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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • #371
    The Outer One
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    Happy Cdn Thanksgiving!
    Thanksgiving long weekend north of the border this weekend. CFL football, turkey & all the fixings, and this wonderful box to enjoy all weekend long! Heading to the PNW at the end of the month for hiking and decompressing on Vancouver Island. Can't wait! Everyone have a safe, wonderful, and thankful, weekend.
  • #372
    MDJim
    Joined:
    Re: Stolie
    I think 1982 is a bit under-rated.. the soundboards sound a little flat and tinny.. but there are some great shows. Thinking treatment like Dave's Picks 8, composite, sdbd/aud.. there is room there. ok.. back to your regular programming..
  • #373
    stoltzfus
    Joined:
    aneewhun know when subscriptions start?
    late November?
  • #374
    stoltzfus
    Joined:
    next Dave's
    1968 but that won't happen 1967 but that won't happen 5/6/70 but that won't happen 1982? 1984?? 1985??? 7/2/88 would be _extremely_ welcome on many levels
  • #375
    stoltzfus
    Joined:
    a great double bill, at least in my mind
    Grateful Dead& Motorhead it boggles my imagination
  • #376
    MDJim
    Joined:
    We Haven't Seen That Spirit Here Since...
    1969. I expect to see more 69 releases soon simply because the master reels are ancient and likely suffering from the ravages of time. Plus.. so many Dark Stars, so little time. Unfortunately.. some have probably already suffered from decay and abuse, so they might not sound quite as good as some of the recently released material. A quick shoutout again to 80's fan. I have never seen a negative post, nothing but positive comments that propel the conversations along. And count me in the group that agrees with Kayak Guys Plangent Processes with the higher quality master reels. There really is no excuse not to do what we can to make some of these historical recordings sound as good as humanly possible. One last comment on diversity of releases and sometimes getting a release or box set out of our normal comfort range.. I embrace quirky releases, especially ones that fill in gaps from periods I am not 100% fluid with.. I almost always learn something and the body of music they created does not make sense if you have big holes.. it was a growing, breathing thing that constantly built upon itself and expanded. If I had unlimited time, for example.. I would like to listen to every China>Rider in sequence to appreciate how it expanded and contracted. No best ever, they all are important and one without the one before it just wouldn't make sense, it doesn't work that way. Onward.. enjoying the box and looking forward to next Friday and November 1.
  • #377
    KeithFan2112
    Joined:
    Pretty close to 80sFan and Jimbo
    I'm thinking late 1969. They had some great shows with some great dark stars between October and the end of the year. 1025, 11/2, 1226, even just over the hump and two new year, January 2nd, maybe they found the Dark Star for that show. I think that's the one with the missing Dark Star. Or vguy's 8/30 would suit me. Plenty of room for bonus material, like if they did one of the shows from the Boston Tea Party Trio. I would be more than happy with something in this range, and we're due. P.S. - count me in as a T.C. fan. I always read about how one of the big reasons he left the band was because there was no Sonic space for him. I do think, however, that everything he plays ads to the texture of the song, and if he's up in the mix, you can tell that he's present and playing constantly. And I like his tone. Very unique. It would have been interesting to hear him playing alongside Keith godchaux. I think my all-time favorite. Might be when Keith and pigpen we're onstage together Hammond and piano.
  • #378
    Cousins Of The…
    Joined:
    Bob t - Warfield
    If I recall correctly, it was a mail order, 6 tickets max per show, with no limit on how many shows you wanted. I bought tickets for 13 out of 15, but had to bail on two of them in order to recuperate: these shows started at 8pm and ended around 1:00 am, with the last show(10/14) ending around 2:00. All my tickets were in the same section and mostly the same seats, after a while it really felt like home.
  • #379
    Kayak Guy
    Joined:
    Meta moment?
    we must need a new release to change the subject, it has gotten to posts about people complaining about people complaining about people complaining. i think i got that right ;) we must need a NEW subscription series to fill the awkward weeks between releases, like once every 4 months and with Plangent processing for the returned reels and other degrading reels in the vault before they become unplayable. Däve's Top Shelf, no cover art just a generic reel box like Dick's 1-6 and with a disclaimer, and a digital download version too, so it never really sells out.
  • #380
    Morning Sun
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    Joined:
    Warfield
    I went to 9/26 and 10/10. Think it was through mail order. Don't remember it being too hard---just get order in. Six ticket max per order; we only needed six so that's all we ordered. This was before huge scalping profits available so we did not even think about getting more. Our group from LA could only go weekends, we decided to spread it out to beginning and end, and got the two Saturdays. Hope that is informative?
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Submitted by clayv on
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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Submitted by Hippychic on Sat, 07/14/2018 - 20:09

