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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • unkle sam
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    9-2-83
    Just had a listen to this show yesterday. I like the way Wang Dang Doodle starts and slowly builds to start off the show, makes you think something really cool is about to happen. A lack luster first set except for the opener and that great Deal at the end. Second set not so hot either, the pre drums is kinda muddy, the drums is short and goes no where, the space is nice, but really doesn't build to anything either, the post drums with a "new song" delivered like a single, Throwing Stones gets so much better in the late 80's and into the 90's. All in all, I give this show a C average and certainly not the "stunner" it is advertised as. Sure hope the next pick is better than this one. I don't know if any of you were around in the 40's, I wasn't. But I think you can trace Rock and Roll all the way back to then, or even the 30's, or maybe the roaring 20's, hard to say. Of course, back then it was "Heathen" music, "Black" music and a thing that you kept your young children away from, "no son/daughter of mine is going to listen to some muggle smoking darkie music". Segregation was in full swing back then and Rock and Roll was a thing to be feared. It was, after all, youthful rebellion which happens in every generation, that put rock and roll on the map, back then, if our parents hated it, we loved it. There were a lot of us in the 60's and music meant something back then, it was our call to arms, our mantra, we actually thought that music and love could change the world. I'm not a historian nor do I know exactly when rock and roll got it "birth". Glad it did tho, sure was an uptight world full of lies and hate back then, wow, I just got a feeling like I've been here before. I think someone said that they had been following history for X years or some thing like that, gee, they should know ;) But can you believe them? Most that were around then are gone or are so old that they just can't remember, and I can relate to that, memories are very subjective and history books can be distorted, or rewritten. I have had a conversation or two with my 93 year old mother-in-law who was a music teacher all thru the late 50's, 60's and 70's. When she is able to, she remembers rock and roll as a bad thing, one that was openly discouraged and frowned upon, until that "nice gospel singing hill billy" came around. He was "so nice, and good looking too". But that was rock just finally being accepted, not the birth of.
  • daverock
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    Mr Heartbreak
    Thanks for the film clip of Bruce Cockburn. Some beautiful guitar playing-in fact the whole band is good. I've never heard Bob Dylan play like that!
  • garciaddicted
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    Rock 'N' Roll
    "I’ve stolen every lick he ever played", Keith Richards on Chuck Berry "The Shakespeare of rock 'n' roll", Bob Dylan on Chuck Berry "No group, be it Beatles, Dylan or Stones, have ever improved on 'Whole Lotta Shakin'' for my money.” John Lennon
  • frosted
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    Everybody knows who created rock and roll
    Hey hey with the Monkees! What I find odd though is that I cut my teeth on R&R in the late 60s and into the 70s. Back then, we called the 50s the oldies. Elvis, Jerry Lee, Fats Domino, Bill Haley, Buddy Holley, Chuck Berry, Little Richard, Eddie Cochrane, all those guys seemed ancient to us. Thinking about 30s and 40s music back then? Fuggettaboutit. What was that even? Musicians wearing suits with skinny ties, and huge brass bands with our grandparents swirling around the dance floors all dressed up? What gets me is that now the 60s and 70s are more than twice as long ago for today's kids as the 50s were for me, and that seemed pretty far back at the time. So the circle squares, and now I listen to more jazz from the 30s-60s than I do rock and roll from any era, the GOGD being one of the few exceptions. Get off of my lawn!
  • simonrob
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    This is not the place
    for intellectual discussions between non-intellectuals.
