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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • ArthurDent
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    static in digital audio
    try VLC player, as if you can't play back at the high bit rate, there may be skipping/artifacts. What resolution files ? What player ? Other similar files play ok ?
  • bob t
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    HEC Edmundson 5/21/74
    Just so beautiful sound wise. Not complaining or anything but when I listened to the Weather Report Suite always had that great audience copy where someone yells "Civilization" and "Dark Star, Dark Star" at the start of the Prelude. With that being said... who cares.. heading towards the 46 minute Playing in the Band... Hope everyone who is scheduled for UPS tomorrow gets their box.. Carolina and Mid Atlantic friends please start to prepare.... bob t
  • pzega@comcast.net
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    Pacific Northwest
    I did the digital download and there seems to be a lot of “static” in some of the songs. Do you hear that with the CDs?
  • ArthurDent
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    if you look on eBay for the
    if you look on eBay for the 30 trips "all music" edition, they are for sale for over $1,000. And it's open. Someone has the original box for $5,000. Not that that will sell for that, but the answer to the question - "Why would someone buy something for $200 and not open it?" can be answered by eBay. FYI - All music edition 30 trips is in the store for $699, so it's not exactly unobtainable. I find it amusing that people bitch hard about Dave's picks selling out, yet this has not. I realize the price is more, but the quality and material is stunning. Last Dave's Pick with the audience patch was amusing. I probably wouldn't have bought it singly, but as a subscription I'm ok, as the next release could be 1969 or some other fantastic set. The cost per show for a subscription is reasonable, as with the box set. I wish they would allow owners of the CD's to download at least the 24 bit FLAC, many other (Amazon) CD sellers bundle digital with physical CD purchases. My purchase has shipped, but will not make it from TN to FL for another 3 days, which is seriously annoying. It's not like they had no idea my order from 3 months ago was supposed to ship to arrive on release day.
  • Kayak Guy
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    the Money Money box
    i really like it. the package is a 3D sculpture, totally unneeded, but beautifully done and a pleasure to own. the digipaks are great, the individual disk artwork is great, there is probably a story behind it all i haven't gotten yet. a wonderful mysterious box, the essay is standard Nick Merriwether (Joe Friday) reporting of reviews and interviews, it places the shows in historical context and covers all the factoids about the venues. it also has more art, or the same art in a different context to reinforce the ties between the images and the shows. the sound on the CDs is amazing. Phil is omnipotent, Billy is dancing, Bob is high in the mix, Keith is also very present in the mix, even Donna seems to have been adjusted down to less than overwhelming. it makes me wonder what the previous Dave's releases would have sounded like with a little Plangent processing to the reels. we need a new subscription series of Plangent Processed reels and stop making Dave choose what shows get the inferior processing for Dave's Picks and what gets the Plangent treatment for box sets.
  • MDJim
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    Re: Confused
    I can't explain that.. but it's not that much different than what I do. I open it, rip all the CD's.. read all the stuff, liner notes, newspaper clips, all of it - hopefully uninterrupted.. then pack up the box, set it on a shelf in my office and give it a close listen or three or thirty three.. After that I rarely deal with the physical product, at best once every two to three years. If I lose my music drive and backups at the same time (it has happened), I have the hard media to rip and rebuild.. but I have not opened the E72 Trunk in a couple years. When I last moved about 8 years ago I was listening to CDs primarily when working late, etc. So I kept tossing in CDs. I ended up tearing a couple of the jackets from E72.. so I bought seconds of all the ones I listened to a bunch (perhaps two thirds of the shows). Then I just started listening to digital media. My brother will probably be the beneficiary of the extra CDs I no longer listen to. I do have lots of LPs.. I have been keeping up, but I don't have space to set up my turntable and retro system. None of this makes sense, but I do like the physical media and one day I will no longer work. .. so I plan to revisit all this stuff one year, probably sequentially. I don't think this makes any more sense than what was posted earlier.. I guess the music is most important. ..but one day I will open Bickershaw, re-read those liner notes and a smile will come to my face. It's all good, I guess I am a completist. Perhaps many of us are. I bet there is one or two of us out there that are OCD when it comes to really, really good GD. I'm not sure if I am there yet.. but who knows what tomorrow might bring.
  • simonrob
    Joined:
    Confused...
    Why would anyone pay almost $200 for something that they will never listen to. Like buying a car and putting it in the garage and never driving it. All is ephemeral and material things have no real value whatsoever. Surely these truths are self-evident. Explanations welcome.
  • ticktocktyler
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    RE:Sound Quality?
