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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • kyleharmon
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    i never played A Link to the
    i never played A Link to the Past and I never knew who Bruce Cockburn was and somehow when my life flashes before me I wont be thinking I wasted my life because of it
  • Thin
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    couple reactions:
    "The blues started with field workers on farms who got it from gospel and African roots". Seriously??? Thank you HendrixFreak for the correction - holy moly, how far can we disassociate the musical contributions of slaves? Let's give then credit... I think they earned it, no? Mononhahela regarding your 1980 dilemma... stay loud on the topic until your miracle appears. Unless you're dying for the actual article, in which case go ahead and spend the $40 (but that's a lot of money). Sixtus re: 2/15/73 Dark Star.. the accessible melodic ones are my favs. Thanks for the signpost. I believe the Wembley 4/7 or 8/72 Dark Star is also very melodic.... love that one. Anybody notice something different????
  • simonrob
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    Labels...
    Now it is plain for all to see the problems that arise from trying to label different types of music. So whatever happened to country rock, for instance. Were the Beatles rock'n'roll? Who cares. Daverock, your ignorance of who Bruce Cockburn is, is indeed inexcusable. To put another pointless label on him, he could be called the Canadian Bob Dylan, but then again...
  • daverock
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    Bob Dylan Mr Heartbreak....Bruce Cockburn?
    Yes, I'd go along with what you say about his Bobness. To me, he raised the bar lyrically in the same way Hendrix did instrumentally. Maybe people who would otherwise never have considered setting their poems to music did so as a result of Dylan. This wasn't always a good thing, mind you.Incidentally, excuse my ignorance...but who's Bruce Cockburn?
  • highstrikerjay
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    1983
    In anticipation of 09/02/83, I've been listening to some other well regarded fall '83 shows today, notably 09/06/83 and 10/11/83. If 09/02/83 is cut from the same cloth, it will be a solid pick. Totally digging those other 83 shows (as I do the other official releases from '83 - 10/14 and 10/21). Next up while I wait for DaP 27, I think I'll spin 10/17/83. Don't compare '83 to shows from '67 to '79, just enjoy them for what they are. Also perhaps not as cleanly played or recorded as '87-'89, but more crispy in between song jams in '83 IMO than in those later years. Bless the digital archives!!
  • kyleharmon
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    for you, Orosbouros
  • Dark-Star
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    Semantic tangeant
    Rock music, pop music, Prog music blah blah blah. The point that was being made is that our generation and our parents generation were around for the invention of rock pop Prog whatever you want to call it music. it's not classical it's not baroque,it's not rap. We were around when the artists were alive and their records were being made and our parents played their records and we played their records. In 200 years there may not be anything that sounds even remotely like this, yet we were here to see live concerts of it. In 200 years they will most likely look back on the Beatles And The Rolling Stones and Elvis and say wow to have been alive when all of that was happening, all of that great music. Nobody's trying to identify when the first rock record was made. A point was made that the elements that came together to make modern rock and roll were a perfect storm that will never happen again, and WE got to live to see it. And to say The Beatles weren't a rock band, well by that logic I could listen to Dead Flowers by the Stones and say they're not a rock band. Or I could listen to the Song is Over by The Who and say that's easy listening. Or I could listen to That's the Way by Led Zeppelin and say they're not rock they're folk. I'm starting to hear hairs being split just to split hairs. We got to see all of these people while they were alive that's the point. And the styles they developed will never be redone again because all of the things that went into making it are already done. It was clearly stated that the Beatles brought it to the world and they did. It was never said that they did it without anyone's influence. Mind left body I thought you made a good point. Birth is bringing it to the world which is what the Beatles did and continued to do until their breakup. It's nonsense to attribute the explosion of pop / rock music to anyone other than the Beatles. Without the Beatles it would have all remained esoteric. And yes other bands picked up where they left off and carried the torch. The Beatles brought it to the world. And to be honest I don't even like the Beatles that much. The White Album should have been cut in half, and the first five albums I'm mostly throwaways and are summed up in the one red greatest hits album. Sergeant Pepper Magical Mystery Tour and Abbey Road are pretty good. My point is I don't even like him that much but I know what their role was in the birth of rock and roll music.
