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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Terrapin Moon
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    mine came in today. I haven't
    mine came in today. I haven't played it but I have it ripped and im gonna tear into it after a jaunt on the treadmill with phish. but look I have heard some '70's shows also were jerry was low in the mix, whatever that one 72 dicks picks one is in NJ, whatever that '72 show for daves that's at the academy of music, the Waterbury show for 30 picks, and quite a few shows where jerry's guitar is kinda low for many estimated prophets in the late 70's. its just not 83 but sound quality is really subjective when you get down to it
  • rcollier
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    DaP 1 on Amazon
    Last time I saw Dave’s Picks 1 on Amazon, it was listed at nearly $6000.00. Obviously, I passed on it.
  • Terrapin Moon
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    ok, lmao fourwindsbelow
    ok, lmao fourwindsbelow comment has been the funniest comment I've read in here second to a '90 show comment story that had me in tears of laughter. yeah, cuz these are two track tapes they were never recorded for commercial posterity. but just for reference to listen back to and see what worked and what didn't. any major enjoyment from these two track tapes is purely coincidental.
  • Vguy72
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    Now wait....
    ....are we talking sound quality or performance. Other than the missed verse in Help On The Way, performance was fine for me. Other that the jarring aud splice in Eyes, quality is fine for me. My dogs ran out of the room though and hid under the bed. Should I be concerned?
  • alvarhanso
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    Re: apples and oranges
    There is no debate about multitracks going on here as the Dave's and Dick's Picks were all 2 track recordings with the exception of Dave's 8 which is a 2 track plus an Audience recording for a Matrix. Healy's PA mixes are what sourced this show, and most of the 80s tapes, and, yes, that is a totally different animal than Betty's (or Owsley's or Rex's or Kidd's) 2 track reel to reel recordings that they mixed from a soundboard feed that probably included amp mics mixed into those 2 tracks. And it is this difference (plus the use of cassette masters) that many of us dread. Plus the PA mixes have to have vocals and keyboards pushed up front where that was much less an issue with Keith and a piano that couldn't be plugged in and prior sound rigs. This recording is good in having more low end than is normally heard on these 80s PA mixes, but that could be Mr. Norman's deft touch, rather than a stronger low end mix by Healy this particular night. Owsley denigrated Healy's mixing abilities, claiming "he couldn't mix a cake from a Betty Crocker package", and though I wouldn't go that far, his additions to vocals often detract, as they do here, to me, most obviously on Mama Tried and Big River. And Healy's effects are definitely on the 2 track recordings, because it went through the PA, so he mixed it in there. There may be less in 1983 than in 1988, but it's definitely there, and while it may work for something psychedelic like The Other One, it doesn't sound good on Mama Tried. At all. I totally get different recording techniques yield different results. I also get that Dave also said that this is a better sounding PA mix tape from the 80s, and while that may be completely true, it doesn't mean it's a great sounding tape. I'm not expecting it to sound like Dave's 21 4/2/73, but I don't see why any of us who do not like the sound of this Pick need to adjust our expectations or listen on headphones when we don't like how it spunds in our cars, on our stereos, or on our computers. When the AUD patch in Eyes hit, I thought that sounded good, and that they maybe should've gone Matrix again, though that wouldn't bring the guitars up much, and the vocals would still be well out front. If they want to put out more '80s-'90s shows, that's great. If they sound better than this. I actually would love for them to use the multitracks where they have them, so they can put out some of those later shows. That would give us great sound quality, and if it's picked, usually the playing quality is strong as well. If a crappy board tape surfaced of say 11/8/70 I wouldn't want to pay for it, even though that show is about at the top of my wish list, because I'd rather a somewhat lesser show with much better sound come out. Of course, that's just me, and I am not Rhino's only customer, and this isn't Duane-era ABB we're debating, where you literally have 80-100 tapes floating around in various quality, whereas the Dead have hundreds of high quality tapes, hundreds of mediocre tapes, and hundreds of incomplete or bad sounding tapes. On Phil's Alembic sound on tape versus live, I never got to see him playing the Alembics, so my reference for those is the tapes, and I love the sound that's captured. And it's funny you say that, because a Phish show I went to a few years ago, Mike Gordon onstage sounded just like Phil on tape in the '73-'74 period, and I thought he sounded great, and looked forward to hearing that tone on the board tapes later, but it was gone, replaced by the sound of his direct out and whatever mix the sound guy threw on there, so he sounded like Mike on tape, but live I was blown away by that wooden tone (that's always how I've described it) that sounded just like Phil.
