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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • KeithFan2112
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    Ha-haaaa
    That was a good once Stoltzie. Made me laugh like this one always gets me. https://m.youtube.com/watch?v=8X_Ot0k4XJc Hippychic, I have a copy, but it really doesn't sound that good. There are channel dropouts galore, and even when that's not happening, it sounds like there's a lot of flutter and wow, and just generally bad fidelity. If you still want it PM me. Jimbo enjoy Dave's Picks 16 on your ride, I really love that Cumberland Blues a lot. The audio dropout during Jerry's solo hurts me deeply, but it picks up about halfway through, so it's not a total loss. I was listening to the Dark Star, Eyes of the World, Playing in the Band the other night, and that really is an awesome disc 3. I don't know about you guys but there are a few songs that fit perfectly with a nice sunny day while driving: Sugar Magnolia, Bird Song, and of course Here Comes Sunshine. Oh, and the Jam from Ladies & Gentlemen - best Jam ever?
  • stonerbud2
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    Enough Phish
    I was into them in high school..now I can only listen to their instrumentals, lyrics drive me nuts like many jam bands.. give me Hunter words anytime. Not to mention many of their fans are so fucking annoying.. as are many Dead fans I realize but something about Phish. As for Dave's Picks, I am hoping the announcement will be 2/26/77
  • stonerbud2
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    Enough Phish
    I was into them in high school..now I can only listen to their instrumentals, lyrics drive me nuts like many jam bands.. give me Hunter words anytime. Not to mention many of their fans are so fucking annoying.. as are many Dead fans I realize but something about Phish. As for Dave's Picks, I am hoping the announcement will be 2/26/77
  • stoltzfus
    Joined:
    speaking of Phish...
    my first show with them was here in Seattle at a place called the Backstage in Ballard (a neighborhood). sometime in 1991. they were cool enough, but I thought the trampolines were kind of lame. I also saw a show there with Ray Manzarek/Michael McClure/Allen Ginsberg some time later. It eventually got converted into a health club. whee.
  • stoltzfus
    Joined:
    and I agree: what about Gainesville?
    I really must make a shirt with that on it. about 10 people on the planet will "get it", but it is a grand cosmic joke for us that do.
  • stoltzfus
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    what's with the Phish fetish, folks?
    whole lot of it around recently. not that there's anything wrong with that...
  • fluffua 01
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    WOW
    That's a great set List.Been Watching all week. Boy did things go bonkers. I must say can't believe the amount of Phish shows that have showed up lately. I like it and as a fan of both bands(Phish brought me to The Dead and I haven't looked back.) The argument about bands best of types is awesome. I like the Beatles answer on studio but because I'm a lot younger with a love of all music I say studio albums of Nine Inch Nails is up there too. Trent was a 1 man band for a lot of years only using other people on the road. I forgot the other 2 parts but I remember some of the answers and it's good conversations. DA27 IMHO will come from 69-74. It just feels right.Good thing is I don't care what show it will be. There's beauty in all eras and I'm glad I can own it. Vguy: What's Green and smells like pig? Kermit's finger. Keep the jokes coming buddy It's been a crazy week but some great stories. Thanks to everybody be well Dave
  • shirdeep
    Joined:
    cosmic country horns
    PHISH, SUNDAY 07/14/1991 TOWNSHEND FAMILY PARK Townshend, VT SET 1: Reba, Llama, The Squirming Coil > Golgi Apparatus, Guelah Papyrus, My Sweet One, Colonel Forbin's Ascent > Fly Famous Mockingbird > The Sloth, I Didn't Know[1] > Possum[2] SET 2: Suzy Greenberg[3], Caravan[3] > Divided Sky[3], Gumbo[3] > Dinner and a Movie[3] > Bouncing Around the Room, Split Open and Melt[3], Magilla[3] > Cavern[3] > Run Like an Antelope[3] SET 3: AC/DC Bag[3] > The Landlady[3], Esther > Chalk Dust Torture, Bathtub Gin[3], Mike's Song[3] > I Am Hydrogen[3] > Weekapaug Groove[3], Hold Your Head Up[3] > Touch Me[4], Harry Hood ENCORE: Contact[3] > Big Black Furry Creature from Mars[3] [1] Fish on trombone. [2] Charlie Chan and Oom Pa Pa signals. [3] Giant Country Horns. [4] Giant Country Horns and Fish on trombone. This show featured The Giant Country Horns for all of the second set except for Bouncing, all of the third set except for Esther, Chalk Dust, and Hood, and for the encore. The show began with a humorous announcement from Trey that he felt “overdressed” during National Nudist Week. My Sweet One included a tease of the Bonanza theme and Magilla included a Flintstones theme tease. I Didn't Know, in which Fish was introduced as "Hank," and Touch Me featured Fish on trombone. Possum included Charlie Chan and Oom Pa Pa signals as well as a Dave’s Energy Guide tease, while Weekapaug included more DEG teases. Trey introduced the Giant Country Horns at the end of Antelope and during BBFCFM. There was a long wait during HYHU for Fish, who was apparently in the bathroom. Hood included full-band Jeopardy! theme teases. This show ran much longer than scheduled (at one point, when Trey noted that they should wind up the show, a fan urged the band to “fuck the clock”), prompting Trey to beg the crowd to leave in a timely and orderly fashion after the encore.
