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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • unkle sam
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    9-2-83
    Just had a listen to this show yesterday. I like the way Wang Dang Doodle starts and slowly builds to start off the show, makes you think something really cool is about to happen. A lack luster first set except for the opener and that great Deal at the end. Second set not so hot either, the pre drums is kinda muddy, the drums is short and goes no where, the space is nice, but really doesn't build to anything either, the post drums with a "new song" delivered like a single, Throwing Stones gets so much better in the late 80's and into the 90's. All in all, I give this show a C average and certainly not the "stunner" it is advertised as. Sure hope the next pick is better than this one. I don't know if any of you were around in the 40's, I wasn't. But I think you can trace Rock and Roll all the way back to then, or even the 30's, or maybe the roaring 20's, hard to say. Of course, back then it was "Heathen" music, "Black" music and a thing that you kept your young children away from, "no son/daughter of mine is going to listen to some muggle smoking darkie music". Segregation was in full swing back then and Rock and Roll was a thing to be feared. It was, after all, youthful rebellion which happens in every generation, that put rock and roll on the map, back then, if our parents hated it, we loved it. There were a lot of us in the 60's and music meant something back then, it was our call to arms, our mantra, we actually thought that music and love could change the world. I'm not a historian nor do I know exactly when rock and roll got it "birth". Glad it did tho, sure was an uptight world full of lies and hate back then, wow, I just got a feeling like I've been here before. I think someone said that they had been following history for X years or some thing like that, gee, they should know ;) But can you believe them? Most that were around then are gone or are so old that they just can't remember, and I can relate to that, memories are very subjective and history books can be distorted, or rewritten. I have had a conversation or two with my 93 year old mother-in-law who was a music teacher all thru the late 50's, 60's and 70's. When she is able to, she remembers rock and roll as a bad thing, one that was openly discouraged and frowned upon, until that "nice gospel singing hill billy" came around. He was "so nice, and good looking too". But that was rock just finally being accepted, not the birth of.
  • daverock
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    Mr Heartbreak
    Thanks for the film clip of Bruce Cockburn. Some beautiful guitar playing-in fact the whole band is good. I've never heard Bob Dylan play like that!
  • garciaddicted
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    Rock 'N' Roll
    "I’ve stolen every lick he ever played", Keith Richards on Chuck Berry "The Shakespeare of rock 'n' roll", Bob Dylan on Chuck Berry "No group, be it Beatles, Dylan or Stones, have ever improved on 'Whole Lotta Shakin'' for my money.” John Lennon
  • frosted
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    Everybody knows who created rock and roll
    Hey hey with the Monkees! What I find odd though is that I cut my teeth on R&R in the late 60s and into the 70s. Back then, we called the 50s the oldies. Elvis, Jerry Lee, Fats Domino, Bill Haley, Buddy Holley, Chuck Berry, Little Richard, Eddie Cochrane, all those guys seemed ancient to us. Thinking about 30s and 40s music back then? Fuggettaboutit. What was that even? Musicians wearing suits with skinny ties, and huge brass bands with our grandparents swirling around the dance floors all dressed up? What gets me is that now the 60s and 70s are more than twice as long ago for today's kids as the 50s were for me, and that seemed pretty far back at the time. So the circle squares, and now I listen to more jazz from the 30s-60s than I do rock and roll from any era, the GOGD being one of the few exceptions. Get off of my lawn!
  • simonrob
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    This is not the place
    for intellectual discussions between non-intellectuals.
