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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • NCDead
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    AOTS
    Looks like my AOTS 50th is sitting on my door step. I do not remember getting fast shipment on this maybe they finally realized smart-post is a horrible service.
  • Vguy72
    Joined:
    Getting familiar with the Junkies....
    https://youtu.be/N3TVgEpMyhI.... nothing like the present!
  • Vguy72
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    Junkies live....
    ....I've seen them three times. Only once in Vegas. The audience was pretty rowdy. They haven't been back since. Twice in California.
  • Across the Rio
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    Duke City
    Yes Strider, that wind before the ABQ show was crazy. Never had a wind delay before, and it really made a mess of the entrance. Was just walking through the gates when Halfstep started and made it to our seats just in time for across the rio grandio. My wife was wowed by Meyer and how he fit with the group. She was not wowed with how they slowed down Johnny B Good compared to the old days ("That must have been Bobby's decision" she said, "John should have taken over like he did on Uncle John's Band"). Was pretty confident they would open with Halfstep about a mile from the rio, having looked at the last 6 show lists, it was one of the best choices not played recently to open and boy did it fit the locale. Good show, but not as good as either of last years shows I saw in Boulder (I think, about the same as the first night).
  • DaveStrang
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    C. Junkies
    Same here - I've loved 'em since Trinity Session and onward. I've never had the chance to see them live, you?
  • Oroboros
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    My evil twin Oroborous reminded I promised a story, and it
    relates to the Dead era of this upcoming box set release, however this location was the midwest, instead of the northwest. But still 1974. This was my first show and it was on 6-16-74 in Des Moines, Iowa. This was a musical road-trip starting in Lincoln NE and four of us traveled down to Kansas City's Arrowhead Stadium on Friday night (6-14-74) to see the Allman Bros. Band. That was quite a hot show and ABB were loud and the guitar work on their raucous blues and rock was stratospheric. We got up early and were travelling in my convertible VW bug (top down) and took country roads back up to the Des Moines Fairground. Yes, back roads because we were not fit to drive on the interstate (nor the highways) with regular citizens, but staying on those gravel roads with occasional stops for exploration fit the bill in our crazed state. These were the 70's I remind you, so this era commanded a sort of reckless abandon. And we answered the call, but were unprepared for the aural adventure on tap in Des Moines. I recall our tickets to see the Grateful Dead ($3.75?) said the show starts at 1:00 on Sunday. This would be quite a treat, as I had never seen the Dead before, but I had listened avidly to Europe 72, Skeleton & Roses (Skullfuck), Workingman's Dead the new one Wake of the Flood. And the weather was wonderful as we traversed those back-roads, laughing, partying, and goofing to our hearts content. Needless to say the statutes of limitations have lapsed on that prankster period but I will stick to the show story as opposed to the side trip. We pulled into a campground and set up camp and as was our penchant 'back in the daze' began furiously rolling smoke-able party favors for the looming Dead show. The next day we arrived at the Des Moines State Fairground and it turned out to be a wonderful outdoor spot with the 'Wall of Sound' erected several hundred yards in front of the Fairgrounds covered grandstand. We were standing out front milling about, being part of the show and watching others do their part, frizbee, t-shirts (still have mine, a threadbare wonderful homemade "Garcia" image, not quite my size anymore ;o}), sales of various items and all of a sudden we hear a bullhorn announce "the show will start at 12:30." So we decide to head on in. I heard later they heard a storm was blowing into the plains so they started early to beat the rain. I never since saw or heard of an early start of a Dead show, have you? It is hard to describe how striking that 'Wall of sound" was sitting in front of us. It was simply immense. As you approached it, the massive assemblage of speakers seemed to grow outward and upward. So many stacks upon stacks. I thought the Allman Bros. sound system was loud 2 nights before but their system was absolutely dwarfed by this massive scaffolding & speaker construction. Crosby Stills Nash and Young's system wasn't even 1/2 this size and they blew our socks off. So what would this behemoth sound like? We all ran about in the crowd before the show started and there was a little stand for Rounder records with some miniature album covers advertising Jerry's new album (his second solo), a Kingfish