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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • daverock
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    I am not a robot
    I have noticed that quite few people who used to post on here no longer do so. Maybe they failed the "I am not a robot " test.
  • daverock
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    Binghampton 1970
    It was my favourite show for years and years, from when I first heard it on a tape, round about 1988. Now, it seems like something of a final peak of the psychedelic years, before they concentrated more on songs and perfecting the more country based material. They seemed to start doing this during the second half of 1969, shorter songs interspersed with the jams-and this carried on during 1970. Binghampton seems like something of a final blow out for one particular version of the band. And although I think of it as a peak-I can't think of another show that is really like it. Its a killer alright. Incidentally-its a topic that has cropped up before-but I wouldn't say Jerry died because of trying to keep the band together. He died because he made poor health choices. Whether this was due to trying to keep the band together or not is open to conjecture. No one thing leads to us becoming addicts or to making poor lifestyle choices.
  • Vguy72
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    5.19.74's Truckin' jam into NFA....
    ....is a segue for the ages. But the best part, the BEST part is the segue from NFA into GDTRFB. And better than that, is how they end the GDTRFB. That whole sequence will never get old. Disc 16 is pure gold. And sounds amazeballs....I'm gonna put in on again right now in fact.
  • stoltzfus
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    memory of listening to 5/19/74
    there used to be a coffee shop in Seattle called Sir Real EspressoThursday nights were GD nights many good times the proprietor always wore a Ringling Bros/Barnum & Bailey hat he played 5/19/74 at least 5 times over the 3 years of that one night he moved by trippily right as the Truckin' Jam went into NFA a treasured memory
  • stoltzfus
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    I am not a robot
    anyway, 5/17/74 strong show 5/19/74 potent show 5/21/74 first set is tasty interesting thing: listening to disc three of 5/19/74. After Saturday Night it went to start of disc (Truckin'). "huh? oh well. complete recordings must not have included the encore" I look at packaging and see US Blues. I put disc back in go to track 6 and there is US Blues. WOW.
  • rbmunkin
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    Yes, really. Jerry never better than
    Harpur College, 1970.That concert was so amazing, Garcia was completely beside himself. I loved my bootleg so much that I tried to convince Dick a number of times to choose that concert for the next Dick's Picks. And he did! I got a letter acknowledging my input. Cryptical Envelopment > The Other One. Nothing better than that version. Hands down. By the way, don't put words in my mouth. I never said anything else was a waste. Not as good, but not a waste. At least not until after 1977.
  • chocolope023
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    Really?
    So Harpur College is the best show of all time? Well to each his own.Stopping after 1977 as well? No '85? So The Europe'72 tour was all just a waste of time and money. And speakin' of great boxed sets that's the one. 9/21/72,9/17/72,9/27/72, 6/10/73,3/24/73,3/15/73,3/16/73 none of this is worth it to you? As far as '74 nothing there either? Nothing in '76 or '77 Huh? And nothing at all in the '80's? I will say after Brent passed that was the end of The Grateful Dead.The '90's were horrific. Harpur college was a great show no doubt about it,but the BEST,nah. But that's just me.
  • MDJim
    Joined:
    Re: Smoked Salmon Box
    Works for me.. the Salmon Box. Has a nice ring to it.
  • nitecat
    Joined:
    5/2/70 (Dick's 8)
    Wow, Harpur College 5/2/70 - the radio broadcast was the show I played over and over in summer 1972 and convinced me this was a cool band I wanted to see again. I loved the entire electric sets.
  • daverock
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    Great Playin..
    ..on 5/21/74-every minute justified. I wondered, with all the talk of its signifying length, whether that would be its main recommendation. But its not-a fantastic jam is a fantastic jam, whether its 6 minutes or 46 minutes. I wasn't that aware of individual instruments during this jam-just the amazing wash of sound-but as soon as US Blues fires up, I find myself listening to Keith again-so maybe he doesn't feature so much on Playin'. After all that-now 10/26/89 from 30 Trips is playing. Possible the first time I have listened to an 1989 show this year-way out of my comfort zone. But it sounds pretty good. Nice contrast to the epics in the box-yin and yang and all that. Short first set, too-its just ended.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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....then again. I'm not one to judge. You want jams? I'll show you jams. Pick a Cumberland. Any Cumberland. It will make you wish you earned five dollars a day. If not? Move away. A Row Jimmy outro works too. Jams for everyone?!
