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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • garciaddicted
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    Rock 'N' Roll
    If you tried to give rock and roll another name, you might call it 'Chuck Berry'- John Lennon
  • hendrixfreak
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    You must be kidding....
    "The blues started with field workers on farms who got it from gospel and African roots." Field workers on farms? That's got to be satire, because you've got to be kidding. The blues developed out of field chants -- yes, of African origins -- by slaves on plantations who were systemically murdered, lynched, starved and beaten by armed guards and who were bought and sold as sub-human property. And that went on from the 1600s well into the 1950s, perhaps later. Fixed it for ya.
  • Oroborous
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    Blues
    Think I’d call the blues more like the Gleam in RR daddy’s eye, the weight in his preverbal sack if you will... than the birth...but unquestionably a major genetic element...
  • SPACEBROTHER
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    Birth of rock and roll
    Started with the blues. The blues started with field workers on farms who got it from gospel and African roots.
  • Oroborous
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    Kyle: “are you guys from 1969”
    Nope, 1962, buda da ba bop boom, heyyyyI do recall this thing called pong my cousins had? Probably turned me off of games for life; ) Hell, we didn’t get cable till the late 70s...color tv was out, but didn’t get that till early 70s... My mother RIP, still had rotary phones till the day she died (2016) LOL Computers? I suppose we learned about those from watching the Apollo missions with their real to real,looking behemoths that took up whole buildings....same processing power like in a phone now... When your living through it day to day you don’t necessarily get how much things have changed. Sorta like the quality of Dead recordings and how that has progressed. I don’t think there’s too many old timers out there, that started out desperately grabbing any shitty tape thay could because it wasn’t like they were growing on trees, that ever could have imagined the quality and access we have now..
  • Oroborous
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    RR tech/recording etc
    The undisputed father/king? what ever of all that has followed, tech wise, was Les Paul. Fascinating man/story. Looping, multi-tracking, ping ponging, effects you name it. He most likely invented it.
  • Oroborous
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    Something new is waiting to be born
    Keithfan, though your essay was very good and spot on, I respectfully disagree with your overall premise.I think if we use the human life cycle for analogy, I’d say that the Beatles were not the birth, but more like late adolescence/early adulthood. The coming of age so to speak. They were learning who they were, about the world, and experimenting accordingly like only adolescent people do. Even the embracing of new technology usually is most prevalent amongst the younger generations (I’m generalizing here folks so spare us the one off examples....like just because George Burns lived to be 10?, doesn’t mean smokings not bad for you, science does not work that way) This is why most of the change and cultural shifts that occur, are usually driven by the exuberant, fresh, eager, teens to thirties folks, who are in the physical primes of their lives.....and the brain is of course a physical thing? So I propose, the real birth, the real father, the real King of RR is Mr Chuck Berry. (I know we can take this a step further, but here I would borrow KF’s embryonic example). Imho, Chuck was the guy who really built the platform that almost all other RR was built on, including the Beatles...Hell there are numerous references by the Beatles saying such....and Elvis...He was more like a little leaguer, while a Chuck was JV, and then the Beatles were Pro ballers.... Elvis did not write music, nor would many consider him a real musician. (Yes he could bang out some rhythms and hide behind the guitar like has been done by many “stars” including today’s Taylor Swift etc) He was basically a fine singer who aspired to, and was courted by Hollywood. No offense meant, his influence was immeasurable. But Chuck did it all, and he mostly did it himself, not through others like Elvis.. From the music, to being his own road manager, even driving himself to gigs, He even embraced new technology of the times too. I think Chuck is one of the most under the radar, yet influential persons of the 20th century..... Hey, if you don’t believe me, research what ALL the greats; Beatles, Dead, Stones you name it, they all acknowledge how much he influenced not only them personally, but RR overall. Which due to the cultural shifts and timing, influenced the whole world in a way many today cannot understand unless they were there. Just like we experienced what it was like when the Beatles did it.... So In other words, this is not really my theory at all. It is just me trying to pass along what I have read..... I’m just spitting out what all our hero’s have already stated.... As you have shone, there is no way to even begin to consider all at least popular music (saying all music might be a stretch...), that occurred during and after the Beatles, without acknowledging their influence. But I propose, that you cannt consider the Beatles, without considering how Chuck is in their DNA! Long live the King “Go Johnny Go! (Perhaps the perfect phrase to encompass all that youth, rebelliousness, RR are all about!) You go boy, indeed...