    PING! That's it exactly. Digital files won't skip. I always back these expensive downloads up. I bought the box as well because I want it. I will never open it so I have what I am calling "Schrodingers Discs". They exist in a state of being both scuffed and not scuffed as I am not opening the box to find out.
  • Butch
    Joined:
    I love it
    Thanks Dave it's everything I ever dreamed of. Life is good.
  • DP36
    Joined:
    Sound Quality?
    Utopia. Only way I can describe what my ears is exeriencin.' This PNW collection sets the bar with sound quality. This sounds as good if not better than Boxilla. Before we get too crazy, lets’s put the TOO and the multitrack recordings aside. With the 90’s box’s not considered, this is it! Sound is rich and upfront. Everyone is heard; balance is excellent to my ears. Rainy weekend in S. Jersey and GOGD PNW blasting on the grande delux all day. I’m caught between CD’s and high-res download with my wallet open and my cash falling out. The Totem will come, I will open it, look at all the trinkets, read the book, and then close the lid. I just think it’s silly to take out a digital copy (CD) of the show and put it into a CD player when I can play the digital files (at 192/24 vs. 44/16) with a tap on the mouse. I’ll clarify; for me it doesn’t work. I’ve said before here that music listening is a lifestyle. We all have our different ways of going about it. I play the downloads, but continue to buy the hard copes. However, Boxilla got me… I had to decide; just could not buy both. I bought the Bolt specifically for the 192/24 and missed out on the physical book and hoopla. No disc skipping with the downloads. Cheers all!
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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....then again. I'm not one to judge. You want jams? I'll show you jams. Pick a Cumberland. Any Cumberland. It will make you wish you earned five dollars a day. If not? Move away. A Row Jimmy outro works too. Jams for everyone?!
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Getting old. Move on to something more interesting.
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She's Your Baby...:o)
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Thanks Vguy!What can I say?...I'm a Weener. Ha! I saw the first comment on youtube…"Ya WEEN some,ya lose some...it's all the same to me..." :o) Deaner & his band played here 2 or 3 nights ago. Didn't go see 'em. Don't know why. Heard they did a killer Stella Blue. Got word tonight that Deaners bass player is filling in with JRAD tonight at Grand Targhee. Whoops...
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Roses Are Free
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6/22 I feel this would make a delightful choice for 27. I'm still sticking with 12/1/79 though. HAPPY SATUR-DAY PLAY DEAD
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Mr. Straw, I was just going with the flow, because Vguy said he just got wood at the suggestion of this great show from 12/30/69. Some people might say your intolerance of a woman saying the exact same comment from a woman, but not a man is sexist. Lucky for you politics bore me and I don't hold a grudge :) And also a half dozen people PM'd me to say your basically a cranky old man and that I should just ignore it. I don't know about the old man part, but you sure are a cranky one:) Make you a deal. I'm just going to be me, and you can ignore it. And now back to our regularly scheduled programming!! KeithFan I visited that very show on archive.org, but unfortunately it doesn't sound so good. Is there a good copy floating about?
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your presence is welcome, Hippychic, creamed peach and all. 12/30/69 apparently is Viagra for the ears. If you have a peak experience lasting more than four hours...rejoice!
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I have openly admiited many times to being a curmudgeon. Thank you for you and your friends for agreeing. Just not sure why six people would feel compelled to PM as such. Boredom I suppose. For what it is worth, I posted the current photo for your benefit. Enjoy. Agreed. Politics and religion have no place on this site. Your innuendos were quite funny the first few times. They just grow tiresome. There are better websites for that, I am sure.
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That is a killer set list, and I like the bonus track filler too. If they had good tapes of that. Woohoo, honestly that would be a hugely popular Dave's Pick. Also not tired of your speaking mannerisms Hippychic, you're welcome here. This place features locker room talk all the time, and really, I laughed my ass off about that comment the day when that dude said oragel, and you said what you said. I chortled. Keep being you. Hell, it ain't like you even post here that much.