  • Mr_Heartbreak
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    Changing the Course of Rock History
    Interesting discussion of rock history, but I think everyone here is forgetting the man who changed the course of music forever: Mr. Robert Zimmerman, aka, Bob Dylan. He turned on the Beatles. Before Dylan, they were "She loves you, yeah, yeah, yeah." After Dylan, they began to see song lyrics as poetry, an art form. Jimi Hendrix? Same thing. Look at the covers: Like A Rolling Stone, arguably the most important song in rock history; All Along the Watchtower; Drifters' Escape. etc, etc. The Dead? Don't even get me started. Without Dylan, Robert Hunter and Jerry Garcia never would have gone beyond playing some old folk and bluegrass tunes together. Look at the covers with them, too: they were covering It's All Over Now Baby Blue when they were still playing tiny venues in 1966. Meanwhile, Dylan was conquering Europe on a mass scale. Dylan pushed everyone: the Stones, the Byrds, the Doors. Without Dylan's massive influence, going back as far as '63, songs played on the radio - rock and pop alike - would always have remained boy/girl love songs and cheesy pop. Without Dylan, we never would have had the Dead as we know them, or the Beatles (beyond the first couple albums), Bruce Cockburn, Hendrix, or any form of prog rock. Dylan is The Godfather of all modern music that has lyrics with any depth whatsoever.
  • daverock
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    Rock n' roll
    Some great views expressed on here on this subject. I love The Beatles, and there is no question that they started life as a rock n' roll group. And that they periodically revisited it to great effect-especially on "The Beatles For Sale". But the music that they will be remembered for is not, to me, rock n' roll-or rock. It is pop music. That isn't a bad thing-but its what it is. No way hozay is "Sergeant Pepper" rock n' roll. Actually there is more of a case for claiming that The Beatles invented prog rock than rock n' roll. Finer men than me have tried to identify the first rock n' roll record. But for what its worth, Robert Johnson definitely played with more rhythm than earlier country bluesman. Fast forward to 1948, and we have John Lee Hooker and Muddy Waters playing electric guitars with a much heavier beat. Any of these artists could be credited with starting rock-but its probably Elvis Presley and Chuck Berry, both seemingly independently of each other, mixing country with blues to create what is known as rock n' roll today. After the pop of the early 60s, the man who really invented "rock" as we know it today, and as distinct from "rock n 'roll" was surely Jimi Hendrix. He brought his blues and soul chops to London in 1966, added the volume and power chords associated with Pete Townsend, the craziness of Jeff Beck, wrapped it all up in ball and kicked it out of the park. A far greater influence than The Beatles-every band I saw in the 70s owed something to him. There is surely room for ongoing development, too. Rock n' roll is a hybrid of earlier musical forms, from different cultures, combined together to create something new. Its a great blueprint for the future.
  • Mind-Left-Body
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    KF completely on target
    What I took from Keith fan's essay is that the Beatles did not invent the first rock and roll song, they took all of the primal elements that define today's rock and roll from various sources and put them together into one whole and brought music that had rock elements from an esoteric underground entity to a worldwide industry. While you all make good points about the history of rock in general, I don't believe that Keith fan means to say none of that is true, only that it was the precursor to what has become today's rock and roll music. The rock music of the 60s and 70s and 80s and 90s is molded after the Beatles and their contemporaries like the Rolling Stones and The Kinks and The Who and many others, not Elvis not Jerry Lee Lewis not Bill Haley, not anything before the Beatles. What I see in some of the counterpoints being raised here are people missing points in the original article. For example someone might respond to my comments by saying lots of musicians were influenced by Elvis so how can I say that modern music wasn't in part due to Elvis's career? The answer is, that's not what I'm saying. I am saying that modern music doesn't take on the arrangement and style of Elvis, it takes on that of The Beatles and their contemporaries. And the contemporaries that I mentioned worked off of The Beatles and took their lead from the Beatles and then added their own elements. The artists before the Beatles that some people mentioned, collectively produced elements that the Beatles then unified and brought pop sensibility to. This brought about a seismic shift in the way the bands that were the Beatles contemporaries approached music. In the late 60s and early 70s they all fed off of each other, but it started with the Beatles. And those other bands contributed to the continued development, such as the Rolling Stones, The Who, Led Zeppelin The Grateful Dead Etc. The Beatles were the birth of rock and roll. They did not write the first rock song, they put the puzzle together and industrialized it. In doing that, there was a birth. Nobody is wrong here in any of the smaller points they've made about the significant contributions of some artists who came before The Beatles. The over arching main point though is that the Beatles brought it all together and introduced it to the world. The embryo analogy was spot-on. In its simplest manifestation you could say that without the Beatles there would be no Rolling Stones or Who or Zeppelin as we know them today. If they were to exist at all, meaning if they were able to even break out of the underground, the Stones would sound like their first record which was all R&B covers, Led Zeppelin 1 would all sound like you shook me and I can't quit you baby, and The Who would all be like shout and shimmy and I'm a man. Rock music as we know it today would not sound as it does today without the Beatles. But if you take away any one single other group that was mentioned pre-beatles, The Beatles would still have been the Beatles. I'll stop rambling now. I just have always connected with what Keith fan said here but I can't say it as eloquently. And then I saw some responses that didn't seem to get the point. I mean everyone's disputing the term birth. Birth is not the invention of something. Birth is to bring something to the world. The Beatles didnt invent rock, they brought rock to the world (and with a genetic makeup that was all their own). That's what I took from Keith fans original comment when he said we witnessed the birth of rock and roll. That we did. We didn't witness the conception of rock and roll we witness the birth. That's what I took Keith fan correct me if I'm wrong.
