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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • KeithFan2112
    Joined:
    Good Morning Rockers!
    Er...there's a great one on 4/8/71, Boston Music Hall....Truckin', Bertha, China Cat, Second That Emotion, Dark Star, St. Stephen, Cumberland, Greatest Story. Sugar Mags. Bobby high in mix, kinda cool on Dark Star....PM me if you need it. Saw them at the Knick 11th to last show.Saw last Help /Slip/Franklin. It was a great time. I was unaware of any problems. I suppose if I'd known the music better at the time I may have picked up on things. Anyway, French Roast awaits me.
  • jrf68@hotmail.com
    Joined:
    it's only two songs...
    but there's a Diga Rhythm Band session from 5-30-1975 in Golden Gate Park on MidnightCafe that is fantastic.Jerry sits in with 'em on Happiness Is Drumming.(sounds like some kinda Fire patch in there for a little bit...) Get some :o)
  • Terrapin Moon
    Joined:
    (No subject)
  • kevjones
    Joined:
    7/9/95 Musings
    I was lucky enough to see final show at Soldier Field. I saw a bunch of shows the last few years, and mostly enjoyed them all. Had a big group of friends together for the final run at Soldier, the first night was pretty terrible with the exception of Visions of Johanna which was exquisite. After the fireworks ended on 7/9, I said to myself "Well, see you boys in the fall". I did have a strange bittersweet feeling about the whole thing though. I mail ordered for Chula Vista later on in July and everything seemed alright. Anyway, I sat down to listen to the final show for the first time in a very, very long time tonight. As a fan of "late era Dead" I have listened to quite a bit of music from 1994 and 1995, and I must say I was pleasantly surprised when revisiting this show tonight. I enjoyed the Charlie Miller SBD. In hindsight, it's obvious that Jerry is not well, but that did not diminish the overall vibe of this particular show. It has an almost mystical feel to it. The Masterpiece, Childhood's End and Cumberland Blues are all fun and well played in my opinion. Jerry is present thoughout the set, although there are some flubs, including Weir botching Promised Land. As I sat down to listen to the second set, I was very pleasantly surprised. The Shakewdown has a very nice vocal jam in the middle, and there is an interesting little jam after it. Samson was a typical version for the time. So Many Roads needs no explanation and catapults this show into "all timer" status. What really surprised me was the band's playing on "Corinna". This was a song that was really getting it's sea legs in 1995, and Jerry and Weir do some pretty amazing stuff throughout the jam at the end. Drumz/Space was very fun. Now this might trigger some people, but I think this is the absolute best version of Unbroken Chain the original band ever played. Jerry's is taking breaks throughout, and they hit it in all the right places. As the band is coming out of Unbroken Chain, Jerry clearly wants to do Morning Dew. He does the lead in to it, but Weir cuts him off with Sugar Mags, I can only imagine how powerful that Dew would have been with it being the final show. The Sugar Mags is serviceable, and Jerry does some fun little "nana nana boo boo" licks towards the end of the song. The Prankster in him never died. The Black Muddy River is perfect and of course the Box of Rain is another "all timer". I encourage open minded heads to really listen to this show, listen to the musicianship, and Phil, Bobby, Mickey and Billy lifting Jerry up as they were about to embark on the second half of their own careers. It's really quite a magical little show. Check the tears, don't scrutinize every little flaw, but just listen and absorb and you might have your own revelations about the bands final years.
  • CHARLIE PHOGG
    Joined:
    Child in Time
    Gotta love Blackmores' solo after Gillians' howling, esp version from Made in Japan.
  • CHARLIE PHOGG
    Joined:
    Child in Time
    Gotta love Blackmores' solo after Gillians' howling, esp version from Made in Japan.
  • CHARLIE PHOGG
    Joined:
    Child in Time
    Gotta love Blackmores' solo after Gillians' howling, esp version from Made in Japan.