  • tncorey
    Joined:
    DaP 27
    stoltzfus - That cracked me up! On a side note, I have been in a laid back Dead mood as of late....something from 1976 would be welcome. Plus, admittedly, I don't have a lot from '76. Or Gainesville.
  • Born Cross Eye…
    Joined:
    Dave's Picks 27: 11/29/80
    Don't I wish..."Bolo24" got IT! Alligator Alley Gym University Of Florida Gainesville, FL, USA Set 1: Alabama Getaway Promised Land Candyman New Minglewood Blues Row Jimmy Mama Tried Mexicali Blues Althea Lost Sailor> Saint Of Circumstance Don't Ease Me In Set 2: Shakedown Street> Franklin's Tower> Estimated Prophet> He's Gone> Truckin'> Drums> The Other One> Stella Blue Good Lovin' Encore: Casey Jones Edits from reviews of this show: I was living in St.Augustine, FL, at the time & had heard that The Boys were coming to Gainesville, a mere hour+ ride from the First City. So, like the other guy said, I ran - I didn't walk - to the nearest ticket vendor! It was a great show. I was familiar w/ many of the songs in the Dead's playlist by the fall of 1980. I had become familiar w/ the band around the time of Blues For Allah and Terrapin Station and, after the release of Shakedown Street, the band was summarily thrust into the national spotlight w/ the major smashing success of the title track. They wouldn't see that kind of radio play again until the release of the After Dark album when the believably-unpopular tune, Touch of Grey, thrust our Bay Area Boys into the international limelight once again! Anyway, I've become VERY familiar w/ the set list since this `80 show and had taken in numerous shows by the time August of 1995 rolled around. I've also watched other incarnations like The Other Ones, Phil & Friends & now The Dead w/ great delight & renewed enthusiasm. It's does the heart good to see the music surviving so long after it first commenced in 1965. I guess, truly, The Music Never Stopped, eh?! Anyway, this UF show is a great settie: there are definitely better, there are also certainly worse. But, it will always be a special settie to me `cause it was the night I popped my Grateful Dead cherry, so to speak! Well, as Pierre Robert from 93.3FM/WMMR in Philly was always fond of saying ... "may God Bless the Grateful Dead." Oh, and ... GO `GATORS!!! -------- Yeah, the second set has some good stuff... but I wouldn't say it was mind-blowing. For example, the transition from Shakedown to Franklin's was sloppy. -Anonymous ---- Went to this show as a freshman at UF. Remember being in an nice altered state waiting to get inside and a bus full of Hare Krishna unloaded in front and they started their own jam session. I had never seem Krishna before and just watching them jam was a fun diversion. Anyone else remember that? The place only held about 10k and the bleachers were shanking. "Double shot of whiskey and those Gainesville girls start looking good" ---- Thanks, "Dr. G" for the heads-up on this one!
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Careful, there's a curmudgeon running around on the loose in here!
