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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • garciaddicted
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    Rock 'N' Roll
    If you tried to give rock and roll another name, you might call it 'Chuck Berry'- John Lennon
  • hendrixfreak
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    You must be kidding....
    "The blues started with field workers on farms who got it from gospel and African roots." Field workers on farms? That's got to be satire, because you've got to be kidding. The blues developed out of field chants -- yes, of African origins -- by slaves on plantations who were systemically murdered, lynched, starved and beaten by armed guards and who were bought and sold as sub-human property. And that went on from the 1600s well into the 1950s, perhaps later. Fixed it for ya.
  • Oroborous
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    Blues
    Think I’d call the blues more like the Gleam in RR daddy’s eye, the weight in his preverbal sack if you will... than the birth...but unquestionably a major genetic element...
  • SPACEBROTHER
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    Birth of rock and roll
    Started with the blues. The blues started with field workers on farms who got it from gospel and African roots.
  • Oroborous
    Joined:
    Kyle: “are you guys from 1969”
    Nope, 1962, buda da ba bop boom, heyyyyI do recall this thing called pong my cousins had? Probably turned me off of games for life; ) Hell, we didn’t get cable till the late 70s...color tv was out, but didn’t get that till early 70s... My mother RIP, still had rotary phones till the day she died (2016) LOL Computers? I suppose we learned about those from watching the Apollo missions with their real to real,looking behemoths that took up whole buildings....same processing power like in a phone now... When your living through it day to day you don’t necessarily get how much things have changed. Sorta like the quality of Dead recordings and how that has progressed. I don’t think there’s too many old timers out there, that started out desperately grabbing any shitty tape thay could because it wasn’t like they were growing on trees, that ever could have imagined the quality and access we have now..
  • Oroborous
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    RR tech/recording etc
    The undisputed father/king? what ever of all that has followed, tech wise, was Les Paul. Fascinating man/story. Looping, multi-tracking, ping ponging, effects you name it. He most likely invented it.
  • Oroborous
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    Something new is waiting to be born
    Keithfan, though your essay was very good and spot on, I respectfully disagree with your overall premise.I think if we use the human life cycle for analogy, I’d say that the Beatles were not the birth, but more like late adolescence/early adulthood. The coming of age so to speak. They were learning who they were, about the world, and experimenting accordingly like only adolescent people do. Even the embracing of new technology usually is most prevalent amongst the younger generations (I’m generalizing here folks so spare us the one off examples....like just because George Burns lived to be 10?, doesn’t mean smokings not bad for you, science does not work that way) This is why most of the change and cultural shifts that occur, are usually driven by the exuberant, fresh, eager, teens to thirties folks, who are in the physical primes of their lives.....and the brain is of course a physical thing? So I propose, the real birth, the real father, the real King of RR is Mr Chuck Berry. (I know we can take this a step further, but here I would borrow KF’s embryonic example). Imho, Chuck was the guy who really built the platform that almost all other RR was built on, including the Beatles...Hell there are numerous references by the Beatles saying such....and Elvis...He was more like a little leaguer, while a Chuck was JV, and then the Beatles were Pro ballers.... Elvis did not write music, nor would many consider him a real musician. (Yes he could bang out some rhythms and hide behind the guitar like has been done by many “stars” including today’s Taylor Swift etc) He was basically a fine singer who aspired to, and was courted by Hollywood. No offense meant, his influence was immeasurable. But Chuck did it all, and he mostly did it himself, not through others like Elvis.. From the music, to being his own road manager, even driving himself to gigs, He even embraced new technology of the times too. I think Chuck is one of the most under the radar, yet influential persons of the 20th century..... Hey, if you don’t believe me, research what ALL the greats; Beatles, Dead, Stones you name it, they all acknowledge how much he influenced not only them personally, but RR overall. Which due to the cultural shifts and timing, influenced the whole world in a way many today cannot understand unless they were there. Just like we experienced what it was like when the Beatles did it.... So In other words, this is not really my theory at all. It is just me trying to pass along what I have read..... I’m just spitting out what all our hero’s have already stated.... As you have shone, there is no way to even begin to consider all at least popular music (saying all music might be a stretch...), that occurred during and after the Beatles, without acknowledging their influence. But I propose, that you cannt consider the Beatles, without considering how Chuck is in their DNA! Long live the King “Go Johnny Go! (Perhaps the perfect phrase to encompass all that youth, rebelliousness, RR are all about!) You go boy, indeed...