  • icecrmcnkd
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    Jerry Lee Lewis isn’t rock n roll?
    Beatles were the birth of Pop. Rock n roll had already been born. But honestly, I don’t really care where the ‘official’ start is because I pretty much just listen to Grateful Dead.
  • Dennis
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    keith and R&R birth
    Somethings are hard to pinpoint, but for recording techniques,,, check enoch light's page https://en.wikipedia.org/wiki/Enoch_Light Pioneer in stereo recordings, hell appears to have invented the gatefold album. Also to early 50's rock recordings developed "cheap" effects, I thought I read once about Sun records recording stuff in bathrooms for echo/reverb effect. Maybe someone singing in a concrete hallway. I always think there is a book to be written about pop music and car stereos. I think recording techniques are older than readily available playback. I don't think you could have had pink Floyd in a 3 watt mono 6 inch speaker in your 58 chevy. I think as car playback systems got better the music got more dense(?). Same can be said for movies maybe. Growing up Perry Mason, F troop sound just fine out of a 8 in mono speaker. Can you imagine watching some marvel movie in 19" mono black and white. I don't think I'd say The Beatles were the birth of rock, if the beatles were all that than they stood on the shoulders of giants. The line of music goes back. Hard to pick a start. I think our age determines our view. The first time you said "the music today....." or "the kids today....", your old!
  • KeithFan2112
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    daverock, respectfully
    The birth of Rock and Roll is a matter of perspective to some extent, I agree, but I maintain that the birth of rock, as we know it today, started with the Beatles, and so we witnessed it. Everything prior to that was embryonic (though no less important). R&B, Rocket 88, Rock Around the Clock, Elvis - all cornerstones of the bigger picture, without question, but when I say we witnessed the birth of Rock and Roll, I mean we witnessed the Beatles and all that came after. The Beatles' sound was a truly unique amalgamation of all of those elements you mentioned. None of those elements were singly responsible for contemporary Rock music, but the Beatles were. Further,it was more than The Beatles' sound that was responsible for their unique place in the Rock and Roll annals; it was their integration of new recording technology as well (by that I mean more and more channels to the multi-track, as well as wholly new instruments like the mellotron, as well as tape editing, arrangement, overdubs, etc). The artist push the technology and the technology pushed the artist; this was a symbiotic occurrence that found its way into many early era Rock production ensembles (look at how Pete Townshend introduced minimalist composition technique with organs fed into synthesizers to bring not only new sounds to the rock palette, but to actually create a new mode of rhythm for the genre (i.e. Baba O'Riley & Won't Get Fooled Again). I also mentioned the cultural aspect of rock and roll development. These were children who grew up in the aftermath of World War II. They went on to compose music that was heavily influenced buy current events like the Vietnam War and the Civil Rights Movement. They reflected these issues back to their audience with social commentary, and messages of hope or despair (Sympathy for the Devil, All You Need Is Love). And the liberation of the younger generation from what they felt was a very oppressive older generation. Free love, free sex, individual Independence for young people - this still resonates today. So, yes, I understand your point and I agree that those influences where it important, but in the larger picture it was all in utero development, with Elvis perhaps being the last trimester. And then the Beatles came and changed everything, not just music. We did not Witness the conception of rock and roll, just the birth. And this I maintain can never happen again, because it's already been done. The technology, the social climate, heck, all the guitar riffs. Peace.