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Careful, there's a curmudgeon running around on the loose in here!
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Submitted by jrf68@hotmail.com on Sat, 07/14/2018 - 21:45

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Only reason I bought it was for the 1967-10-22 show. I've already got a really good soundboard of it but I'm listening with nice headphones right now & it's definetly worth it. Sounds fantastic.Get some... a little further in now...massive upgrade. Thanks :o)
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Submitted by Gollum on Sat, 07/14/2018 - 23:47

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I can't believe someone objected to Hippychic's posts. It reminds me of that Seinfeld episode where Kramer freaks out when Jerry threatens to report his female neighbor for walking around her apartment naked. Madness. I love this space, where every topic under the sun is fair game, but lets face it, it is mostly a sterile, barren, sexless sausage fest. especially since Kate C. no longer posts. Please keep the posts cummin Hippychic.
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Submitted by Hippychic on Sat, 07/14/2018 - 23:52

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You're a gentleman and a scholar!
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Submitted by Born Cross Eye… on Sun, 07/15/2018 - 04:21

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Getting off the subject of the Grateful Dead, a blast from my past: Lothar And The Hand People. I never really got to see them many years ago at the Roxy Theatre in Northampton, Pennsylvania, but I definitely do remember the name. I used to have their 1st Capitol Records LP, I guess -the one with pictures of the band members photos on the front cover on a tan background. I thought the their facial expressions in these photos were hilarious, and ages ago I bought the album with that being one of the reasons for buying it. Another reason to buy it was to "explore" new music and it was quite low-cost price for the time. ($2.98 or something like that) Anyway, with that being said, here's a sound sample - I think it's the whole album, or at least the opening track on Side 1, "Machines": https://www.youtube.com/watch?v=dDpIz8E6wvs&list=PLW1w8neoXejs188MBadMB…
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Submitted by Boheme on Sun, 07/15/2018 - 06:51

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My first comment here, after lurking for a few months, ha! I personally would love to see 6-4-76 Paramount Theater, Portland, OR. Great setlist, historic show, and does not circulate in SBD. That said, a mini box of both 6-3 and 6-4 might be warranted, so perhaps they'll hold off (provided 6-4 is even in the vault). Just sayin'. Hey everybody!
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Submitted by fourwindsblow on Sun, 07/15/2018 - 07:06

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Fresh transfer with new audio upgrade.
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10 years 9 months

Submitted by alvarhanso on Sun, 07/15/2018 - 14:35

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I like the build up for the announcement. Just hoping for a good show with great sound. I'll probably be busy and miss the announcement going live, but will be checking for a Listening Party at lunch after Taper's Section in the morning. May all who need to get it a la carte have your dreams come true tomorrow!
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Submitted by FloridaBobalooToo on Sun, 07/15/2018 - 14:57

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If you're a fan of Americana and Roots music you might enjoy thisDITTYTV.com or Ditty TV streaming on your AppleTV or Roku. Ive been watching it a lot as its like MTV was when they did videos. Learning a lot of new groups and sounds and the shows are really enjoyable. Check it out and see if it gets you goin Lost on Cedar Key.................
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Submitted by FloridaBobalooToo on Sun, 07/15/2018 - 16:01