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Cub - Definitely a fan of listening to music on a pair of nice floorstanding speakers. The speakers I am using (Klipsch RP-280F) are pretty sensitive so I find I get plenty of volume and clarity using just a decent receiver (Yamaha RX-A1060), but it seems like you have taken it quite a bit farther. Working with the budget that I had to spend and the consideration of how far I could go without a bad reaction from my wife, that was about as far as I felt I could take it at the time. Honestly pretty pleased she adjusted to the size of the floorstanding speakers in the living room.
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who's selling Dave's vol 1 for 500 dollars? hell that's generous. its always a thousand if not up to 2 thousand on ebay everytime I look.
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That's the kindest thing anyone has said to me today. Thanks also to the people who gave me China Rider suggestions. I wrote them all down on the kitchen blackboard. I haven't heard a bad one yet. 12/31/69 really surprised me. I thought I was against the extra drums, I guess from Mickey in those older ones, but that one is great. 10/20/74 from the Movie Soundtrack, duh, I've had that one and somehow never copied it to my ipod with the rest of the box set so its kind of like a bonus track now. 2/9/73 also caught me by surprise because I didn't think I was that big on spring 73 since I thought the one on DaP 16 was just ok. 12/6/73 yes, may as well call it 74. I also jumped around arcive.org. I noticed some of those have Jerry or Bobby, one or the other too low. That's one song you need to hear both guitars!
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You need to look at the other side of the transaction, under Sold Items; it sells in the $350-400 range. Still a lot of dough, but at this point it's achieved collectible status, only by virtue of being vol. 1Kinda' like the original issue of the Amazing Spider-Man #1...
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well, i'll just say this: the generosity of the Dead Heads is alive and well. and I myself have paid it forward as well...god that phrase is so fucking lame, I need to shower I feel dirty
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12/1/79 one day this gem from Pittsburgh will see the light of the day with a shiny new Normanize. Here's an idea why not release 11/1/79 on 11/1/18 & then for Volume 30 go with 12/1/79 with 11/30/79 2nd set as the bonus disc? Isn't that a splendid idea, DeadLand?
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I feel your vibe for a 79 show....yes 12/1/79 is a gemstone!! Check your PM
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I wouldn't say it achieved collector's status only as a result of being vol 1. It is a damn good show too, where the band and vocals are mistake free and the playing is energetic. I would put it in my top 5 1977 shows, up there with probably 2/26, 5/9, 5/17, and 10/29. But it does help that it's the first of the series and that it's been unavailable for 6 years.
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A powerful piece.. Michael Caine delivers a powerful performance in the movie too. ok.. back to playing dead.
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The Crimson, White, & Indigo DVD has the full show that they're running in the theaters August 1st. That's not a bad thing, but there must be some shows that they could put on the big screen this year, shows that haven't already been purchased by many of us. Hippychic--one of my favorite China->Riders is from 7/21/74, at the Hollywood Bowl. Great audience recordings of this date abound on Archive.org. Everyone please remember to donate to the Live Music Archive periodically.