  • icecrmcnkd
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    Jerry Lee Lewis isn’t rock n roll?
    Beatles were the birth of Pop. Rock n roll had already been born. But honestly, I don’t really care where the ‘official’ start is because I pretty much just listen to Grateful Dead.
  • Dennis
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    keith and R&R birth
    Somethings are hard to pinpoint, but for recording techniques,,, check enoch light's page https://en.wikipedia.org/wiki/Enoch_Light Pioneer in stereo recordings, hell appears to have invented the gatefold album. Also to early 50's rock recordings developed "cheap" effects, I thought I read once about Sun records recording stuff in bathrooms for echo/reverb effect. Maybe someone singing in a concrete hallway. I always think there is a book to be written about pop music and car stereos. I think recording techniques are older than readily available playback. I don't think you could have had pink Floyd in a 3 watt mono 6 inch speaker in your 58 chevy. I think as car playback systems got better the music got more dense(?). Same can be said for movies maybe. Growing up Perry Mason, F troop sound just fine out of a 8 in mono speaker. Can you imagine watching some marvel movie in 19" mono black and white. I don't think I'd say The Beatles were the birth of rock, if the beatles were all that than they stood on the shoulders of giants. The line of music goes back. Hard to pick a start. I think our age determines our view. The first time you said "the music today....." or "the kids today....", your old!
  • KeithFan2112
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    daverock, respectfully
    The birth of Rock and Roll is a matter of perspective to some extent, I agree, but I maintain that the birth of rock, as we know it today, started with the Beatles, and so we witnessed it. Everything prior to that was embryonic (though no less important). R&B, Rocket 88, Rock Around the Clock, Elvis - all cornerstones of the bigger picture, without question, but when I say we witnessed the birth of Rock and Roll, I mean we witnessed the Beatles and all that came after. The Beatles' sound was a truly unique amalgamation of all of those elements you mentioned. None of those elements were singly responsible for contemporary Rock music, but the Beatles were. Further,it was more than The Beatles' sound that was responsible for their unique place in the Rock and Roll annals; it was their integration of new recording technology as well (by that I mean more and more channels to the multi-track, as well as wholly new instruments like the mellotron, as well as tape editing, arrangement, overdubs, etc). The artist push the technology and the technology pushed the artist; this was a symbiotic occurrence that found its way into many early era Rock production ensembles (look at how Pete Townshend introduced minimalist composition technique with organs fed into synthesizers to bring not only new sounds to the rock palette, but to actually create a new mode of rhythm for the genre (i.e. Baba O'Riley & Won't Get Fooled Again). I also mentioned the cultural aspect of rock and roll development. These were children who grew up in the aftermath of World War II. They went on to compose music that was heavily influenced buy current events like the Vietnam War and the Civil Rights Movement. They reflected these issues back to their audience with social commentary, and messages of hope or despair (Sympathy for the Devil, All You Need Is Love). And the liberation of the younger generation from what they felt was a very oppressive older generation. Free love, free sex, individual Independence for young people - this still resonates today. So, yes, I understand your point and I agree that those influences where it important, but in the larger picture it was all in utero development, with Elvis perhaps being the last trimester. And then the Beatles came and changed everything, not just music. We did not Witness the conception of rock and roll, just the birth. And this I maintain can never happen again, because it's already been done. The technology, the social climate, heck, all the guitar riffs. Peace.
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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lots to like in 83 Boise = strangest of places thank you Dave!!!
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Hi SkullTripWould definitely like a copy of this show. Fingers crossed. Smokined
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8 years 3 months
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Dave's excitement on the Seaside Chat is palpable. He listens to shows for a living. Makes me think this one is probably pretty good.