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Thats the placebut its 5000 light years from the mainland I really don't want to leave.........ever check this out...........http://cedarkeybedandbreakfast.com/ this is the place Ive been longing for......... Awaiting tonights soul satisfying sunset
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Submitted by Strider 808808 on Sun, 07/15/2018 - 16:31

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I was there last night. I didn't think it was dub steppy at all. Actually I thought it was fucking awesome!
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Submitted by LedDed on Sun, 07/15/2018 - 16:55

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No not the guitar company or the mental thing... the Miles Davis album. Miles Davis, E.S.P. Man, is this beautiful music. The last two songs, "Iris, and Mood" are just hypnotic. I was at the Dead & Co. shows in Boulder the last two nights. I was with some buddies Friday and had a great time though I felt the pace dragged a little. So, taking the wife last night, I kept hyping it - that Friday maybe wasn't the most stellar show and being end of tour, last night would kill it. It lagged even more than Friday. When Bob took the band into a languid, "Days Between" right out of a long-ass drums/space, I think half the stadium fell asleep. Still love the band, but, that was exactly the moment to go into "Me And My Uncle, or Truckin'," something to put a little juice in the proceedings. As usual the sound was immaculate; pristine. That band has the cleanest, purest live sound mix I have ever heard and they get it outside. Amazing. Shakedown street there at Folsom Field is a beautiful scene. You can get great food, cool swag and there are several full bars. The cops just hang out behind their sunglasses with their arms folded and watch the girls. A great weekend. Happy Sunday everyone.
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Submitted by icecrmcnkd on Sun, 07/15/2018 - 18:36

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I thought the Boulder shows looked pretty good on paper. But, I wasn’t there and I didn’t do the stream. I did catch the free stream of Set 1 opening China/Rider and thought it was great. Agree with LedDed that D&C has spectacular concert sound. So does Roger Waters. Worst concert sound I experienced: Van Halen 2007. Horrendous. It was indoors, but I have also seen Roger Waters 3x and D&C 2x at the same place and they sounded great. For RW in 2012 I was one row in front of the same seat I was in for VH 2007, and it sounded great, so can’t blame the arena for the bad VH sound. Saw VH outdoors in 2015 and it sounded way better, but not even close to how D&C sounds outdoors.
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Submitted by nitecat on Sun, 07/15/2018 - 19:16

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Hey now I just came a cross this on ebay, it's probably already been discussed. Are any of these extra tracks on the bonus third CD of Long Strange Trip previously unreleased? EXCLUSIVE Bonus Disc Three TRACK LISTING: 1 Playing in the Band (Beat-Club, Bremen, West Germany, 4/21/1972) 9:48 2 Eyes of the World (Roosevelt Stadium, Jersey City, NJ, 8/6/1974) 18:35 3 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 4:47 4 Not Fade Away (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 16:20 5 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 2:04 6 Dark Hollow (Warfield Theatre, San Francisco, CA, 10/7/1980) 4:04 7 Stella Blue (Zoo Amphitheater, Oklahoma City, OK, 7/5/1981) 10:14 8 Days Between (Madison Square Garden, New York, NY, 10/18/1994) 13:56 the only ones I question are the Zoo from 81 and Days Between? Didn't the Eyes come out on a Dicks picks? Help I'm not a schooled archivist. :> Thanks, nitecat
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Submitted by Dennis on Sun, 07/15/2018 - 19:53

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First I don't really like Van Halen, that said,, I think I caught the same 2007 tour, and yes the sound really sucked. Really, really.
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Submitted by OKCDeadHead on Sun, 07/15/2018 - 20:03