  • kyleharmon
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    you all need more Unicorn
    you all need more Unicorn Jesus in your lives and less of this Devil rock music.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Oroborous
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    Dear Butch, DS and Keithfan
    Sorry, I thought we were having a intellectual discussion about opposing theories, not trying to insult one another. So since I now feel insulted. I also feel I have to defend my self..... Please find Butch’s comments in quotes.... “Nobody even said the Beatles invented Rock n roll or coined the term, only that they brought it to life in front of the world. “ So the millions of folks for all the years before the Beatles did not enjoy RR, because it hadn’t yet been brought to life? Even though they did have some success; album sales, performances and quite a bit of airplay, RELETIVELY speaking? Because your statements could be interpreted that RR was such an underground, insignificant thing that not until the Beatles did it become well known? or “given birth” To me that’s an insult to all the men and women who actually made RR, long before the Beatles came along.... “The bottom line is that our generation DID witness the birth of rock and roll, and yes you can use the concept of birth, it's an appropriate form of symbolic language called personification. It's laughable that THAT part of the dicussion even came into question.” As I’ve politely stated, I agree with most of KF’s fine, articulate essay, just not this part. I’m imho, based on reading dozens of RR biographies, the only thing wrong with this is you could say all the same things about Chuck, only on a smaller scale...due to technological and cultural circumstances he had no control over. i understand your point just fine. You don’t need to insult me. Sorry to all you folks if this seems like I’m being snarky etc. Not trying to be, actually having a bit of fun participating in a verbal chess match, mental gymnastics, intellectual discourse etc. Used to stay up and party hard and do this sort of thing about authors, music, movies etc when I went back to collage in my thirties..... “The biggest reasons the Beatles gave birth to it, is 1)they were original,” And Chuck wasn’t? “2)they brought their brand to way more more people, WAY more people,(70 million people, come on now)” Never debated that, if you actually read my post, I ponder whether album sales and/or popularity alone is really a true distinction of what makes one relevant or not. I don’t believe album sales alone is. And comparing album sales from completely different technological and cultural times is like comparing apples to oranges....I’m sorry i obviously did not articulate my point well.. I don’t think that’s a fair, objective measure. “3)they influenced most of the bands that followed after (as well as the popular culture at large).” I have openly agreed with this statement throughout....? “Nobody else went on Ed Sullivan 1st and ushered in a movement in rock pop music. None of their predecessors did that.” Unfortunately I don’t know that much about the show, but I don’t believe in the fifties, a black man, with subversive lyrics was going to get a fair shot at a show of that prominence? I do think I recall reading that they did not want RR, but they felt they needed to make the show more current, to generate ratings, and because RR was already so prevalent in society, they needed to get with the times.....but please don’t quote me on that.....my memory is deteriorating rapidly... I also believe part of the reason Chuck received the airplay he did get, was many didn’t know he was black by his “sound” Another way for the suits to take “race music” and make it popuar with whites, so they could cash in. “They took what was out there, made it their own and in doing so TRANSFORMED rock and popular music. The bands that came after helped continue the movement,” Again, I’ve only supported this sentiment. But I also believe you could say the same, in a different way, about Berry et el... “but there's no question the Beatles brand came first.” This is where we disagree. Again, it’s an insult to all those who were oppressed and struggled through the early years of RR, so that eventually it was legitimized enough so the Beatles could explode and change the world! Kinda like the big brother or sister who breaks in the parents, so the younger siblings have an easier time.... “Millions of people latched on to to the Beatles, not Haley or Berry. “ So again, numbers are your criteria? Apples to Oranges.... “It was their mold that came first and endured” Not unless they had a time machine....sorry, that was snarky. I apologize! “Chuck Berry still hugely important and I love him to death, but he didn't do what the Beatles did” Never said he did. I repeatedly acknowledge that the Beatles were perhaps the greatest band of all time, influentially at least, if not more.... “that wasn't his role. His role may have been even better in the history of rock and roll as he influenced so many. That's not what this discussion was ever about. This discussion was about whether or not our generation was here to witness the birth of rock and roll.” Again, I understand perfectly what this is about. I’m sorry that because we disagree you feel I