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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Vguy72
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    .
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  • Born Cross Eye…
    Joined:
    Shipping box design
    The word has it that the shipping box has a nice design on it by Mr. Vickers. However, my source has not given me the dimensions of the shipping box or the actual product dimensions. My source has not given me the details on the shape of the individual show containers, whether they're standard digi-paks w/ plastic trays or heavy paper sleeves, such as the E'72 sleeves or Road Trips containers or larger containers like the May 1977 or even larger like the Get Shown The Light (or the back door). My source of information is NOT bolo24, but an upper management United States Postal Service employee who saw a lot of shows.
  • Gratefulhan
    Joined:
    Bickershaw, yes!
    That Bickershaw 5/7/72 show might be my favorite of the whole Europe 72 tour. One could even argue it is the best not only of Europe 72 but all of 72. I know, tall order and certainly debatable but that show has several things going for it. So besides the obvious stellar playing PigPen is there as LedDed has said and I agree. No doubt even in his physical state at the time he was still the man. So there is that plus the Dark Star > Drums > Other One > Sing Me Back Home 2nd set jam. The Dark Star is good, but The Other One is massive, and it really rocks (note some fine organ playing by PigPen on that one). The Dark Star/Other One combo was last played before then at the 11//7/71 Harding Theater show. It wasn’t played again until 12/31/78. So pretty much after this show those songs did not pop up together too often whether it be as part of a sequence of songs or even just in the same set/show. However this show also has a Lovelight, one of the last PigPen versions. Having a Dark Star, Other One and Lovelight in one set wasn’t common at the time. Really to me this show reminds me of the 2/13/70 Fillmore East show due to these three songs played in 2nd set. Certainly Bickershaw wasn’t played the same as 2/13/70, but seeing those three songs in one set kind of makes these shows cousins, again at least to me. More importantly I look at this show as sort a changing of the times...It was one of PigPen’s last shows and it contains a nice mix of “back in the day” big jam songs with the newer material of the time. Shortly after Europe 72, PigPen was done touring which altered the setlists and shows. Don’t get me wrong the entire rest of 1972 is still a fantastic year but the last 6 months of shows that weren't quite the same as March through May run. And when I say “not quite the same” I simply mean different but still tremendous nonetheless.
  • Mr. Pete
    Joined:
    Dark Star Red Rocks show download?
    I am looking for a decent audio copy of Dark Star's recent Red Rocks show. I would appreciate any suggestions.Have a great holiday...and only a "few" more days until the box set is in the mail. Mr. Pete-----------> aging hippie
  • MDJim
    Joined:
    Joke
    So a loud, belligerent drunk and an alligator walk into a bar together. The drunk chops off the alligators tail and paints him yellow. What? Already heard this one.. never mind.
  • Vguy72
    Joined:
    Loud, belligerent drunks....
    ....that's not me, but I have a few friends that ask me to go out to "down a few". No thanks. I don't feel like getting in a fight and/or going to jail. Been in jail once and not a fan. When I drink too much, I usually just smile like an idiot and wave people along. "Have a nice night!"Ask boblopes. He knows. I flirt with pretty women and just go with my flow. Settle down easy.
  • LedDed
    Joined:
    Waiting For The Man...
    ...no, not That man. Thank God. The man (or woman) who will drop this box off hopefully next Saturday or Monday. Labor Day weekend here is commencing with meaningless NFL preseason low on the tube, drowned out by the incredibly muscular, nuanced 5/7/72 Bickershaw Festival "The Other One." Lots of Dead jams rival the Dark Stars, many "Playing In The Band" performances, etc. I think Dark Star carries the mojo due to the title, the space lyrics, and myth as much as the music. They did that shit all the time, stretching out on other tunes. Just that "Dark Star" is weird right from the get-go, while "Playing, Other One," etc. have more of a traditional song structure to come back home to after the weirdness subsides. Pigpen still being there at Bickershaw makes it special as well. It WAS a different band after his absence. Not necessarily better or worse, but this is the guy who along with Jerry was really the glue. Their first front man, drunkenly rapping and keeping things moving while the rest of the band tripped their brains out on stage. The Dead were, really, a crappy blues band in the very beginning. I was a crappy blues guitarist, in the beginning. Most early bands and players in a rock context start with blues derivatives. It's simple, and everything comes from that well. I'm burning Lester Young into iTunes while I bask in the delight that is Bickershaw. Man... awesome. Saw the Magpie Salute in Boulder last night. Great show, my friend got thrown out for being drunk. I was probably drunker, but I hold my booze well and am not loud and belligerent. Except here, of course. Could have sprinkled a few more Black Crowes tunes into the set, the only disappointment. Happy weekend everyone play hard and stay safe. \m/
  • alvarhanso
    Joined:
    5/19/74 Truckin> Jam> NFA
    Angry Jack, there's a soundcloud clip from the announcement in Rolling Stone on this very page. It's the bottom link. It is astounding! Listened to it again last night, as a matter of fact. Great little Mind Left Body Jam, which I believe is unusual for Truckin Jams to have. But I would recommend checking out the sample to see if it matches your tape. It does transition from slow to fast pretty quickly. Didn't think it was disjointed, think Jerry just got enthusiastic. Speaking of Jerry getting enthusiastic, his work on the Not Fade Away> Goin' Down the Road Feelin' Bad> Not Fade Away on Dave's 26 11/17/71, is mindbending. He rips his way through all three sections. Maybe it was the excitement of being in New Mexico for the first time and playing one of his favorite songs, Not Fade Away, in the same state where Buddy Holly recorded the version he loved. But Jerry plays his ass off. That tape definitely lived up to and beyond Dave's hype. :)
  • Slow Dog Noodle
    Joined:
    Box Dimensions
    Here's hoping this box is in the 4th dimension.
