974, it all seemed to get very stale,though, and in 1976 we had the new, supposedly improved version of rock. Punk. That's one way of looking at it anyway!
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No disrespect meant Oroborous.. meant in a whimsical, alter ego way.. I'd expect the evil twin as having all the fun too.. think Dr. Evil.. not two horns, likes heat evil. Again.. said in jest, no disrespect meant.
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Deal's a deal.
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None taken me amigo, just messing around. In fact, I think I’m the one who started the “evil twin” thing : ) 4/27/71: that was fun, not sure I’ve ever heard any of that, especially The Beach Boys stuff. Great Lovelight.
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Hey Jim, think I saw him down by the corner taking to some a, “plus sized gal” something about the Brooklyn Bridge.....
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Oroboros.....another great story. Nothing tops the Dragon (Oroboros) story, but a Grate One all the same! Coincidentally, I have had Road Trips Volume 2, No. 3 downloaded on my phone, and therefore on regular rotation lately. Only problem is that it's only a partial show. Does anyone have a complete SBD of this show? If so, I would sure appreciate a copy....I have checked my files and can't find one. One thing......since the statute of limitations is past, how about that side story? (you mentioned you would only focus on the show story). You're such a good story teller, I have a feeling it's probably entertaining! Do tell!! Edit: An SBD of that Allman Bros show from KC in 74 would also be sweet!!! I wonder if that exists somewhere?
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Can't escape the uniqueness of this set... jam>drums>jam>jack a roe.. playing in the band>shakedown street>if i had the world to give>playing in the band>around and around... the 10 minute jam to start set 2 is unlike anything else they ever did!!! The If I Had the World to Give makes me have the same feeling as Comes a Time from 5/9/77 or Mission in the Rain from 6/29/76.. oh well. be good bob t
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CCR was my first "big" show. MSG in May 1970. CCR was one of the top bands at the time and they were great! John Fogarty is an awesome song writer & performer. Booker T and the MG's opened. Green Onions & Time is Tight! Yeah baby. I have seen CSN, CN, SY and S solo. I think Stills is my fave. A local record shop has a boot of Stills playing w/ the GD at the Thelma, I think it is the nite before DaP10, 12/11/69. I am sorely tempted to pull the trigger on that one even though I usually do not buy unauthorized boots. Rock on
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You are correct hbob.. 12/10/69, Thelma. I've got it.. check your PM I'm happy to share. He also played with them on 4/16/83 at the Brendon Byrne Arena in NJ. Black Queen both nights. Rumor has it they made a giant series of lines on a mirror backstage that read Stephen Stills and gave it to him. Bet he didn't sleep well that night. When I was in college I had this short gig DJ'ing for the new (at the time) college radio station. I just played my tapes until I sort of ran out of new ones to play. I'd bet what I was doing was not quite legal.. and before Gan's The Grateful Dead Hour, but no one seemed to care enough to complain. I played that Brendon Byrne show and got my one and only phone call.. "Who's that singing Black Queen?" Pirate radio at it's finest.
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CCR were great-but I never really got into CSNY. I was put off by their appearance in the film of Woodstock. I was about 18 when I saw it and liked a bit more oomph with my music. So at Woodstock the music I liked most was Jimi Hendrix, Ten Years After and The Who. I thought Santana was pretty good, too. I used to like "If Only I Could Remember My Name",-the David Crosby solo album featuring members of The Dead. I haven't played it in years, though.
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i have 'ladies and gentlemen' but that is a compilation of a few dates. i'm listening to the archives now - is there a way to download the whole 4/29/71 concert, rather than just stream it? thanks!
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i have 'ladies and gentlemen' but that is a compilation of a few dates. i'm listening to the archives now - is there a way to download the whole 4/29/71 concert, rather than just stream it? thanks!
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7/13/84 greek would be great, or even a 84 greek box set down the road ??
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Hey gang! I took a day off from this board and holly smokes, you folks have been active!Caught Neil Young last night...great show! Currently listening to September '74 from TTATS.
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today I was out uber eats driving. I get a call to go to Aurora/Hwy 99. I put in Deep Purple live in Japan 1972. "Highway Star" plays. I see the sign southbound 99 that declares it a "Blue Star Memorial Highway." immediately to the right of the blue star in the rectangle it says "Star Highway." "just as plain as day, it could not be denied" interesting, if nothing else.
