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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • hendrixfreak
    Joined:
    Does anyone know how to ...
    convert a jpg or pdf for posting here? You can PM me or make it public. I've got two pics from Playin', end of first set, 28 July 1973, and a pdf of a front page newspaper that will show the extent of the crowd and reveal how close I was. Stories in 5, 4, 3, 2, 1...
  • Gary Farseer
    Joined:
    Thanks
    Great story and great pics. Monarda it is. Lear something new. We are having the weirdest summer ever. Lows in the mid 60's. Raining like crazy. What I save on the utility bill for a/c I spend in gas to mow the lawn.
  • dmcvt
    Joined:
    WG summer jam (long!)
    hendrixfreak, i can't wait any longer, looking forward to your stuff Wordy feels-like travelogue ahead, “bear” with me. Promise not to do it again. Editing this to 11.10.73 PITB> At the appointed hour… 45 years ago, right about now, about 200 miles west of here, near a racetrack, this music. (most interested to read others accounts… how much did I forget or make up…) Three of us took off from central Maine Thursday July 26 mid-day, old Volvo, scenic route across New Hampshire and Vermont.. It would be a ten hour plus run, never mind whatever we ran into on site, so we decided to split it in two, take time to stop and smell the roses, CKR. Anyone exploring central New Hampshire should enjoy the east-west Kancamagus Highway through the central White Mountains, long as your brakes are good. Figured to get there early Friday as we had an inkling things would get crazy, though we had purchased tickets. Two of us college boys ran the campus radio station, we had news off the AP wire and from friends it would likely bust out. Fan of The Dead for five years by then, but first my show came just four months earlier in Baltimore. Not old enough (parents forbid) Woodstock, largest event before Summer Jam was Concert For Bangladesh at MSG summer 1971. This would be big. We listened to cassettes on the way, especially various ABB and the original Europe 72. CDs would not appear for almost ten years. Don’t recall exactly where we camped out Thursday night, somewhere north of Saratoga Springs in the Adirondacks. Besides camping gear, we had a big cooler packed with home-made gazpacho, sandwiches & beer. As noted previously, the dark ages of beer, or maybe the age of dark beer… already snotty snobs about Bud Miller Coors, Ballantine IPA was barely drinkable, about the most exotic thing we could find being Carlsburg Elephant or Spaten Oktoberfest. Next morning we broke camp quickly, provisioned around Saratoga, made the run to the track asap. We were on schedule, goal was to be situated on site for lunch with enhancements. Like the antique cigarette tin box loaded with fine Columbian fatties (nickname of CKR/seeker). No trouble getting close late Friday morning, parked maybe a third mile away from entrance, spot selected for quick egress. Lots of people around, short lines getting in, plenty of room mid field, excitement and anticipation. Quite the scene walking in from parking to gate, many people just hanging out, vendors for about whatever you might want, setting up shop, free floating. Very relaxed, sunny and getting hot. No hustling to get inside. They were taking tickets at the gate, not yet declared free, things were organized. We strolled down towards the stage, past long rows of porta-potties and pallets stacked with gallon water jugs which early on defined the edges of what space they thought they needed. Hah! Most all the way down in front of the stage, we realized it was up in the air some 10-12 feet, we could not see half way back into mid stage. Eased our way back towards and just short of the sound tent on stilts… set our spot just right of dead center forward. Spent the rest of afternoon blissfully hanging out, wandering around, checking the scene, where you from, folks from all over, more and more people all the time. We had space for our small tent and room around it, we spread out a bit. Slowly but surely everything filled up around us, what that would mean later on. Many rumors circulated early afternoon as to some kind of music that night. Heard stories about the soundcheck being planned, or decided when they realized how many people were there, can’t tell other than there was a very high level of expectation, something would happen. They knew it too. Roadies messed around with stage stuff a lot, re- positioning and finishing touches on equipment, mikes tested, then they would vanish for a break back stage… amps were left on. Someone would play, at least a local/regional band. Time out for images… have seen a bunch of different stuff but found a collection on flikr by Grant Gouldon many of which were taken from very close to where we landed Friday. Like if he had turned a slightly different way, there we were. Thanks Grant. Will publish a link here because simple search will open it up anyway, hope this is OK https://www.flickr.com/photos/grantdabassman/sets/72157603224730871/ Somewhere along into early evening there was a flurry of activity… The Band came out and Robbie Robertson leaned into a mike, “do you mind if we tune up a little”. Roar approval, he