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Did somebody say Cumberland Blues? Must have been VGuy.. First.. wishing a glorious Saturday to you all. It's sunny and hot here in the mid-Atlantic hill country, water sports are in the agenda. I received my Anthem of the Sun 50th yesterday. If you are still waiting.. I think you will be impressed with the 3-D, trippy take on the original multi-headed Buddha. It's way cool. I won't get a chance to check out the 67 show just yet, but it's on the agenda. Happy day.. if for no other reason than I just got a new, very special CD. Second.. I somehow lost a device recently.. which is a shame because it was a 160G iPod classic and they don't make em anymore. So I grabbed one of my newer devices and it magically landed on 3/28/73 Springfield, so I am starting my day on a sunny, hot bike ride.. all geared up and getting to roll it with Cumberland>Here Comes Sunshine. A glorious start to what promises to be a glorious day. As to diatribe from yesterday, it was Friday the 13th.. let's just chalk it up as a little harmless leftover from a play of unlucky numbers. Have a good one all.. Anthem of the Sun, still my favorite GD album.. in the words of Robert Hunter, "What a daring record"
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I'm hearing a lot of his stuff for the first time the past few days. Low, Lodger, the man who sold the world (album), Diamond Dogs (album) always liked Bowie, but limited myself to Ziggy Stardust, Scary Monsters, and Heroes, plus a lot of the singles from over the years (Fame...an old auditory friend). will be hearing AOTS re-issue today. :))) Happy Saturday, everyone.
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My guess is that it will be 3/22/73.I know, I know, too close to the box set dates, right? But remember, 11/6/77 was released not all that long after the Cornell box. The 3/22/73 show: 1) Generates more potential interest in the Pacific NW box. 2) Has Sugaree in the second song slot. 3) Took place in Utica, NY, where there was a "recent alien sighting" (Google Utica aliens). 4) Is a Betty Board. Also, there hasn't been a '73 Dave's Pick since Vol. 21 from 4/2/73. Might seem recent to some, but that was a year and a half ago. Dave likes this era. It's a good possibility. We'll all know on Monday...
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I was just in Berlin and made it a point to seek out Hansa Studios where Bowie recorded Heroes and Low. Also found his apartment where he wrote these two as well as Lodger. I love Heroes. It’s a great song. Overall, not my favorite period of his, but seeing how I was in Berlin it was a must do. Pretty much all of his early stuff is great. Must have for all rock ‘n’ rollers. Obviously I’m a bit biased. My avatar probably gives that away. “We could be heroes, if just for one day. “
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Don't I wish..."Bolo24" got IT! Alligator Alley Gym University Of Florida Gainesville, FL, USA Set 1: Alabama Getaway Promised Land Candyman New Minglewood Blues Row Jimmy Mama Tried Mexicali Blues Althea Lost Sailor> Saint Of Circumstance Don't Ease Me In Set 2: Shakedown Street> Franklin's Tower> Estimated Prophet> He's Gone> Truckin'> Drums> The Other One> Stella Blue Good Lovin' Encore: Casey Jones Edits from reviews of this show: I was living in St.Augustine, FL, at the time & had heard that The Boys were coming to Gainesville, a mere hour+ ride from the First City. So, like the other guy said, I ran - I didn't walk - to the nearest ticket vendor! It was a great show. I was familiar w/ many of the songs in the Dead's playlist by the fall of 1980. I had become familiar w/ the band around the time of Blues For Allah and Terrapin Station and, after the release of Shakedown Street, the band was summarily thrust into the national spotlight w/ the major smashing success of the title track. They wouldn't see that kind of radio play again until the release of the After Dark album when the believably-unpopular tune, Touch of Grey, thrust our Bay Area Boys into the international limelight once again! Anyway, I've become VERY familiar w/ the set list since this `80 show and had taken in numerous shows by the time August of 1995 rolled around. I've also watched other incarnations like The Other Ones, Phil & Friends & now The Dead w/ great delight & renewed enthusiasm. It's does the heart good to see the music surviving so long after it first commenced in 1965. I guess, truly, The Music Never Stopped, eh?! Anyway, this UF show is a great settie: there are definitely better, there are also certainly worse. But, it will always be a special settie to me `cause it was the night I popped my Grateful Dead cherry, so to speak! Well, as Pierre Robert from 93.3FM/WMMR in Philly was always fond of saying ... "may God Bless the Grateful Dead." Oh, and ... GO `GATORS!!! -------- Yeah, the second set has some good stuff... but I wouldn't say it was mind-blowing. For example, the transition from Shakedown to Franklin's was sloppy. -Anonymous ---- Went to this show as a freshman at UF. Remember being in an nice altered state waiting to get inside and a bus full of Hare Krishna unloaded in front and they started their own jam session. I had never seem Krishna before and just watching them jam was a fun diversion. Anyone else remember that? The place only held about 10k and the bleachers were shanking. "Double shot of whiskey and those Gainesville girls start looking good" ---- Thanks, "Dr. G" for the heads-up on this one!