  • fourwindsblow
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    Too Bad
    Healy should have known that years later Dave would release this show and have made the perfect board tape.
  • Terrapin Moon
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    if you need and want your
    if you need and want your digital copies of Dave's Picks to look fancy and have the fantastic artwork that is adorned on the covers, than look no further than www.albumartexchange.com it is free, but you will have to register to download artwork. if you don't register you will have a "watermark" on your artwork and it will look like poo poo
  • head13
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    13022 has landed..
    I think it sounds fantastic, not sure what everybody else is hearing or not hearing but it sounds like they are live in my cave and that’s enough for me!
  • Terrapin Moon
    Joined:
    I've said it before and i'll
    I've said it before and i'll say it again lol Rhino/Grateful Dead Productions are not responsible for your merchant business on ebay I find that market place shit fuckin hilarious
  • KRIYAS
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    dap 27
    these 80's releases are a real novelty. I like all eras but this will get listened to probably only on the anniversary date. Sorry but like the Boulder release sound is not so great and to me it seems like they're going through the motions, not to mention at like triple time...? Maybe it was just me today or first listen or that I started the day and did enjoy 7/31/74 this morning...
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Cub - Definitely a fan of listening to music on a pair of nice floorstanding speakers. The speakers I am using (Klipsch RP-280F) are pretty sensitive so I find I get plenty of volume and clarity using just a decent receiver (Yamaha RX-A1060), but it seems like you have taken it quite a bit farther. Working with the budget that I had to spend and the consideration of how far I could go without a bad reaction from my wife, that was about as far as I felt I could take it at the time. Honestly pretty pleased she adjusted to the size of the floorstanding speakers in the living room.
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who's selling Dave's vol 1 for 500 dollars? hell that's generous. its always a thousand if not up to 2 thousand on ebay everytime I look.
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That's the kindest thing anyone has said to me today. Thanks also to the people who gave me China Rider suggestions. I wrote them all down on the kitchen blackboard. I haven't heard a bad one yet. 12/31/69 really surprised me. I thought I was against the extra drums, I guess from Mickey in those older ones, but that one is great. 10/20/74 from the Movie Soundtrack, duh, I've had that one and somehow never copied it to my ipod with the rest of the box set so its kind of like a bonus track now. 2/9/73 also caught me by surprise because I didn't think I was that big on spring 73 since I thought the one on DaP 16 was just ok. 12/6/73 yes, may as well call it 74. I also jumped around arcive.org. I noticed some of those have Jerry or Bobby, one or the other too low. That's one song you need to hear both guitars!
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You need to look at the other side of the transaction, under Sold Items; it sells in the $350-400 range. Still a lot of dough, but at this point it's achieved collectible status, only by virtue of being vol. 1Kinda' like the original issue of the Amazing Spider-Man #1...
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well, i'll just say this: the generosity of the Dead Heads is alive and well. and I myself have paid it forward as well...god that phrase is so fucking lame, I need to shower I feel dirty
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12/1/79 one day this gem from Pittsburgh will see the light of the day with a shiny new Normanize. Here's an idea why not release 11/1/79 on 11/1/18 & then for Volume 30 go with 12/1/79 with 11/30/79 2nd set as the bonus disc? Isn't that a splendid idea, DeadLand?
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I feel your vibe for a 79 show....yes 12/1/79 is a gemstone!! Check your PM
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I wouldn't say it achieved collector's status only as a result of being vol 1. It is a damn good show too, where the band and vocals are mistake free and the playing is energetic. I would put it in my top 5 1977 shows, up there with probably 2/26, 5/9, 5/17, and 10/29. But it does help that it's the first of the series and that it's been unavailable for 6 years.