  • bmankin
    Default Avatar
    Joined:
    Box dimensions please
    It would be extremely helpful if the creators of this box set would post the dimensions of the box. Some of us have limited and/or uniquely defined shelf space, and it would be a great courtesy to know whether this one will fit or not. Thank you.
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6 years 7 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Careful, there's a curmudgeon running around on the loose in here!
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Only reason I bought it was for the 1967-10-22 show. I've already got a really good soundboard of it but I'm listening with nice headphones right now & it's definetly worth it. Sounds fantastic.Get some... a little further in now...massive upgrade. Thanks :o)
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I can't believe someone objected to Hippychic's posts. It reminds me of that Seinfeld episode where Kramer freaks out when Jerry threatens to report his female neighbor for walking around her apartment naked. Madness. I love this space, where every topic under the sun is fair game, but lets face it, it is mostly a sterile, barren, sexless sausage fest. especially since Kate C. no longer posts. Please keep the posts cummin Hippychic.
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You're a gentleman and a scholar!
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Getting off the subject of the Grateful Dead, a blast from my past: Lothar And The Hand People. I never really got to see them many years ago at the Roxy Theatre in Northampton, Pennsylvania, but I definitely do remember the name. I used to have their 1st Capitol Records LP, I guess -the one with pictures of the band members photos on the front cover on a tan background. I thought the their facial expressions in these photos were hilarious, and ages ago I bought the album with that being one of the reasons for buying it. Another reason to buy it was to "explore" new music and it was quite low-cost price for the time. ($2.98 or something like that) Anyway, with that being said, here's a sound sample - I think it's the whole album, or at least the opening track on Side 1, "Machines": https://www.youtube.com/watch?v=dDpIz8E6wvs&list=PLW1w8neoXejs188MBadMB…
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My first comment here, after lurking for a few months, ha! I personally would love to see 6-4-76 Paramount Theater, Portland, OR. Great setlist, historic show, and does not circulate in SBD. That said, a mini box of both 6-3 and 6-4 might be warranted, so perhaps they'll hold off (provided 6-4 is even in the vault). Just sayin'. Hey everybody!
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Fresh transfer with new audio upgrade.
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10 years 9 months
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I like the build up for the announcement. Just hoping for a good show with great sound. I'll probably be busy and miss the announcement going live, but will be checking for a Listening Party at lunch after Taper's Section in the morning. May all who need to get it a la carte have your dreams come true tomorrow!
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If you're a fan of Americana and Roots music you might enjoy thisDITTYTV.com or Ditty TV streaming on your AppleTV or Roku. Ive been watching it a lot as its like MTV was when they did videos. Learning a lot of new groups and sounds and the shows are really enjoyable. Check it out and see if it gets you goin Lost on Cedar Key.................
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Thats the placebut its 5000 light years from the mainland I really don't want to leave.........ever check this out...........http://cedarkeybedandbreakfast.com/ this is the place Ive been longing for......... Awaiting tonights soul satisfying sunset
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I was there last night. I didn't think it was dub steppy at all. Actually I thought it was fucking awesome!
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No not the guitar company or the mental thing... the Miles Davis album. Miles Davis, E.S.P. Man, is this beautiful music. The last two songs, "Iris, and Mood" are just hypnotic. I was at the Dead & Co. shows in Boulder the last two nights. I was with some buddies Friday and had a great time though I felt the pace dragged a little. So, taking the wife last night, I kept hyping it - that Friday maybe wasn't the most stellar show and being end of tour, last night would kill it. It lagged even more than Friday. When Bob took the band into a languid, "Days Between" right out of a long-ass drums/space, I think half the stadium fell asleep. Still love the band, but, that was exactly the moment to go into "Me And My Uncle, or Truckin'," something to put a little juice in the proceedings. As usual the sound was immaculate; pristine. That band has the cleanest, purest live sound mix I have ever heard and they get it outside. Amazing. Shakedown street there at Folsom Field is a beautiful scene. You can get great food, cool swag and there are several full bars. The cops just hang out behind their sunglasses with their arms folded and watch the girls. A great weekend. Happy Sunday everyone.