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Cub - Definitely a fan of listening to music on a pair of nice floorstanding speakers. The speakers I am using (Klipsch RP-280F) are pretty sensitive so I find I get plenty of volume and clarity using just a decent receiver (Yamaha RX-A1060), but it seems like you have taken it quite a bit farther. Working with the budget that I had to spend and the consideration of how far I could go without a bad reaction from my wife, that was about as far as I felt I could take it at the time. Honestly pretty pleased she adjusted to the size of the floorstanding speakers in the living room.
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who's selling Dave's vol 1 for 500 dollars? hell that's generous. its always a thousand if not up to 2 thousand on ebay everytime I look.
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That's the kindest thing anyone has said to me today. Thanks also to the people who gave me China Rider suggestions. I wrote them all down on the kitchen blackboard. I haven't heard a bad one yet. 12/31/69 really surprised me. I thought I was against the extra drums, I guess from Mickey in those older ones, but that one is great. 10/20/74 from the Movie Soundtrack, duh, I've had that one and somehow never copied it to my ipod with the rest of the box set so its kind of like a bonus track now. 2/9/73 also caught me by surprise because I didn't think I was that big on spring 73 since I thought the one on DaP 16 was just ok. 12/6/73 yes, may as well call it 74. I also jumped around arcive.org. I noticed some of those have Jerry or Bobby, one or the other too low. That's one song you need to hear both guitars!
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You need to look at the other side of the transaction, under Sold Items; it sells in the $350-400 range. Still a lot of dough, but at this point it's achieved collectible status, only by virtue of being vol. 1Kinda' like the original issue of the Amazing Spider-Man #1...
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well, i'll just say this: the generosity of the Dead Heads is alive and well. and I myself have paid it forward as well...god that phrase is so fucking lame, I need to shower I feel dirty
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12/1/79 one day this gem from Pittsburgh will see the light of the day with a shiny new Normanize. Here's an idea why not release 11/1/79 on 11/1/18 & then for Volume 30 go with 12/1/79 with 11/30/79 2nd set as the bonus disc? Isn't that a splendid idea, DeadLand?
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I feel your vibe for a 79 show....yes 12/1/79 is a gemstone!! Check your PM
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I wouldn't say it achieved collector's status only as a result of being vol 1. It is a damn good show too, where the band and vocals are mistake free and the playing is energetic. I would put it in my top 5 1977 shows, up there with probably 2/26, 5/9, 5/17, and 10/29. But it does help that it's the first of the series and that it's been unavailable for 6 years.
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A powerful piece.. Michael Caine delivers a powerful performance in the movie too. ok.. back to playing dead.
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The Crimson, White, & Indigo DVD has the full show that they're running in the theaters August 1st. That's not a bad thing, but there must be some shows that they could put on the big screen this year, shows that haven't already been purchased by many of us. Hippychic--one of my favorite China->Riders is from 7/21/74, at the Hollywood Bowl. Great audience recordings of this date abound on Archive.org. Everyone please remember to donate to the Live Music Archive periodically.
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...if only for the sake of interesting conversations! #27 ---- Good ear to those who heard the Aud patch on Big Railroad Blues...I did not notice that on my first listen. But thats probably a good thing, being good quality and all. MUATM -- kinda weird they are showing something that is available on DVD, but I still think it will be fun to watch on the big screen with great sound. Hopefully they are not stingy with the volume...In the past, I've had to beg the cinema employees to TURN IT UP!!! But this still begs the question, are they running out of options for the Meetup? I doubt it...
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Hey Now,maybe I can help you out. I have a DP 27 and more into the early years of the dead, ill be willing to part ways with it so if interested and want to know more hook up with me. Later, Rocco
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I'm up at Lake Tahoe right now, and Phish has been in town on a two day run here this week. However, some of the Phish Phans seem to be Phouling the Phorest, leaving trash all over the place. https://www.laketahoenews.net/2018/07/south-lake-tahoe-cops-phish-fans-… C'mon Phishers, a little more respect, huh? Keep up a good rep for the jam bands.
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Keith Godchaux...thanks for all the wonderful music you transmitted through your fingertips. R.I.P., old friend.