don’t understand your point, so much so that you have to insult my intelligence.... “The one excellent point I agree with is that Bob Dylan brought a brand that was equally important, but I don't think you could credit him with heralding in the rock movement.” No, not in and of itself, but one could argue that his innovations also had a unmeasurable influence on RR. Perhaps one of the few that came close to the Beatles level of influence? “Oborious, yes Chuck Berry was important and influenced many, but same thing, he wasn't the Beatles” Never said he was, only that he is constantly not given the credit myself, and more importantly, most of the RR elite all state in their books that he deserves, of which being credited as the true Father of RR is one. I believe Rolling Stone said something similar in their tribute to him? I’m sorry, but most of my personal belongings, including my RR library are currently in storage or I would stay up and provide references. . “You seem to be personally offended by all of this,” Not at all. I truly apologize to you, as well as everyone if that’s how this is coming across. I just think your making a generalized statement that ignores a huge block of actual history, which insults those who made it. By doing so, I don't think your theory is logical. “as you are making statements like what if Chuck has been white or what if Elvis wasn't in the right place at the right time. The discussion is about what is not what might have been or could have been. If the queen had balls she'd be king.” How can you not consider what America was like racially in the fifties, and how that would effect the success or failure of a black person? And to compare what a Fearless Black man did, during that repulsive time in our history; actually “give birth to”, basically a whole new cultural scene, and making it popular (sounds familiar?), with a group that did all the great things they did, in part, because of the foundation people like Mr Berry laid for them to build upon, only by comparing popularity or numbers? That’s like saying Miles Davis gave birth to Jazz with Kind of Blue, while all his predecessors, from decades before, did not? “I think where people are getting stuck in this dialogue is that they're feeling like the birth of rock and roll on the world scale should go to (pick your name) instead of the Beatles. There is no single person or band who invented rock and roll, but the Beatles did give birth to it in the larger world, and that was the only point that was being made along with the fact that we were here to witness it.” Sorry, agree with everything except the term birth. I have never disputed the rest. birth bərTH/Submit noun 1. the emergence of a baby or other young from the body of its mother; the start of life as a physically separate being. 1. give birth to (a baby or other young). "she had carried him and birthed him" “A physically SEPARATE being....” Your argument presupposes that the Beatles would be the parent, that gives birth to a new being... Mine presupposes that Chuck was the father that gave birth to the new being. The Beatles were that being when it fully matured, and became an adult force of nature....that went on to conquer the world, in part because of the DNA of the father.....now I may not be right, but I don’t think that’s so hard to follow is it? “V guy you're absolutely right the sensitivity scale is just beyond words. But one thing that is clear if you read through this discussion thread is that words our being misinterpreted even after clarifications are made. It's like there's no effort being made.” Touché my friend, no need to insult. Just because we don’t agree doesn’t mean I don’t understand, and that you need to insult me. You say “potAto”, I say “potaahto” And finally (I promise no more outta me anyway, hopefully I’ve made my point. Not looking to be “right” just properly understood. I don’t think you can fairly critique ones argument if you don’t properly understand it) So finally, I'd just like to state I’m sorry if I’ve bummed folks out. That was never my intent. Especially no bad vibes toward Keithfan. I thoroughly enjoy his articulate posts, and usually agree with like 98% of what he says. Think maybe I’ll just go away for a bit......”you know this space is getting hot” Peace!
  • snafu
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    Mr. Ones and FZ
    We can now shut down this site Mr Ones you have sumed up everyone here no matter what our other disagreements " Music is the Best"
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Cub - Definitely a fan of listening to music on a pair of nice floorstanding speakers. The speakers I am using (Klipsch RP-280F) are pretty sensitive so I find I get plenty of volume and clarity using just a decent receiver (Yamaha RX-A1060), but it seems like you have taken it quite a bit farther. Working with the budget that I had to spend and the consideration of how far I could go without a bad reaction from my wife, that was about as far as I felt I could take it at the time. Honestly pretty pleased she adjusted to the size of the floorstanding speakers in the living room.
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who's selling Dave's vol 1 for 500 dollars? hell that's generous. its always a thousand if not up to 2 thousand on ebay everytime I look.