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I thought the Boulder shows looked pretty good on paper. But, I wasn’t there and I didn’t do the stream. I did catch the free stream of Set 1 opening China/Rider and thought it was great. Agree with LedDed that D&C has spectacular concert sound. So does Roger Waters. Worst concert sound I experienced: Van Halen 2007. Horrendous. It was indoors, but I have also seen Roger Waters 3x and D&C 2x at the same place and they sounded great. For RW in 2012 I was one row in front of the same seat I was in for VH 2007, and it sounded great, so can’t blame the arena for the bad VH sound. Saw VH outdoors in 2015 and it sounded way better, but not even close to how D&C sounds outdoors.
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Hey now I just came a cross this on ebay, it's probably already been discussed. Are any of these extra tracks on the bonus third CD of Long Strange Trip previously unreleased? EXCLUSIVE Bonus Disc Three TRACK LISTING: 1 Playing in the Band (Beat-Club, Bremen, West Germany, 4/21/1972) 9:48 2 Eyes of the World (Roosevelt Stadium, Jersey City, NJ, 8/6/1974) 18:35 3 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 4:47 4 Not Fade Away (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 16:20 5 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 2:04 6 Dark Hollow (Warfield Theatre, San Francisco, CA, 10/7/1980) 4:04 7 Stella Blue (Zoo Amphitheater, Oklahoma City, OK, 7/5/1981) 10:14 8 Days Between (Madison Square Garden, New York, NY, 10/18/1994) 13:56 the only ones I question are the Zoo from 81 and Days Between? Didn't the Eyes come out on a Dicks picks? Help I'm not a schooled archivist. :> Thanks, nitecat
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First I don't really like Van Halen, that said,, I think I caught the same 2007 tour, and yes the sound really sucked. Really, really.
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You are right. Only the last two songs of the bonus disc were previously unreleased. Been hoping for a full 7/5/81 release for a while now. Great ‘81 show but also a hometown one for me. Enjoy the CD!
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....the last '81 release was met with spittle and brimstone. Not by me tho....
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I have to listen to post brent. cuz im pretty close to having a crash and burn and chucking the grateful dead out the window.
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if you sit and just focus on the sound mix quality of that '81 dave's picks you're going to have a bad time. its one of those you have to look at the whole overall package
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Agreed-a superb album-Herbie Hancocks piano and Tony Williams drumming-exceptional. All those mid 60s Miles Davis album are great-but E.S.P might just be my favourite.I only got into Bitches Brew this year. There is a 3 cd 1 dvd anniversary edition of this out, that doesn't cost so much, and sounds brilliant. Much, much better than earlier editions-to my way of thinking.
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Vguy - Love ya, but I disagree that the '81 TTATS was met with "fire and brimstone". No one dissed the show itself (as I recall). The general consensus was that it was one of the weaker recordings in the box - merely a statement of fact. '81 is one of the worst-recorded of the Dead's 30 years, so it was to be expected, no? "Fire and brimstone" seems a bit dramatic, but perhaps I'm forgetting some of the comments.
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Figured I would spend my Monday morning looking for news on 27th Dave. While waiting I streamed that Dicky Elizabeth Reed video. Wow, that hit the spot. I always thought volume swells could only be done on a Strat. What a glorious intro by Dicky. Thanks for posting
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I think that Vguy was referring to 12-9-81.Other than the AUD splices, I don’t have a problem with that release. T - 103 minutes until the DaP27 announcement
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I think tracks 6 and 8 are unreleased. Unless perhaps by November download? (Anyone?)
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Thin-I was thinking nitecat was referring only to the last two tracks on the bonus disc from the Amazon-exclusive version. You are correct, there are several unreleased tracks throughout the 3-disc version. https://en.wikipedia.org/wiki/Long_Strange_Trip Happy DaP 27 announcement day, everybody!
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thx for clarifying. Nevermind my previous comment.... 34 minutes until they announce 5/25/74 as DaP27....
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So excited for the announcement of 27 my bellybutton has been puckering and un-puckering all day.
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9/2/83
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excellent - looking fwd to this one
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We have a WINNER, keep the early 1980s coming for the next 4-5 picks DL!!
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First Wang Dang Doodle and Throwing Stones of the series...and I think only the second H>S>F in the series. Looks awesome - can't wait!
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Nice - Glad they found a good show and good recording form the 80's. Help Slip Franklin's is one of my favorites, and is one of the songs that no one has enough of. Glad to hear Eyes is NOT one of the super-speedy versions that was the norm in the 80's. BRING IT!
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