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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • daverock
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    More Donna
    It seems a given that Donna was very good singer-never mind Elvis Presley, you didn't get to be a session singer at Muscle Shoals if you were tone deaf. Also that she didn't sing so well with the Dead on stage. Especially during the golden years of 1972-1974. The reason given for her often off key singing is usually that she couldn't hear herself on stage. I wonder why this problem wasn't addressed at the time? For a band that recorded all its shows, and amended the sound constantly in search of aural nirvana-I wonder why no one thought to help Donna out -as well as listeners - and enable her to reach her full potential? Seems a bit of an oversight now. But one that is constantly brought to our attention.
  • jpo
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    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS
    HelloI ve received the box but THE DISC 3 FROM Show #1 P.N.E. Coliseum, Vancouver, B.C. (6/22/73) .........IS MISSING!!!!!! I can t imagine that I m going to stay without it. I ve made a request and I just hope this problem will be resolved . JEAN PIERRE
  • gep82363@yahoo.com
    Joined:
    Broken disc tray
    Do you think dr.rhino will replace a digipack case for one the shows because the plastic teeth one one of the disc holders is broken. And I have some scuffed discs with skips. I’ll be emailing dr.rhino tomorrow.
  • Seth Hollander
    Joined:
    Maybe I shoulda
    I had good rational reasons for buying the 3CD set instead of this box.I have almost every 73 and 74 release ever from GDM. That is A LOT of 73/74. I do not need to give any more hours of my life to listening to 73/74 First Sets! I feel like the 73/74 Second Sets are stuffed with "First Set" songs, limiting the length of the big jam segments that I crave. I don't have interest in, or space for, big containers and books. It helps my family when I choose to spend $19 (Amazon) on myself instead of $190. So I got the 3CD. And it is FAAAAAAAANNNNNNTASTIC! This is a bunch of golden moments without the other moments that filled out the whole shows. And, against all logic, that makes me hungry for the rest! I just saw 6/22/73 and 5/19/74 from this box sold seperately on Ebay. I lingered over them, I drooled, I trembled. I got away... this time. I spent $600 so far on 30T shows. Of the 16 I "really want", I now have 14. The 75 and 79 shows will never be sold on Ebay at the prices I will happily pay. Sooner or later, I think I will pay prices for them that will make me unhappy! Having seen the advent of a "Music-Only" 30T box on sale, I will try hard to wait for this box to go "music-only". I will have to try VERY hard...
  • dissident1980
    Joined:
    Thoughts on the release
    I like the CD cases ... they look great on a shelf amid other Grateful Dead releases ... nice colors, etc ... CD's pop in and out, no worries about sliding discs over cardboard ... I didn't take a magnifying glass to the discs, just played them and had no issues. [I did have to return/replace a disc recently due to a scratch, Anthem of the Sun 10 22 67.] The music and sound are superb to my ears ... 6 22 73 really is a transcendent show, great to have it in such good quality. I would rank 6 26 73, 5 19 74, and 5 21 74 just below or right alongside 6 22 in terms of overall performance/greatness/enjoyability ... and 6 24 73 / 5 17 74 just slightly lower but still excellent, with superb moments. Overall spectacular release IMO ... and there's still a need for more 1973 especially ... 72 shows played in 1973, still just 20 or so releases give or take ... 1974, which I'd take more of as well, has about 20 releases out of only 40 shows played.
  • Willysin4wd
    Joined:
    Finally Purchased!
    Just ordered the Pacific Northwest Box set. I've always loved the Native American Art from PNW, and glad I'm now able to click the button. Looking forward to it from all the reviews. Yipee!
  • nitecat
    Joined:
    Donna
    I am a fan of Donna. I agree she missed the notes sometimes, we know about the difficulty hearing yourself on stage with those loud speakers. She was also very expressive, free and experimental (like the band) and it didn't always work (like the band). I'm listening to Seattle 73 as I write, and remembering plenty of shows where they could not harmonize well at all, and none of these guys had a good voice. They were at their worst trying to sing harmonies. Come on, Bobby has been a longtime notorious shrieker. They could play up a storm and captivate my attention musically with its beauty at a show, then stun me with their poor harmonies, You gotta admire their spirit, singing as best they could with such great songs. That was the GOGD, and I bought the whole enchilada. She is integrated into a lot of their songs. If you listen to all her contributions to all their songs, she is right there with them, trying to harmonize with their weak voices. And I don't have to mention songs she really shined, others have made good suggestions. I will also share that she added a wonderful yin yang balance when she was on stage with the boys. There was a positive balance and she added a great feminine energy to many songs. I am a fan of Donna. I love her energy. What a trip.
