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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • #2781
    Dennis
    Joined:
    Oroborous - the lord sayith
    >>>>>>“Let he who have no sin apon his hand cast the first stone” Right after that an old lady pushed thru the crowd with a huge boulder and crushed the sinner dead. Jesus turned and said "Mom, sometimes you piss me off" INRI - I'm Nailed Right In
  • #2782
    KeithFan2112
    Joined:
    Bobby slide
    We play this game every fourth of July When I visit my uncle and cousin a d family. They're actually more like dead fans and not so much hardcore deadhead Message Board enthusiasts. So the game is this: my cousin has serious radio so we put on The Grateful Dead station. And it's my job to guess the performance date slash album. I heard Friend of the Devil over the 4th of July weekend and because it was they full Electric version, I was able to narrow it down to that week in September when they were playing it almost every show, Dick's Picks 11 Dick's Picks 23, Waterford Connecticut 30 trips Dick's Picks 36. There was also the recent Berkeley show, but the fake base gives that one away and it definitely wasn't it. What this version did feature was, Bobby high in the mix, and Jerry a little bit lower than usual. This is characteristic of the 30 trips 1972 show, and so I got it. I also got I need a miracle, from winterland New Year's Eve closing. They have no idea how easy that one was for me, but I know that version like the back of my hand. And then there was Bobby's slide. There was a good Scarlet fire going, actually much better than I remembered as it turned out so this one was a challenge for me. Bobby's slide guitar definitely put it in the range of April to November 1978. Now keep in mind in my experience serious usually plays released material. I discovered this wasn't always the case when they played Tempe Arizona from the november of 73, but for the most part I was expecting official releases. I don't have Sirius so it's always an adventure. I definitely heard Bobby slide so it was definitely 78. There was no let it burn let it burn let it burn, so I knew it wasn't Dave's Picks Volume 7 from normal Illinois. I considered Dave picks 12, but Keith piano was not nearly loud enough for it to be that one. I considered road trip 78 from Egypt with love, but I recall that one being a little bit rougher of a recording then what I was hearing. So I had it narrowed down to one of the two versions on the 1978 box set. The question was St Paul or Red Rocks, which I told them. As I mentioned earlier I found this version to be much better than I remembered either version on the July 78 set, and and I have heard the Red Rocks version a lot more than St Paul. I figured if one of those two versions was going to ring in as better than I remembered it it would have to be the one I hadn't listened to quite as much, so I went with St Paul and nailed it. These people acted impressed, but I think they believe I'm an idiot savant like the rain man.
  • #2783
    stoltzfus
    Joined:
    Deep Purple's Child in Time
    overkill, anyone? AHAHHHHHHAAA!!! AAAHAAAAA!!! AAAHHAAAHAAA!!!
  • #2784
    stoltzfus
    Joined:
    "I don't like noise when the music's playing"
    at least he got that right.
  • #2785
    stoltzfus
    Joined:
    lame b.a.r.:
    how did Pigpen get to the top of the building? "elevator! elevator! elevator!"
  • #2786
    allman
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    It's a Good Life
    Tonight's story on The Twilight Zone is somewhat unique and calls for a different kind of introduction. This, as you may recognize, is a map of the United States, and there's a little town there called Peaksville. On a given morning not too long ago, the rest of the world disappeared and Peaksville was left all alone. Its inhabitants were never sure whether the world was destroyed and only Peaksville left untouched or whether the village had somehow been taken away. They were, on the other hand, sure of one thing: the cause. A monster had arrived in the village. Just by using his mind, he took away the automobiles, the electricity, the machines—because they displeased him—and he moved an entire community back into the dark ages—just by using his mind. Now I'd like to introduce you to some of the people in Peaksville, Ohio. This is Mr. Fremont. It's in his farmhouse that the monster resides. This is Mrs. Fremont. And this is Aunt Amy, who probably had more control over the monster in the beginning than almost anyone. But one day she forgot. She began to sing aloud. Now, the monster doesn't like singing, so his mind snapped at her, turned her into the smiling, vacant thing you're looking at now. She sings no more. And you'll note that the people in Peaksville, Ohio have to smile. They have to think happy thoughts and say happy things because, once displeased, the monster can wish them into a cornfield or change them into a grotesque, walking horror. This particular monster can read minds, you see. He knows every thought, he can feel every emotion. Oh yes, I did forget something, didn't I? I forgot to introduce you to the monster. This is the monster. His name is Anthony Fremont. He's six years old, with a cute little-boy face and blue, guileless eyes. But when those eyes look at you, you'd better start thinking happy thoughts, because the mind behind them is absolutely in charge. This is the Twilight Zone.
  • #2787
    stoltzfus
    Joined:
    AOTS is coming soon
    :)))
  • #2788
    stoltzfus
    Joined:
    >>>
    "I can tell, seen beforeKnow the way, I know the law"
  • #2789
    thursday's child
    Joined:
    wtf is going on.....
    ......this is why I go away for long periods of time. I see some people are telling others that they are not welcome here. LMAO. We are laying down the rules and the law are we? On a Dead board. I'm about to rant, so I'm outta here...
  • #2790
    JimInMD
    Joined:
    Re: Ghastly
    Well, that word choice made me laugh. I did do a deep dive a couple weeks ago into the July 78 Box and enjoyed it very much. I had forgotten about the collective histrionics and howling. I have also somehow managed to block out the Bobby slide quips and howls as a result of years of therapy. This might mark the very first time in my life I celebrated an anniversary early let alone one-time. Don't we have an announcement coming up? Shake it.. shake it Sugaree....
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Submitted by clayv on
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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Submitted by DaveStrang on Fri, 07/13/2018 - 08:09

