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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • unkle sam
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    9-2-83
    Just had a listen to this show yesterday. I like the way Wang Dang Doodle starts and slowly builds to start off the show, makes you think something really cool is about to happen. A lack luster first set except for the opener and that great Deal at the end. Second set not so hot either, the pre drums is kinda muddy, the drums is short and goes no where, the space is nice, but really doesn't build to anything either, the post drums with a "new song" delivered like a single, Throwing Stones gets so much better in the late 80's and into the 90's. All in all, I give this show a C average and certainly not the "stunner" it is advertised as. Sure hope the next pick is better than this one. I don't know if any of you were around in the 40's, I wasn't. But I think you can trace Rock and Roll all the way back to then, or even the 30's, or maybe the roaring 20's, hard to say. Of course, back then it was "Heathen" music, "Black" music and a thing that you kept your young children away from, "no son/daughter of mine is going to listen to some muggle smoking darkie music". Segregation was in full swing back then and Rock and Roll was a thing to be feared. It was, after all, youthful rebellion which happens in every generation, that put rock and roll on the map, back then, if our parents hated it, we loved it. There were a lot of us in the 60's and music meant something back then, it was our call to arms, our mantra, we actually thought that music and love could change the world. I'm not a historian nor do I know exactly when rock and roll got it "birth". Glad it did tho, sure was an uptight world full of lies and hate back then, wow, I just got a feeling like I've been here before. I think someone said that they had been following history for X years or some thing like that, gee, they should know ;) But can you believe them? Most that were around then are gone or are so old that they just can't remember, and I can relate to that, memories are very subjective and history books can be distorted, or rewritten. I have had a conversation or two with my 93 year old mother-in-law who was a music teacher all thru the late 50's, 60's and 70's. When she is able to, she remembers rock and roll as a bad thing, one that was openly discouraged and frowned upon, until that "nice gospel singing hill billy" came around. He was "so nice, and good looking too". But that was rock just finally being accepted, not the birth of.
  • daverock
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    Mr Heartbreak
    Thanks for the film clip of Bruce Cockburn. Some beautiful guitar playing-in fact the whole band is good. I've never heard Bob Dylan play like that!
  • garciaddicted
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    Rock 'N' Roll
    "I’ve stolen every lick he ever played", Keith Richards on Chuck Berry "The Shakespeare of rock 'n' roll", Bob Dylan on Chuck Berry "No group, be it Beatles, Dylan or Stones, have ever improved on 'Whole Lotta Shakin'' for my money.” John Lennon
  • frosted
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    Everybody knows who created rock and roll
    Hey hey with the Monkees! What I find odd though is that I cut my teeth on R&R in the late 60s and into the 70s. Back then, we called the 50s the oldies. Elvis, Jerry Lee, Fats Domino, Bill Haley, Buddy Holley, Chuck Berry, Little Richard, Eddie Cochrane, all those guys seemed ancient to us. Thinking about 30s and 40s music back then? Fuggettaboutit. What was that even? Musicians wearing suits with skinny ties, and huge brass bands with our grandparents swirling around the dance floors all dressed up? What gets me is that now the 60s and 70s are more than twice as long ago for today's kids as the 50s were for me, and that seemed pretty far back at the time. So the circle squares, and now I listen to more jazz from the 30s-60s than I do rock and roll from any era, the GOGD being one of the few exceptions. Get off of my lawn!
  • simonrob
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    This is not the place
    for intellectual discussions between non-intellectuals.