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...if only for the sake of interesting conversations! #27 ---- Good ear to those who heard the Aud patch on Big Railroad Blues...I did not notice that on my first listen. But thats probably a good thing, being good quality and all. MUATM -- kinda weird they are showing something that is available on DVD, but I still think it will be fun to watch on the big screen with great sound. Hopefully they are not stingy with the volume...In the past, I've had to beg the cinema employees to TURN IT UP!!! But this still begs the question, are they running out of options for the Meetup? I doubt it...
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Hey Now,maybe I can help you out. I have a DP 27 and more into the early years of the dead, ill be willing to part ways with it so if interested and want to know more hook up with me. Later, Rocco
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I'm up at Lake Tahoe right now, and Phish has been in town on a two day run here this week. However, some of the Phish Phans seem to be Phouling the Phorest, leaving trash all over the place. https://www.laketahoenews.net/2018/07/south-lake-tahoe-cops-phish-fans-… C'mon Phishers, a little more respect, huh? Keep up a good rep for the jam bands.
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Keith Godchaux...thanks for all the wonderful music you transmitted through your fingertips. R.I.P., old friend.
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HEAR HEAR BOLO! The Dead never would have reached the heights they achieved without Keith, imo. He helped turn a straight-ahead psychedelic rock band into a classy, glorious-sounding, well rounded ragtime band that turned 3D when the sun hit it just right.... And for that I thank him. I'll have to listen to Ramble on Rose tonight to celebrate. What are some of the better Keith recordings? (i.e.: good shows where he's high in the mix.)
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So now I have to tell a joke: Q: What did the janitor say when he jumped out of the closet? A: Supplies! ar ar ar....
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4/20/835/13, 14, 15/83 6/18/83 6/20/83 6/22/83 9/2/83 9/6/83 9/10/83 9/11/83 9/24/83 10/11/83 10/14/83 10/15/83 10/21/83 10/31/83 yep, plenty o' goodies in 83, Dave. I attended 3/27/83...meh also attended 7/30 and 7/31/83...they were fun, memory-wise. I think that's the first time I heard Touch of Grey. I liked it immediately.
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So I am totally interested in Dave's 27 what would you be willing to part with it for?? Thanks MN dead loving momma
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resist Dave's 17 aka 7/19/74 and Keith's birthday show to boot.Enjoyed reading N.G.Meriwether's write-up again - gives the show context. Be sure to "gear up" for this one, for it is not so laid back. The pudding starts with Playin;.
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Speaking of Dave's 17, Im surprised it doesn't get much love, just like vol.15, i think its a awesome show.
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Actually it's 12/12/73 and thank you - never heard that show. Crazy-fun soundcheck setlist, a late 2nd set China>Rider that smokes! And a happy birthday Dicky Betts (maybe he hung backstage but didn't play? I checked the 12/12/ date and it was not an ABB double-bill - or maybe they were just going for an easy cheer from the Atlanta audience). And yes some nice Keith in there! Thanks (to you AND Charlie Miller!).
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Like JiminMD says, the best Dark Star is whichever one happens to be the most recent one I listened to. I like this from 2/2/70 on Dave's Picks 6 a lot but its too short so I put it on again. I don't remember this ever getting much hoopla before. Is it really that great or am I just in a happy mood? When Dave's 27 arrives I feel like I want to start with disc 2.
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BRAND NEW/SEALED/BONUS LISTED ON AMAZON @ WARNERMARKET............DAVE'S PICKS: VOLUME 22 SEALED w/Bonus...$29.95! HIT IT!
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It's been a while since I gave that one a spin, will have to change that. ..I've never met a Dark Star I didn't like.
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....they can fit in any musical category if you look at them right. Like the Boxilla '68 Greek one, which just cued up. Or the Miami '89 mindfuck thats on deck. Worth the ticket price alone. Everything else is icing.
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I love Dave's 6 2/2/70 and 12/21/69, featuring two magnificent Dark Stars, each very different. Veneta 8/27/72 is just amazing, a 30 minute one that breezes by on a lysergic wave of energy before winding up in El Paso sung by a freaked out Weir. One that it reminds me of in an odd way is 11/11/73 Winterland, this one covers a lot of ground from a fantastic jazz excursion to some nice melodic weirdness towards the end of the nearly 36 minutes into a Mind Left Body Jam in double time. Dave's 13 also at Winterland 2/24/74 is another fantastic venture into the realm of Dark Star. My last listen to Dave's 19 1/23/70, I really enjoyed that one, too, but it did come out of That's It For the Other One, which adds extra oomph from the jump. And a show we probably all want to come out 2/18/71 with the infamous Dark Star> Wharf Rat (debut)> Beautiful Jam> Dark Star. One Normanized Star I want to hear is 3/24/72 from Rockin' the Rhein bonus disc. One Dark Star I avoid is Dave's 9 5/14/74, that one gets a little too dissonant for my tastes and does it for so long. Every time I try it again thinking I'll get over it I don't. But there's many other awesome Stars to focus on. For latter day versions, 3/29/90 of course and 4/1/91 Greensboro.