  • kyleharmon
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    you all need more Unicorn
    you all need more Unicorn Jesus in your lives and less of this Devil rock music.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Oroborous
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    Dear Butch, DS and Keithfan
    Sorry, I thought we were having a intellectual discussion about opposing theories, not trying to insult one another. So since I now feel insulted. I also feel I have to defend my self..... Please find Butch’s comments in quotes.... “Nobody even said the Beatles invented Rock n roll or coined the term, only that they brought it to life in front of the world. “ So the millions of folks for all the years before the Beatles did not enjoy RR, because it hadn’t yet been brought to life? Even though they did have some success; album sales, performances and quite a bit of airplay, RELETIVELY speaking? Because your statements could be interpreted that RR was such an underground, insignificant thing that not until the Beatles did it become well known? or “given birth” To me that’s an insult to all the men and women who actually made RR, long before the Beatles came along.... “The bottom line is that our generation DID witness the birth of rock and roll, and yes you can use the concept of birth, it's an appropriate form of symbolic language called personification. It's laughable that THAT part of the dicussion even came into question.” As I’ve politely stated, I agree with most of KF’s fine, articulate essay, just not this part. I’m imho, based on reading dozens of RR biographies, the only thing wrong with this is you could say all the same things about Chuck, only on a smaller scale...due to technological and cultural circumstances he had no control over. i understand your point just fine. You don’t need to insult me. Sorry to all you folks if this seems like I’m being snarky etc. Not trying to be, actually having a bit of fun participating in a verbal chess match, mental gymnastics, intellectual discourse etc. Used to stay up and party hard and do this sort of thing about authors, music, movies etc when I went back to collage in my thirties..... “The biggest reasons the Beatles gave birth to it, is 1)they were original,” And Chuck wasn’t? “2)they brought their brand to way more more people, WAY more people,(70 million people, come on now)” Never debated that, if you actually read my post, I ponder whether album sales and/or popularity alone is really a true distinction of what makes one relevant or not. I don’t believe album sales alone is. And comparing album sales from completely different technological and cultural times is like comparing apples to oranges....I’m sorry i obviously did not articulate my point well.. I don’t think that’s a fair, objective measure. “3)they influenced most of the bands that followed after (as well as the popular culture at large).” I have openly agreed with this statement throughout....? “Nobody else went on Ed Sullivan 1st and ushered in a movement in rock pop music. None of their predecessors did that.” Unfortunately I don’t know that much about the show, but I don’t believe in the fifties, a black man, with subversive lyrics was going to get a fair shot at a show of that prominence? I do think I recall reading that they did not want RR, but they felt they needed to make the show more current, to generate ratings, and because RR was already so prevalent in society, they needed to get with the times.....but please don’t quote me on that.....my memory is deteriorating rapidly... I also believe part of the reason Chuck received the airplay he did get, was many didn’t know he was black by his “sound” Another way for the suits to take “race music” and make it popuar with whites, so they could cash in. “They took what was out there, made it their own and in doing so TRANSFORMED rock and popular music. The bands that came after helped continue the movement,” Again, I’ve only supported this sentiment. But I also believe you could say the same, in a different way, about Berry et el... “but there's no question the Beatles brand came first.” This is where we disagree. Again, it’s an insult to all those who were oppressed and struggled through the early years of RR, so that eventually it was legitimized enough so the Beatles could explode and change the world! Kinda like the big brother or sister who breaks in the parents, so the younger siblings have an easier time.... “Millions of people latched on to to the Beatles, not Haley or Berry. “ So again, numbers are your criteria? Apples to Oranges.... “It was their mold that came first and endured” Not unless they had a time machine....sorry, that was snarky. I apologize! “Chuck Berry still hugely important and I love him to death, but he didn't do what the Beatles did” Never said he did. I repeatedly acknowledge that the Beatles were perhaps the greatest band of all time, influentially at least, if not more.... “that wasn't his role. His role may have been even better in the history of rock and roll as he influenced so many. That's not what this discussion was ever about. This discussion was about whether or not our generation was here to witness the birth of rock and roll.” Again, I understand perfectly what this is about. I’m sorry that because we disagree you feel I don’t understand your point, so much so that you have to insult my intelligence.... “The one excellent point I agree with is that Bob Dylan brought a brand that was equally important, but I don't think you could credit him with heralding in the rock movement.” No, not in and of itself, but one could argue that his innovations also had a unmeasurable influence on RR. Perhaps one of the few that came close to the Beatles level of influence? “Oborious, yes Chuck Berry was important and influenced many, but same thing, he wasn't the Beatles” Never said he was, only that he is constantly not given the credit myself, and more importantly, most of the RR elite all state in their books that he deserves, of which being credited as the true Father of RR is one. I believe Rolling Stone said something similar in their tribute to him? I’m sorry, but most of my personal belongings, including my RR library are currently in storage or I would stay up and provide references. . “You seem to be personally offended by all of this,” Not at all. I truly apologize to you, as well as everyone if that’s how this is coming across. I