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Have you heard their 'Nomad' series? 4 individual self-releases all worthy of adding to your collection should you be inclined. They have a box set of the series (actually the size of GD's 'Ladies & Gentlemen'...) with a 5th CD of bonus tracks/outtakes.
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Submitted by DaveStrang on Fri, 07/13/2018 - 08:58

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Same here - I've loved 'em since Trinity Session and onward. I've never had the chance to see them live, you?
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8 years 10 months

Submitted by Across the Rio on Fri, 07/13/2018 - 09:01

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Yes Strider, that wind before the ABQ show was crazy. Never had a wind delay before, and it really made a mess of the entrance. Was just walking through the gates when Halfstep started and made it to our seats just in time for across the rio grandio. My wife was wowed by Meyer and how he fit with the group. She was not wowed with how they slowed down Johnny B Good compared to the old days ("That must have been Bobby's decision" she said, "John should have taken over like he did on Uncle John's Band"). Was pretty confident they would open with Halfstep about a mile from the rio, having looked at the last 6 show lists, it was one of the best choices not played recently to open and boy did it fit the locale. Good show, but not as good as either of last years shows I saw in Boulder (I think, about the same as the first night).
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Submitted by Vguy72 on Fri, 07/13/2018 - 09:04

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....I've seen them three times. Only once in Vegas. The audience was pretty rowdy. They haven't been back since. Twice in California.
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17 years 3 months

Submitted by Oroboros on Fri, 07/13/2018 - 10:43

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Appreciate the shout-outs for my recollection of my first show in 1974 (several pages back). That era of the Dead is so tasty, the band was so agile, and they were definitely firing on all engines. Keith's jazz leanings with his ragtime and swing were so fully realized with the band by this point. Since Mickey was gone and Billy fully took charge on drums, this left Keith with so much 'space' to punctuate and also counterpoint sonically with Jerry. Over the years we have seen how Jerry's response to those keyboard players provided such soaring jams, and the Keith era shares this hallowed ground. Bobby and Phil were game to follow (and lead) in this configuration of the Dead who reached deeply into their bag of tricks to delight and astound us nightly. While each line-up/era of the Dead is unique, (there really is no debate there) the Keith-era was/is a revelation. Thanks to my bizzaro-alter ego Oroborous (Oroboros with a U) for reminding me to share my story, and I echo his sentiment that these 'road tales' are great fun to share. Your posts give me a taste of a show and era I attended (or maybe missed out on). I am greatly appreciative of you heads after my avid touring slowed (once my children arrived in the early 80's) to 1 or 2 shows per year. You all stepped up to keep the circus on the road for us all, and that was key! Also quite enjoy the discussion of other bands (CSNY, Neil, CCR, etc.) whom I know and some others (Cowboy Junkies, etc.) I need to become more familiar with. Many props, brothers and sisters, keep the dialogue rolling and "at least I'll enjoy the ride". Teachers open the door, but you must enter by yourself.
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9 years 5 months