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That's the kindest thing anyone has said to me today. Thanks also to the people who gave me China Rider suggestions. I wrote them all down on the kitchen blackboard. I haven't heard a bad one yet. 12/31/69 really surprised me. I thought I was against the extra drums, I guess from Mickey in those older ones, but that one is great. 10/20/74 from the Movie Soundtrack, duh, I've had that one and somehow never copied it to my ipod with the rest of the box set so its kind of like a bonus track now. 2/9/73 also caught me by surprise because I didn't think I was that big on spring 73 since I thought the one on DaP 16 was just ok. 12/6/73 yes, may as well call it 74. I also jumped around arcive.org. I noticed some of those have Jerry or Bobby, one or the other too low. That's one song you need to hear both guitars!
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You need to look at the other side of the transaction, under Sold Items; it sells in the $350-400 range. Still a lot of dough, but at this point it's achieved collectible status, only by virtue of being vol. 1Kinda' like the original issue of the Amazing Spider-Man #1...
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well, i'll just say this: the generosity of the Dead Heads is alive and well. and I myself have paid it forward as well...god that phrase is so fucking lame, I need to shower I feel dirty
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12/1/79 one day this gem from Pittsburgh will see the light of the day with a shiny new Normanize. Here's an idea why not release 11/1/79 on 11/1/18 & then for Volume 30 go with 12/1/79 with 11/30/79 2nd set as the bonus disc? Isn't that a splendid idea, DeadLand?
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I feel your vibe for a 79 show....yes 12/1/79 is a gemstone!! Check your PM
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I wouldn't say it achieved collector's status only as a result of being vol 1. It is a damn good show too, where the band and vocals are mistake free and the playing is energetic. I would put it in my top 5 1977 shows, up there with probably 2/26, 5/9, 5/17, and 10/29. But it does help that it's the first of the series and that it's been unavailable for 6 years.
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A powerful piece.. Michael Caine delivers a powerful performance in the movie too. ok.. back to playing dead.
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The Crimson, White, & Indigo DVD has the full show that they're running in the theaters August 1st. That's not a bad thing, but there must be some shows that they could put on the big screen this year, shows that haven't already been purchased by many of us. Hippychic--one of my favorite China->Riders is from 7/21/74, at the Hollywood Bowl. Great audience recordings of this date abound on Archive.org. Everyone please remember to donate to the Live Music Archive periodically.
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...if only for the sake of interesting conversations! #27 ---- Good ear to those who heard the Aud patch on Big Railroad Blues...I did not notice that on my first listen. But thats probably a good thing, being good quality and all. MUATM -- kinda weird they are showing something that is available on DVD, but I still think it will be fun to watch on the big screen with great sound. Hopefully they are not stingy with the volume...In the past, I've had to beg the cinema employees to TURN IT UP!!! But this still begs the question, are they running out of options for the Meetup? I doubt it...
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Hey Now,maybe I can help you out. I have a DP 27 and more into the early years of the dead, ill be willing to part ways with it so if interested and want to know more hook up with me. Later, Rocco
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I'm up at Lake Tahoe right now, and Phish has been in town on a two day run here this week. However, some of the Phish Phans seem to be Phouling the Phorest, leaving trash all over the place. https://www.laketahoenews.net/2018/07/south-lake-tahoe-cops-phish-fans-… C'mon Phishers, a little more respect, huh? Keep up a good rep for the jam bands.
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Keith Godchaux...thanks for all the wonderful music you transmitted through your fingertips. R.I.P., old friend.
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HEAR HEAR BOLO! The Dead never would have reached the heights they achieved without Keith, imo. He helped turn a straight-ahead psychedelic rock band into a classy, glorious-sounding, well rounded ragtime band that turned 3D when the sun hit it just right.... And for that I thank him. I'll have to listen to Ramble on Rose tonight to celebrate. What are some of the better Keith recordings? (i.e.: good shows where he's high in the mix.)