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stoltzfus - That cracked me up! On a side note, I have been in a laid back Dead mood as of late....something from 1976 would be welcome. Plus, admittedly, I don't have a lot from '76. Or Gainesville.
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PHISH, SUNDAY 07/14/1991 TOWNSHEND FAMILY PARK Townshend, VT SET 1: Reba, Llama, The Squirming Coil > Golgi Apparatus, Guelah Papyrus, My Sweet One, Colonel Forbin's Ascent > Fly Famous Mockingbird > The Sloth, I Didn't Know[1] > Possum[2] SET 2: Suzy Greenberg[3], Caravan[3] > Divided Sky[3], Gumbo[3] > Dinner and a Movie[3] > Bouncing Around the Room, Split Open and Melt[3], Magilla[3] > Cavern[3] > Run Like an Antelope[3] SET 3: AC/DC Bag[3] > The Landlady[3], Esther > Chalk Dust Torture, Bathtub Gin[3], Mike's Song[3] > I Am Hydrogen[3] > Weekapaug Groove[3], Hold Your Head Up[3] > Touch Me[4], Harry Hood ENCORE: Contact[3] > Big Black Furry Creature from Mars[3] [1] Fish on trombone. [2] Charlie Chan and Oom Pa Pa signals. [3] Giant Country Horns. [4] Giant Country Horns and Fish on trombone. This show featured The Giant Country Horns for all of the second set except for Bouncing, all of the third set except for Esther, Chalk Dust, and Hood, and for the encore. The show began with a humorous announcement from Trey that he felt “overdressed” during National Nudist Week. My Sweet One included a tease of the Bonanza theme and Magilla included a Flintstones theme tease. I Didn't Know, in which Fish was introduced as "Hank," and Touch Me featured Fish on trombone. Possum included Charlie Chan and Oom Pa Pa signals as well as a Dave’s Energy Guide tease, while Weekapaug included more DEG teases. Trey introduced the Giant Country Horns at the end of Antelope and during BBFCFM. There was a long wait during HYHU for Fish, who was apparently in the bathroom. Hood included full-band Jeopardy! theme teases. This show ran much longer than scheduled (at one point, when Trey noted that they should wind up the show, a fan urged the band to “fuck the clock”), prompting Trey to beg the crowd to leave in a timely and orderly fashion after the encore.
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That's a great set List.Been Watching all week. Boy did things go bonkers. I must say can't believe the amount of Phish shows that have showed up lately. I like it and as a fan of both bands(Phish brought me to The Dead and I haven't looked back.) The argument about bands best of types is awesome. I like the Beatles answer on studio but because I'm a lot younger with a love of all music I say studio albums of Nine Inch Nails is up there too. Trent was a 1 man band for a lot of years only using other people on the road. I forgot the other 2 parts but I remember some of the answers and it's good conversations. DA27 IMHO will come from 69-74. It just feels right.Good thing is I don't care what show it will be. There's beauty in all eras and I'm glad I can own it. Vguy: What's Green and smells like pig? Kermit's finger. Keep the jokes coming buddy It's been a crazy week but some great stories. Thanks to everybody be well Dave
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I really must make a shirt with that on it. about 10 people on the planet will "get it", but it is a grand cosmic joke for us that do.
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my first show with them was here in Seattle at a place called the Backstage in Ballard (a neighborhood). sometime in 1991. they were cool enough, but I thought the trampolines were kind of lame. I also saw a show there with Ray Manzarek/Michael McClure/Allen Ginsberg some time later. It eventually got converted into a health club. whee.
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I was into them in high school..now I can only listen to their instrumentals, lyrics drive me nuts like many jam bands.. give me Hunter words anytime. Not to mention many of their fans are so fucking annoying.. as are many Dead fans I realize but something about Phish. As for Dave's Picks, I am hoping the announcement will be 2/26/77
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I was into them in high school..now I can only listen to their instrumentals, lyrics drive me nuts like many jam bands.. give me Hunter words anytime. Not to mention many of their fans are so fucking annoying.. as are many Dead fans I realize but something about Phish. As for Dave's Picks, I am hoping the announcement will be 2/26/77
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That was a good once Stoltzie. Made me laugh like this one always gets me. https://m.youtube.com/watch?v=8X_Ot0k4XJc Hippychic, I have a copy, but it really doesn't sound that good. There are channel dropouts galore, and even when that's not happening, it sounds like there's a lot of flutter and wow, and just generally bad fidelity. If you still want it PM me. Jimbo enjoy Dave's Picks 16 on your ride, I really love that Cumberland Blues a lot. The audio dropout during Jerry's solo hurts me deeply, but it picks up about halfway through, so it's not a total loss. I was listening to the Dark Star, Eyes of the World, Playing in the Band the other night, and that really is an awesome disc 3. I don't know about you guys but there are a few songs that fit perfectly with a nice sunny day while driving: Sugar Magnolia, Bird Song, and of course Here Comes Sunshine. Oh, and the Jam from Ladies & Gentlemen - best Jam ever?