  • kyleharmon
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    you all need more Unicorn
    you all need more Unicorn Jesus in your lives and less of this Devil rock music.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Oroborous
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    Dear Butch, DS and Keithfan
    Sorry, I thought we were having a intellectual discussion about opposing theories, not trying to insult one another. So since I now feel insulted. I also feel I have to defend my self..... Please find Butch’s comments in quotes.... “Nobody even said the Beatles invented Rock n roll or coined the term, only that they brought it to life in front of the world. “ So the millions of folks for all the years before the Beatles did not enjoy RR, because it hadn’t yet been brought to life? Even though they did have some success; album sales, performances and quite a bit of airplay, RELETIVELY speaking? Because your statements could be interpreted that RR was such an underground, insignificant thing that not until the Beatles did it become well known? or “given birth” To me that’s an insult to all the men and women who actually made RR, long before the Beatles came along.... “The bottom line is that our generation DID witness the birth of rock and roll, and yes you can use the concept of birth, it's an appropriate form of symbolic language called personification. It's laughable that THAT part of the dicussion even came into question.” As I’ve politely stated, I agree with most of KF’s fine, articulate essay, just not this part. I’m imho, based on reading dozens of RR biographies, the only thing wrong with this is you could say all the same things about Chuck, only on a smaller scale...due to technological and cultural circumstances he had no control over. i understand your point just fine. You don’t need to insult me. Sorry to all you folks if this seems like I’m being snarky etc. Not trying to be, actually having a bit of fun participating in a verbal chess match, mental gymnastics, intellectual discourse etc. Used to stay up and party hard and do this sort of thing about authors, music, movies etc when I went back to collage in my thirties..... “The biggest reasons the Beatles gave birth to it, is 1)they were original,” And Chuck wasn’t? “2)they brought their brand to way more more people, WAY more people,(70 million people, come on now)” Never debated that, if you actually read my post, I ponder whether album sales and/or popularity alone is really a true distinction of what makes one relevant or not. I don’t believe album sales alone is. And comparing album sales from completely different technological and cultural times is like comparing apples to oranges....I’m sorry i obviously did not articulate my point well.. I don’t think that’s a fair, objective measure. “3)they influenced most of the bands that followed after (as well as the popular culture at large).” I have openly agreed with this statement throughout....? “Nobody else went on Ed Sullivan 1st and ushered in a movement in rock pop music. None of their predecessors did that.” Unfortunately I don’t know that much about the show, but I don’t believe in the fifties, a black man, with subversive lyrics was going to get a fair shot at a show of that prominence? I do think I recall reading that they did not want RR, but they felt they needed to make the show more current, to generate ratings, and because RR was already so prevalent in society, they needed to get with the times.....but please don’t quote me on that.....my memory is deteriorating rapidly... I also believe part of the reason Chuck received the airplay he did get, was many didn’t know he was black by his “sound” Another way for the suits to take “race music” and make it popuar with whites, so they could cash in. “They took what was out there, made it their own and in doing so TRANSFORMED rock and popular music. The bands that came after helped continue the movement,” Again, I’ve only supported this sentiment. But I also believe you could say the same, in a different way, about Berry et el... “but there's no question the Beatles brand came first.” This is where we disagree. Again, it’s an insult to all those who were oppressed and struggled through the early years of RR, so that eventually it was legitimized enough so the Beatles could explode and change the world! Kinda like the big brother or sister who breaks in the parents, so the younger siblings have an easier time.... “Millions of people latched on to to the Beatles, not Haley or Berry. “ So again, numbers are your criteria? Apples to Oranges.... “It was their mold that came first and endured” Not unless they had a time machine....sorry, that was snarky. I apologize! “Chuck Berry still hugely important and I love him to death, but he didn't do what the Beatles did” Never said he did. I repeatedly acknowledge that the Beatles were perhaps the greatest band of all time, influentially at least, if not more.... “that wasn't his role. His role may have been even better in the history of rock and roll as he influenced so many. That's not what this discussion was ever about. This discussion was about whether or not our generation was here to witness the birth of rock and roll.” Again, I understand perfectly what this is about. I’m