  • Oroborous
    Joined:
    The Last One
    It was pure serendipity that we were at those shows....was going back to collage in my thirties, starting to move on, new beginnings, all that. Had mostly given up on going to shows. Would go if convenient I.e., went to Pittsburgh only that tour. (Decent show!) Had been doing merch through my cousin who was in the bizz. Had been doing Ziggy shows and the 90s version of the Band. So my cousin calls up and says “hey, the Band is opening up, why don’t you guys come and we’ll get you in with your Band lammies. So we did, and not only got in, but full access, including hanging onstage during the Bands sets. It was so cool, everyone from the Dead (crept Jer) at one point was up there watching them play. At one point Bob was literally standing right behind us. Of course once the Band was done they removed us. They weren’t that into folks onstage so much by then. So we scattered for a bit and decided to meet stage left (right) side tunnel at show time. Well time comes, WTF? No one shows. So I think, maybe I have the sides mixed up....so quickest way is back through the tunnel, through back stage hall and out around the other side, so I haul ass and again, no one there? WTF?? Of course most still didn’t have cell phones yet. So I figure like the good Boy Scout I used to be, I should wait where we decided. So I start hauling ass again, back through the tunnel and start to turn into it and head for this single door gate that is the only way through this huge chain link wall at the end of the hall to the dressing rooms etc, and this giant local security guard starts to get up since I’m hauling ass, and of course we’re a, somewhat in the zone shall we say, so don’t notice until last second, just barely enough time to swerve/leep to the side, (ahhh, to still be young and agile), and just miss taking out Garcia! I swear on my dead Mommas grave!!! Jer had his head down and was chugging along cause the band was already out there. His personal guy, the big dude, shit can’t remeber his name, had sorta short black hair, wore a lot of white dress shirts, sans tie, big portly dude. Anyway, he’s behind Jer, but he sees me coming too, and his eyes get big etc,they don’t know who I’m am or WTF, remember he got death threats that tour! But the timing of the whole fiasco was why I ever got that close. Jerry was passing through that gate at just the right moment, so his guy was blocked, and the local guy was a, let’s say didn’t appear to take the job as serious.....so yeah, I came a split second away from taking him out......I often wonder what might of happened if I had plowed him over??? I’m pretty big, and at the rate I was moving, I certainly could theoretically of put him in the hospital........ I’m sure I probably would of suffered a savage beating and been banned, but just think what if he had gone in a hospital?? Those shows were really tough to watch. Like always, there were moments, but they were more and more, few and far between......nice finish though, amazing fireworks with Jimmy accompaniment! As bad as it was though, we never thought that those would be it........ Only saw a hundred something over 17 years, but I truly was blessed with incredible luck when picking shows etc. From Dark Star and TOO at 1st show, right up until going to these final shows completely unplanned, out of left field. The gods were very good to us. Say many historic and/or “firsts” etc, and only got shut out once, 3/26/88, and that was partially cause scalpers are scum and none of us was going to pay THAT much.... Sorry to ramble on, all y’all just woke up those old feelings, brought back the memories. Hopefully it was at least a decent story, actually have a few even better? Not as good as my bazzarro Jerry brother, from another realm mother, Oroboros! In fact I believe he promised us another dandy a few weeks ago? Where you be Brother?
  • Vguy72
    Joined:
    7.9.95....