album and the Grateful Dead's upcoming release "Mars Hotel". I marveled at the wonderful illustration of a seedy hotel on a Martian landscape for the new album. Ugly rumors indeed! Little did I understand what I was about to witness. Party favors circled about and the crowd swelled against that elevated stage in anticipation. The Dead had played here last summer and I had heard from my grinning buddies about the "double rainbow' that appeared on cue (as was so prone to happen at the Dead shows) during that show. The Dead ambled out to tune up. There is Keith on his grand piano, Billy at his drums in the middle under this cylindrical-suspended-speaker-section, Phil in his shades and a beard, and Bobby with a flannel shirt (to ward of the cool breeze blowing in). But who was that in a red 'Mars Academy' sweatshirt? It looks like a chubby Dustin Hoffman? No, it's JERRY! He shaved off his beard! He still had massive sideburns (ala the sixties). They tuned up and began playing and off we go-"Bertha" yes!!!!!!!!! and the crystalline sound of that system. Unbefuckiin'liveable, just off the charts, beefy bass, and loud!!!! I can hear everyone clearly...Weeee!!!! And the Grateful Dead took me on a journey, of Americana, country, space, rock, jam, fable, fun, roller coaster, and turn on a dime. An aural feast extraordinaire. That first set gifted me with my first Scarlet Begonias. When I first heard those shimmering leads and I first thought it was going to be China Cat Sunflower. No, it was a stand along Scarlet Begonias- from their new album (not yet released). A couple songs later after that was my first live China Cat> I know you Rider. Just exactly perfect. Mexicali-Blues, Row Jimmy, Around and Around and others were in that first set. Then the first set break. This was the old days and this was to be a 3 set show. We were terribly spoiled in those days, my friends. A bounty of riches that hazy overcast day in Iowa. Second set started with a US Blues and then The Race is On. However then the fabric of time slowed and expanded when an ethereal sounds of Eyes of the World soared out of that Wall of Sound. Garcia playing those 'catch me if you can' cascading leads, with Bobby's shimmering upstrokes in alternate rhythms, all the while Keith is playing the keys either in counterpoints or delicate mirrors to Jerry's leads. And Billy's effortless jazzy fills punctuating and driving the boys and Phil's bass dancing low and then those impossibly high bass notes. Bass leads, wait who has ever heard of bass leads? Then the Dead magically segued into Big River (a segue complete with a whiplash collar). This was a glorious Big River for us in the middle of the country right by the big river that Johnny Cash wrote about. Other tunes followed both old and new. This was stupefying, and after Donna joined the boys for Ship of Fools, then Phil delivered bass bombs during a staggering Playin' in the Band to end the second set. The sight of the wall of sound was remarkable but with this speaker construction of Owsley's, transformed Phil's bass notes into a pulsated sonic pressure right into my chest, sneaking into me physically and synchronizing with my breathing. I had to lean forward to not tumble over backwards. End of the second set. Whew... My mouth was hanging agape, I look to my buddies, and they stared wide-eyed back at me, grinning with anticipation. The Dead will be back for more? Another set? How much more can they show us? I thought that I am saturated, no more wonder will fill this cranium. My buddy who had been at last year's show smiles knowingly at me and then leans back to laugh with a Neal Cassady guffaw and we all break up giggling. Then yes, the Dead come out to astound us with more tales, mysteries, and celebrations,.... Set 3 Truckin'> Wharf Rat > Nobody's Fault Jam> Going Down The Road Feeling Bad and then we got an encore of Casey Jones. Aural delights that created a response with the crowd that would ebb and flow, an ocean of sound in Iowa, where the Dead would roll sound out at us and we would all respond with primal howls and cheers back at them, only to have them return with increased energy back to us in the next refrain. I really had no context for this experience. It was beyond belief........... Afterwards we all staggered back to the VW bug to make the trek home to Lincoln, Nebraska. What!! It is really 6:00 p.m.? How long did these guys play?!!!!!!!!!! How long indeed ;o} So my brothers (and sisters) that is how I got on the bus back in June of 1974. "Teachers open the door, but you must enter by yourself"
  • Vguy72
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    Junkies Nomad series....
    ....i own it. I own every Junkies release. Huge fan here.
  • DaveStrang
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    Vguy72/Cowboy Junkies
    Have you heard their 'Nomad' series? 4 individual self-releases all worthy of adding to your collection should you be inclined. They have a box set of the series (actually the size of GD's 'Ladies & Gentlemen'...) with a 5th CD of bonus tracks/outtakes.