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Getting old. Move on to something more interesting.
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She's Your Baby...:o)
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Thanks Vguy!What can I say?...I'm a Weener. Ha! I saw the first comment on youtube…"Ya WEEN some,ya lose some...it's all the same to me..." :o) Deaner & his band played here 2 or 3 nights ago. Didn't go see 'em. Don't know why. Heard they did a killer Stella Blue. Got word tonight that Deaners bass player is filling in with JRAD tonight at Grand Targhee. Whoops...
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Roses Are Free
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6/22 I feel this would make a delightful choice for 27. I'm still sticking with 12/1/79 though. HAPPY SATUR-DAY PLAY DEAD
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Mr. Straw, I was just going with the flow, because Vguy said he just got wood at the suggestion of this great show from 12/30/69. Some people might say your intolerance of a woman saying the exact same comment from a woman, but not a man is sexist. Lucky for you politics bore me and I don't hold a grudge :) And also a half dozen people PM'd me to say your basically a cranky old man and that I should just ignore it. I don't know about the old man part, but you sure are a cranky one:) Make you a deal. I'm just going to be me, and you can ignore it. And now back to our regularly scheduled programming!! KeithFan I visited that very show on archive.org, but unfortunately it doesn't sound so good. Is there a good copy floating about?
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your presence is welcome, Hippychic, creamed peach and all. 12/30/69 apparently is Viagra for the ears. If you have a peak experience lasting more than four hours...rejoice!
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I have openly admiited many times to being a curmudgeon. Thank you for you and your friends for agreeing. Just not sure why six people would feel compelled to PM as such. Boredom I suppose. For what it is worth, I posted the current photo for your benefit. Enjoy. Agreed. Politics and religion have no place on this site. Your innuendos were quite funny the first few times. They just grow tiresome. There are better websites for that, I am sure.
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That is a killer set list, and I like the bonus track filler too. If they had good tapes of that. Woohoo, honestly that would be a hugely popular Dave's Pick. Also not tired of your speaking mannerisms Hippychic, you're welcome here. This place features locker room talk all the time, and really, I laughed my ass off about that comment the day when that dude said oragel, and you said what you said. I chortled. Keep being you. Hell, it ain't like you even post here that much.
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Did somebody say Cumberland Blues? Must have been VGuy.. First.. wishing a glorious Saturday to you all. It's sunny and hot here in the mid-Atlantic hill country, water sports are in the agenda. I received my Anthem of the Sun 50th yesterday. If you are still waiting.. I think you will be impressed with the 3-D, trippy take on the original multi-headed Buddha. It's way cool. I won't get a chance to check out the 67 show just yet, but it's on the agenda. Happy day.. if for no other reason than I just got a new, very special CD. Second.. I somehow lost a device recently.. which is a shame because it was a 160G iPod classic and they don't make em anymore. So I grabbed one of my newer devices and it magically landed on 3/28/73 Springfield, so I am starting my day on a sunny, hot bike ride.. all geared up and getting to roll it with Cumberland>Here Comes Sunshine. A glorious start to what promises to be a glorious day. As to diatribe from yesterday, it was Friday the 13th.. let's just chalk it up as a little harmless leftover from a play of unlucky numbers. Have a good one all.. Anthem of the Sun, still my favorite GD album.. in the words of Robert Hunter, "What a daring record"
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I'm hearing a lot of his stuff for the first time the past few days. Low, Lodger, the man who sold the world (album), Diamond Dogs (album) always liked Bowie, but limited myself to Ziggy Stardust, Scary Monsters, and Heroes, plus a lot of the singles from over the years (Fame...an old auditory friend). will be hearing AOTS re-issue today. :))) Happy Saturday, everyone.