seemed a bit goofy/tipsy. Started off with The Night they Drove Old Dixie Down. There was a confederate flag unfurled behind them, iirc. A slightly different world back then. They played for maybe 30 minutes, left the stage. People were breaking out their goodies, chowing down, biggest picnic I ever seen. Flow of inbound people looking for spots had just about stopped, didn’t seem to be much room anymore and moving around was a bit chaotic, a few clear paths. Little more time passed then ABB came out, they looked a little tenuous and played briefly, just a couple few songs iirc. If you don’t know iirc, it means I could be making all this up, but don’t think so. Didn’t seem to me that they played long, not for more than 25-30 minutes.They took off and then things went quiet for a while, people got up and moved around though we saw activity on stage, fingers crossed, they were dead roadies. Still plenty daylight, just starting to fade, almost 8 pm or so. The Dead came out to whistles and cheers, they began fiddling with their stuff. IIRC, vivid memory, Jerry walked right out to the front edge of the stage (precarious) and looked around for what seemed like several minutes scanning/surfing the crowd. Folks called out to him of course. He made eye contact with dozens and dozens of people, nodding his head, picking up the scene. Shook his head as he moved back as if to say, woah, just look at all these people out there. They launched into Promised Land, horrible thin audio. Took first part of that tune to dial it in, no Phil in the mix for a minute. By the time they hit Bird Song, everyone was up and dancing. To date, one of my all time favorite Bird Songs even if you had to be there. A great jazzy feel. My recollection was more better music as it got darker and darker. Two solid sets, they finished around 11 pm. The jam was clearly a special departure. We knew they were deep into it, Phil said a couple times, “remember this is just a soundcheck”. Or maybe there was an echo. We were in an afterglow somewhere way north of midnight. The aftermusic scene down front was wild enough to keep going for a while. About as perfect a day as imaginable for this music punk. Saturday was a let down for me after such a day… hate to say, you’ll see. By late morning our position was being overrun with a crush of humanity, we kept shrinking the footprint to no avail. Getting around anywhere about impossible, first time I ever felt a little claustrophobic… no fear, just no room to breathe… you about had to walk over or on top of many many people, relaxed but way crowded. Maybe the bourbon from the day before had gotten to me… We stuck around for the first dead set, however it became more obvious serious storms were headed that way. Great music, maybe not quite the equal to the previous night, we did not want to leave, but…. Plus it was hot, sun seriously beating down, dark roast, powering up the incoming front. Not like we would ever find another decent spot walking out of the sea of humanity. We could not believe the number of people. We had considered how much more we might endure, our provisions were ok to marginal, we just decided to get the heck out of there. Hard to believe perhaps but elbow to elbow going into bad weather and once it hit, felt we would be stuck among potentially tens of thousands seeking shelter, trying to leave or get back to their cars at the same time… spelling chaos. We headed out reluctantly and made it back to the car just as the first big fat raindrops fell… then held back briefly enough to think we were crazy to leave, before the total downpour. We sailed out easily, wipers on high. So grateful to have been there Friday. Sincere thanks to dead.net and archive.org for providing us with all this wonderful music and a place to discuss it.
  • dmcvt
    Joined:
    red budded? hhmmmmm
    so this time of year... Monarda? hummers here love Monarda ceptin' deer got much of it first... so very fragrant when leaves crushed, like a minty basil aromatic some of those cute fauna eat way too many things intended for food or visual pleasures i offer a free, all expenses paid trip via a havahart trap for chipmunks to the local state park
  • hendrixfreak
    Joined:
    Not even at Gitmo ...
    do they force 'em to listen to Justin Bieber! Okay, I'm making a liquor store run, then gonna do some ramblin' here. Back in a few.
  • Gary Farseer
    Joined:
    The Wheel Is Turning
    I sit in my fun room looking out the window. Yes yes when the family migrated from Europe to found this country they cleared and blasted their way through the wilderness, practically hunting the pests into extinction. Now the pendulum has swung the other way with the environmentalists. As I stare out the window, wheels spinning in my head, I look out on this rejuvenated nature. Last year, a young red tailed hawk matured in the trees in my back yard. Now I am looking out at what looks like 10-12 youngins. Just 10 feet away, there is a baby rabbit gnawing on some clover. Little does the rabbit realize that in just a few months he will be lunch for one of these red tails. Precious! Also, have a few hummingbirds feasting on the nectar of some red budded plant. They are literally just 5 feet from me, if they only knew...