sorry that because we disagree you feel I don’t understand your point, so much so that you have to insult my intelligence.... “The one excellent point I agree with is that Bob Dylan brought a brand that was equally important, but I don't think you could credit him with heralding in the rock movement.” No, not in and of itself, but one could argue that his innovations also had a unmeasurable influence on RR. Perhaps one of the few that came close to the Beatles level of influence? “Oborious, yes Chuck Berry was important and influenced many, but same thing, he wasn't the Beatles” Never said he was, only that he is constantly not given the credit myself, and more importantly, most of the RR elite all state in their books that he deserves, of which being credited as the true Father of RR is one. I believe Rolling Stone said something similar in their tribute to him? I’m sorry, but most of my personal belongings, including my RR library are currently in storage or I would stay up and provide references. . “You seem to be personally offended by all of this,” Not at all. I truly apologize to you, as well as everyone if that’s how this is coming across. I just think your making a generalized statement that ignores a huge block of actual history, which insults those who made it. By doing so, I don't think your theory is logical. “as you are making statements like what if Chuck has been white or what if Elvis wasn't in the right place at the right time. The discussion is about what is not what might have been or could have been. If the queen had balls she'd be king.” How can you not consider what America was like racially in the fifties, and how that would effect the success or failure of a black person? And to compare what a Fearless Black man did, during that repulsive time in our history; actually “give birth to”, basically a whole new cultural scene, and making it popular (sounds familiar?), with a group that did all the great things they did, in part, because of the foundation people like Mr Berry laid for them to build upon, only by comparing popularity or numbers? That’s like saying Miles Davis gave birth to Jazz with Kind of Blue, while all his predecessors, from decades before, did not? “I think where people are getting stuck in this dialogue is that they're feeling like the birth of rock and roll on the world scale should go to (pick your name) instead of the Beatles. There is no single person or band who invented rock and roll, but the Beatles did give birth to it in the larger world, and that was the only point that was being made along with the fact that we were here to witness it.” Sorry, agree with everything except the term birth. I have never disputed the rest. birth bərTH/Submit noun 1. the emergence of a baby or other young from the body of its mother; the start of life as a physically separate being. 1. give birth to (a baby or other young). "she had carried him and birthed him" “A physically SEPARATE being....” Your argument presupposes that the Beatles would be the parent, that gives birth to a new being... Mine presupposes that Chuck was the father that gave birth to the new being. The Beatles were that being when it fully matured, and became an adult force of nature....that went on to conquer the world, in part because of the DNA of the father.....now I may not be right, but I don’t think that’s so hard to follow is it? “V guy you're absolutely right the sensitivity scale is just beyond words. But one thing that is clear if you read through this discussion thread is that words our being misinterpreted even after clarifications are made. It's like there's no effort being made.” Touché my friend, no need to insult. Just because we don’t agree doesn’t mean I don’t understand, and that you need to insult me. You say “potAto”, I say “potaahto” And finally (I promise no more outta me anyway, hopefully I’ve made my point. Not looking to be “right” just properly understood. I don’t think you can fairly critique ones argument if you don’t properly understand it) So finally, I'd just like to state I’m sorry if I’ve bummed folks out. That was never my intent. Especially no bad vibes toward Keithfan. I thoroughly enjoy his articulate posts, and usually agree with like 98% of what he says. Think maybe I’ll just go away for a bit......”you know this space is getting hot” Peace!
  • snafu
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    Mr. Ones and FZ
    We can now shut down this site Mr Ones you have sumed up everyone here no matter what our other disagreements " Music is the Best"
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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lots to like in 83 Boise = strangest of places thank you Dave!!!
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Hi SkullTripWould definitely like a copy of this show. Fingers crossed. Smokined
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8 years 3 months
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Dave's excitement on the Seaside Chat is palpable. He listens to shows for a living. Makes me think this one is probably pretty good.
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How did this sell out so quick?I was at this show and need these discs! Please let me know if there are any available. Thanks!