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11/20/78 GDH 406 If this show existed in better quality you know it'd be Normanized by now. While you compare the IIHTWTG to the Comes A Time from 5/9/77 it takes me to Comes A Time from 5/4/77, the Mission from 6/29/76 has no comparison IMO.
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Bolo that was great - the only cure for our affliction is more shows. That is about the size of things isn't it. I thought this was a great statement too: "I walked out of Winterland half-expecting to find a different planet on the other side of the door". I've been blown away by a couple of bands like that. I didn't realize you were that.... you know, I didn't realize your Grateful Dead experience went back to.....that's great you got to see them before the hiatus. Really cool. I would love to hear more about it some time. Hiatus. HiATEus. Hi-ate-us. Funny word, hiatus. Anyway, I didn't have enough time to listen to the whole thing last night, so I'm finishing it right now. I'm in the middle of the Playing in the Band medley, and completely forgot there's a Morning Dew in there. Imagine my delight when I heard the opening chords. 1973 and 1974 I think of my favorite year for that song. I really did Keith's piano. I'm not sure if that was Erik or Jenn, but I concur. 30 Trips 1974 kicks ass. That Lemieux knows how to pick them. Awesome UJB opener, one of my favs. Coincidentally, there's been some talk about the Fillmore East shows from April 71. That was the first version of Uncle John's Band I ever heard, and I still think it's the best one. The only disclaimer I put on that statement is that I'm talking about the core song and not any of the extended jamming that took place as the song developed over the years. But yeah, 30 trips 1974, great show, great sound for 1974 too. I was just listening to that one the other day in the car. I do a little cherry picking of the super good songs when I'm in the car. Really enjoyed the Jack Straw, Peggy-O, Me & My Uncle, Eyes Of The World, Truckin' and Caution Jam. It's kind of funny. My doctor told me I've got some hearing loss in the mid-range. I'm thinking yeah it's those Wall of Sound shows doing that.
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Lot of great songs.But the ~16 minute Heard It Through The Grapevine is my favorite. I had it on cassette in the 80’s. It was on CD in the early 90’s but it seems to be out of print. I bought the vinyl recently and the Grapevine was trimmed down to ~3 minutes, cuts out just as the jam is about to begin.
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I just realize that you were talking about Crosby Stills Nash and sometimes Young all this time. I've seen: CSN X2, CN, Nash, and NY ×10?
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...this performance was really one of there early performances in playing to a large crowd if my memory serves me right... Here’s some info ——“Scared Shitless ” is not a phrase I would associate with the heaven sent quartet Crosby, Stills, Nash, and Young, but if my second performance with my band was at Woodstock, I’m sure I would be able to relate. The group formed in 1968 after the fracturing of bands The Hollies, The Byrds, and Buffalo Springfield. The initial lineup consisted of only Crosby, Stills, and Nash, and the band needed more personnel in order to tour, as Steven Stills was responsible for most of the instrumentals. The trio finally settled with Neil Young. Their second concert together was none other than Woodstock 1969. Crosby, Stills, Nash, and Young had played only one previous show together prior to Woodstock, and although each member was an experienced musician, the lack of playing together resulted in the band being incredibly nervous. The set included acoustic performances of songs from the first album released without Young, who came out and played as a duo with Stills. They were announced as their former band Buffalo Springfield, although the actual Buffalo Springfield had since disintegrated. After their sink or swim induction into the rock and roll world at Woodstock, they followed up with their first release as a quartet titled “Deja Vu ” which topped the charts and produced three hit singles. Soon after, a hasty move by Young to release his single “Ohio ” dissolved the band ‘s relationship and the band began shifting between releases as a trio and a quartet. As a band, they were never able to recapture the esteem and momentum that they originally possessed. Over the years the band was mainly comprised of different combinations of Crosby, Stills, and Nash, while Young spent most of his time touring with his other backup band Crazy Horse and being at odds with Stephen Stills. After David Crosby ‘s wild ride with drug and firearm charges, Young rejoined the band briefly and they released the album “American Dream ” in 1988 which did make it to number 16 on the charts, but received poor reviews from critics. Young refused to tour on the album and the band would not tour together again until 2006. Their “Freedom of Speech ” tour was launched in support of Young ‘s album “Living With War ” and included new protest songs as well as songs from Stills’ latent release titled “Man Alive “. Crosby, Stills, Nash, and Young have always been known for their activism as well as their anti-war mentality. Like many other artists involved with Woodstock, they are again emerging as musicians with a voice who vocalize dissatisfaction with the country ‘s current state of affairs. Crosby, Stills, and Nash were most recently on the Colbert Report where they performed their famous song “Teach Your Children ” from the “Deja Vu ” album. CSNY later went on to record Joni Mitchell’s song “Woodstock”. The song rose up the charts quickly lead by the vocals of Stephen Stills, and instantly became the most recognizable song about the Woodstock festival.