just think your making a generalized statement that ignores a huge block of actual history, which insults those who made it. By doing so, I don't think your theory is logical. “as you are making statements like what if Chuck has been white or what if Elvis wasn't in the right place at the right time. The discussion is about what is not what might have been or could have been. If the queen had balls she'd be king.” How can you not consider what America was like racially in the fifties, and how that would effect the success or failure of a black person? And to compare what a Fearless Black man did, during that repulsive time in our history; actually “give birth to”, basically a whole new cultural scene, and making it popular (sounds familiar?), with a group that did all the great things they did, in part, because of the foundation people like Mr Berry laid for them to build upon, only by comparing popularity or numbers? That’s like saying Miles Davis gave birth to Jazz with Kind of Blue, while all his predecessors, from decades before, did not? “I think where people are getting stuck in this dialogue is that they're feeling like the birth of rock and roll on the world scale should go to (pick your name) instead of the Beatles. There is no single person or band who invented rock and roll, but the Beatles did give birth to it in the larger world, and that was the only point that was being made along with the fact that we were here to witness it.” Sorry, agree with everything except the term birth. I have never disputed the rest. birth bərTH/Submit noun 1. the emergence of a baby or other young from the body of its mother; the start of life as a physically separate being. 1. give birth to (a baby or other young). "she had carried him and birthed him" “A physically SEPARATE being....” Your argument presupposes that the Beatles would be the parent, that gives birth to a new being... Mine presupposes that Chuck was the father that gave birth to the new being. The Beatles were that being when it fully matured, and became an adult force of nature....that went on to conquer the world, in part because of the DNA of the father.....now I may not be right, but I don’t think that’s so hard to follow is it? “V guy you're absolutely right the sensitivity scale is just beyond words. But one thing that is clear if you read through this discussion thread is that words our being misinterpreted even after clarifications are made. It's like there's no effort being made.” Touché my friend, no need to insult. Just because we don’t agree doesn’t mean I don’t understand, and that you need to insult me. You say “potAto”, I say “potaahto” And finally (I promise no more outta me anyway, hopefully I’ve made my point. Not looking to be “right” just properly understood. I don’t think you can fairly critique ones argument if you don’t properly understand it) So finally, I'd just like to state I’m sorry if I’ve bummed folks out. That was never my intent. Especially no bad vibes toward Keithfan. I thoroughly enjoy his articulate posts, and usually agree with like 98% of what he says. Think maybe I’ll just go away for a bit......”you know this space is getting hot” Peace!
  • snafu
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    Mr. Ones and FZ
    We can now shut down this site Mr Ones you have sumed up everyone here no matter what our other disagreements " Music is the Best"
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Thanks Dave!
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Yes!
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Interesting choice & a nice change of pace.
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Dave's27 is only the third officially released 83 show. It includes one of the 27 (or so) 83-85 performances of Help/Slip, the first officially released.68-72 is my favorite period. I will happily add an infinite number of Dark Star performances to my Deadshelves. The glut of 71-74 releases HAS taught me that Billy alone at the drumkit IS better than Billy and Mickey working together. But this will be the FIRST time we hear Mickey's 80s percussion leadwork in Slip Normanized! Could be awwwwwwwwwwwwwwesOME! Yeah I want more Dark Stars and those epic 70s Playin's, but diversity is way overdue (IMO) and I want more of these "firsts"!
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Well over due, nice show....bring on the early 1980s for the next 4-5 picks DL!!
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great tour. looking fwd to this one. love those Chicago Poplar Creeks!
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Well.. it was a nice streak, but it's over. I had successfully guessed all the shows from the Dave's Picks series from Dave's Picks 1, 5/25/77 through Dave's Picks 26, 11/14/71 by deciphering the quarterly Bolo riddles. I missed this one though.. and it was so obvious.
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Excited for those who were hoping we'd see an 80's release, but this won't get any play in Tripville. Anyone who doesn't nab an a la carte copy, PM me and I'll gladly pass along my subscriber copy (at cost). First message after it sells out is the one I'll go with.
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Being fairly new to the Dead I am not familiar with much 80's, really looking forward to it!
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Well, I’ve been hoping for a long string of 80s-90s releases, but only because I generally find anything past 1975 to be unlistenable. Still, I’m a huge fan of the Santa Fe show just nine days later, (it’s one of only four 80s shows I’m actually able to listen to without regretting it) so I figured it’s best to get this one since the playing is on par, and the sound is probably better than the circulating boot. But Dave, please listen to these people and make the next five Pics from 80-95; my wallet needs a break.
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Not overwhelmed by the setlist, but that isn't always important. Hope the sound quality is up there. I would've liked an Althea or Touch or West LA Fadeway for a Pick of this era, but c'est la vie. Looking forward to another show for the collection.
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That was a clunker if ever there was one, only goes to show how much the energy and playing ebbed and flowed on the same tour, weeks apart. That and City Island was a horrible venue.