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Really? What about 10/18/2015 with the fantastic segue of These Rocks are Slippery -> Banter about Banter -> Look at that Bird -> Battery Running Low? Indeed, great chat though and looks to be a great '83 pick. Looking forward to this one.
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Looks meaty and fun. Totally unfamiliar with this show and have only been exposed to a handful of 83 shows overall. Looking forward to something new to chew on amidst the ever-changing backdrop and landscape of Life. Can't believe it's mid-July already. Hope all are well and having fun out there. Sixtus
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1983 was hit or miss...but this one was a big time HIT !!!
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Jerry absolutely slays that Minglewood!Make more, sell more. Don’t let this Les Bois kid miss out on this!
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How can it be sold out when I try to order 5 minutes after receiving the e mail notice? Another bait and switch rip off!!!
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Anyone interested in possible trade? New vol. 27 for new/like new vols. 1-23. Please let me know which ones you have for trade. PM if interested.
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How long did it take for this one to sell out?
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Eyes43 was the first to email me, so my copy is spoken for. Apologies to the other folks who reached out.
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Sold out an hour before I got the email. Time to burn another one off the archives, I suppose.
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Looking forward to this Pick! Love the first fifteen years, but love variety also . . . I don't care if the recording is a tad suspect, or if it's a compilation (not that this one is . . . )--I just want the hottest stuff, whatever the era.
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Sounds like 10/10/1982 to me, which as a non-80s person, is one of my favorite shows of all time. I guess we have to wait for an official release until some clever engineer figures out how to isolate electronic instruments in an old recordings with fourier transforms or something. Oh well, one day. Fortunately the aud source there is really unusually excellent and you should all check it out. Not to stir up the pot, but the fact that it sounds like it takes longer to find 80s shows with both great SBDs and great playing is a pretty reasonable explanation for why they come out less often. Takes a lot more digging to unearth a gem.
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I don't recall seeing any calls for an 80's show on these two comment boards - this DaP 26 or the NW '73 - '74 box comments boards. Oh well, no big deal. I used to have this 9/2/83 as an audience tape set and a fine one to boot. I got rid of it (and many other GD tapes) when I was downsizing in the mid 2000's during a move from one domicile to another. A very good show, if I recall correctly. I haven't watched Dave's "seaside"* video yet, but I'm wondering if this show is a complete soundboard, or is it patched in with bits and chunks of audience recordings to give us an absolute complete show? (DaP 20, several shows in the 30 Trips box) I think DaP 25 & 26 sold out in about 48 - 50 minutes to answer RV3's comment/question.
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So glad I got a subscription this year. I'm sure this epic show from 1983 surprised a lot of people. It was good to hear Dave explain the problem of releasing quality shows from the early to mid '80s. I can't wait to get this one in the mail in early August! It's like my birthday is four times a year now.
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Glad people dont like the 80’s Dead as much as the ‘70s Dead. Hate to imagine how much faster that could have sold out. Sold out before I got the email that it was even available. Is there a pre-order to the pre-order? Damn
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I'm a DaP subscriber so I order the whole year as soon as I hear of it. Not being a fan of 80's GD, I'm happy to download it onto my PC and give the original away. As I live in Scotland, I wont get my physical cd for approx. another 21 days, so you will need to be patient. First come ,gets it. All I ask is if you live in USA/Canada you reimburse me the postage.P.M me and once its agreed, I'll get you to send me your address. Love and Peace to all Deadheads, regardless of which decade you like.
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Hot show, good pick, glad I subscribed, hope not too many patches. Thank you all for your reply's and pm's, it riles them to believe that you perceive the web they weave. Been listening to the Moodies as a palette cleanser, good stuff.
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and thanks!
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These are already on e-bay? Wow.That was fast.