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Only reason I bought it was for the 1967-10-22 show. I've already got a really good soundboard of it but I'm listening with nice headphones right now & it's definetly worth it. Sounds fantastic.Get some... a little further in now...massive upgrade. Thanks :o)
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I can't believe someone objected to Hippychic's posts. It reminds me of that Seinfeld episode where Kramer freaks out when Jerry threatens to report his female neighbor for walking around her apartment naked. Madness. I love this space, where every topic under the sun is fair game, but lets face it, it is mostly a sterile, barren, sexless sausage fest. especially since Kate C. no longer posts. Please keep the posts cummin Hippychic.
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You're a gentleman and a scholar!
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Getting off the subject of the Grateful Dead, a blast from my past: Lothar And The Hand People. I never really got to see them many years ago at the Roxy Theatre in Northampton, Pennsylvania, but I definitely do remember the name. I used to have their 1st Capitol Records LP, I guess -the one with pictures of the band members photos on the front cover on a tan background. I thought the their facial expressions in these photos were hilarious, and ages ago I bought the album with that being one of the reasons for buying it. Another reason to buy it was to "explore" new music and it was quite low-cost price for the time. ($2.98 or something like that) Anyway, with that being said, here's a sound sample - I think it's the whole album, or at least the opening track on Side 1, "Machines": https://www.youtube.com/watch?v=dDpIz8E6wvs&list=PLW1w8neoXejs188MBadMB…
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My first comment here, after lurking for a few months, ha! I personally would love to see 6-4-76 Paramount Theater, Portland, OR. Great setlist, historic show, and does not circulate in SBD. That said, a mini box of both 6-3 and 6-4 might be warranted, so perhaps they'll hold off (provided 6-4 is even in the vault). Just sayin'. Hey everybody!
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Fresh transfer with new audio upgrade.
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10 years 10 months
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I like the build up for the announcement. Just hoping for a good show with great sound. I'll probably be busy and miss the announcement going live, but will be checking for a Listening Party at lunch after Taper's Section in the morning. May all who need to get it a la carte have your dreams come true tomorrow!
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If you're a fan of Americana and Roots music you might enjoy thisDITTYTV.com or Ditty TV streaming on your AppleTV or Roku. Ive been watching it a lot as its like MTV was when they did videos. Learning a lot of new groups and sounds and the shows are really enjoyable. Check it out and see if it gets you goin Lost on Cedar Key.................
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Thats the placebut its 5000 light years from the mainland I really don't want to leave.........ever check this out...........http://cedarkeybedandbreakfast.com/ this is the place Ive been longing for......... Awaiting tonights soul satisfying sunset
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I was there last night. I didn't think it was dub steppy at all. Actually I thought it was fucking awesome!
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No not the guitar company or the mental thing... the Miles Davis album. Miles Davis, E.S.P. Man, is this beautiful music. The last two songs, "Iris, and Mood" are just hypnotic. I was at the Dead & Co. shows in Boulder the last two nights. I was with some buddies Friday and had a great time though I felt the pace dragged a little. So, taking the wife last night, I kept hyping it - that Friday maybe wasn't the most stellar show and being end of tour, last night would kill it. It lagged even more than Friday. When Bob took the band into a languid, "Days Between" right out of a long-ass drums/space, I think half the stadium fell asleep. Still love the band, but, that was exactly the moment to go into "Me And My Uncle, or Truckin'," something to put a little juice in the proceedings. As usual the sound was immaculate; pristine. That band has the cleanest, purest live sound mix I have ever heard and they get it outside. Amazing. Shakedown street there at Folsom Field is a beautiful scene. You can get great food, cool swag and there are several full bars. The cops just hang out behind their sunglasses with their arms folded and watch the girls. A great weekend. Happy Sunday everyone.
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I thought the Boulder shows looked pretty good on paper. But, I wasn’t there and I didn’t do the stream. I did catch the free stream of Set 1 opening China/Rider and thought it was great. Agree with LedDed that D&C has spectacular concert sound. So does Roger Waters. Worst concert sound I experienced: Van Halen 2007. Horrendous. It was indoors, but I have also seen Roger Waters 3x and D&C 2x at the same place and they sounded great. For RW in 2012 I was one row in front of the same seat I was in for VH 2007, and it sounded great, so can’t blame the arena for the bad VH sound. Saw VH outdoors in 2015 and it sounded way better, but not even close to how D&C sounds outdoors.