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That was a clunker if ever there was one, only goes to show how much the energy and playing ebbed and flowed on the same tour, weeks apart. That and City Island was a horrible venue.
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I was going to come on here and post, "Thank God Dave picked a show from the 80s. Now maybe the tiny vocal minority that comes on and complains every single time a 70s show is released will stop complaining!" But of course, that's asking too much. The next 4-5 picks?? Come on, man. You know that's not going to happen. Did you watch the video? Did you listen to what Dave said? Did any of it register? It's really pretty simple: if you want to buy a release, buy it. If you don't, then don't. There's no need to come on the board after every single flipping release to whine, complain, make demands, or critique every Dead.net decision. It's so, so old and played out. It's been going on for years. Thanks, Dave. I'm not excited for an '83 release, but I am relieved that maybe, just maybe the Vol. 28 announcement will be met with a slightly smaller chorus of boos and rotten tomatoes.
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nice to see the '80s represented again. ----
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Thanks for this release, can't wait to hear it!!
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...listening party sounds great, looking forward to this release.
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It’s funny that you say that, and to each their own, (after all, this is Deadsville) but the set list is the only reason my resolve crumbled and I bought this one. I just can’t resist a good sounding Help>Slip>Franklin from what may have been Jerry's last good year. That, Scarlet>Fire and Crazy Fingers are the only Dead thrills I can’t get from the No-Mickey years.
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Not familiar with this show so I checked out the Listening Party. Sounds very good and I agree we needed something different. I can't wait to listen to this one and the cover art is outstanding again.
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Hey Dave, nice Pick. Interesting how the sound sample on this page has an audience patch. They seem more common now -- I noticed a number of them on the 30Trips shows, amongst other releases. I'm assuming it's a result of getting deeper into the catalog. I also notice that you guys rarely acknowledge the patches in liner notes or credits. I think the tape geeks like me out there would love more info. Cheers
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Agreed, Fox!! Very psyched to get an ‘83 and one I haven’t heard even in part. A blessing from the Vault, thanks Dave L and company!!
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welcome this jam! hope the SQ crushes any doubts
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And 110 bumps to CeeDee’s comment. It really is just wrong to not give a shoutout to the Aud tapers in the fine print in the liners.
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With the PacNW box set coming out later this year, and with plenty of Dave's Picks material, I'm feeling pretty satisfied with the HQ material that I can listen to from '73-'74. '77 is well represented, too. We've had a '72 and '71 release in the last 3 picks before today. So even though I've never heard this show and even though '83 was probably the year that I collected the least back in my tape-trading days, I'm still really happy that we're going to get some early 80s love. Thanks, Dave!
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Oh well...Happy for the pre-drums...so so on the post drums, but that's just me....Ventura or Santa Fe me would've likey more but I do have good boards of those so... so when does 28 release??? ;)
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Just saw it's out of stock, not sure if I'm the first message though.
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When I saw the new Pick was from 1983 my 'disappointment reflex' kicked in, but that's not really fair to the year or the show or the band (or Dave!). Great rock & roll show and set-list, and the show is near enough to the show on September 6th at Red Rocks to know they were on a roll. The sound is much better than what's already in circulation too, so I'll have to give it a good listen when it arrives!
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But i'm going to listen to it with an open mind.
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Every Dead era has treasure. Very happy to see a mid-80s show being released.
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I'm looking forward to this release!
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i got the tank top . love it , a guy i know from Albany is always raving about the "Dew" from SPAC June 1983 over the weekend Dead and Company performed in Boulder , the poster from those shows has a very similar look/feel to this classic image from Alton Kelley, that was my initial thought. And coincidentally the purple color tee takes me back to summer 2016 Dead and Company tour, each venue had a shirt with date , venue , city and SYF. When i saw those purple tees being sold at places like SPAC i was thinking this exact shirt from 1983 I am going to wear a shirt from 1983 later today in honor of this release
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I used to have a review of this show from a local newspaper taped to the wall of my office cubicle. Let's just say it was a stellar review. The reviewer had never heard the Dead before, so it's not much use for comparing this to other shows, but the show certainly made an impression. Until now, I'd forgotten about that review, and I've yet to listen to the show. The setlist looks pretty good. I'm among those who feel that the Dead peaked in the '70s, but there's still a lot to like about '80s and '90s Dead. My big complaint about these years is that, due to the basically fixed format, the shows became highly predictable. Before that, I used to completely lose track of time during a show. In the later years, I always knew pretty much exactly where I was as the show progressed.