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My guess is that it will be 3/22/73.I know, I know, too close to the box set dates, right? But remember, 11/6/77 was released not all that long after the Cornell box. The 3/22/73 show: 1) Generates more potential interest in the Pacific NW box. 2) Has Sugaree in the second song slot. 3) Took place in Utica, NY, where there was a "recent alien sighting" (Google Utica aliens). 4) Is a Betty Board. Also, there hasn't been a '73 Dave's Pick since Vol. 21 from 4/2/73. Might seem recent to some, but that was a year and a half ago. Dave likes this era. It's a good possibility. We'll all know on Monday...
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I was just in Berlin and made it a point to seek out Hansa Studios where Bowie recorded Heroes and Low. Also found his apartment where he wrote these two as well as Lodger. I love Heroes. It’s a great song. Overall, not my favorite period of his, but seeing how I was in Berlin it was a must do. Pretty much all of his early stuff is great. Must have for all rock ‘n’ rollers. Obviously I’m a bit biased. My avatar probably gives that away. “We could be heroes, if just for one day. “
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Don't I wish..."Bolo24" got IT! Alligator Alley Gym University Of Florida Gainesville, FL, USA Set 1: Alabama Getaway Promised Land Candyman New Minglewood Blues Row Jimmy Mama Tried Mexicali Blues Althea Lost Sailor> Saint Of Circumstance Don't Ease Me In Set 2: Shakedown Street> Franklin's Tower> Estimated Prophet> He's Gone> Truckin'> Drums> The Other One> Stella Blue Good Lovin' Encore: Casey Jones Edits from reviews of this show: I was living in St.Augustine, FL, at the time & had heard that The Boys were coming to Gainesville, a mere hour+ ride from the First City. So, like the other guy said, I ran - I didn't walk - to the nearest ticket vendor! It was a great show. I was familiar w/ many of the songs in the Dead's playlist by the fall of 1980. I had become familiar w/ the band around the time of Blues For Allah and Terrapin Station and, after the release of Shakedown Street, the band was summarily thrust into the national spotlight w/ the major smashing success of the title track. They wouldn't see that kind of radio play again until the release of the After Dark album when the believably-unpopular tune, Touch of Grey, thrust our Bay Area Boys into the international limelight once again! Anyway, I've become VERY familiar w/ the set list since this `80 show and had taken in numerous shows by the time August of 1995 rolled around. I've also watched other incarnations like The Other Ones, Phil & Friends & now The Dead w/ great delight & renewed enthusiasm. It's does the heart good to see the music surviving so long after it first commenced in 1965. I guess, truly, The Music Never Stopped, eh?! Anyway, this UF show is a great settie: there are definitely better, there are also certainly worse. But, it will always be a special settie to me `cause it was the night I popped my Grateful Dead cherry, so to speak! Well, as Pierre Robert from 93.3FM/WMMR in Philly was always fond of saying ... "may God Bless the Grateful Dead." Oh, and ... GO `GATORS!!! -------- Yeah, the second set has some good stuff... but I wouldn't say it was mind-blowing. For example, the transition from Shakedown to Franklin's was sloppy. -Anonymous ---- Went to this show as a freshman at UF. Remember being in an nice altered state waiting to get inside and a bus full of Hare Krishna unloaded in front and they started their own jam session. I had never seem Krishna before and just watching them jam was a fun diversion. Anyone else remember that? The place only held about 10k and the bleachers were shanking. "Double shot of whiskey and those Gainesville girls start looking good" ---- Thanks, "Dr. G" for the heads-up on this one!
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stoltzfus - That cracked me up! On a side note, I have been in a laid back Dead mood as of late....something from 1976 would be welcome. Plus, admittedly, I don't have a lot from '76. Or Gainesville.
