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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Slow Dog Noodle
    Joined:
    Shipping Costs
    What's with all the international shipping cost gripe posts? Is anyone really surprised that it costs an arm and a leg to ship one of these things around the globe and none of these transactions are ever executed smoothly? Haven't you people read any Kafka? I'm willing to debate more topics than most on this board, but the peccadilloes of shipping firms international tax and fee policies is where I draw the line. Good day sirs.
  • boblopes
    Joined:
    Do Androids Dream of Electric Sheep?
    Excellent Book, much better than the movie, though I like the grundgy movie and Daryl Hannah is hot as Pris and Rutger Hauer was an awesome villian... LedHed, never heard of the 3P's - Back in my college concert production days we used 7 P's: Prior Proper Planning Prevents Piss Poor Performance Sorry to hear that you get to experience the "Stamp Tax". As the Bostonian in me that drives by the site of the Boston Massacre, the snarkiness in me says "payback' a bitch" - but only in jest... As KG pointed out, maybe worthy to get the digital medium. Just like last night's Family Guy, I am kidding, it's only a joke ;) I see the point of all people's comments (opinions/personal preferences) regarding era's, song evolution, jamming. I'm from the camp that wants the "creme de la creme" put out there regardless of era. I want the best recordings of the best shows no matter the lineup. I trust Dave in his deadication to putting out what's worthy while dealing with all the variables & requests he has to juggle while working a business model that will continue for years on end while letting some very worthy shows see the light of day. I forgot who mentioned the point of the Dead retiring after 1977. My Favorite JGB era is 1978 - I love Donna and Maria singing with Jerry. I wish more releases would see the light of day from that tour. The Capitol show someone mentioned a few years back was awesome. Seems like they're more into the artwork releases. I'd be psyched if they'd do another Pure Jerry run (re-release) so I could fill in the blanks of the shows I passed on at the time... I would love each and every show was given the plangent treatment. Still loving the new release but still stuck on repeat on the early shows, which is not a bad thing ;) Anyone make it to the hidden vault to get the golden key?
  • LedDed
    Joined:
    The three P's...
    Which are, of course, Purple, Priest, and priorities. Saw Purple and Priest last night with some band called, The Temperance Movement. Amazing, amazing singer like a young, snarly Chris Robinson. Decent band, could use better songs. Next was Priest. I say they are tighter without tired, old-ass Glenn Tipton. Richie Faulkner is a metal god. At 67, Rob Halford has lost absolutely nothing, and he stands as the finest metal singer of all-time. There is absolutely no arguing that point. At 73, Deep Purple's Ian Gillan has lost much of the power he commanded right on through the 1980s. He was a shrieker for the ages. However, he uses what voice he has left wisely and he delivered a fine performance. People say his voice is shot, well, no, that would be Ian Anderson and Don Dokken. I now accept Steve Morse into the band. The only knock being, he isn't Ritchie Blackmore. Ritchie can't play his way out a wet paper bag these days. He's even more faded than Ian Gillan. It has to be said, Ian Paice remains a monster. My God, how he still flies around the top of that Paiste kit is a thing to behold. Oh yeah, last, priorities: if your priority is to avoid endless postal/shipping hassles on official Dead releases, move to the United States.
  • simonrob
    Joined:
    Faulty translation...
    Indeed there are sometimes enormous differences between US English and EU English but no, this invoice was entirely in the Dutch language. It is apparent to me that something went catastrophically wrong during the development of the Dutch language, making it nigh on impossible to express things as one would like to. Even most Dutch people seem to have great difficulties with it. The grammar is mostly impossible for mere mortals to master. Hey, didja see that I slipped in a cool bit of alliteration there? And on a Monday, too.