  • DaveStrang
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    Joined:
    Another Harmless Joke?
    Deleted - in poor taste, not enough morning joe
  • KeithFan2112
    Joined:
    Morning commute / shirdeep question
    Going with choice selections from DP 28 Feb '73. Great Cold Rain & Snow. Fantastic GSET, but the Louie Louie riff Phil plays before it starts drives me nuts every time. I always want them to play the whole song. Also has one of those slow slinky Loose Lucy's. And of course Dark Star. What's everyone else listening to? wissonomingdeadhead - I saw that you listed yes as your favorite studio album band. I'm a huge fan as well. I started buying those 5.1 surround sound Steve Wilson remasters, and they're fantastic. Tales From topographic oceans never sounded better than this. Of all their Studio records that one in its original pressing was always a little disappointing from a Sonic standpoint. It was as though I could never turn the treble up high enough to hear the drums well. Everything was just kind of muffled and muted or something. Not anymore! Did you also pick any of those up? Shirdeep - you seem to have a huge collection of old Grateful Dead pictures. Do you have any Keith pictures? Doing a Google search doesn't really get you too many of him.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Have you heard their 'Nomad' series? 4 individual self-releases all worthy of adding to your collection should you be inclined. They have a box set of the series (actually the size of GD's 'Ladies & Gentlemen'...) with a 5th CD of bonus tracks/outtakes.
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Same here - I've loved 'em since Trinity Session and onward. I've never had the chance to see them live, you?
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Yes Strider, that wind before the ABQ show was crazy. Never had a wind delay before, and it really made a mess of the entrance. Was just walking through the gates when Halfstep started and made it to our seats just in time for across the rio grandio. My wife was wowed by Meyer and how he fit with the group. She was not wowed with how they slowed down Johnny B Good compared to the old days ("That must have been Bobby's decision" she said, "John should have taken over like he did on Uncle John's Band"). Was pretty confident they would open with Halfstep about a mile from the rio, having looked at the last 6 show lists, it was one of the best choices not played recently to open and boy did it fit the locale. Good show, but not as good as either of last years shows I saw in Boulder (I think, about the same as the first night).
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....I've seen them three times. Only once in Vegas. The audience was pretty rowdy. They haven't been back since. Twice in California.
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Appreciate the shout-outs for my recollection of my first show in 1974 (several pages back). That era of the Dead is so tasty, the band was so agile, and they were definitely firing on all engines. Keith's jazz leanings with his ragtime and swing were so fully realized with the band by this point. Since Mickey was gone and Billy fully took charge on drums, this left Keith with so much 'space' to punctuate and also counterpoint sonically with Jerry. Over the years we have seen how Jerry's response to those keyboard players provided such soaring jams, and the Keith era shares this hallowed ground. Bobby and Phil were game to follow (and lead) in this configuration of the Dead who reached deeply into their bag of tricks to delight and astound us nightly. While each line-up/era of the Dead is unique, (there really is no debate there) the Keith-era was/is a revelation. Thanks to my bizzaro-alter ego Oroborous (Oroboros with a U) for reminding me to share my story, and I echo his sentiment that these 'road tales' are great fun to share. Your posts give me a taste of a show and era I attended (or maybe missed out on). I am greatly appreciative of you heads after my avid touring slowed (once my children arrived in the early 80's) to 1 or 2 shows per year. You all stepped up to keep the circus on the road for us all, and that was key! Also quite enjoy the discussion of other bands (CSNY, Neil, CCR, etc.) whom I know and some others (Cowboy Junkies, etc.) I need to become more familiar with. Many props, brothers and sisters, keep the dialogue rolling and "at least I'll enjoy the ride". Teachers open the door, but you must enter by yourself.
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Looks like my AOTS 50th is sitting on my door step. I do not remember getting fast shipment on this maybe they finally realized smart-post is a horrible service.
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Place your final predictions folks. I'll go with 5/25/74 Santa Barbara CA as a complement to the 73/74 box.
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Monday July 16th 10AM PT Ok great news but what's the show? I'm going with 12/1/79.