  • libertycaps97211
    Joined:
    And for cringe worthy vocal flubs/miscues/screams, etc....
    There are much much much worse offenders in the GoGD camp of that era than Donna Jean, but only if one bothers to look at the numbers objectively.
  • chilly1214
    Joined:
    Arrived this AM!
    Happy Monday morning to me! #12213 just showed up down under. Currently looking for issues and ripping. So far so good. As everyone has already stated looks amazing and looking forward to my first listen!!
  • otheronerat
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    Joined:
    after the box
    7/3/66 , jiggle the handle, kingfish , nite cap pink Floyd ,peace and love
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Careful, there's a curmudgeon running around on the loose in here!
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Only reason I bought it was for the 1967-10-22 show. I've already got a really good soundboard of it but I'm listening with nice headphones right now & it's definetly worth it. Sounds fantastic.Get some... a little further in now...massive upgrade. Thanks :o)
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I can't believe someone objected to Hippychic's posts. It reminds me of that Seinfeld episode where Kramer freaks out when Jerry threatens to report his female neighbor for walking around her apartment naked. Madness. I love this space, where every topic under the sun is fair game, but lets face it, it is mostly a sterile, barren, sexless sausage fest. especially since Kate C. no longer posts. Please keep the posts cummin Hippychic.
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You're a gentleman and a scholar!
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Getting off the subject of the Grateful Dead, a blast from my past: Lothar And The Hand People. I never really got to see them many years ago at the Roxy Theatre in Northampton, Pennsylvania, but I definitely do remember the name. I used to have their 1st Capitol Records LP, I guess -the one with pictures of the band members photos on the front cover on a tan background. I thought the their facial expressions in these photos were hilarious, and ages ago I bought the album with that being one of the reasons for buying it. Another reason to buy it was to "explore" new music and it was quite low-cost price for the time. ($2.98 or something like that) Anyway, with that being said, here's a sound sample - I think it's the whole album, or at least the opening track on Side 1, "Machines": https://www.youtube.com/watch?v=dDpIz8E6wvs&list=PLW1w8neoXejs188MBadMB…
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My first comment here, after lurking for a few months, ha! I personally would love to see 6-4-76 Paramount Theater, Portland, OR. Great setlist, historic show, and does not circulate in SBD. That said, a mini box of both 6-3 and 6-4 might be warranted, so perhaps they'll hold off (provided 6-4 is even in the vault). Just sayin'. Hey everybody!
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Fresh transfer with new audio upgrade.
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10 years 9 months
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I like the build up for the announcement. Just hoping for a good show with great sound. I'll probably be busy and miss the announcement going live, but will be checking for a Listening Party at lunch after Taper's Section in the morning. May all who need to get it a la carte have your dreams come true tomorrow!
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If you're a fan of Americana and Roots music you might enjoy thisDITTYTV.com or Ditty TV streaming on your AppleTV or Roku. Ive been watching it a lot as its like MTV was when they did videos. Learning a lot of new groups and sounds and the shows are really enjoyable. Check it out and see if it gets you goin Lost on Cedar Key.................
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Thats the placebut its 5000 light years from the mainland I really don't want to leave.........ever check this out...........http://cedarkeybedandbreakfast.com/ this is the place Ive been longing for......... Awaiting tonights soul satisfying sunset
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I was there last night. I didn't think it was dub steppy at all. Actually I thought it was fucking awesome!
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No not the guitar company or the mental thing... the Miles Davis album. Miles Davis, E.S.P. Man, is this beautiful music. The last two songs, "Iris, and Mood" are just hypnotic. I was at the Dead & Co. shows in Boulder the last two nights. I was with some buddies Friday and had a great time though I felt the pace dragged a little. So, taking the wife last night, I kept hyping it - that Friday maybe wasn't the most stellar show and being end of tour, last night would kill it. It lagged even more than Friday. When Bob took the band into a languid, "Days Between" right out of a long-ass drums/space, I think half the stadium fell asleep. Still love the band, but, that was exactly the moment to go into "Me And My Uncle, or Truckin'," something to put a little juice in the proceedings. As usual the sound was immaculate; pristine. That band has the cleanest, purest live sound mix I have ever heard and they get it outside. Amazing. Shakedown street there at Folsom Field is a beautiful scene. You can get great food, cool swag and there are several full bars. The cops just hang out behind their sunglasses with their arms folded and watch the girls. A great weekend. Happy Sunday everyone.