  • MDJim
    Joined:
    Re: Worthless
    What a trip.. My guess is if we ever got to the bottom of it, the letter was generated by an eager, yet ill equipped person trying to work their up at UPS International, most certainly having the title Financial Analyst II. Their resume now reads, "Targeted and developed outreach program that identified for collection €13M from Import Duty avoiding hippies." Hopefully by the year they will reach their lifetime ambition of being a Financial Analyst III. We can only hope... ________________ Did someone mention Dicks Picks 8, Harpur College? Yes.. a worthy a show, incredible. I'd imagine it periodically floats to the top on lots of peoples favorite show list. It's currently half-played on my phone (which I use in my truck).. currently on pause in the middle of It's A Mans, Mans, Mans World. .but it wouldn't mean nothing, nothing, ..without a woman or a girl. Love that tune.. love that show. Explosive.
  • MDJim
    Joined:
    Palate Cleanser
    ..sort of. If you need a break from the box and want to try something different, this show's unique (oxymoron I know... but). It's a Charlie Miller, relatively recently seeded show (less than two years ago). There are two unknown guests sitting in, a sax player and a fiddle player. Listening to the interplay on Dark Star, they seem to have a deep understanding of the music. We wouldn't hear noises like this on Dark Star until the midi days 20 years later. As an added bonus, the sound is quite good for the era - definitely release worthy. David Gans brought it up on The Golden Road yesterday which piqued my interest. https://archive.org/details/gd1969-08-03.137365.sbd.miller.eaton.flac24… 08/03/69 Family Dog at The Great Highway - San Francisco, CA Set 1: Hard To Handle Beat It On Down The Line Hi Heeled Sneakers High Time Mama Tried Dark Star Alligator Drums Alligator Caution (Do Not Stop On Tracks) And We Bid You Goodnight ok.. back to our regularly scheduled 1973 and 1974 flavored programming.
  • gerhard
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    Joined:
    UPS/worthless
    After paying $ 63.98 for shippimg and handling when ordering, I had to drive two hours to the next UPS depot and pay about $ 70 for tax and UPS fees to get my salmon box. That's really a lot, I think, for even this box. (And by the way: Though liking 73 and 74 a lot, but so many songs without vocals is no fun at all. Sorry.)So to those in command: please, please, please no UPS morning glory delivery no more, please never ever! Nevertheless looking forward to the next Dave's Picks, the 2019 subscription and the next 2019er big box.
  • Kayak Guy
    Joined:
    Worthless...
    could it be a faulty translation from US english to EU english?
  • simonrob
    Joined:
    Worthless...
    As I mentioned earlier, having paid UPS a ransom to get them to release my box, I subsequently received an invoice from them for the same amount in the post. Amongst other things it said that this amount should be paid immediately and threatened sanctions and surcharges if I failed to do so. Today I called UPS customer service to hear what they had to say about it. It only took 12 minutes on hold to get through to a human. The friendly woman on the other end of the line was quite happy to explain that I had indeed already paid and didn't have to pay a second time and that the invoice was purely for my personal bookkeeping. She also added that the wording on the invoice is "confusing". Right. Why send an invoice when a receipt would have been somewhat more appropriate?
  • Jason Wilder
    Default Avatar
    Joined:
    Shows vs Mix
    In the never ending debate about the "best" era of Dead, I think it is fair to say to each his own. But I would push back strongly on the idea that post Keith & Donna Dead was mediocre. It certainly was MUCH better than that. Now, there were certainly some low points ('83, '84, '86, and the last couple of years in the '90s for certain). Even then, there was some spectacular moments (Unbroken, etc). I think the Songs vs. Jams camp is easier to see. Jams camp is gonna say '69 is tops. No later than '74. Songs camp will say later. Bobby thinks '89-'90 was tops for many the songs, and I tend to agree with him on a lot of tunes. Certainly, there was much better variety in the 80's with less repetition. Maybe lost some jamming, but anyone who listens to the Hornsby era and says no interesting jams is not paying attention. Ditto late Brent. I will say that the quality of the mixes declined a lot in the 80's. That is no in dispute. Get a good AUD tape (or a matrix) and you are better off than with a SDBD.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Careful, there's a curmudgeon running around on the loose in here!