    ....for me, it's hard to pass an unbiased opinion of it, so I won't. Still hard to listen to. Old habits die hard.....to the guy conekid referred to. That was me at a '94 Desert Sky Pavilion show. (I think it's called Best Foods Mayonnaise Field now). We had a plane to catch. They played Liberty. Again. My buddy and I bolted. Looking back, we should've sparked a J. Missed flight? Ptth. Book another one.... Help On The Way-> Slipknot!-> Franklin's Tower, Spoonful, Jack A Roe, When I Paint My Masterpiece, Brown Eyed Women, Let It Grow. Set II. Easy Answers, Lazy River Road, Playin' In The Band-> Eyes Of The World-> Drums-> Space-> The Wheel-> The Last Time-> Attics Of My Life-> Good Lovin', E: Liberty Hmmm. Not bad.... https://archive.org/details/gd94-03-06.sbd.kidder.8332.sbeok.shnf
  • icecrmcnkd
    Joined:
    Keithfan
    4-6-892nd was 7-17-89 Downhill From Here.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Have you heard their 'Nomad' series? 4 individual self-releases all worthy of adding to your collection should you be inclined. They have a box set of the series (actually the size of GD's 'Ladies & Gentlemen'...) with a 5th CD of bonus tracks/outtakes.
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Same here - I've loved 'em since Trinity Session and onward. I've never had the chance to see them live, you?
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Yes Strider, that wind before the ABQ show was crazy. Never had a wind delay before, and it really made a mess of the entrance. Was just walking through the gates when Halfstep started and made it to our seats just in time for across the rio grandio. My wife was wowed by Meyer and how he fit with the group. She was not wowed with how they slowed down Johnny B Good compared to the old days ("That must have been Bobby's decision" she said, "John should have taken over like he did on Uncle John's Band"). Was pretty confident they would open with Halfstep about a mile from the rio, having looked at the last 6 show lists, it was one of the best choices not played recently to open and boy did it fit the locale. Good show, but not as good as either of last years shows I saw in Boulder (I think, about the same as the first night).
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....I've seen them three times. Only once in Vegas. The audience was pretty rowdy. They haven't been back since. Twice in California.
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Appreciate the shout-outs for my recollection of my first show in 1974 (several pages back). That era of the Dead is so tasty, the band was so agile, and they were definitely firing on all engines. Keith's jazz leanings with his ragtime and swing were so fully realized with the band by this point. Since Mickey was gone and Billy fully took charge on drums, this left Keith with so much 'space' to punctuate and also counterpoint sonically with Jerry. Over the years we have seen how Jerry's response to those keyboard players provided such soaring jams, and the Keith era shares this hallowed ground. Bobby and Phil were game to follow (and lead) in this configuration of the Dead who reached deeply into their bag of tricks to delight and astound us nightly. While each line-up/era of the Dead is unique, (there really is no debate there) the Keith-era was/is a revelation. Thanks to my bizzaro-alter ego Oroborous (Oroboros with a U) for reminding me to share my story, and I echo his sentiment that these 'road tales' are great fun to share. Your posts give me a taste of a show and era I attended (or maybe missed out on). I am greatly appreciative of you heads after my avid touring slowed (once my children arrived in the early 80's) to 1 or 2 shows per year. You all stepped up to keep the circus on the road for us all, and that was key! Also quite enjoy the discussion of other bands (CSNY, Neil, CCR, etc.) whom I know and some others (Cowboy Junkies, etc.) I need to become more familiar with. Many props, brothers and sisters, keep the dialogue rolling and "at least I'll enjoy the ride". Teachers open the door, but you must enter by yourself.
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Looks like my AOTS 50th is sitting on my door step. I do not remember getting fast shipment on this maybe they finally realized smart-post is a horrible service.
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Place your final predictions folks. I'll go with 5/25/74 Santa Barbara CA as a complement to the 73/74 box.
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Monday July 16th 10AM PT Ok great news but what's the show? I'm going with 12/1/79.
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a date that shall live in joy :)))
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a few months ago I predicted 5/25/74 would be a DaP this year. It would be an "adjacent" show, like Thin hinted at. I place my bets on 5/25/74. 10 gold dollars on 5/25/74 to win
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I got Happy Trails on vinyl at an estate sale a few years back. tried it a few times, but it didn't do anything for me. I gave it a listen or two on vinyl recently (and is playing on youtube as I post). Pretty all right. a lysergic state of mind would probably help make it _awesome_ magnificent cover art
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9/14/90... I think they'll find a way to get this whole run out one day. Most have already been released either as a dicks pick or a road trips compilation but would love to see this one set free as well
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5/25/74 would be a great pick! My memory of listening to it is very well played with a lot of energy. It could use an upgrade compared to what's in circulation. The most recent pure soundboard of it on archive.org is an extremely ancient shnid of 2635. There is a more recent matrix that uses 2635. Hope 27 is 5/25.