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I thought the Boulder shows looked pretty good on paper. But, I wasn’t there and I didn’t do the stream. I did catch the free stream of Set 1 opening China/Rider and thought it was great. Agree with LedDed that D&C has spectacular concert sound. So does Roger Waters. Worst concert sound I experienced: Van Halen 2007. Horrendous. It was indoors, but I have also seen Roger Waters 3x and D&C 2x at the same place and they sounded great. For RW in 2012 I was one row in front of the same seat I was in for VH 2007, and it sounded great, so can’t blame the arena for the bad VH sound. Saw VH outdoors in 2015 and it sounded way better, but not even close to how D&C sounds outdoors.
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Hey now I just came a cross this on ebay, it's probably already been discussed. Are any of these extra tracks on the bonus third CD of Long Strange Trip previously unreleased? EXCLUSIVE Bonus Disc Three TRACK LISTING: 1 Playing in the Band (Beat-Club, Bremen, West Germany, 4/21/1972) 9:48 2 Eyes of the World (Roosevelt Stadium, Jersey City, NJ, 8/6/1974) 18:35 3 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 4:47 4 Not Fade Away (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 16:20 5 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 2:04 6 Dark Hollow (Warfield Theatre, San Francisco, CA, 10/7/1980) 4:04 7 Stella Blue (Zoo Amphitheater, Oklahoma City, OK, 7/5/1981) 10:14 8 Days Between (Madison Square Garden, New York, NY, 10/18/1994) 13:56 the only ones I question are the Zoo from 81 and Days Between? Didn't the Eyes come out on a Dicks picks? Help I'm not a schooled archivist. :> Thanks, nitecat
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First I don't really like Van Halen, that said,, I think I caught the same 2007 tour, and yes the sound really sucked. Really, really.
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You are right. Only the last two songs of the bonus disc were previously unreleased. Been hoping for a full 7/5/81 release for a while now. Great ‘81 show but also a hometown one for me. Enjoy the CD!
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....the last '81 release was met with spittle and brimstone. Not by me tho....
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I have to listen to post brent. cuz im pretty close to having a crash and burn and chucking the grateful dead out the window.
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if you sit and just focus on the sound mix quality of that '81 dave's picks you're going to have a bad time. its one of those you have to look at the whole overall package
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Agreed-a superb album-Herbie Hancocks piano and Tony Williams drumming-exceptional. All those mid 60s Miles Davis album are great-but E.S.P might just be my favourite.I only got into Bitches Brew this year. There is a 3 cd 1 dvd anniversary edition of this out, that doesn't cost so much, and sounds brilliant. Much, much better than earlier editions-to my way of thinking.
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Vguy - Love ya, but I disagree that the '81 TTATS was met with "fire and brimstone". No one dissed the show itself (as I recall). The general consensus was that it was one of the weaker recordings in the box - merely a statement of fact. '81 is one of the worst-recorded of the Dead's 30 years, so it was to be expected, no? "Fire and brimstone" seems a bit dramatic, but perhaps I'm forgetting some of the comments.
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Figured I would spend my Monday morning looking for news on 27th Dave. While waiting I streamed that Dicky Elizabeth Reed video. Wow, that hit the spot. I always thought volume swells could only be done on a Strat. What a glorious intro by Dicky. Thanks for posting
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I think that Vguy was referring to 12-9-81.Other than the AUD splices, I don’t have a problem with that release. T - 103 minutes until the DaP27 announcement
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I think tracks 6 and 8 are unreleased. Unless perhaps by November download? (Anyone?)
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Thin-I was thinking nitecat was referring only to the last two tracks on the bonus disc from the Amazon-exclusive version. You are correct, there are several unreleased tracks throughout the 3-disc version. https://en.wikipedia.org/wiki/Long_Strange_Trip Happy DaP 27 announcement day, everybody!
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thx for clarifying. Nevermind my previous comment.... 34 minutes until they announce 5/25/74 as DaP27....
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So excited for the announcement of 27 my bellybutton has been puckering and un-puckering all day.
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9/2/83
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excellent - looking fwd to this one
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We have a WINNER, keep the early 1980s coming for the next 4-5 picks DL!!
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First Wang Dang Doodle and Throwing Stones of the series...and I think only the second H>S>F in the series. Looks awesome - can't wait!
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Nice - Glad they found a good show and good recording form the 80's. Help Slip Franklin's is one of my favorites, and is one of the songs that no one has enough of. Glad to hear Eyes is NOT one of the super-speedy versions that was the norm in the 80's. BRING IT!
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