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PHISH, SUNDAY 07/14/1991 TOWNSHEND FAMILY PARK Townshend, VT SET 1: Reba, Llama, The Squirming Coil > Golgi Apparatus, Guelah Papyrus, My Sweet One, Colonel Forbin's Ascent > Fly Famous Mockingbird > The Sloth, I Didn't Know[1] > Possum[2] SET 2: Suzy Greenberg[3], Caravan[3] > Divided Sky[3], Gumbo[3] > Dinner and a Movie[3] > Bouncing Around the Room, Split Open and Melt[3], Magilla[3] > Cavern[3] > Run Like an Antelope[3] SET 3: AC/DC Bag[3] > The Landlady[3], Esther > Chalk Dust Torture, Bathtub Gin[3], Mike's Song[3] > I Am Hydrogen[3] > Weekapaug Groove[3], Hold Your Head Up[3] > Touch Me[4], Harry Hood ENCORE: Contact[3] > Big Black Furry Creature from Mars[3] [1] Fish on trombone. [2] Charlie Chan and Oom Pa Pa signals. [3] Giant Country Horns. [4] Giant Country Horns and Fish on trombone. This show featured The Giant Country Horns for all of the second set except for Bouncing, all of the third set except for Esther, Chalk Dust, and Hood, and for the encore. The show began with a humorous announcement from Trey that he felt “overdressed” during National Nudist Week. My Sweet One included a tease of the Bonanza theme and Magilla included a Flintstones theme tease. I Didn't Know, in which Fish was introduced as "Hank," and Touch Me featured Fish on trombone. Possum included Charlie Chan and Oom Pa Pa signals as well as a Dave’s Energy Guide tease, while Weekapaug included more DEG teases. Trey introduced the Giant Country Horns at the end of Antelope and during BBFCFM. There was a long wait during HYHU for Fish, who was apparently in the bathroom. Hood included full-band Jeopardy! theme teases. This show ran much longer than scheduled (at one point, when Trey noted that they should wind up the show, a fan urged the band to “fuck the clock”), prompting Trey to beg the crowd to leave in a timely and orderly fashion after the encore.
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That's a great set List.Been Watching all week. Boy did things go bonkers. I must say can't believe the amount of Phish shows that have showed up lately. I like it and as a fan of both bands(Phish brought me to The Dead and I haven't looked back.) The argument about bands best of types is awesome. I like the Beatles answer on studio but because I'm a lot younger with a love of all music I say studio albums of Nine Inch Nails is up there too. Trent was a 1 man band for a lot of years only using other people on the road. I forgot the other 2 parts but I remember some of the answers and it's good conversations. DA27 IMHO will come from 69-74. It just feels right.Good thing is I don't care what show it will be. There's beauty in all eras and I'm glad I can own it. Vguy: What's Green and smells like pig? Kermit's finger. Keep the jokes coming buddy It's been a crazy week but some great stories. Thanks to everybody be well Dave
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I really must make a shirt with that on it. about 10 people on the planet will "get it", but it is a grand cosmic joke for us that do.
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my first show with them was here in Seattle at a place called the Backstage in Ballard (a neighborhood). sometime in 1991. they were cool enough, but I thought the trampolines were kind of lame. I also saw a show there with Ray Manzarek/Michael McClure/Allen Ginsberg some time later. It eventually got converted into a health club. whee.
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I was into them in high school..now I can only listen to their instrumentals, lyrics drive me nuts like many jam bands.. give me Hunter words anytime. Not to mention many of their fans are so fucking annoying.. as are many Dead fans I realize but something about Phish. As for Dave's Picks, I am hoping the announcement will be 2/26/77
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I was into them in high school..now I can only listen to their instrumentals, lyrics drive me nuts like many jam bands.. give me Hunter words anytime. Not to mention many of their fans are so fucking annoying.. as are many Dead fans I realize but something about Phish. As for Dave's Picks, I am hoping the announcement will be 2/26/77
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That was a good once Stoltzie. Made me laugh like this one always gets me. https://m.youtube.com/watch?v=8X_Ot0k4XJc Hippychic, I have a copy, but it really doesn't sound that good. There are channel dropouts galore, and even when that's not happening, it sounds like there's a lot of flutter and wow, and just generally bad fidelity. If you still want it PM me. Jimbo enjoy Dave's Picks 16 on your ride, I really love that Cumberland Blues a lot. The audio dropout during Jerry's solo hurts me deeply, but it picks up about halfway through, so it's not a total loss. I was listening to the Dark Star, Eyes of the World, Playing in the Band the other night, and that really is an awesome disc 3. I don't know about you guys but there are a few songs that fit perfectly with a nice sunny day while driving: Sugar Magnolia, Bird Song, and of course Here Comes Sunshine. Oh, and the Jam from Ladies & Gentlemen - best Jam ever?