  • Gary Farseer
    Joined:
    Love it Love it
    When the warmth of my medicine kicks in. Mmmmm
  • bob t
    Joined:
    Keith Fan and Vault tapes
    I remember reading once that Bill K had listened to the 9/14/74 Munich show and being excited how well it sounded... around the time of the Winterland October 74 shows...
  • bob t
    Joined:
    Dave's arrived today
    Wasn't suppose to arrive until Monday!!!
  • simonrob
    Joined:
    Fake news...
    Hendrixfreak - guilty as charged. Sentence: 120 hours of continuous forced listening to Justin Bieber and Rick Astley. But seriously, I (and many others) wanna hear your stories.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Careful, there's a curmudgeon running around on the loose in here!
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Only reason I bought it was for the 1967-10-22 show. I've already got a really good soundboard of it but I'm listening with nice headphones right now & it's definetly worth it. Sounds fantastic.Get some... a little further in now...massive upgrade. Thanks :o)
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I can't believe someone objected to Hippychic's posts. It reminds me of that Seinfeld episode where Kramer freaks out when Jerry threatens to report his female neighbor for walking around her apartment naked. Madness. I love this space, where every topic under the sun is fair game, but lets face it, it is mostly a sterile, barren, sexless sausage fest. especially since Kate C. no longer posts. Please keep the posts cummin Hippychic.
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You're a gentleman and a scholar!
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Getting off the subject of the Grateful Dead, a blast from my past: Lothar And The Hand People. I never really got to see them many years ago at the Roxy Theatre in Northampton, Pennsylvania, but I definitely do remember the name. I used to have their 1st Capitol Records LP, I guess -the one with pictures of the band members photos on the front cover on a tan background. I thought the their facial expressions in these photos were hilarious, and ages ago I bought the album with that being one of the reasons for buying it. Another reason to buy it was to "explore" new music and it was quite low-cost price for the time. ($2.98 or something like that) Anyway, with that being said, here's a sound sample - I think it's the whole album, or at least the opening track on Side 1, "Machines": https://www.youtube.com/watch?v=dDpIz8E6wvs&list=PLW1w8neoXejs188MBadMB…
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My first comment here, after lurking for a few months, ha! I personally would love to see 6-4-76 Paramount Theater, Portland, OR. Great setlist, historic show, and does not circulate in SBD. That said, a mini box of both 6-3 and 6-4 might be warranted, so perhaps they'll hold off (provided 6-4 is even in the vault). Just sayin'. Hey everybody!
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Fresh transfer with new audio upgrade.
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10 years 8 months
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I like the build up for the announcement. Just hoping for a good show with great sound. I'll probably be busy and miss the announcement going live, but will be checking for a Listening Party at lunch after Taper's Section in the morning. May all who need to get it a la carte have your dreams come true tomorrow!
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If you're a fan of Americana and Roots music you might enjoy thisDITTYTV.com or Ditty TV streaming on your AppleTV or Roku. Ive been watching it a lot as its like MTV was when they did videos. Learning a lot of new groups and sounds and the shows are really enjoyable. Check it out and see if it gets you goin Lost on Cedar Key.................
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Thats the placebut its 5000 light years from the mainland I really don't want to leave.........ever check this out...........http://cedarkeybedandbreakfast.com/ this is the place Ive been longing for......... Awaiting tonights soul satisfying sunset
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I was there last night. I didn't think it was dub steppy at all. Actually I thought it was fucking awesome!
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No not the guitar company or the mental thing... the Miles Davis album. Miles Davis, E.S.P. Man, is this beautiful music. The last two songs, "Iris, and Mood" are just hypnotic. I was at the Dead & Co. shows in Boulder the last two nights. I was with some buddies Friday and had a great time though I felt the pace dragged a little. So, taking the wife last night, I kept hyping it - that Friday maybe wasn't the most stellar show and being end of tour, last night would kill it. It lagged even more than Friday. When Bob took the band into a languid, "Days Between" right out of a long-ass drums/space, I think half the stadium fell asleep. Still love the band, but, that was exactly the moment to go into "Me And My Uncle, or Truckin'," something to put a little juice in the proceedings. As usual the sound was immaculate; pristine. That band has the cleanest, purest live sound mix I have ever heard and they get it outside. Amazing. Shakedown street there at Folsom Field is a beautiful scene. You can get great food, cool swag and there are several full bars. The cops just hang out behind their sunglasses with their arms folded and watch the girls. A great weekend. Happy Sunday everyone.