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HEAR HEAR BOLO! The Dead never would have reached the heights they achieved without Keith, imo. He helped turn a straight-ahead psychedelic rock band into a classy, glorious-sounding, well rounded ragtime band that turned 3D when the sun hit it just right.... And for that I thank him. I'll have to listen to Ramble on Rose tonight to celebrate. What are some of the better Keith recordings? (i.e.: good shows where he's high in the mix.)
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So now I have to tell a joke: Q: What did the janitor say when he jumped out of the closet? A: Supplies! ar ar ar....
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4/20/835/13, 14, 15/83 6/18/83 6/20/83 6/22/83 9/2/83 9/6/83 9/10/83 9/11/83 9/24/83 10/11/83 10/14/83 10/15/83 10/21/83 10/31/83 yep, plenty o' goodies in 83, Dave. I attended 3/27/83...meh also attended 7/30 and 7/31/83...they were fun, memory-wise. I think that's the first time I heard Touch of Grey. I liked it immediately.
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So I am totally interested in Dave's 27 what would you be willing to part with it for?? Thanks MN dead loving momma
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resist Dave's 17 aka 7/19/74 and Keith's birthday show to boot.Enjoyed reading N.G.Meriwether's write-up again - gives the show context. Be sure to "gear up" for this one, for it is not so laid back. The pudding starts with Playin;.
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Speaking of Dave's 17, Im surprised it doesn't get much love, just like vol.15, i think its a awesome show.
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Actually it's 12/12/73 and thank you - never heard that show. Crazy-fun soundcheck setlist, a late 2nd set China>Rider that smokes! And a happy birthday Dicky Betts (maybe he hung backstage but didn't play? I checked the 12/12/ date and it was not an ABB double-bill - or maybe they were just going for an easy cheer from the Atlanta audience). And yes some nice Keith in there! Thanks (to you AND Charlie Miller!).
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Like JiminMD says, the best Dark Star is whichever one happens to be the most recent one I listened to. I like this from 2/2/70 on Dave's Picks 6 a lot but its too short so I put it on again. I don't remember this ever getting much hoopla before. Is it really that great or am I just in a happy mood? When Dave's 27 arrives I feel like I want to start with disc 2.
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BRAND NEW/SEALED/BONUS LISTED ON AMAZON @ WARNERMARKET............DAVE'S PICKS: VOLUME 22 SEALED w/Bonus...$29.95! HIT IT!
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It's been a while since I gave that one a spin, will have to change that. ..I've never met a Dark Star I didn't like.
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....they can fit in any musical category if you look at them right. Like the Boxilla '68 Greek one, which just cued up. Or the Miami '89 mindfuck thats on deck. Worth the ticket price alone. Everything else is icing.
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I love Dave's 6 2/2/70 and 12/21/69, featuring two magnificent Dark Stars, each very different. Veneta 8/27/72 is just amazing, a 30 minute one that breezes by on a lysergic wave of energy before winding up in El Paso sung by a freaked out Weir. One that it reminds me of in an odd way is 11/11/73 Winterland, this one covers a lot of ground from a fantastic jazz excursion to some nice melodic weirdness towards the end of the nearly 36 minutes into a Mind Left Body Jam in double time. Dave's 13 also at Winterland 2/24/74 is another fantastic venture into the realm of Dark Star. My last listen to Dave's 19 1/23/70, I really enjoyed that one, too, but it did come out of That's It For the Other One, which adds extra oomph from the jump. And a show we probably all want to come out 2/18/71 with the infamous Dark Star> Wharf Rat (debut)> Beautiful Jam> Dark Star. One Normanized Star I want to hear is 3/24/72 from Rockin' the Rhein bonus disc. One Dark Star I avoid is Dave's 9 5/14/74, that one gets a little too dissonant for my tastes and does it for so long. Every time I try it again thinking I'll get over it I don't. But there's many other awesome Stars to focus on. For latter day versions, 3/29/90 of course and 4/1/91 Greensboro.