Submitted by NCDead on Fri, 07/13/2018 - 10:02

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Looks like my AOTS 50th is sitting on my door step. I do not remember getting fast shipment on this maybe they finally realized smart-post is a horrible service.
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11 years 3 months

Submitted by Thin on Fri, 07/13/2018 - 10:38

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Place your final predictions folks. I'll go with 5/25/74 Santa Barbara CA as a complement to the 73/74 box.
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12 years 9 months

Submitted by wissinomingdeadhead on Fri, 07/13/2018 - 10:17

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Monday July 16th 10AM PT Ok great news but what's the show? I'm going with 12/1/79.
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14 years 8 months

Submitted by stoltzfus on Fri, 07/13/2018 - 10:22

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a date that shall live in joy :)))
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14 years 8 months

Submitted by stoltzfus on Fri, 07/13/2018 - 10:27

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a few months ago I predicted 5/25/74 would be a DaP this year. It would be an "adjacent" show, like Thin hinted at. I place my bets on 5/25/74. 10 gold dollars on 5/25/74 to win
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Submitted by stoltzfus on Fri, 07/13/2018 - 10:56

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I got Happy Trails on vinyl at an estate sale a few years back. tried it a few times, but it didn't do anything for me. I gave it a listen or two on vinyl recently (and is playing on youtube as I post). Pretty all right. a lysergic state of mind would probably help make it _awesome_ magnificent cover art
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9 years 5 months

Submitted by 80sfan on Fri, 07/13/2018 - 10:31

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9/14/90... I think they'll find a way to get this whole run out one day. Most have already been released either as a dicks pick or a road trips compilation but would love to see this one set free as well
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Submitted by Boruta on Fri, 07/13/2018 - 10:35

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5/25/74 would be a great pick! My memory of listening to it is very well played with a lot of energy. It could use an upgrade compared to what's in circulation. The most recent pure soundboard of it on archive.org is an extremely ancient shnid of 2635. There is a more recent matrix that uses 2635. Hope 27 is 5/25.
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17 years 3 months

Submitted by Gratefulhan on Fri, 07/13/2018 - 10:45

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So my prediction is the same as many of you: 12/1/79. I have been listening to a lot of shows from 79 recently and this is one I am familiar with. I love the show so it would be cool if it was released. However I also like the 11/30/79 show from the night before so I would be a little bummed out if I didn't get both. Really though, I am going to be happy with whatever is released. With this Pacific Northwest box set coming out, the AOTS release on the way, and Real Gone Music re-releasing the Road Trips I am about to explode with joy. I skipped on some of the Road Trips so getting a chance to get those is great. The AOTS has the 67 show ,on the bonus disc, we are getting 6 complete shoes from this new box set so I it doesn't get much better than this. Yet it did because DaP 27 is looming. Good times!
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10 years 6 months