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Very happy with this choice...I love so much of 1983. I will take an Estimated->Eyes with some jets on it from this era any day. The listening samples sound GREAT for this show...nice and crisp with some audience feel. Thank you, Dave!
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I was a fool to have been in Boise and to miss this show! Coming home early from a 3 week family camping vacay to go back to work on Monday, thinking I needed few days to decompress, wanting to get home before the weekend. . . . All the way back to town, driving with all the heads on tour rolling in for a Friday show, every rest area & gas fill-up begining to look more and more like Shakedown ("Help us with some gas bro, buy a grilled cheese?") really kicking myself for NOT scoring a ticket before vacation, especially the last 200 miles in...! My ex even said "go, find a miracle" & I remember muttering something about being on the road 3 weeks, bathing, laundry, staying home with her & the baby, & not having anyone else to go with that night at the last minute, deciding to be responsible instead of following the dream. Only the second time I ever passed on a ticket, the other having been for a brother in law funeral ("But, it's The Dead--he's dead--he won't miss me," didn't cut it with my family, so I ended up having to miracle the ticket) but this time--not even a good lame excuse. Thanks Dave--for the returning that miracle--about 25 years later, but FINALLY--the Boise show that got away!
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As with most of the early 80s, there are some gems and some rough spots. '83 has some high energy moments... but also some sloppy playing and Jerry's voice sounded a bit nasally (and got worse in '84 and '85). Still, I saw 7 shows in '83 (2 in New Haven, 1 in Saratoga Springs, 2 in Hartford, and 2 in Worcester). I have some very fond memories of those shows (and one of them 10/14/83 already wound up on Dick's Picks). Fans who like how tight they were in '77 or how exploratory they were in '72-'74 may not like 1983... but those who like high energy rock 'n' roll Dead will find some high peaks to enjoy in this release. From '83 I would rather hear that monstrous second set of Saratoga 6/18/83... but perhaps there is no pristine SBD recording of that. Anyway... thanks, Dave for choosing an 80's release. I saw the bulk of my shows from 1980-1991 so I have some amazing memories tied to that era. How about a release of Greek Theater 5/21/82-5/23/82 (all 3 shows have some great moments)? How about Worcester Centrum and Augusta from fall of '84? How about Oakland 12/27/86 (4th show after Jerry's coma)? We have plenty of releases from '89/'90... but the early/mid-80s is worth looking at to find a few hidden gems!
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Did it really sell that fast? Or just saying that to put the scalper type off? I'll take a nice 83 show, thanks Dave. Not sure if the "official" release is much better than "soundboard" I have. Shame they didn't record the shows better in the 80's. But lord knows anything sounds better than MOST tapes I had back then. :-) In any event, again, thanks Dave.
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They almost sold out of pre-orders so i would assume much less then 500 left for the a la cart. That is why they are giving all a fare chance by saying we are posting at this time on this day.
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So do you accept blame or congrats for this release? :-)
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Wow, can't wait to listen! Don't have much of middle 80s concerts, so this one will fill a huge gap in my collection. Interesting setlist, by the way!
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Was that you following me back then? I managed 38 shows that year.saw tje ones you mentioned to me Worcester 1st night was the climax of the 80's. Scarlet >Fire>Estimated >Eyes >Drumz> Other One. I still vividly remember that. Everyone was dripping. Unfortunately the Dick's Pick was an example the weakness of the record in the vault for the 80's . My friends's aud had more of a feel for the energy but he saturated the tape. Definitely looking forward to this release
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Of 36, Dick picked just one 81, one 82, one 83, and one 85. And for what it’s worth just a couple from 90s (one 90, one 91). Nassau 81 and Hartford 83 are easily among my favorites. As for Dave, so far of 27, there’s been just two (one from 80, one from 81) and now three with this one from 83. Happy to hear more are on the way, though I don’t expect it for 28. From the Roadtrips, of 17, there’s 3 from the 80s (80, 82, 88) and 2 from the 90s (90, 93). Otherwise, including boxes, dvds, etc, there’s been plenty of official releases from 89/90. Interestingly, I don’t know of anything from 84 (or 86, for what that’s worth) other than that monster Shakedown on So Many Roads- and that’s practically 85! 84 would be nice and I’d definitely get a kick out of more 91 and 93- some of my absolute favorites.
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I know, I know, wrong release but figured a lot of people will be visiting here today. So.....shot in the dark but if anyone has an extra Dave's Picks Vol. 26 and wants to "gift" it to me (or privately discuss other arrangements) please get in touch. Thanks!
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