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You are right. Only the last two songs of the bonus disc were previously unreleased. Been hoping for a full 7/5/81 release for a while now. Great ‘81 show but also a hometown one for me. Enjoy the CD!
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Submitted by Vguy72 on Sun, 07/15/2018 - 20:40

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....the last '81 release was met with spittle and brimstone. Not by me tho....
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Submitted by Terrapin Moon on Sun, 07/15/2018 - 20:47

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I have to listen to post brent. cuz im pretty close to having a crash and burn and chucking the grateful dead out the window.
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Submitted by Terrapin Moon on Sun, 07/15/2018 - 20:50

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if you sit and just focus on the sound mix quality of that '81 dave's picks you're going to have a bad time. its one of those you have to look at the whole overall package
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Submitted by daverock on Mon, 07/16/2018 - 03:31

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Agreed-a superb album-Herbie Hancocks piano and Tony Williams drumming-exceptional. All those mid 60s Miles Davis album are great-but E.S.P might just be my favourite.I only got into Bitches Brew this year. There is a 3 cd 1 dvd anniversary edition of this out, that doesn't cost so much, and sounds brilliant. Much, much better than earlier editions-to my way of thinking.
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Submitted by Thin on Mon, 07/16/2018 - 07:50

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Vguy - Love ya, but I disagree that the '81 TTATS was met with "fire and brimstone". No one dissed the show itself (as I recall). The general consensus was that it was one of the weaker recordings in the box - merely a statement of fact. '81 is one of the worst-recorded of the Dead's 30 years, so it was to be expected, no? "Fire and brimstone" seems a bit dramatic, but perhaps I'm forgetting some of the comments.
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Submitted by reijo29 on Mon, 07/16/2018 - 08:05

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Figured I would spend my Monday morning looking for news on 27th Dave. While waiting I streamed that Dicky Elizabeth Reed video. Wow, that hit the spot. I always thought volume swells could only be done on a Strat. What a glorious intro by Dicky. Thanks for posting
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Submitted by icecrmcnkd on Mon, 07/16/2018 - 08:17

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I think that Vguy was referring to 12-9-81.Other than the AUD splices, I don’t have a problem with that release. T - 103 minutes until the DaP27 announcement
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Submitted by Thin on Mon, 07/16/2018 - 08:26

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I think tracks 6 and 8 are unreleased. Unless perhaps by November download? (Anyone?)
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Submitted by OKCDeadHead on Mon, 07/16/2018 - 08:36

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Thin-I was thinking nitecat was referring only to the last two tracks on the bonus disc from the Amazon-exclusive version. You are correct, there are several unreleased tracks throughout the 3-disc version. https://en.wikipedia.org/wiki/Long_Strange_Trip Happy DaP 27 announcement day, everybody!
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Submitted by Thin on Mon, 07/16/2018 - 09:27

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thx for clarifying. Nevermind my previous comment.... 34 minutes until they announce 5/25/74 as DaP27....
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Submitted by fourwindsblow on Mon, 07/16/2018 - 09:52

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So excited for the announcement of 27 my bellybutton has been puckering and un-puckering all day.
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Submitted by Mr. Jack Straw on Mon, 07/16/2018 - 09:55

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9/2/83
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Submitted by mcgrupp216 on Mon, 07/16/2018 - 10:10

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excellent - looking fwd to this one
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Submitted by RV3 on Mon, 07/16/2018 - 10:12

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We have a WINNER, keep the early 1980s coming for the next 4-5 picks DL!!
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Submitted by 80sfan on Mon, 07/16/2018 - 10:16

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First Wang Dang Doodle and Throwing Stones of the series...and I think only the second H>S>F in the series. Looks awesome - can't wait!
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Submitted by Thin on Mon, 07/16/2018 - 10:23

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Nice - Glad they found a good show and good recording form the 80's. Help Slip Franklin's is one of my favorites, and is one of the songs that no one has enough of. Glad to hear Eyes is NOT one of the super-speedy versions that was the norm in the 80's. BRING IT!
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