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Only reason I bought it was for the 1967-10-22 show. I've already got a really good soundboard of it but I'm listening with nice headphones right now & it's definetly worth it. Sounds fantastic.Get some... a little further in now...massive upgrade. Thanks :o)
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I can't believe someone objected to Hippychic's posts. It reminds me of that Seinfeld episode where Kramer freaks out when Jerry threatens to report his female neighbor for walking around her apartment naked. Madness. I love this space, where every topic under the sun is fair game, but lets face it, it is mostly a sterile, barren, sexless sausage fest. especially since Kate C. no longer posts. Please keep the posts cummin Hippychic.
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You're a gentleman and a scholar!
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Getting off the subject of the Grateful Dead, a blast from my past: Lothar And The Hand People. I never really got to see them many years ago at the Roxy Theatre in Northampton, Pennsylvania, but I definitely do remember the name. I used to have their 1st Capitol Records LP, I guess -the one with pictures of the band members photos on the front cover on a tan background. I thought the their facial expressions in these photos were hilarious, and ages ago I bought the album with that being one of the reasons for buying it. Another reason to buy it was to "explore" new music and it was quite low-cost price for the time. ($2.98 or something like that) Anyway, with that being said, here's a sound sample - I think it's the whole album, or at least the opening track on Side 1, "Machines": https://www.youtube.com/watch?v=dDpIz8E6wvs&list=PLW1w8neoXejs188MBadMB…
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My first comment here, after lurking for a few months, ha! I personally would love to see 6-4-76 Paramount Theater, Portland, OR. Great setlist, historic show, and does not circulate in SBD. That said, a mini box of both 6-3 and 6-4 might be warranted, so perhaps they'll hold off (provided 6-4 is even in the vault). Just sayin'. Hey everybody!
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Fresh transfer with new audio upgrade.
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10 years 8 months
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I like the build up for the announcement. Just hoping for a good show with great sound. I'll probably be busy and miss the announcement going live, but will be checking for a Listening Party at lunch after Taper's Section in the morning. May all who need to get it a la carte have your dreams come true tomorrow!
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If you're a fan of Americana and Roots music you might enjoy thisDITTYTV.com or Ditty TV streaming on your AppleTV or Roku. Ive been watching it a lot as its like MTV was when they did videos. Learning a lot of new groups and sounds and the shows are really enjoyable. Check it out and see if it gets you goin Lost on Cedar Key.................
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Thats the placebut its 5000 light years from the mainland I really don't want to leave.........ever check this out...........http://cedarkeybedandbreakfast.com/ this is the place Ive been longing for......... Awaiting tonights soul satisfying sunset
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I was there last night. I didn't think it was dub steppy at all. Actually I thought it was fucking awesome!
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No not the guitar company or the mental thing... the Miles Davis album. Miles Davis, E.S.P. Man, is this beautiful music. The last two songs, "Iris, and Mood" are just hypnotic. I was at the Dead & Co. shows in Boulder the last two nights. I was with some buddies Friday and had a great time though I felt the pace dragged a little. So, taking the wife last night, I kept hyping it - that Friday maybe wasn't the most stellar show and being end of tour, last night would kill it. It lagged even more than Friday. When Bob took the band into a languid, "Days Between" right out of a long-ass drums/space, I think half the stadium fell asleep. Still love the band, but, that was exactly the moment to go into "Me And My Uncle, or Truckin'," something to put a little juice in the proceedings. As usual the sound was immaculate; pristine. That band has the cleanest, purest live sound mix I have ever heard and they get it outside. Amazing. Shakedown street there at Folsom Field is a beautiful scene. You can get great food, cool swag and there are several full bars. The cops just hang out behind their sunglasses with their arms folded and watch the girls. A great weekend. Happy Sunday everyone.
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I thought the Boulder shows looked pretty good on paper. But, I wasn’t there and I didn’t do the stream. I did catch the free stream of Set 1 opening China/Rider and thought it was great. Agree with LedDed that D&C has spectacular concert sound. So does Roger Waters. Worst concert sound I experienced: Van Halen 2007. Horrendous. It was indoors, but I have also seen Roger Waters 3x and D&C 2x at the same place and they sounded great. For RW in 2012 I was one row in front of the same seat I was in for VH 2007, and it sounded great, so can’t blame the arena for the bad VH sound. Saw VH outdoors in 2015 and it sounded way better, but not even close to how D&C sounds outdoors.