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6 years 3 months
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How did this sell out so quick?I was at this show and need these discs! Please let me know if there are any available. Thanks!
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Really? What about 10/18/2015 with the fantastic segue of These Rocks are Slippery -> Banter about Banter -> Look at that Bird -> Battery Running Low? Indeed, great chat though and looks to be a great '83 pick. Looking forward to this one.
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Looks meaty and fun. Totally unfamiliar with this show and have only been exposed to a handful of 83 shows overall. Looking forward to something new to chew on amidst the ever-changing backdrop and landscape of Life. Can't believe it's mid-July already. Hope all are well and having fun out there. Sixtus
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7 years 1 month
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1983 was hit or miss...but this one was a big time HIT !!!
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6 years 4 months
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Jerry absolutely slays that Minglewood!Make more, sell more. Don’t let this Les Bois kid miss out on this!
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10 years 1 month
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How can it be sold out when I try to order 5 minutes after receiving the e mail notice? Another bait and switch rip off!!!
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Anyone interested in possible trade? New vol. 27 for new/like new vols. 1-23. Please let me know which ones you have for trade. PM if interested.
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12 years 10 months
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How long did it take for this one to sell out?
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6 years 10 months
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Eyes43 was the first to email me, so my copy is spoken for. Apologies to the other folks who reached out.
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7 years
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Sold out an hour before I got the email. Time to burn another one off the archives, I suppose.
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14 years 9 months
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Looking forward to this Pick! Love the first fifteen years, but love variety also . . . I don't care if the recording is a tad suspect, or if it's a compilation (not that this one is . . . )--I just want the hottest stuff, whatever the era.
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Sounds like 10/10/1982 to me, which as a non-80s person, is one of my favorite shows of all time. I guess we have to wait for an official release until some clever engineer figures out how to isolate electronic instruments in an old recordings with fourier transforms or something. Oh well, one day. Fortunately the aud source there is really unusually excellent and you should all check it out. Not to stir up the pot, but the fact that it sounds like it takes longer to find 80s shows with both great SBDs and great playing is a pretty reasonable explanation for why they come out less often. Takes a lot more digging to unearth a gem.
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I don't recall seeing any calls for an 80's show on these two comment boards - this DaP 26 or the NW '73 - '74 box comments boards. Oh well, no big deal. I used to have this 9/2/83 as an audience tape set and a fine one to boot. I got rid of it (and many other GD tapes) when I was downsizing in the mid 2000's during a move from one domicile to another. A very good show, if I recall correctly. I haven't watched Dave's "seaside"* video yet, but I'm wondering if this show is a complete soundboard, or is it patched in with bits and chunks of audience recordings to give us an absolute complete show? (DaP 20, several shows in the 30 Trips box) I think DaP 25 & 26 sold out in about 48 - 50 minutes to answer RV3's comment/question.
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So glad I got a subscription this year. I'm sure this epic show from 1983 surprised a lot of people. It was good to hear Dave explain the problem of releasing quality shows from the early to mid '80s. I can't wait to get this one in the mail in early August! It's like my birthday is four times a year now.
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Glad people dont like the 80’s Dead as much as the ‘70s Dead. Hate to imagine how much faster that could have sold out. Sold out before I got the email that it was even available. Is there a pre-order to the pre-order? Damn
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I'm a DaP subscriber so I order the whole year as soon as I hear of it. Not being a fan of 80's GD, I'm happy to download it onto my PC and give the original away. As I live in Scotland, I wont get my physical cd for approx. another 21 days, so you will need to be patient. First come ,gets it. All I ask is if you live in USA/Canada you reimburse me the postage.P.M me and once its agreed, I'll get you to send me your address. Love and Peace to all Deadheads, regardless of which decade you like.
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Hot show, good pick, glad I subscribed, hope not too many patches. Thank you all for your reply's and pm's, it riles them to believe that you perceive the web they weave. Been listening to the Moodies as a palette cleanser, good stuff.
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and thanks!
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These are already on e-bay? Wow.That was fast.