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So now I have to tell a joke: Q: What did the janitor say when he jumped out of the closet? A: Supplies! ar ar ar....
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4/20/835/13, 14, 15/83 6/18/83 6/20/83 6/22/83 9/2/83 9/6/83 9/10/83 9/11/83 9/24/83 10/11/83 10/14/83 10/15/83 10/21/83 10/31/83 yep, plenty o' goodies in 83, Dave. I attended 3/27/83...meh also attended 7/30 and 7/31/83...they were fun, memory-wise. I think that's the first time I heard Touch of Grey. I liked it immediately.
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So I am totally interested in Dave's 27 what would you be willing to part with it for?? Thanks MN dead loving momma
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resist Dave's 17 aka 7/19/74 and Keith's birthday show to boot.Enjoyed reading N.G.Meriwether's write-up again - gives the show context. Be sure to "gear up" for this one, for it is not so laid back. The pudding starts with Playin;.
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Speaking of Dave's 17, Im surprised it doesn't get much love, just like vol.15, i think its a awesome show.
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Actually it's 12/12/73 and thank you - never heard that show. Crazy-fun soundcheck setlist, a late 2nd set China>Rider that smokes! And a happy birthday Dicky Betts (maybe he hung backstage but didn't play? I checked the 12/12/ date and it was not an ABB double-bill - or maybe they were just going for an easy cheer from the Atlanta audience). And yes some nice Keith in there! Thanks (to you AND Charlie Miller!).
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Like JiminMD says, the best Dark Star is whichever one happens to be the most recent one I listened to. I like this from 2/2/70 on Dave's Picks 6 a lot but its too short so I put it on again. I don't remember this ever getting much hoopla before. Is it really that great or am I just in a happy mood? When Dave's 27 arrives I feel like I want to start with disc 2.
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BRAND NEW/SEALED/BONUS LISTED ON AMAZON @ WARNERMARKET............DAVE'S PICKS: VOLUME 22 SEALED w/Bonus...$29.95! HIT IT!
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It's been a while since I gave that one a spin, will have to change that. ..I've never met a Dark Star I didn't like.
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....they can fit in any musical category if you look at them right. Like the Boxilla '68 Greek one, which just cued up. Or the Miami '89 mindfuck thats on deck. Worth the ticket price alone. Everything else is icing.
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I love Dave's 6 2/2/70 and 12/21/69, featuring two magnificent Dark Stars, each very different. Veneta 8/27/72 is just amazing, a 30 minute one that breezes by on a lysergic wave of energy before winding up in El Paso sung by a freaked out Weir. One that it reminds me of in an odd way is 11/11/73 Winterland, this one covers a lot of ground from a fantastic jazz excursion to some nice melodic weirdness towards the end of the nearly 36 minutes into a Mind Left Body Jam in double time. Dave's 13 also at Winterland 2/24/74 is another fantastic venture into the realm of Dark Star. My last listen to Dave's 19 1/23/70, I really enjoyed that one, too, but it did come out of That's It For the Other One, which adds extra oomph from the jump. And a show we probably all want to come out 2/18/71 with the infamous Dark Star> Wharf Rat (debut)> Beautiful Jam> Dark Star. One Normanized Star I want to hear is 3/24/72 from Rockin' the Rhein bonus disc. One Dark Star I avoid is Dave's 9 5/14/74, that one gets a little too dissonant for my tastes and does it for so long. Every time I try it again thinking I'll get over it I don't. But there's many other awesome Stars to focus on. For latter day versions, 3/29/90 of course and 4/1/91 Greensboro.
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I don't have a favorite Dark Star. To complicate things.. I find my mood and willingness to invest in what is often at least a half hour song impacts what I think of it. This sucks a bit.. but without a little mood enhancing help, that's just the way it is. Plus, I'm pretty busy as are likely most of you. So I have learned not to judge or invest myself into the outcome... just let it be and when I am rewarded I try to simply enjoy the moment. This approach seems to work just fine. The last one I listened to? Happens to be 10/19/73. It's currently my favorite but tomorrow never knows. Imagine that.