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17 years 4 months
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....complete band twice. NY solo twice. That's it.
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17 years 4 months
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Think it was 4/16 Black Queen and 4/17 Love the one your with. (Would have to look up?)Had great tape of that and some bastard stole it, probably that MDJim... Definetly check out the Love the one your with, Phil brings the roof down! Edit: Steve sounds like he did that whole Mirror!
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17 years 4 months
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Hey Vguy where’s our joke today? “Dear Mr Vguy, send us a joke Something to make us all happy You are the one who makes us all glad Tell a joke, play guitar, make it snappy”
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11 years 3 months
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CSN & Woodstock was one of the answers tonight on Jepardy.Just sayin'... :o)
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12 years 11 months
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All but the last CCR album have been remastered and re-released with bonus tracks: outtakes and live cuts. 'Grapevine' clocks in at 11:03 on 'Cosmo's Factory', and the entire album sans bonus tracks clocks in at 42:25. Since most albums were 18-22 mins. per side I don't think this is an edited version. Was it a live version you're speaking of?
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17 years 4 months
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Bobt; sounds like another bueat to check out eh! CSNY; used do GDized versions of Wooden Ships and Almost cut my hair back in the day.... “Like looking in the mirror and seeing a po-leece car” But I’m gonna let my freak flag fly! Yeah baby! Sheeeee-itt! T-minus 28 hours and 45 minutes or so....?, (Hey, there rock stars!) Until shhhhoooowwww time! Can not wait to hear some live music, sweet, sweet, music Hope it doesn’t rain the whole weekend? Murphy’s law, dry as Haiti’s all dam summer, but this will be the weekend the Monsoons start. Oh well, that's why God created Gortex.... no such thing as bad weather, just bad gear eh! Edit; can’t believe no one commented on my 7/9/95 story. Not as good as the Dragon, or Historic 73 shows I know, but.......crickets!!! Tough Crowd! Need Vguy to warm the place up... Swear to The Gods, true story, I literally came feet away from smashing into Jerry at full tilt boogie, 6’2”, 200 hundred plus, you do the math.....
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9 years
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Chronicle: 20 Greatest HitsThat was the cassette tape, I was guessing about the length of Grapevine since I had the cassette in the 80’s. I recently bought the vinyl and Grapevine is 3:52.
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13 years
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Not only GD's last performance at the Fillmore East but also the last performance of 'Alligator'.
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9 years
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Just tracked it down, Grapevine is the album version at 11:04. So, how about some live CCR official releases? I love the Fogerty part of 11-3-91 with GD as his backing band.
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17 years 4 months
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....when I noticed a small man shimmying down a rope along the outside prison wall. I thought to myself, "well, that's a little condescending."
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17 years 4 months
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Niiiiiccce, thank you sir, I now can retire for the day satiated...
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11 years 4 months
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... if they made DaP27 a show adjacent to one of the box set shows? Say, 5/25/74 Santa Barbara, which is a great show despite no Other One/Dark Star? Sneaky pranksters.... Rationale: Apart from making September a 73/74-fest, they might predict that it would create more demand for the 73/74 box, since they've already done the initial push and some may be on the fence. Folks might get DaP27 and decide to pull the trigger on 6 more just like it. Yes you could argue it would cannibalize sales, but again the initial sales rush is over and now it's a matter of converting those who decided to pass on it for now. That would be something. That really would be something. Or Gainesville...
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17 years 4 months
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.... working on finding the groove. Trey looks like a ginger Joey Ramone. Seen it before, but a welcome sight. Been re-loving the recent JGB Hawaii release lately. And when I say lately, I mean now.