Submitted by hendrixfreak on Fri, 07/13/2018 - 10:47

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Rarely a prediction, most always a wish list. I wished for a Summer '73 box and got a piece of it on this upcoming box. On 30 Trips I wished for one show from each year, 1966-1975, and that was enough to pay for the whole enchilada. So, mere coincidence and I feel clairvoyant -- typical male... Okay, that said, I predict that deference to the tape stash enabled by ABCD Enterprises, DaP 27 will be in the 1971-1980 range. Over 2017-2018 we've rec'd some pretty sweet pickings. In my early years catching shows (1972-73) and in the DP and DaP release era, I'm a pre-hiatus man, though I caught several dozen shows in '76-'92. To review the past 6 releases: DaP 21: Ap '73, Boston DaP 22: Dec '71, NYC DaP 23: Jan '78, Eugene DaP 24: Aug '72, Berkeley DaP 25: Nov '77, Binghamton DaP 26: Nov '71, Albuquerque; Dec '71 Ann Arbor I did catch a lot of hot shows in 1976-1981, but the hottest shows I recall were Aug 12-13 1979, one at the Rocks, the other at McNichols shed in Denver. So I'm putting my money on a 1979 release to be announced on Monday. But I'd be mighty pleased if it was fall '72.
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Submitted by ty627 on Fri, 07/13/2018 - 10:49

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I am sticking with my 8-10-82 pick. I know it is a long shot but it is a very good show. 10-10-82 May be more likely. Pretty sure that has a Sugaree as the second song. Super excited for whatever it is!
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Submitted by stoltzfus on Fri, 07/13/2018 - 10:56

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that's called a long shot. no complaints if it is, though. for 86, it is my-tee-fine. Space > end of show is great.
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Submitted by itsburnsy on Fri, 07/13/2018 - 11:06

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I'm going with 12.1.79 too. This was my favorite show for like the entire year of 1996. Then the cassette got stuck in my girlfriends car tape player, and it played over, and over, and over. To this day my then girlfriend (now wife) cannot stand He's Gone because of that. Which by the way, is probably the best version of that song out there, as well as the Sugaree. Overall a great tour as Jerry showed the new kid the ropes, lots of jams and interplay all tour long. In fact, I would say this is the 2nd best tour of all the Brent years behind Spring of '90 of course. Anyway, can't wait to find out on Monday!
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Submitted by daverock on Fri, 07/13/2018 - 11:31

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Having listened to the Winterland 1973 box set recently, followed by the next show they played, 14th November, I'd like to see a show from December 1973 as the next Dave Picks. There hasn't been one from this end of the year since DP5. Listening as I have been, it seems that shows from the end of 1973 might just have been the pinnacle of the year, in terms of great playing. It would also form a nice bridge between the summers of 1973 and 1974 included in the box.
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Submitted by fourwindsblow on Fri, 07/13/2018 - 11:38

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Lot of calls for 12/1/79.
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Submitted by Angry Jack Straw on Fri, 07/13/2018 - 12:18

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Posted a while back about them during The Who vs. The Doors debate. Very cool band. One of Canadaland's finest. Have seen them four times. Got to meet Margo after one show and talked for about 15 minutes. Mostly about the Maple Leafs. Awesome lady. Down to earth. Probably my favorite female vocalist along with Emmylou Harris. Sultry voice. Not sure I would enjoy a rowdy crowd. Wrong kind of band for that.
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Submitted by Vguy72 on Fri, 07/13/2018 - 12:36

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....the band appeared frustrated that night to be sure. I felt bad for them and embarrassed for Vegas. I wanted to shout out "STFU!!!", but knew better. I also met Margo after a show. She is beautiful. I felt like a middle schooler with a crush on his teacher.
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Submitted by King Harvest on Fri, 07/13/2018 - 13:13

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March 9, 1981...... or 7-10-81 if Sugaree is indeed the 2nd song.
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Submitted by Terrapin Moon on Fri, 07/13/2018 - 13:36

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just a note if you buy 8/13/93 from livephish.com I say go with the CD format because Highway to Hell is NOT on the download due to royalties shit
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Submitted by SPACEBROTHER on Fri, 07/13/2018 - 14:13

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That it will be from the second half of their career. So overdue, it's getting funky in here. Something with a Shakedown, or Feel Like a Stranger, Lost Sailor>Saint, Brother Esau, Althea....hmmmmm Breath not being held.
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10 years