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a date that shall live in joy :)))
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a few months ago I predicted 5/25/74 would be a DaP this year. It would be an "adjacent" show, like Thin hinted at. I place my bets on 5/25/74. 10 gold dollars on 5/25/74 to win
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I got Happy Trails on vinyl at an estate sale a few years back. tried it a few times, but it didn't do anything for me. I gave it a listen or two on vinyl recently (and is playing on youtube as I post). Pretty all right. a lysergic state of mind would probably help make it _awesome_ magnificent cover art
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9/14/90... I think they'll find a way to get this whole run out one day. Most have already been released either as a dicks pick or a road trips compilation but would love to see this one set free as well
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5/25/74 would be a great pick! My memory of listening to it is very well played with a lot of energy. It could use an upgrade compared to what's in circulation. The most recent pure soundboard of it on archive.org is an extremely ancient shnid of 2635. There is a more recent matrix that uses 2635. Hope 27 is 5/25.
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So my prediction is the same as many of you: 12/1/79. I have been listening to a lot of shows from 79 recently and this is one I am familiar with. I love the show so it would be cool if it was released. However I also like the 11/30/79 show from the night before so I would be a little bummed out if I didn't get both. Really though, I am going to be happy with whatever is released. With this Pacific Northwest box set coming out, the AOTS release on the way, and Real Gone Music re-releasing the Road Trips I am about to explode with joy. I skipped on some of the Road Trips so getting a chance to get those is great. The AOTS has the 67 show ,on the bonus disc, we are getting 6 complete shoes from this new box set so I it doesn't get much better than this. Yet it did because DaP 27 is looming. Good times!
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Rarely a prediction, most always a wish list. I wished for a Summer '73 box and got a piece of it on this upcoming box. On 30 Trips I wished for one show from each year, 1966-1975, and that was enough to pay for the whole enchilada. So, mere coincidence and I feel clairvoyant -- typical male... Okay, that said, I predict that deference to the tape stash enabled by ABCD Enterprises, DaP 27 will be in the 1971-1980 range. Over 2017-2018 we've rec'd some pretty sweet pickings. In my early years catching shows (1972-73) and in the DP and DaP release era, I'm a pre-hiatus man, though I caught several dozen shows in '76-'92. To review the past 6 releases: DaP 21: Ap '73, Boston DaP 22: Dec '71, NYC DaP 23: Jan '78, Eugene DaP 24: Aug '72, Berkeley DaP 25: Nov '77, Binghamton DaP 26: Nov '71, Albuquerque; Dec '71 Ann Arbor I did catch a lot of hot shows in 1976-1981, but the hottest shows I recall were Aug 12-13 1979, one at the Rocks, the other at McNichols shed in Denver. So I'm putting my money on a 1979 release to be announced on Monday. But I'd be mighty pleased if it was fall '72.
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I am sticking with my 8-10-82 pick. I know it is a long shot but it is a very good show. 10-10-82 May be more likely. Pretty sure that has a Sugaree as the second song. Super excited for whatever it is!
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that's called a long shot. no complaints if it is, though. for 86, it is my-tee-fine. Space > end of show is great.
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I'm going with 12.1.79 too. This was my favorite show for like the entire year of 1996. Then the cassette got stuck in my girlfriends car tape player, and it played over, and over, and over. To this day my then girlfriend (now wife) cannot stand He's Gone because of that. Which by the way, is probably the best version of that song out there, as well as the Sugaree. Overall a great tour as Jerry showed the new kid the ropes, lots of jams and interplay all tour long. In fact, I would say this is the 2nd best tour of all the Brent years behind Spring of '90 of course. Anyway, can't wait to find out on Monday!
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Having listened to the Winterland 1973 box set recently, followed by the next show they played, 14th November, I'd like to see a show from December 1973 as the next Dave Picks. There hasn't been one from this end of the year since DP5. Listening as I have been, it seems that shows from the end of 1973 might just have been the pinnacle of the year, in terms of great playing. It would also form a nice bridge between the summers of 1973 and 1974 included in the box.
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15 years 11 months
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Lot of calls for 12/1/79.