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I don't have a favorite Dark Star. To complicate things.. I find my mood and willingness to invest in what is often at least a half hour song impacts what I think of it. This sucks a bit.. but without a little mood enhancing help, that's just the way it is. Plus, I'm pretty busy as are likely most of you. So I have learned not to judge or invest myself into the outcome... just let it be and when I am rewarded I try to simply enjoy the moment. This approach seems to work just fine. The last one I listened to? Happens to be 10/19/73. It's currently my favorite but tomorrow never knows. Imagine that.
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alvarhanso, very interesting you spoke highly of the DaP 19 Dark Star. I've never considered this one of the stronger ones, but I'm going to give it a re-listen right now, sans The Other One. I have a little bit of a mental block on 1970 dark stars. They seem to either be in a class of their own or sound exactly the same to me. I'm not saying that as a fact just an impression. You also spoke of the Rockin the Rhein bonus disc Dark Star. This one's in my top 10. I read about someone on the Steve Forum site not liking this one and could do nothing but a Scooby-Doo "whaaaat??" I hunted that bonus this down for years on eBay and then ended up putting on two of them in the same week thinking I wasn't going to win both auctions, but I did. Ended up trading the second one for the closing of winterland bonus disc and one other, I forget which. The February 2nd 1970 Dark Star is also one of my favorites, if not top 10 definitely top 15. This first 10 fill up very quickly. Jimbo thanks for the reminder on the 1019 Dark Star. I've been meaning to merge the Mind left body track that follows it with the actual Dark Star for some time now, but I always forget. I'm going to take care of that this morning. I figure, it do it on a few other dark stars, you know, include mind left body is part of the Dark Star. The real motivation is having the two pieces of music run contiguously on shuffle play. I'd like to start merging all of my China Riders as well. I'm on the fence about some of the other big ones. I merged all the dark stars with there medley tracks on Europe 72. I just keep them at the end of the tracklist in my digital music folder for each record. Definitely retirement activity, if that day ever comes.
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My two holy grail shows for DaP: 6/10/73 11/19/72 what I have will suffice for now apparently 11/19/72 is not in the vault (sad face) 6/10/73, on the other hand...
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Thanks for the heads up. I missed oout on this one and have been looking for a reasonably priced copy since!
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Help / slip/ Franklin - primo second set jam, sweet my brother and sisters! :)...then into eyes, after ‘ estimated profit ‘ just kidd’n :) Love it!
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I may be the lone voice of dissent...that Help on the Way is horrendous, so is the Slipknot riff; great ensuing jam though.
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Yo Cuz, you're not alone. The last '77 version is pretty bad to my ears, and the 80s versions seem mostly sloppy and lazy. Although I think the suite performances improved a lot by 1990, the June Winterland performance in '77 was, to my ears, the end of crisp and (as-if) well-rehearsed for that material. October '77: muscular and coked rising, agile and tight fading.
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PapaHooper, others......YOU'RE ALL WELCOME! CHECK OUT THE STANLEY MOUSE AND FRIENDS LITHOGRAPHS, TOO!
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Crippled but free, I was blind all the time I was learning to see.
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I have to say that as much of a Dark Star fanatic as I consider myself to be, I haven't heard all of them. I am definitely revisiting 10/19/73. I haven't listened to the show in a long time so it will be good to revisit it just for that reason alone. I will say that I often gravitate towards 8/27/72 as my favorite Dark Star, with 2/13/70 being close. I also like the 10/18/74 Dark Star especially because it comes out of Phil and Ned. Yet I need to revisit all of the vast 69, 70, 72, and 73 versions. I have a vacation coming up and I might have to make this a little project for myself. * I have a honorable mention: the 1/10/79 Dark Star is really good, actually so is the whole show. I am fairly confident this show is not in the vault so all I have heard are audience recordings. Still good though. As for Help>Slip>Franks my favorite version is from 10/19/76. The full video of the show is on YouTube so that is always a treat. They played this a lot in 76, but much mess in 77. I do agree that the 77 versions don’t sound as good as the 76 versions on the whole. Although I really like 5/22/77. As for the post 77, I think it is toss up. Interestingly I have found myself getting more into 1991 shows. The Bruce & Vince combo appeals to me. I picked up View from the Vault 2 which has a 2nd set opener of Help>Slip>Franks, and then Estimated > Dark Star following that. It is a great show and one I had never heard until I picked up it up a few weeks ago. Just the fact that it has all of that in the pre-drums sequence is really cool.