Submitted by daverock on Fri, 07/13/2018 - 14:56

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I've always loved this album, since first getting it round about 1973. It has one of the best electric guitar sounds ever recorded, and as a whole I would say it is in the same class as "Anthem " and Jefferson Airplanes "Bathing at Baxters". The first Quicksilver albums pretty good, too. There are loads of poor quality Quicksilver live albums available now-but one that's definitely worth getting was recorded at The Fillmore June 7th 1968. The best sound quality of this music, according to reviewers, is released on a cd named just that-although I've got it on "Lost and Found: The Unreleased Quicksilver", where it is pared with unreleased studio recordings from 1967, and the vinyl "Maiden of the Cancer Moon" that came out in England in 1984. It features material from the first and "Happy Trails" but its played with a lot more fire power. The mix isn't always the best-Gary Duncan's rhythm is often louder than John Cipollina's lead-but its an amazing concert.
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8 years 11 months

Submitted by icecrmcnkd on Fri, 07/13/2018 - 14:59

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A show from the returned reels.
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17 years 2 months

Submitted by MadDoc on Fri, 07/13/2018 - 15:21

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The wife and I go to every CJ show we can possibly get to. We've been going to shows since the mid-90s. I don't know how many shows we've seen but I'm guessing over 50. Seeing two shows next week. Their new CD arrived in the mail today. So far, it sounds like a good one but IMHO The Junkies are best consumed live. Margo is pushing 60 but her voice is utterly amazing. Catch a show if you can.
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10 years 1 month

Submitted by KeithFan2112 on Fri, 07/13/2018 - 16:16

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Boston Tea Party 12/30/69 with Bonus Tracks from 12/29 to fill out 3 Discs (No repeat songs): Good Lovin' Mama Tried New Speedway Boogie Casey Jones Black Peter Me & My Uncle Midnight Hour Cumberland Blues Cryptical> Drums > The Other One > Cryptical > Cosmic Charlie Uncle John's Band > Mason's Children > China Cat Sunflower> I Know You Rider Dark Star > Alligator > Drums > The Eleven > Alligator > Feedback > We Bid You Goodnight Bonus Tracks 12/29: Cold Rain & Snow Easy Wind Hard To Handle Dire Wolf St. Stephen > Not Fade Away
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11 years 1 month

Submitted by musicnow on Fri, 07/13/2018 - 17:04

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or Gainesville...
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17 years 2 months

Submitted by Vguy72 on Fri, 07/13/2018 - 17:09

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....or Santa Fe. Any of the three.
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9 years 10 months

Submitted by deadtony on Fri, 07/13/2018 - 18:30

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Eat a peach for peace!!!
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17 years 2 months

Submitted by Vguy72 on Fri, 07/13/2018 - 18:36

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...."Dear. You've been watching the Food Network for years, and you're one of the worst cooks I know.""Honey", she replied, "now many years have you been watching porn?" ....that's what I call an old-fashioned buuuuurn.
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Submitted by SAMTHARDMAN on Fri, 07/13/2018 - 19:42

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Keith Fan, I wholeheartedly endorse the release of 12/30/69. However, 12/31 is also a monster show in its own right and will take no back seat to chocolate babka. I would much desire to see both shows released; maybe a mini box? Throw in 12/29 as the kicker to round out the party. Have a safe and wonderful weekend all. Sam T
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Submitted by wissinomingdeadhead on Fri, 07/13/2018 - 20:04

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4/5/69 with filler from BOTH 4/4 & 4/6!!!! That would be something. Honestly I'm still sticking with 12/1/79, bring it on Dave we are so ready.
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Submitted by Vguy72 on Fri, 07/13/2018 - 20:54

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....is real. I have no clue, and that's the American Beauty of it.
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8 years 1 month

Submitted by Roguedeadguy on Fri, 07/13/2018 - 21:22

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Of course, Dark Star and The Other One are always 1 and 1a of the big jams. But Eyes, man. Are there any Eyes that aren't delicious jams too? Been watching a DVD of 7-8-90 from Three Rivers. Great Eyes jam early 2nd set. It might not be one of the all-time greats. Maybe not top 100. But its still so good. That's just Eyes, man. Eyes can't help but to shine. What, of course I'm totally sober, why do you ask?
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