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....I was talking about a snake I found in my backyard this morning. I don't like snakes.
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1. I agree It's really surprising of recent Live Content on Phish. Since the Steamer there hasn't been this much posting on them. It doesn't bother me but it is strange.2. My first show was Burgesstowm, PA 2003. I was evolving in my music tastes and bringing in music I knew I'd like. from the advice from someone it lead to my purchasing of So Many Roads at my local Circuit City for roughly 58$. I was blown away. I missed a lot of stuff(Really want a F69 box.) and Started my journey when I received the Steamer. I became a collector after I put those shows in Jewel cases. I'm pretty much straight edge but these's releases along with the Dave's series is a drug. I purchase random shows from Phish but I purchase every Box and subscribe every year for Dave's. It's a crazy debate
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Why am I not welcome? Was it my joke? I'm sorry. Not my intention.What did Spock find in the toilet? Captain's Log. Be Well Vguy
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10 years
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To me the albums he made from Space Oddity to Alladin Sane are incredible. David Bowie and the Spiders were the second concert I went to (the first was T.Rex) as fresh faced 15 year old in 1972. As such it had an enormous impact on me. I went off his albums after 1973, although the Berlin trio brought me back again-especially Low and Heroes. After that-apart from the single Ashes to Ashes, me and David Bowie parted company for good. But those studio albums between 1969 and 1973-they still sound great to me and I still play each of them at least once every year. The two box sets chronicling these albums are worth getting-although there is a lot of duplication in the one featuring the Berlin albums. Two versions of Lodger and Stages are not needed. One thing that hasn't lasted so well with me are his live albums. I have got most of them from the 1970s-but not one of them, in my opinion , can hold a candle to the studio albums from the same period. He was great to SEE live-but the albums don't work so well. An example of the difference between a live concert, and a live recording.
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11 years 4 months
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After I finally listened to Black Star I went back and I agree. Those shows must have been awesome.
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17 years 2 months
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....that statement was directed to the snake I found in backyard. My sense of humor is an aquired taste, I guess.
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8 years 11 months
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Love the Ziggy Stardust DVD and Santa Monica 10-20-72 CD.As usual, I prefer live over studio. Need more old live stuff.
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6 years 5 months
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the giant country horns era. some couldn't hang but it was briefly and not permanent. one show got picked for official release.
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10 years 1 month
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I always make it sound like it's a chore to go out and get the groceries. Are you sure you don't mind? No I don't mind you stay home enjoy yourself... And I crank the ever-loving s*** out of the car radio and put on something like this kick ass bonus disc from road trips 2011, specifically the China cats sunrider, which is now Dark Star. Add another couple songs to the sunny day drive list. Really are there any bad ones. Probably not. Last year. The August Dave's Picks 23 was not announced until the 24th of July. Still have at least a week.
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17 years 2 months
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....is apparently a comic book fan. Tired of all the superhero movies being pumped out the last decade or so? I'm not. I'm also not tired of grilled shrimp. Don't be bashful with the garlic.Charlie3 with the edgy joke. I chuckled....I also chuckled a lot reading Barlow's book. Down to the last fifty pages. King and HST await in the shadows. I can't read fast enough!
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10 years
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Maybe I've just played them too much. Another good one is the double Bowie at The Beeb, which covers really early songs, from 1967, up to 1972. It seems apparent to me also, listening now, that Bowie and The Spiders didn't play together for very long-or very often. Some of the meat and potatoes rock bands of the era, who had been around a bit longer-like Mott The Hoople-sound more powerful to me than The Spiders. One of the best Bowie live albums is from 1976-on the Station to Station tour. That's the opposite to his early 70s stuff to me-the live album works better than the studio Station. Seriously funky.
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17 years 3 months
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The neighbor of the beast.
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6 years 5 months
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I don't watch comic book movies anymore. I find them to be very abysmal experiences
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6 years 5 months
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they change origins, they completely change the race of a character(to get a certain demographic), id rather just read em than watch em. I eventually got tired of Spider-Man the animated series towards the end cuz of that thing completely changing major story lines.
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