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I don't have a favorite Dark Star. To complicate things.. I find my mood and willingness to invest in what is often at least a half hour song impacts what I think of it. This sucks a bit.. but without a little mood enhancing help, that's just the way it is. Plus, I'm pretty busy as are likely most of you. So I have learned not to judge or invest myself into the outcome... just let it be and when I am rewarded I try to simply enjoy the moment. This approach seems to work just fine. The last one I listened to? Happens to be 10/19/73. It's currently my favorite but tomorrow never knows. Imagine that.
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alvarhanso, very interesting you spoke highly of the DaP 19 Dark Star. I've never considered this one of the stronger ones, but I'm going to give it a re-listen right now, sans The Other One. I have a little bit of a mental block on 1970 dark stars. They seem to either be in a class of their own or sound exactly the same to me. I'm not saying that as a fact just an impression. You also spoke of the Rockin the Rhein bonus disc Dark Star. This one's in my top 10. I read about someone on the Steve Forum site not liking this one and could do nothing but a Scooby-Doo "whaaaat??" I hunted that bonus this down for years on eBay and then ended up putting on two of them in the same week thinking I wasn't going to win both auctions, but I did. Ended up trading the second one for the closing of winterland bonus disc and one other, I forget which. The February 2nd 1970 Dark Star is also one of my favorites, if not top 10 definitely top 15. This first 10 fill up very quickly. Jimbo thanks for the reminder on the 1019 Dark Star. I've been meaning to merge the Mind left body track that follows it with the actual Dark Star for some time now, but I always forget. I'm going to take care of that this morning. I figure, it do it on a few other dark stars, you know, include mind left body is part of the Dark Star. The real motivation is having the two pieces of music run contiguously on shuffle play. I'd like to start merging all of my China Riders as well. I'm on the fence about some of the other big ones. I merged all the dark stars with there medley tracks on Europe 72. I just keep them at the end of the tracklist in my digital music folder for each record. Definitely retirement activity, if that day ever comes.
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My two holy grail shows for DaP: 6/10/73 11/19/72 what I have will suffice for now apparently 11/19/72 is not in the vault (sad face) 6/10/73, on the other hand...
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Thanks for the heads up. I missed oout on this one and have been looking for a reasonably priced copy since!
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Help / slip/ Franklin - primo second set jam, sweet my brother and sisters! :)...then into eyes, after ‘ estimated profit ‘ just kidd’n :) Love it!
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I may be the lone voice of dissent...that Help on the Way is horrendous, so is the Slipknot riff; great ensuing jam though.
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Yo Cuz, you're not alone. The last '77 version is pretty bad to my ears, and the 80s versions seem mostly sloppy and lazy. Although I think the suite performances improved a lot by 1990, the June Winterland performance in '77 was, to my ears, the end of crisp and (as-if) well-rehearsed for that material. October '77: muscular and coked rising, agile and tight fading.
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PapaHooper, others......YOU'RE ALL WELCOME! CHECK OUT THE STANLEY MOUSE AND FRIENDS LITHOGRAPHS, TOO!
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Crippled but free, I was blind all the time I was learning to see.