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Dark Star09/21/72 H-S-F 9/19/90
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Dark Stars, Help>Slip> Franklin's discussions are sweet. Its like a twofer and possibilities are rampant. As fate has it, I just listened to 2/15/73 yesterday - which has one of THE MOST accessible Dark Stars, I determined after my most recent-listen. I'm familiar with this, as one is with an old pair of Birks. Its comfy and groovy and familiar yet open to realms of PHIL and contains one of the most poignant, beautiful, and soulful intros into an early, inspired and very fun Eyes of the World...among others in a truly awesome show. Where and when is this one, Senior Norman et Lemeiux? https://archive.org/details/gd73-02-15.sbd.hall.1580.sbeok.shnf I love all Help Slip Franks to The Core. No exceptions. My favorites are the ones with the long jams in Help on the Way proper, then crazy slipknots; but of course an amazing up-tempo Franklin's could easily define a Triad....it is a Vehicle of Pure Joy in my book. Period. Happy Friday in Deadland. Sixtus P.S. Listening to this one linked below right now in my sunny Back Patioland via Sonos 'relisten' (best app to mirror The Entire GD Archive to BLAST ALL THROUGHOUT MY HOUSE WHEN IGGY IS GONE). This show though...It ROCKS. The Half Step is a must listen. As is the Bird Song, Victim (gasp!), and pretty much whole second set. Stir it Up, baby. I feel early '91 gets overlooked, prior to Brucey's formal arrival. I think Mortal Combat is the best video game ever. I disagree. I think Donkey Kong is the best video game ever. My lingering question...I keep hearing Bruce...i didnt think he joined until the end of March 91; but was he here this night? I didn't find an immediate answer after Googling, but I may have missed it in some comment or asterisk.. https://archive.org/details/gd1991-03-21.mtx.seamons.111877.flac16 P.P.S. -> KEITHFAN - A++ for spreadsheet-a-rama, man. holy moly it's a beautifully rendered Dark Star map over time...flux capacitor is ... Fluxing...
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Gotta jump back in here. Gratefulhan mentioned he hadn't heard them all (Dark Stars). Has anyone? I've heard all of the official releases, but certainly not all of the soundboards. I have a spreadsheet of Dark Stars on my wall at work, printed up landscape style, and the 1969 column runs right off the page (so I taped the rest of it from the next page - looks ridiculous). There are an assload of DS performances in '69, and the second biggest year is '68. I haven't heard nearly as many of those as are out there. That being said, I imagine they sound very similar. Here is how the numbers pan out: 1967: 1 1968: 34 1969: 66 1970: 21 1971: 12 1972: 31 1973: 18 1974: 7 If you want the spreadsheet with dates and colors, here's the link: https://drive.google.com/open?id=1i2WC8iVKjn60HoKICZ6ygEkrIDV13SxD
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13 years 11 months
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The 9/24/72 Dark Star (30 trips) has been getting HEAVY rotation in my cave the last few months. Lots of love has been given here to the 9/21/72 Star (DP36) but somehow people seem to overlook the 9/24/72 Star. As far as I can tell it's every bit as crispy as 9/21/72. 30 minutes of Lesh saturated bliss. (Oh, and Hippychic, it jams into an electrifying Philsoaked China-Rider) Thanks for the Martin Hayes tip dmcvt. I bought "Welcome Here Again" and have been listening to it all day. Really nice stuff, right up my alley. Have a good one folks!
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17 years 5 months
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is 8-13-75 to my ears. Bob, Jerry, Billy and Phil have heard all the Dark Stars.
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