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Hey now I just came a cross this on ebay, it's probably already been discussed. Are any of these extra tracks on the bonus third CD of Long Strange Trip previously unreleased? EXCLUSIVE Bonus Disc Three TRACK LISTING: 1 Playing in the Band (Beat-Club, Bremen, West Germany, 4/21/1972) 9:48 2 Eyes of the World (Roosevelt Stadium, Jersey City, NJ, 8/6/1974) 18:35 3 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 4:47 4 Not Fade Away (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 16:20 5 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 2:04 6 Dark Hollow (Warfield Theatre, San Francisco, CA, 10/7/1980) 4:04 7 Stella Blue (Zoo Amphitheater, Oklahoma City, OK, 7/5/1981) 10:14 8 Days Between (Madison Square Garden, New York, NY, 10/18/1994) 13:56 the only ones I question are the Zoo from 81 and Days Between? Didn't the Eyes come out on a Dicks picks? Help I'm not a schooled archivist. :> Thanks, nitecat
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First I don't really like Van Halen, that said,, I think I caught the same 2007 tour, and yes the sound really sucked. Really, really.
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You are right. Only the last two songs of the bonus disc were previously unreleased. Been hoping for a full 7/5/81 release for a while now. Great ‘81 show but also a hometown one for me. Enjoy the CD!
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....the last '81 release was met with spittle and brimstone. Not by me tho....
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I have to listen to post brent. cuz im pretty close to having a crash and burn and chucking the grateful dead out the window.
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if you sit and just focus on the sound mix quality of that '81 dave's picks you're going to have a bad time. its one of those you have to look at the whole overall package
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Agreed-a superb album-Herbie Hancocks piano and Tony Williams drumming-exceptional. All those mid 60s Miles Davis album are great-but E.S.P might just be my favourite.I only got into Bitches Brew this year. There is a 3 cd 1 dvd anniversary edition of this out, that doesn't cost so much, and sounds brilliant. Much, much better than earlier editions-to my way of thinking.
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Vguy - Love ya, but I disagree that the '81 TTATS was met with "fire and brimstone". No one dissed the show itself (as I recall). The general consensus was that it was one of the weaker recordings in the box - merely a statement of fact. '81 is one of the worst-recorded of the Dead's 30 years, so it was to be expected, no? "Fire and brimstone" seems a bit dramatic, but perhaps I'm forgetting some of the comments.
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Figured I would spend my Monday morning looking for news on 27th Dave. While waiting I streamed that Dicky Elizabeth Reed video. Wow, that hit the spot. I always thought volume swells could only be done on a Strat. What a glorious intro by Dicky. Thanks for posting
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I think that Vguy was referring to 12-9-81.Other than the AUD splices, I don’t have a problem with that release. T - 103 minutes until the DaP27 announcement
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I think tracks 6 and 8 are unreleased. Unless perhaps by November download? (Anyone?)
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Thin-I was thinking nitecat was referring only to the last two tracks on the bonus disc from the Amazon-exclusive version. You are correct, there are several unreleased tracks throughout the 3-disc version. https://en.wikipedia.org/wiki/Long_Strange_Trip Happy DaP 27 announcement day, everybody!
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thx for clarifying. Nevermind my previous comment.... 34 minutes until they announce 5/25/74 as DaP27....
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So excited for the announcement of 27 my bellybutton has been puckering and un-puckering all day.
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9/2/83
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excellent - looking fwd to this one
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We have a WINNER, keep the early 1980s coming for the next 4-5 picks DL!!
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First Wang Dang Doodle and Throwing Stones of the series...and I think only the second H>S>F in the series. Looks awesome - can't wait!
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Nice - Glad they found a good show and good recording form the 80's. Help Slip Franklin's is one of my favorites, and is one of the songs that no one has enough of. Glad to hear Eyes is NOT one of the super-speedy versions that was the norm in the 80's. BRING IT!
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