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The beginning of November. I sometimes wonder about the Picks too. When they are just a few days removed from a previously acknowledged 'hot' show, I'd like to hear a few words about the reasoning behind the choices. A couple examples are 12-07-71 instead of 12-05, 12-14-71 instead of 12-15-71, 12-19-73 instead of 12-18-73, 11-18-72 instead of 11-19-72, 08-24-68 instead of 08-21-68, 09-25-91 instead of 09-26-91. I'm always glad to get official releases of shows we've all enjoyed (in lesser quality) for years. It would be interesting to hear about why 'Show A' was chosen instead of 'Show B'. Maybe one is incomplete or the tapes are damaged or maybe it's that they'll BOTH be released and one was preferred over the other at that point in time.
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You said it would be announced today and here it is! Hope the audio is good, because the set list looks awesome! Actually tuning into the Listening Party to see if the audio is aight. Love the album cover art, best of all 4 2018 Picks (the Bonus Disc is the only one I like better).
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Funny you should mention patches. I was listening to the Big RR Blues and the first couple of seconds was an aud patch. It's an excellent-sounding aud patch and the transition was seamless, really well done. Considering the quality of the patch material and the fact that what I heard was VERY skillfully done, I don't think anyone is going to have a problem with this show.
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I'm really surprised on this pick but I don't care. As a Newbie THIS WAS A GREAT SEASIDE. Tried to order another one for my buddy when I got home at 2:30 eastern but Sold Out. Cool release. Can't believe the 2 per got that crazy with the resale. Current High on eBay is a 100$
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These Dave's Picks sell out very quickly, to say the least. Would it make sense to offer downloads (at a reduced cost since there would be no packaging involved) until the demand is satisfied? It might even buy prospective purchasers some extra time because I'm sure there are some folks who would actually wait to get the downloads. This way everybody who wants the show gets the show. Some would not get the packaging, but the music is more important than the packaging.
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As I read peoples comments I often think that something must be wrong with me. I don't have any "time period" that I prefer better than another. I just sit back and enjoy it....all! Maybe I just can't hear as well as I did thirty years ago. Dave's Picks Volume 27 should be wonderful to just put on a pair of good head phones and listen.... with a cold beer...my favorite dead meerschaum pipe....and a bowl of good English Latakia tobacco. Now...how about some Greek shows! Mr. Pete-----------> aging hippie
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The Augusta show from Fall '84 (10/12/84) was released as part of the 30 Trips box set. I would dig a release of the Worcester show on 10/9/84 as that was the first show that I attended.
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They emailed us last Friday and told us when it was going on sale.If you didn’t get the email last Friday check your junk folder. I hit the site at about 10:03 and it was there, but you couldn’t post comments at that time. I got the email announcement about 10:12.
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It's a good show, nothing mindblowing I didn't think. The Jam out of Eyes before Drums was pretty cool, especially as it was Bobby, Billy, Brent, and Mickey. Very high energy in the show as evidenced by the very high tempos. Jerry's voice is fantastic, a worry I had on the era. Didn't get a totally uninterrupted listen or anything, but seems to be a decent choice. I'll probably listen more to the PacNW Box or highlight release than this one, but it'll likely come off the shelf more often than a few of the Dave's like 4, 7, and 20. But I usually tend to listen to the Dave's quite a bit when I first get them, then it subsides, and box set releases seem to get much more play. Dig the cover art on this one.
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Glad to see something from this era released, hoping that the sound quality will be good. I generally like all eras so it is nice to fill in some years that don't have a lot of official releases available.
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The subscription did not sell out and was available for weeks. Someone posted that DaP 27 was on eBay for $100. The early bird subscription was $99 with free shipping. Deja vu all over again.
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I, like many others have subscribed each year and have been OK with the increases in numbers. OUR NUMBERS MEAN SOMETHING. THE 13th DISC BONUS MEANS SOMETHING. AS NUMEROUS HEAD's HAVE SAID. IT DOESN'T TAKE MUCH TO GO SUBSCRIPTION. I'M A NO ON THIS. Sorry sir but this is crazy.WE SEE WHAT'S GOING ON.