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Posted a while back about them during The Who vs. The Doors debate. Very cool band. One of Canadaland's finest. Have seen them four times. Got to meet Margo after one show and talked for about 15 minutes. Mostly about the Maple Leafs. Awesome lady. Down to earth. Probably my favorite female vocalist along with Emmylou Harris. Sultry voice. Not sure I would enjoy a rowdy crowd. Wrong kind of band for that.
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....the band appeared frustrated that night to be sure. I felt bad for them and embarrassed for Vegas. I wanted to shout out "STFU!!!", but knew better. I also met Margo after a show. She is beautiful. I felt like a middle schooler with a crush on his teacher.
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17 years 3 months
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March 9, 1981...... or 7-10-81 if Sugaree is indeed the 2nd song.
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6 years 5 months
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just a note if you buy 8/13/93 from livephish.com I say go with the CD format because Highway to Hell is NOT on the download due to royalties shit
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That it will be from the second half of their career. So overdue, it's getting funky in here. Something with a Shakedown, or Feel Like a Stranger, Lost Sailor>Saint, Brother Esau, Althea....hmmmmm Breath not being held.
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I've always loved this album, since first getting it round about 1973. It has one of the best electric guitar sounds ever recorded, and as a whole I would say it is in the same class as "Anthem " and Jefferson Airplanes "Bathing at Baxters". The first Quicksilver albums pretty good, too. There are loads of poor quality Quicksilver live albums available now-but one that's definitely worth getting was recorded at The Fillmore June 7th 1968. The best sound quality of this music, according to reviewers, is released on a cd named just that-although I've got it on "Lost and Found: The Unreleased Quicksilver", where it is pared with unreleased studio recordings from 1967, and the vinyl "Maiden of the Cancer Moon" that came out in England in 1984. It features material from the first and "Happy Trails" but its played with a lot more fire power. The mix isn't always the best-Gary Duncan's rhythm is often louder than John Cipollina's lead-but its an amazing concert.
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A show from the returned reels.
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The wife and I go to every CJ show we can possibly get to. We've been going to shows since the mid-90s. I don't know how many shows we've seen but I'm guessing over 50. Seeing two shows next week. Their new CD arrived in the mail today. So far, it sounds like a good one but IMHO The Junkies are best consumed live. Margo is pushing 60 but her voice is utterly amazing. Catch a show if you can.
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Boston Tea Party 12/30/69 with Bonus Tracks from 12/29 to fill out 3 Discs (No repeat songs): Good Lovin' Mama Tried New Speedway Boogie Casey Jones Black Peter Me & My Uncle Midnight Hour Cumberland Blues Cryptical> Drums > The Other One > Cryptical > Cosmic Charlie Uncle John's Band > Mason's Children > China Cat Sunflower> I Know You Rider Dark Star > Alligator > Drums > The Eleven > Alligator > Feedback > We Bid You Goodnight Bonus Tracks 12/29: Cold Rain & Snow Easy Wind Hard To Handle Dire Wolf St. Stephen > Not Fade Away
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11 years 1 month
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or Gainesville...
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17 years 2 months
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....or Santa Fe. Any of the three.
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9 years 10 months
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Eat a peach for peace!!!
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17 years 2 months
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...."Dear. You've been watching the Food Network for years, and you're one of the worst cooks I know.""Honey", she replied, "now many years have you been watching porn?" ....that's what I call an old-fashioned buuuuurn.
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12 years
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Keith Fan, I wholeheartedly endorse the release of 12/30/69. However, 12/31 is also a monster show in its own right and will take no back seat to chocolate babka. I would much desire to see both shows released; maybe a mini box? Throw in 12/29 as the kicker to round out the party. Have a safe and wonderful weekend all. Sam T
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12 years 9 months
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4/5/69 with filler from BOTH 4/4 & 4/6!!!! That would be something. Honestly I'm still sticking with 12/1/79, bring it on Dave we are so ready.
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17 years 2 months
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....is real. I have no clue, and that's the American Beauty of it.
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8 years 2 months
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Of course, Dark Star and The Other One are always 1 and 1a of the big jams. But Eyes, man. Are there any Eyes that aren't delicious jams too? Been watching a DVD of 7-8-90 from Three Rivers. Great Eyes jam early 2nd set. It might not be one of the all-time greats. Maybe not top 100. But its still so good. That's just Eyes, man. Eyes can't help but to shine. What, of course I'm totally sober, why do you ask?
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