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So my prediction is the same as many of you: 12/1/79. I have been listening to a lot of shows from 79 recently and this is one I am familiar with. I love the show so it would be cool if it was released. However I also like the 11/30/79 show from the night before so I would be a little bummed out if I didn't get both. Really though, I am going to be happy with whatever is released. With this Pacific Northwest box set coming out, the AOTS release on the way, and Real Gone Music re-releasing the Road Trips I am about to explode with joy. I skipped on some of the Road Trips so getting a chance to get those is great. The AOTS has the 67 show ,on the bonus disc, we are getting 6 complete shoes from this new box set so I it doesn't get much better than this. Yet it did because DaP 27 is looming. Good times!
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Rarely a prediction, most always a wish list. I wished for a Summer '73 box and got a piece of it on this upcoming box. On 30 Trips I wished for one show from each year, 1966-1975, and that was enough to pay for the whole enchilada. So, mere coincidence and I feel clairvoyant -- typical male... Okay, that said, I predict that deference to the tape stash enabled by ABCD Enterprises, DaP 27 will be in the 1971-1980 range. Over 2017-2018 we've rec'd some pretty sweet pickings. In my early years catching shows (1972-73) and in the DP and DaP release era, I'm a pre-hiatus man, though I caught several dozen shows in '76-'92. To review the past 6 releases: DaP 21: Ap '73, Boston DaP 22: Dec '71, NYC DaP 23: Jan '78, Eugene DaP 24: Aug '72, Berkeley DaP 25: Nov '77, Binghamton DaP 26: Nov '71, Albuquerque; Dec '71 Ann Arbor I did catch a lot of hot shows in 1976-1981, but the hottest shows I recall were Aug 12-13 1979, one at the Rocks, the other at McNichols shed in Denver. So I'm putting my money on a 1979 release to be announced on Monday. But I'd be mighty pleased if it was fall '72.
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I am sticking with my 8-10-82 pick. I know it is a long shot but it is a very good show. 10-10-82 May be more likely. Pretty sure that has a Sugaree as the second song. Super excited for whatever it is!
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that's called a long shot. no complaints if it is, though. for 86, it is my-tee-fine. Space > end of show is great.
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I'm going with 12.1.79 too. This was my favorite show for like the entire year of 1996. Then the cassette got stuck in my girlfriends car tape player, and it played over, and over, and over. To this day my then girlfriend (now wife) cannot stand He's Gone because of that. Which by the way, is probably the best version of that song out there, as well as the Sugaree. Overall a great tour as Jerry showed the new kid the ropes, lots of jams and interplay all tour long. In fact, I would say this is the 2nd best tour of all the Brent years behind Spring of '90 of course. Anyway, can't wait to find out on Monday!
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Having listened to the Winterland 1973 box set recently, followed by the next show they played, 14th November, I'd like to see a show from December 1973 as the next Dave Picks. There hasn't been one from this end of the year since DP5. Listening as I have been, it seems that shows from the end of 1973 might just have been the pinnacle of the year, in terms of great playing. It would also form a nice bridge between the summers of 1973 and 1974 included in the box.
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Lot of calls for 12/1/79.
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12 years 1 month
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Posted a while back about them during The Who vs. The Doors debate. Very cool band. One of Canadaland's finest. Have seen them four times. Got to meet Margo after one show and talked for about 15 minutes. Mostly about the Maple Leafs. Awesome lady. Down to earth. Probably my favorite female vocalist along with Emmylou Harris. Sultry voice. Not sure I would enjoy a rowdy crowd. Wrong kind of band for that.