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alvarhanso, very interesting you spoke highly of the DaP 19 Dark Star. I've never considered this one of the stronger ones, but I'm going to give it a re-listen right now, sans The Other One. I have a little bit of a mental block on 1970 dark stars. They seem to either be in a class of their own or sound exactly the same to me. I'm not saying that as a fact just an impression. You also spoke of the Rockin the Rhein bonus disc Dark Star. This one's in my top 10. I read about someone on the Steve Forum site not liking this one and could do nothing but a Scooby-Doo "whaaaat??" I hunted that bonus this down for years on eBay and then ended up putting on two of them in the same week thinking I wasn't going to win both auctions, but I did. Ended up trading the second one for the closing of winterland bonus disc and one other, I forget which. The February 2nd 1970 Dark Star is also one of my favorites, if not top 10 definitely top 15. This first 10 fill up very quickly. Jimbo thanks for the reminder on the 1019 Dark Star. I've been meaning to merge the Mind left body track that follows it with the actual Dark Star for some time now, but I always forget. I'm going to take care of that this morning. I figure, it do it on a few other dark stars, you know, include mind left body is part of the Dark Star. The real motivation is having the two pieces of music run contiguously on shuffle play. I'd like to start merging all of my China Riders as well. I'm on the fence about some of the other big ones. I merged all the dark stars with there medley tracks on Europe 72. I just keep them at the end of the tracklist in my digital music folder for each record. Definitely retirement activity, if that day ever comes.
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My two holy grail shows for DaP: 6/10/73 11/19/72 what I have will suffice for now apparently 11/19/72 is not in the vault (sad face) 6/10/73, on the other hand...
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Thanks for the heads up. I missed oout on this one and have been looking for a reasonably priced copy since!
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Help / slip/ Franklin - primo second set jam, sweet my brother and sisters! :)...then into eyes, after ‘ estimated profit ‘ just kidd’n :) Love it!
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I may be the lone voice of dissent...that Help on the Way is horrendous, so is the Slipknot riff; great ensuing jam though.
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Yo Cuz, you're not alone. The last '77 version is pretty bad to my ears, and the 80s versions seem mostly sloppy and lazy. Although I think the suite performances improved a lot by 1990, the June Winterland performance in '77 was, to my ears, the end of crisp and (as-if) well-rehearsed for that material. October '77: muscular and coked rising, agile and tight fading.
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PapaHooper, others......YOU'RE ALL WELCOME! CHECK OUT THE STANLEY MOUSE AND FRIENDS LITHOGRAPHS, TOO!
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Crippled but free, I was blind all the time I was learning to see.
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I have to say that as much of a Dark Star fanatic as I consider myself to be, I haven't heard all of them. I am definitely revisiting 10/19/73. I haven't listened to the show in a long time so it will be good to revisit it just for that reason alone. I will say that I often gravitate towards 8/27/72 as my favorite Dark Star, with 2/13/70 being close. I also like the 10/18/74 Dark Star especially because it comes out of Phil and Ned. Yet I need to revisit all of the vast 69, 70, 72, and 73 versions. I have a vacation coming up and I might have to make this a little project for myself. * I have a honorable mention: the 1/10/79 Dark Star is really good, actually so is the whole show. I am fairly confident this show is not in the vault so all I have heard are audience recordings. Still good though. As for Help>Slip>Franks my favorite version is from 10/19/76. The full video of the show is on YouTube so that is always a treat. They played this a lot in 76, but much mess in 77. I do agree that the 77 versions don’t sound as good as the 76 versions on the whole. Although I really like 5/22/77. As for the post 77, I think it is toss up. Interestingly I have found myself getting more into 1991 shows. The Bruce & Vince combo appeals to me. I picked up View from the Vault 2 which has a 2nd set opener of Help>Slip>Franks, and then Estimated > Dark Star following that. It is a great show and one I had never heard until I picked up it up a few weeks ago. Just the fact that it has all of that in the pre-drums sequence is really cool.