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A powerful piece.. Michael Caine delivers a powerful performance in the movie too. ok.. back to playing dead.
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The Crimson, White, & Indigo DVD has the full show that they're running in the theaters August 1st. That's not a bad thing, but there must be some shows that they could put on the big screen this year, shows that haven't already been purchased by many of us. Hippychic--one of my favorite China->Riders is from 7/21/74, at the Hollywood Bowl. Great audience recordings of this date abound on Archive.org. Everyone please remember to donate to the Live Music Archive periodically.
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...if only for the sake of interesting conversations! #27 ---- Good ear to those who heard the Aud patch on Big Railroad Blues...I did not notice that on my first listen. But thats probably a good thing, being good quality and all. MUATM -- kinda weird they are showing something that is available on DVD, but I still think it will be fun to watch on the big screen with great sound. Hopefully they are not stingy with the volume...In the past, I've had to beg the cinema employees to TURN IT UP!!! But this still begs the question, are they running out of options for the Meetup? I doubt it...
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Hey Now,maybe I can help you out. I have a DP 27 and more into the early years of the dead, ill be willing to part ways with it so if interested and want to know more hook up with me. Later, Rocco
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I'm up at Lake Tahoe right now, and Phish has been in town on a two day run here this week. However, some of the Phish Phans seem to be Phouling the Phorest, leaving trash all over the place. https://www.laketahoenews.net/2018/07/south-lake-tahoe-cops-phish-fans-… C'mon Phishers, a little more respect, huh? Keep up a good rep for the jam bands.
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Keith Godchaux...thanks for all the wonderful music you transmitted through your fingertips. R.I.P., old friend.
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HEAR HEAR BOLO! The Dead never would have reached the heights they achieved without Keith, imo. He helped turn a straight-ahead psychedelic rock band into a classy, glorious-sounding, well rounded ragtime band that turned 3D when the sun hit it just right.... And for that I thank him. I'll have to listen to Ramble on Rose tonight to celebrate. What are some of the better Keith recordings? (i.e.: good shows where he's high in the mix.)
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So now I have to tell a joke: Q: What did the janitor say when he jumped out of the closet? A: Supplies! ar ar ar....
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4/20/835/13, 14, 15/83 6/18/83 6/20/83 6/22/83 9/2/83 9/6/83 9/10/83 9/11/83 9/24/83 10/11/83 10/14/83 10/15/83 10/21/83 10/31/83 yep, plenty o' goodies in 83, Dave. I attended 3/27/83...meh also attended 7/30 and 7/31/83...they were fun, memory-wise. I think that's the first time I heard Touch of Grey. I liked it immediately.
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So I am totally interested in Dave's 27 what would you be willing to part with it for?? Thanks MN dead loving momma
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resist Dave's 17 aka 7/19/74 and Keith's birthday show to boot.Enjoyed reading N.G.Meriwether's write-up again - gives the show context. Be sure to "gear up" for this one, for it is not so laid back. The pudding starts with Playin;.
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Speaking of Dave's 17, Im surprised it doesn't get much love, just like vol.15, i think its a awesome show.
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Actually it's 12/12/73 and thank you - never heard that show. Crazy-fun soundcheck setlist, a late 2nd set China>Rider that smokes! And a happy birthday Dicky Betts (maybe he hung backstage but didn't play? I checked the 12/12/ date and it was not an ABB double-bill - or maybe they were just going for an easy cheer from the Atlanta audience). And yes some nice Keith in there! Thanks (to you AND Charlie Miller!).
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Like JiminMD says, the best Dark Star is whichever one happens to be the most recent one I listened to. I like this from 2/2/70 on Dave's Picks 6 a lot but its too short so I put it on again. I don't remember this ever getting much hoopla before. Is it really that great or am I just in a happy mood? When Dave's 27 arrives I feel like I want to start with disc 2.
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BRAND NEW/SEALED/BONUS LISTED ON AMAZON @ WARNERMARKET............DAVE'S PICKS: VOLUME 22 SEALED w/Bonus...$29.95! HIT IT!