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I have to say that as much of a Dark Star fanatic as I consider myself to be, I haven't heard all of them. I am definitely revisiting 10/19/73. I haven't listened to the show in a long time so it will be good to revisit it just for that reason alone. I will say that I often gravitate towards 8/27/72 as my favorite Dark Star, with 2/13/70 being close. I also like the 10/18/74 Dark Star especially because it comes out of Phil and Ned. Yet I need to revisit all of the vast 69, 70, 72, and 73 versions. I have a vacation coming up and I might have to make this a little project for myself. * I have a honorable mention: the 1/10/79 Dark Star is really good, actually so is the whole show. I am fairly confident this show is not in the vault so all I have heard are audience recordings. Still good though. As for Help>Slip>Franks my favorite version is from 10/19/76. The full video of the show is on YouTube so that is always a treat. They played this a lot in 76, but much mess in 77. I do agree that the 77 versions don’t sound as good as the 76 versions on the whole. Although I really like 5/22/77. As for the post 77, I think it is toss up. Interestingly I have found myself getting more into 1991 shows. The Bruce & Vince combo appeals to me. I picked up View from the Vault 2 which has a 2nd set opener of Help>Slip>Franks, and then Estimated > Dark Star following that. It is a great show and one I had never heard until I picked up it up a few weeks ago. Just the fact that it has all of that in the pre-drums sequence is really cool.
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Dark Star09/21/72 H-S-F 9/19/90
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10 years
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Dark Stars, Help>Slip> Franklin's discussions are sweet. Its like a twofer and possibilities are rampant. As fate has it, I just listened to 2/15/73 yesterday - which has one of THE MOST accessible Dark Stars, I determined after my most recent-listen. I'm familiar with this, as one is with an old pair of Birks. Its comfy and groovy and familiar yet open to realms of PHIL and contains one of the most poignant, beautiful, and soulful intros into an early, inspired and very fun Eyes of the World...among others in a truly awesome show. Where and when is this one, Senior Norman et Lemeiux? https://archive.org/details/gd73-02-15.sbd.hall.1580.sbeok.shnf I love all Help Slip Franks to The Core. No exceptions. My favorites are the ones with the long jams in Help on the Way proper, then crazy slipknots; but of course an amazing up-tempo Franklin's could easily define a Triad....it is a Vehicle of Pure Joy in my book. Period. Happy Friday in Deadland. Sixtus P.S. Listening to this one linked below right now in my sunny Back Patioland via Sonos 'relisten' (best app to mirror The Entire GD Archive to BLAST ALL THROUGHOUT MY HOUSE WHEN IGGY IS GONE). This show though...It ROCKS. The Half Step is a must listen. As is the Bird Song, Victim (gasp!), and pretty much whole second set. Stir it Up, baby. I feel early '91 gets overlooked, prior to Brucey's formal arrival. I think Mortal Combat is the best video game ever. I disagree. I think Donkey Kong is the best video game ever. My lingering question...I keep hearing Bruce...i didnt think he joined until the end of March 91; but was he here this night? I didn't find an immediate answer after Googling, but I may have missed it in some comment or asterisk.. https://archive.org/details/gd1991-03-21.mtx.seamons.111877.flac16 P.P.S. -> KEITHFAN - A++ for spreadsheet-a-rama, man. holy moly it's a beautifully rendered Dark Star map over time...flux capacitor is ... Fluxing...
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10 years 3 months
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Gotta jump back in here. Gratefulhan mentioned he hadn't heard them all (Dark Stars). Has anyone? I've heard all of the official releases, but certainly not all of the soundboards. I have a spreadsheet of Dark Stars on my wall at work, printed up landscape style, and the 1969 column runs right off the page (so I taped the rest of it from the next page - looks ridiculous). There are an assload of DS performances in '69, and the second biggest year is '68. I haven't heard nearly as many of those as are out there. That being said, I imagine they sound very similar. Here is how the numbers pan out: 1967: 1 1968: 34 1969: 66 1970: 21 1971: 12 1972: 31 1973: 18 1974: 7 If you want the spreadsheet with dates and colors, here's the link: https://drive.google.com/open?id=1i2WC8iVKjn60HoKICZ6ygEkrIDV13SxD
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13 years 11 months
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The 9/24/72 Dark Star (30 trips) has been getting HEAVY rotation in my cave the last few months. Lots of love has been given here to the 9/21/72 Star (DP36) but somehow people seem to overlook the 9/24/72 Star. As far as I can tell it's every bit as crispy as 9/21/72. 30 minutes of Lesh saturated bliss. (Oh, and Hippychic, it jams into an electrifying Philsoaked China-Rider) Thanks for the Martin Hayes tip dmcvt. I bought "Welcome Here Again" and have been listening to it all day. Really nice stuff, right up my alley. Have a good one folks!
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17 years 5 months
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is 8-13-75 to my ears. Bob, Jerry, Billy and Phil have heard all the Dark Stars.
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