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....the band appeared frustrated that night to be sure. I felt bad for them and embarrassed for Vegas. I wanted to shout out "STFU!!!", but knew better. I also met Margo after a show. She is beautiful. I felt like a middle schooler with a crush on his teacher.
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March 9, 1981...... or 7-10-81 if Sugaree is indeed the 2nd song.
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6 years 7 months
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just a note if you buy 8/13/93 from livephish.com I say go with the CD format because Highway to Hell is NOT on the download due to royalties shit
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That it will be from the second half of their career. So overdue, it's getting funky in here. Something with a Shakedown, or Feel Like a Stranger, Lost Sailor>Saint, Brother Esau, Althea....hmmmmm Breath not being held.
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I've always loved this album, since first getting it round about 1973. It has one of the best electric guitar sounds ever recorded, and as a whole I would say it is in the same class as "Anthem " and Jefferson Airplanes "Bathing at Baxters". The first Quicksilver albums pretty good, too. There are loads of poor quality Quicksilver live albums available now-but one that's definitely worth getting was recorded at The Fillmore June 7th 1968. The best sound quality of this music, according to reviewers, is released on a cd named just that-although I've got it on "Lost and Found: The Unreleased Quicksilver", where it is pared with unreleased studio recordings from 1967, and the vinyl "Maiden of the Cancer Moon" that came out in England in 1984. It features material from the first and "Happy Trails" but its played with a lot more fire power. The mix isn't always the best-Gary Duncan's rhythm is often louder than John Cipollina's lead-but its an amazing concert.
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A show from the returned reels.
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The wife and I go to every CJ show we can possibly get to. We've been going to shows since the mid-90s. I don't know how many shows we've seen but I'm guessing over 50. Seeing two shows next week. Their new CD arrived in the mail today. So far, it sounds like a good one but IMHO The Junkies are best consumed live. Margo is pushing 60 but her voice is utterly amazing. Catch a show if you can.
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Boston Tea Party 12/30/69 with Bonus Tracks from 12/29 to fill out 3 Discs (No repeat songs): Good Lovin' Mama Tried New Speedway Boogie Casey Jones Black Peter Me & My Uncle Midnight Hour Cumberland Blues Cryptical> Drums > The Other One > Cryptical > Cosmic Charlie Uncle John's Band > Mason's Children > China Cat Sunflower> I Know You Rider Dark Star > Alligator > Drums > The Eleven > Alligator > Feedback > We Bid You Goodnight Bonus Tracks 12/29: Cold Rain & Snow Easy Wind Hard To Handle Dire Wolf St. Stephen > Not Fade Away
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or Gainesville...
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17 years 4 months
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....or Santa Fe. Any of the three.
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...."Dear. You've been watching the Food Network for years, and you're one of the worst cooks I know.""Honey", she replied, "now many years have you been watching porn?" ....that's what I call an old-fashioned buuuuurn.
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Keith Fan, I wholeheartedly endorse the release of 12/30/69. However, 12/31 is also a monster show in its own right and will take no back seat to chocolate babka. I would much desire to see both shows released; maybe a mini box? Throw in 12/29 as the kicker to round out the party. Have a safe and wonderful weekend all. Sam T
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12 years 11 months
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4/5/69 with filler from BOTH 4/4 & 4/6!!!! That would be something. Honestly I'm still sticking with 12/1/79, bring it on Dave we are so ready.
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....is real. I have no clue, and that's the American Beauty of it.
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Of course, Dark Star and The Other One are always 1 and 1a of the big jams. But Eyes, man. Are there any Eyes that aren't delicious jams too? Been watching a DVD of 7-8-90 from Three Rivers. Great Eyes jam early 2nd set. It might not be one of the all-time greats. Maybe not top 100. But its still so good. That's just Eyes, man. Eyes can't help but to shine. What, of course I'm totally sober, why do you ask?
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