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7 years 8 months
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I know, isn't that just a bit too many toppings on the cake? That's howthey billed it. Friends were like, "is Dean going to play all Dead covers?" No. He didn't. Just drove home from there, hella fast with that remastered "Appetite" guiding my way. Living in a big city, well, semi-big (Denver), one knows how to get around. Cops have real crime to fight and they rarely give a shit about some white boy in a Hyundai with clear windows speeding five over and jamming the rock n' roll. The theater was just part of the local hype for the next two nights at Folsom Field. Last shows of the tour, folks. Dean Ween was uneven, but gave it the old college try as he does. We did a blaster for the road and high-tailed it out of there before the encore. We know folks there and got heavy pours and discounts all night. Buy $100 worth of booze, get charged $20, tip your bartender $80. Hey, I can play this game. I'm really looking forward to Friday and Saturday. The last shows of the tour in rock and roll, well, hard rock anyway, were always known for craziness and hi-jinks. We'll see what the geezers have up their sleeve. At least Sharon Osbourne isn't involved. Iron Maiden, anyone? God bless everyone. See you at Folsom! The weather shall be perfect.
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15 years 11 months
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Noticing that disc 4, has only 20 minutes of music listed. Wondering/hoping if/for a hidden track. I know they have placed a few hidden gems on previous releases. while not from the era , but area.Think its 6/12/80 with Scarlet>Fire from Portand would be nice. Mount St Helens erupts, or some Phil and Ned. seems like awhile from last DVD release.
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17 years 4 months
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“T-minus 12 hours and counting until liftoff” wooooooohoooo!!!We’ll be in the back, can’t miss us. WEEN “ my dinners on fire while she watches TV......”
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7 years 2 months
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PHISH, WEDNESDAY 07/13/1994 BIG BIRCH CONCERT PAVILION Patterson, NY SET 1: Buried Alive > Poor Heart > Sample in a Jar, Foam, The Mango Song, Down with Disease > Fee[1] -> It's Ice > Fast Enough for You, I Didn't Know[2], Split Open and Melt SET 2: Possum, Cavern -> Wilson[3] -> Cavern > NICU -> Tweezer -> Julius -> Tweezer -> Big Black Furry Creature from Mars[4] -> Tweezer -> Mound > Slave to the Traffic Light > Suzy Greenberg ENCORE: My Sweet One > Tweezer Reprise [1] Trey sang verses through megaphone. [2] Fish on trombone. [3] Played to the tune of Cavern. [4] Unfinished; Played bluegrass style to the tune of Scent of a Mule. Trey sang the verses of Fee through a megaphone. I Didn't Know featured Fish on trombone. Wilson was played to the tune of Cavern. Tweezer contained Woody Woodpecker theme, I Wish, and I Know a Little teases. BBFCFM was unfinished and played bluegrass style to the tune of Scent of a Mule. Trey teased Slave throughout Suzy Greenberg.
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8 years 3 months
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There is a live CCR release, compiled from a European tour they did in 71. Its not titled 'Europe 71' but it should have been :) It has a nice jammy 13 min version of 'Keep on Chooglin'. I'm not sure what chooglin is exactly, but John Fogerty makes it sound like a lot of fun. Love CCR. Fogerty is one of the great rock n roll songwriters of all time.
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17 years 4 months
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....the new Cowboy Junkies record All That Reckoning dropped today. Just a friendly public service reminder. As you were.
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10 years 3 months
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Going with choice selections from DP 28 Feb '73. Great Cold Rain & Snow. Fantastic GSET, but the Louie Louie riff Phil plays before it starts drives me nuts every time. I always want them to play the whole song. Also has one of those slow slinky Loose Lucy's. And of course Dark Star. What's everyone else listening to? wissonomingdeadhead - I saw that you listed yes as your favorite studio album band. I'm a huge fan as well. I started buying those 5.1 surround sound Steve Wilson remasters, and they're fantastic. Tales From topographic oceans never sounded better than this. Of all their Studio records that one in its original pressing was always a little disappointing from a Sonic standpoint. It was as though I could never turn the treble up high enough to hear the drums well. Everything was just kind of muffled and muted or something. Not anymore! Did you also pick any of those up? Shirdeep - you seem to have a huge collection of old Grateful Dead pictures. Do you have any Keith pictures? Doing a Google search doesn't really get you too many of him.
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17 years 4 months
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Hey! Where the heck is DaL with his seaside chat?We are only 2 wks away from launch Rock on
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