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I thought the Boulder shows looked pretty good on paper. But, I wasn’t there and I didn’t do the stream. I did catch the free stream of Set 1 opening China/Rider and thought it was great. Agree with LedDed that D&C has spectacular concert sound. So does Roger Waters. Worst concert sound I experienced: Van Halen 2007. Horrendous. It was indoors, but I have also seen Roger Waters 3x and D&C 2x at the same place and they sounded great. For RW in 2012 I was one row in front of the same seat I was in for VH 2007, and it sounded great, so can’t blame the arena for the bad VH sound. Saw VH outdoors in 2015 and it sounded way better, but not even close to how D&C sounds outdoors.
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Hey now I just came a cross this on ebay, it's probably already been discussed. Are any of these extra tracks on the bonus third CD of Long Strange Trip previously unreleased? EXCLUSIVE Bonus Disc Three TRACK LISTING: 1 Playing in the Band (Beat-Club, Bremen, West Germany, 4/21/1972) 9:48 2 Eyes of the World (Roosevelt Stadium, Jersey City, NJ, 8/6/1974) 18:35 3 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 4:47 4 Not Fade Away (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 16:20 5 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 2:04 6 Dark Hollow (Warfield Theatre, San Francisco, CA, 10/7/1980) 4:04 7 Stella Blue (Zoo Amphitheater, Oklahoma City, OK, 7/5/1981) 10:14 8 Days Between (Madison Square Garden, New York, NY, 10/18/1994) 13:56 the only ones I question are the Zoo from 81 and Days Between? Didn't the Eyes come out on a Dicks picks? Help I'm not a schooled archivist. :> Thanks, nitecat
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First I don't really like Van Halen, that said,, I think I caught the same 2007 tour, and yes the sound really sucked. Really, really.
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You are right. Only the last two songs of the bonus disc were previously unreleased. Been hoping for a full 7/5/81 release for a while now. Great ‘81 show but also a hometown one for me. Enjoy the CD!
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....the last '81 release was met with spittle and brimstone. Not by me tho....
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I have to listen to post brent. cuz im pretty close to having a crash and burn and chucking the grateful dead out the window.
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if you sit and just focus on the sound mix quality of that '81 dave's picks you're going to have a bad time. its one of those you have to look at the whole overall package
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Agreed-a superb album-Herbie Hancocks piano and Tony Williams drumming-exceptional. All those mid 60s Miles Davis album are great-but E.S.P might just be my favourite.I only got into Bitches Brew this year. There is a 3 cd 1 dvd anniversary edition of this out, that doesn't cost so much, and sounds brilliant. Much, much better than earlier editions-to my way of thinking.
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Vguy - Love ya, but I disagree that the '81 TTATS was met with "fire and brimstone". No one dissed the show itself (as I recall). The general consensus was that it was one of the weaker recordings in the box - merely a statement of fact. '81 is one of the worst-recorded of the Dead's 30 years, so it was to be expected, no? "Fire and brimstone" seems a bit dramatic, but perhaps I'm forgetting some of the comments.
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Figured I would spend my Monday morning looking for news on 27th Dave. While waiting I streamed that Dicky Elizabeth Reed video. Wow, that hit the spot. I always thought volume swells could only be done on a Strat. What a glorious intro by Dicky. Thanks for posting
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I think that Vguy was referring to 12-9-81.Other than the AUD splices, I don’t have a problem with that release. T - 103 minutes until the DaP27 announcement
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I think tracks 6 and 8 are unreleased. Unless perhaps by November download? (Anyone?)
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Thin-I was thinking nitecat was referring only to the last two tracks on the bonus disc from the Amazon-exclusive version. You are correct, there are several unreleased tracks throughout the 3-disc version. https://en.wikipedia.org/wiki/Long_Strange_Trip Happy DaP 27 announcement day, everybody!
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thx for clarifying. Nevermind my previous comment.... 34 minutes until they announce 5/25/74 as DaP27....
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15 years 11 months
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So excited for the announcement of 27 my bellybutton has been puckering and un-puckering all day.
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9/2/83
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excellent - looking fwd to this one
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We have a WINNER, keep the early 1980s coming for the next 4-5 picks DL!!
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First Wang Dang Doodle and Throwing Stones of the series...and I think only the second H>S>F in the series. Looks awesome - can't wait!
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Nice - Glad they found a good show and good recording form the 80's. Help Slip Franklin's is one of my favorites, and is one of the songs that no one has enough of. Glad to hear Eyes is NOT one of the super-speedy versions that was the norm in the 80's. BRING IT!
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