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More skeletons. Inevitable I guess. Looks good to me. Does anybody more knowledgeable than I know if there is any relationship between the cover art and the gig or the place?
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It was me friend. How do we teach these guys about the subscription? I set a goal of 2 quarters a day that goes to my subscription. Big Boxes are different. I'm actually getting tired of the complaints. I mean Jesus you missed 2 shows and a bonus that are incredible to me but you didn't subscribe and are pissed with not being able to get #27. GET ON THE BUS
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It seems to be Hell's Canyon on the Snake River outside Boise.
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My Guess is NO. We had Drinky Crow as a run. A very good comic for those who don't know.
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No problem. Off to the awesome archive website where much of the material is culled from.
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Not only is it the first mid 80s choice for a Daves Pick, it will be the first mid 80s show that I will have listened to all year-so it will make a nice change. Help-Slipknot-Franklins is my favourite post retirement jam, so any show that includes that medley is more interesting to me than otherwise. I was pleased to read on an earlier post that the "Eyes" on here isn't played too quickly. A great song that can go tits up so easily. I have always subscribed, so its selling out doesn't personally affect me. But there's something about them selling out SO fast that doesn't sit easy.
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12/5/71 was a radio broadcast by WNEW out of New York. The broadcast is more than likely owned by them and therefore not available for release unless big $$ is paid to them. Unfortunate I agree...
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Product quantity is just too low. If things are limited edition I agree with others that believe in sharing with friends. Allowing folks 2 copies is ridiculous as I just found out about it while listening to Dave and he says they won't last long but they were already gone. I've subscribed in the past but November/ December is not a good time for me to throw down 2 nickels. I have offered to prepay as early as spring time but they must be scared about holding onto money. I cant believe we only have less than 18 k Heads or the lower levels called fans. Too many end up on ebay at scalper prices. And these past show releases/series should get fresh batches burnt large enough for profit but without having to wharehouse too much. That's just part of my 2 cents. I'm also not happy that GDM is basically defunct. No new shirts, stickers, videos, books but for years they were fine to go they Kiss route. How many faithful Deadheads ever bought golf tees or other absurd stuff but if it is always been about the music then start allowing free downloads of this limited edition scam 3 or 5 years after being released. I am grateful for all they've given us but if we cant buy these things first hand then atleast allow folks to post on You Tube or make a Spotify business deal so we can listen. I only missed 2 Dicks Picks in years past and several I bought extras for gifts. Some I bought multiple copies over time to replace scratched, lost, or stolen single discs but I just had to buy the whole release to get. Please release more copies and expand the time table for prepay. Thank you for all you guys have done.
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Mr. Pete, I agree. If they're going to release a mid-80's show---which they did--I wonder when they're going to dip into The GReeks. Possibly a box in 2020... not sure if you're referring to the 82 tours or 85 tours.... Me? I'm a pre-78 show listener. (for the most part) I do, on occasion, listen to 80's shows but I tend to lose interest fairly early---say after about 30 minutes---then dive into the 68-73 tidal currents. The waters are much more intense during this time (for me anyway) Alas, every listener has a vibe they groove to...so we'll just have to wait (or listen to archive...or message me. I have tons of shows to share) I'm itching for The ARK Boston trifecta: 4/21/69 4/22/69 4/23/69 Mr. Pete: May your GREEK desires come to fruition soon...a BIG BOX?
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7 years 8 months
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just listened to this show at the gym, WOW and far out smokin show thanks to dave and the rest of the staff that put this together great choice, peace and good lovin to all my sisters@brothers in the dead community
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17 years 5 months
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Some may be relieved to find the bronco does not have a beard. Though it could be considered curious by some of our more discriminating resident art critics that while both riders have maintained their well-coiffed hair, even as they ride the pale horse (a rather apt phrase in this case), our interstellar equine chaperone seems to have lost every trace of her coat. Not even a whisker of a forelock.
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