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The beginning of November. I sometimes wonder about the Picks too. When they are just a few days removed from a previously acknowledged 'hot' show, I'd like to hear a few words about the reasoning behind the choices. A couple examples are 12-07-71 instead of 12-05, 12-14-71 instead of 12-15-71, 12-19-73 instead of 12-18-73, 11-18-72 instead of 11-19-72, 08-24-68 instead of 08-21-68, 09-25-91 instead of 09-26-91. I'm always glad to get official releases of shows we've all enjoyed (in lesser quality) for years. It would be interesting to hear about why 'Show A' was chosen instead of 'Show B'. Maybe one is incomplete or the tapes are damaged or maybe it's that they'll BOTH be released and one was preferred over the other at that point in time.
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You said it would be announced today and here it is! Hope the audio is good, because the set list looks awesome! Actually tuning into the Listening Party to see if the audio is aight. Love the album cover art, best of all 4 2018 Picks (the Bonus Disc is the only one I like better).
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Funny you should mention patches. I was listening to the Big RR Blues and the first couple of seconds was an aud patch. It's an excellent-sounding aud patch and the transition was seamless, really well done. Considering the quality of the patch material and the fact that what I heard was VERY skillfully done, I don't think anyone is going to have a problem with this show.
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I'm really surprised on this pick but I don't care. As a Newbie THIS WAS A GREAT SEASIDE. Tried to order another one for my buddy when I got home at 2:30 eastern but Sold Out. Cool release. Can't believe the 2 per got that crazy with the resale. Current High on eBay is a 100$
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These Dave's Picks sell out very quickly, to say the least. Would it make sense to offer downloads (at a reduced cost since there would be no packaging involved) until the demand is satisfied? It might even buy prospective purchasers some extra time because I'm sure there are some folks who would actually wait to get the downloads. This way everybody who wants the show gets the show. Some would not get the packaging, but the music is more important than the packaging.
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As I read peoples comments I often think that something must be wrong with me. I don't have any "time period" that I prefer better than another. I just sit back and enjoy it....all! Maybe I just can't hear as well as I did thirty years ago. Dave's Picks Volume 27 should be wonderful to just put on a pair of good head phones and listen.... with a cold beer...my favorite dead meerschaum pipe....and a bowl of good English Latakia tobacco. Now...how about some Greek shows! Mr. Pete-----------> aging hippie
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The Augusta show from Fall '84 (10/12/84) was released as part of the 30 Trips box set. I would dig a release of the Worcester show on 10/9/84 as that was the first show that I attended.
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They emailed us last Friday and told us when it was going on sale.If you didn’t get the email last Friday check your junk folder. I hit the site at about 10:03 and it was there, but you couldn’t post comments at that time. I got the email announcement about 10:12.
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It's a good show, nothing mindblowing I didn't think. The Jam out of Eyes before Drums was pretty cool, especially as it was Bobby, Billy, Brent, and Mickey. Very high energy in the show as evidenced by the very high tempos. Jerry's voice is fantastic, a worry I had on the era. Didn't get a totally uninterrupted listen or anything, but seems to be a decent choice. I'll probably listen more to the PacNW Box or highlight release than this one, but it'll likely come off the shelf more often than a few of the Dave's like 4, 7, and 20. But I usually tend to listen to the Dave's quite a bit when I first get them, then it subsides, and box set releases seem to get much more play. Dig the cover art on this one.
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9 years 1 month
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Glad to see something from this era released, hoping that the sound quality will be good. I generally like all eras so it is nice to fill in some years that don't have a lot of official releases available.
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9 years
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The subscription did not sell out and was available for weeks. Someone posted that DaP 27 was on eBay for $100. The early bird subscription was $99 with free shipping. Deja vu all over again.
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11 years 6 months
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I, like many others have subscribed each year and have been OK with the increases in numbers. OUR NUMBERS MEAN SOMETHING. THE 13th DISC BONUS MEANS SOMETHING. AS NUMEROUS HEAD's HAVE SAID. IT DOESN'T TAKE MUCH TO GO SUBSCRIPTION. I'M A NO ON THIS. Sorry sir but this is crazy.WE SEE WHAT'S GOING ON.