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....I was talking about a snake I found in my backyard this morning. I don't like snakes.
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1. I agree It's really surprising of recent Live Content on Phish. Since the Steamer there hasn't been this much posting on them. It doesn't bother me but it is strange.2. My first show was Burgesstowm, PA 2003. I was evolving in my music tastes and bringing in music I knew I'd like. from the advice from someone it lead to my purchasing of So Many Roads at my local Circuit City for roughly 58$. I was blown away. I missed a lot of stuff(Really want a F69 box.) and Started my journey when I received the Steamer. I became a collector after I put those shows in Jewel cases. I'm pretty much straight edge but these's releases along with the Dave's series is a drug. I purchase random shows from Phish but I purchase every Box and subscribe every year for Dave's. It's a crazy debate
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Why am I not welcome? Was it my joke? I'm sorry. Not my intention.What did Spock find in the toilet? Captain's Log. Be Well Vguy
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To me the albums he made from Space Oddity to Alladin Sane are incredible. David Bowie and the Spiders were the second concert I went to (the first was T.Rex) as fresh faced 15 year old in 1972. As such it had an enormous impact on me. I went off his albums after 1973, although the Berlin trio brought me back again-especially Low and Heroes. After that-apart from the single Ashes to Ashes, me and David Bowie parted company for good. But those studio albums between 1969 and 1973-they still sound great to me and I still play each of them at least once every year. The two box sets chronicling these albums are worth getting-although there is a lot of duplication in the one featuring the Berlin albums. Two versions of Lodger and Stages are not needed. One thing that hasn't lasted so well with me are his live albums. I have got most of them from the 1970s-but not one of them, in my opinion , can hold a candle to the studio albums from the same period. He was great to SEE live-but the albums don't work so well. An example of the difference between a live concert, and a live recording.
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After I finally listened to Black Star I went back and I agree. Those shows must have been awesome.
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....that statement was directed to the snake I found in backyard. My sense of humor is an aquired taste, I guess.
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Love the Ziggy Stardust DVD and Santa Monica 10-20-72 CD.As usual, I prefer live over studio. Need more old live stuff.
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the giant country horns era. some couldn't hang but it was briefly and not permanent. one show got picked for official release.
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I always make it sound like it's a chore to go out and get the groceries. Are you sure you don't mind? No I don't mind you stay home enjoy yourself... And I crank the ever-loving s*** out of the car radio and put on something like this kick ass bonus disc from road trips 2011, specifically the China cats sunrider, which is now Dark Star. Add another couple songs to the sunny day drive list. Really are there any bad ones. Probably not. Last year. The August Dave's Picks 23 was not announced until the 24th of July. Still have at least a week.
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17 years 4 months
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....is apparently a comic book fan. Tired of all the superhero movies being pumped out the last decade or so? I'm not. I'm also not tired of grilled shrimp. Don't be bashful with the garlic.Charlie3 with the edgy joke. I chuckled....I also chuckled a lot reading Barlow's book. Down to the last fifty pages. King and HST await in the shadows. I can't read fast enough!
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10 years 2 months
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Maybe I've just played them too much. Another good one is the double Bowie at The Beeb, which covers really early songs, from 1967, up to 1972. It seems apparent to me also, listening now, that Bowie and The Spiders didn't play together for very long-or very often. Some of the meat and potatoes rock bands of the era, who had been around a bit longer-like Mott The Hoople-sound more powerful to me than The Spiders. One of the best Bowie live albums is from 1976-on the Station to Station tour. That's the opposite to his early 70s stuff to me-the live album works better than the studio Station. Seriously funky.
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17 years 5 months
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The neighbor of the beast.
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6 years 7 months
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I don't watch comic book movies anymore. I find them to be very abysmal experiences
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6 years 6 months
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they change origins, they completely change the race of a character(to get a certain demographic), id rather just read em than watch em. I eventually got tired of Spider-Man the animated series towards the end cuz of that thing completely changing major story lines.
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