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12 years 10 months
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Dark Star09/21/72 H-S-F 9/19/90
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10 years
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Dark Stars, Help>Slip> Franklin's discussions are sweet. Its like a twofer and possibilities are rampant. As fate has it, I just listened to 2/15/73 yesterday - which has one of THE MOST accessible Dark Stars, I determined after my most recent-listen. I'm familiar with this, as one is with an old pair of Birks. Its comfy and groovy and familiar yet open to realms of PHIL and contains one of the most poignant, beautiful, and soulful intros into an early, inspired and very fun Eyes of the World...among others in a truly awesome show. Where and when is this one, Senior Norman et Lemeiux? https://archive.org/details/gd73-02-15.sbd.hall.1580.sbeok.shnf I love all Help Slip Franks to The Core. No exceptions. My favorites are the ones with the long jams in Help on the Way proper, then crazy slipknots; but of course an amazing up-tempo Franklin's could easily define a Triad....it is a Vehicle of Pure Joy in my book. Period. Happy Friday in Deadland. Sixtus P.S. Listening to this one linked below right now in my sunny Back Patioland via Sonos 'relisten' (best app to mirror The Entire GD Archive to BLAST ALL THROUGHOUT MY HOUSE WHEN IGGY IS GONE). This show though...It ROCKS. The Half Step is a must listen. As is the Bird Song, Victim (gasp!), and pretty much whole second set. Stir it Up, baby. I feel early '91 gets overlooked, prior to Brucey's formal arrival. I think Mortal Combat is the best video game ever. I disagree. I think Donkey Kong is the best video game ever. My lingering question...I keep hearing Bruce...i didnt think he joined until the end of March 91; but was he here this night? I didn't find an immediate answer after Googling, but I may have missed it in some comment or asterisk.. https://archive.org/details/gd1991-03-21.mtx.seamons.111877.flac16 P.P.S. -> KEITHFAN - A++ for spreadsheet-a-rama, man. holy moly it's a beautifully rendered Dark Star map over time...flux capacitor is ... Fluxing...
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10 years 3 months
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Gotta jump back in here. Gratefulhan mentioned he hadn't heard them all (Dark Stars). Has anyone? I've heard all of the official releases, but certainly not all of the soundboards. I have a spreadsheet of Dark Stars on my wall at work, printed up landscape style, and the 1969 column runs right off the page (so I taped the rest of it from the next page - looks ridiculous). There are an assload of DS performances in '69, and the second biggest year is '68. I haven't heard nearly as many of those as are out there. That being said, I imagine they sound very similar. Here is how the numbers pan out: 1967: 1 1968: 34 1969: 66 1970: 21 1971: 12 1972: 31 1973: 18 1974: 7 If you want the spreadsheet with dates and colors, here's the link: https://drive.google.com/open?id=1i2WC8iVKjn60HoKICZ6ygEkrIDV13SxD
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13 years 11 months
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The 9/24/72 Dark Star (30 trips) has been getting HEAVY rotation in my cave the last few months. Lots of love has been given here to the 9/21/72 Star (DP36) but somehow people seem to overlook the 9/24/72 Star. As far as I can tell it's every bit as crispy as 9/21/72. 30 minutes of Lesh saturated bliss. (Oh, and Hippychic, it jams into an electrifying Philsoaked China-Rider) Thanks for the Martin Hayes tip dmcvt. I bought "Welcome Here Again" and have been listening to it all day. Really nice stuff, right up my alley. Have a good one folks!
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17 years 5 months
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is 8-13-75 to my ears. Bob, Jerry, Billy and Phil have heard all the Dark Stars.
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