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17 years 5 months
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More skeletons. Inevitable I guess. Looks good to me. Does anybody more knowledgeable than I know if there is any relationship between the cover art and the gig or the place?
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11 years 6 months
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It was me friend. How do we teach these guys about the subscription? I set a goal of 2 quarters a day that goes to my subscription. Big Boxes are different. I'm actually getting tired of the complaints. I mean Jesus you missed 2 shows and a bonus that are incredible to me but you didn't subscribe and are pissed with not being able to get #27. GET ON THE BUS
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10 years 10 months
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It seems to be Hell's Canyon on the Snake River outside Boise.
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11 years 6 months
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My Guess is NO. We had Drinky Crow as a run. A very good comic for those who don't know.
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6 years 6 months
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No problem. Off to the awesome archive website where much of the material is culled from.
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10 years 2 months
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Not only is it the first mid 80s choice for a Daves Pick, it will be the first mid 80s show that I will have listened to all year-so it will make a nice change. Help-Slipknot-Franklins is my favourite post retirement jam, so any show that includes that medley is more interesting to me than otherwise. I was pleased to read on an earlier post that the "Eyes" on here isn't played too quickly. A great song that can go tits up so easily. I have always subscribed, so its selling out doesn't personally affect me. But there's something about them selling out SO fast that doesn't sit easy.
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12/5/71 was a radio broadcast by WNEW out of New York. The broadcast is more than likely owned by them and therefore not available for release unless big $$ is paid to them. Unfortunate I agree...
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Product quantity is just too low. If things are limited edition I agree with others that believe in sharing with friends. Allowing folks 2 copies is ridiculous as I just found out about it while listening to Dave and he says they won't last long but they were already gone. I've subscribed in the past but November/ December is not a good time for me to throw down 2 nickels. I have offered to prepay as early as spring time but they must be scared about holding onto money. I cant believe we only have less than 18 k Heads or the lower levels called fans. Too many end up on ebay at scalper prices. And these past show releases/series should get fresh batches burnt large enough for profit but without having to wharehouse too much. That's just part of my 2 cents. I'm also not happy that GDM is basically defunct. No new shirts, stickers, videos, books but for years they were fine to go they Kiss route. How many faithful Deadheads ever bought golf tees or other absurd stuff but if it is always been about the music then start allowing free downloads of this limited edition scam 3 or 5 years after being released. I am grateful for all they've given us but if we cant buy these things first hand then atleast allow folks to post on You Tube or make a Spotify business deal so we can listen. I only missed 2 Dicks Picks in years past and several I bought extras for gifts. Some I bought multiple copies over time to replace scratched, lost, or stolen single discs but I just had to buy the whole release to get. Please release more copies and expand the time table for prepay. Thank you for all you guys have done.
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Mr. Pete, I agree. If they're going to release a mid-80's show---which they did--I wonder when they're going to dip into The GReeks. Possibly a box in 2020... not sure if you're referring to the 82 tours or 85 tours.... Me? I'm a pre-78 show listener. (for the most part) I do, on occasion, listen to 80's shows but I tend to lose interest fairly early---say after about 30 minutes---then dive into the 68-73 tidal currents. The waters are much more intense during this time (for me anyway) Alas, every listener has a vibe they groove to...so we'll just have to wait (or listen to archive...or message me. I have tons of shows to share) I'm itching for The ARK Boston trifecta: 4/21/69 4/22/69 4/23/69 Mr. Pete: May your GREEK desires come to fruition soon...a BIG BOX?
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just listened to this show at the gym, WOW and far out smokin show thanks to dave and the rest of the staff that put this together great choice, peace and good lovin to all my sisters@brothers in the dead community
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Some may be relieved to find the bronco does not have a beard. Though it could be considered curious by some of our more discriminating resident art critics that while both riders have maintained their well-coiffed hair, even as they ride the pale horse (a rather apt phrase in this case), our interstellar equine chaperone seems to have lost every trace of her coat. Not even a whisker of a forelock.
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