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Hey now I just came a cross this on ebay, it's probably already been discussed. Are any of these extra tracks on the bonus third CD of Long Strange Trip previously unreleased? EXCLUSIVE Bonus Disc Three TRACK LISTING: 1 Playing in the Band (Beat-Club, Bremen, West Germany, 4/21/1972) 9:48 2 Eyes of the World (Roosevelt Stadium, Jersey City, NJ, 8/6/1974) 18:35 3 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 4:47 4 Not Fade Away (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 16:20 5 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 2:04 6 Dark Hollow (Warfield Theatre, San Francisco, CA, 10/7/1980) 4:04 7 Stella Blue (Zoo Amphitheater, Oklahoma City, OK, 7/5/1981) 10:14 8 Days Between (Madison Square Garden, New York, NY, 10/18/1994) 13:56 the only ones I question are the Zoo from 81 and Days Between? Didn't the Eyes come out on a Dicks picks? Help I'm not a schooled archivist. :> Thanks, nitecat
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First I don't really like Van Halen, that said,, I think I caught the same 2007 tour, and yes the sound really sucked. Really, really.
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You are right. Only the last two songs of the bonus disc were previously unreleased. Been hoping for a full 7/5/81 release for a while now. Great ‘81 show but also a hometown one for me. Enjoy the CD!
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....the last '81 release was met with spittle and brimstone. Not by me tho....
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I have to listen to post brent. cuz im pretty close to having a crash and burn and chucking the grateful dead out the window.
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if you sit and just focus on the sound mix quality of that '81 dave's picks you're going to have a bad time. its one of those you have to look at the whole overall package
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Agreed-a superb album-Herbie Hancocks piano and Tony Williams drumming-exceptional. All those mid 60s Miles Davis album are great-but E.S.P might just be my favourite.I only got into Bitches Brew this year. There is a 3 cd 1 dvd anniversary edition of this out, that doesn't cost so much, and sounds brilliant. Much, much better than earlier editions-to my way of thinking.
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Vguy - Love ya, but I disagree that the '81 TTATS was met with "fire and brimstone". No one dissed the show itself (as I recall). The general consensus was that it was one of the weaker recordings in the box - merely a statement of fact. '81 is one of the worst-recorded of the Dead's 30 years, so it was to be expected, no? "Fire and brimstone" seems a bit dramatic, but perhaps I'm forgetting some of the comments.
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Figured I would spend my Monday morning looking for news on 27th Dave. While waiting I streamed that Dicky Elizabeth Reed video. Wow, that hit the spot. I always thought volume swells could only be done on a Strat. What a glorious intro by Dicky. Thanks for posting
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I think that Vguy was referring to 12-9-81.Other than the AUD splices, I don’t have a problem with that release. T - 103 minutes until the DaP27 announcement
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I think tracks 6 and 8 are unreleased. Unless perhaps by November download? (Anyone?)
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Thin-I was thinking nitecat was referring only to the last two tracks on the bonus disc from the Amazon-exclusive version. You are correct, there are several unreleased tracks throughout the 3-disc version. https://en.wikipedia.org/wiki/Long_Strange_Trip Happy DaP 27 announcement day, everybody!
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thx for clarifying. Nevermind my previous comment.... 34 minutes until they announce 5/25/74 as DaP27....
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So excited for the announcement of 27 my bellybutton has been puckering and un-puckering all day.
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9/2/83
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excellent - looking fwd to this one
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We have a WINNER, keep the early 1980s coming for the next 4-5 picks DL!!
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First Wang Dang Doodle and Throwing Stones of the series...and I think only the second H>S>F in the series. Looks awesome - can't wait!
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Nice - Glad they found a good show and good recording form the 80's. Help Slip Franklin's is one of my favorites, and is one of the songs that no one has enough of. Glad to hear Eyes is NOT one of the super-speedy versions that was the norm in the 80's. BRING IT!
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