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It's been a while since I gave that one a spin, will have to change that. ..I've never met a Dark Star I didn't like.
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....they can fit in any musical category if you look at them right. Like the Boxilla '68 Greek one, which just cued up. Or the Miami '89 mindfuck thats on deck. Worth the ticket price alone. Everything else is icing.
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I love Dave's 6 2/2/70 and 12/21/69, featuring two magnificent Dark Stars, each very different. Veneta 8/27/72 is just amazing, a 30 minute one that breezes by on a lysergic wave of energy before winding up in El Paso sung by a freaked out Weir. One that it reminds me of in an odd way is 11/11/73 Winterland, this one covers a lot of ground from a fantastic jazz excursion to some nice melodic weirdness towards the end of the nearly 36 minutes into a Mind Left Body Jam in double time. Dave's 13 also at Winterland 2/24/74 is another fantastic venture into the realm of Dark Star. My last listen to Dave's 19 1/23/70, I really enjoyed that one, too, but it did come out of That's It For the Other One, which adds extra oomph from the jump. And a show we probably all want to come out 2/18/71 with the infamous Dark Star> Wharf Rat (debut)> Beautiful Jam> Dark Star. One Normanized Star I want to hear is 3/24/72 from Rockin' the Rhein bonus disc. One Dark Star I avoid is Dave's 9 5/14/74, that one gets a little too dissonant for my tastes and does it for so long. Every time I try it again thinking I'll get over it I don't. But there's many other awesome Stars to focus on. For latter day versions, 3/29/90 of course and 4/1/91 Greensboro.
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I don't have a favorite Dark Star. To complicate things.. I find my mood and willingness to invest in what is often at least a half hour song impacts what I think of it. This sucks a bit.. but without a little mood enhancing help, that's just the way it is. Plus, I'm pretty busy as are likely most of you. So I have learned not to judge or invest myself into the outcome... just let it be and when I am rewarded I try to simply enjoy the moment. This approach seems to work just fine. The last one I listened to? Happens to be 10/19/73. It's currently my favorite but tomorrow never knows. Imagine that.
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alvarhanso, very interesting you spoke highly of the DaP 19 Dark Star. I've never considered this one of the stronger ones, but I'm going to give it a re-listen right now, sans The Other One. I have a little bit of a mental block on 1970 dark stars. They seem to either be in a class of their own or sound exactly the same to me. I'm not saying that as a fact just an impression. You also spoke of the Rockin the Rhein bonus disc Dark Star. This one's in my top 10. I read about someone on the Steve Forum site not liking this one and could do nothing but a Scooby-Doo "whaaaat??" I hunted that bonus this down for years on eBay and then ended up putting on two of them in the same week thinking I wasn't going to win both auctions, but I did. Ended up trading the second one for the closing of winterland bonus disc and one other, I forget which. The February 2nd 1970 Dark Star is also one of my favorites, if not top 10 definitely top 15. This first 10 fill up very quickly. Jimbo thanks for the reminder on the 1019 Dark Star. I've been meaning to merge the Mind left body track that follows it with the actual Dark Star for some time now, but I always forget. I'm going to take care of that this morning. I figure, it do it on a few other dark stars, you know, include mind left body is part of the Dark Star. The real motivation is having the two pieces of music run contiguously on shuffle play. I'd like to start merging all of my China Riders as well. I'm on the fence about some of the other big ones. I merged all the dark stars with there medley tracks on Europe 72. I just keep them at the end of the tracklist in my digital music folder for each record. Definitely retirement activity, if that day ever comes.
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My two holy grail shows for DaP: 6/10/73 11/19/72 what I have will suffice for now apparently 11/19/72 is not in the vault (sad face) 6/10/73, on the other hand...
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Thanks for the heads up. I missed oout on this one and have been looking for a reasonably priced copy since!
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Help / slip/ Franklin - primo second set jam, sweet my brother and sisters! :)...then into eyes, after ‘ estimated profit ‘ just kidd’n :) Love it!
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I may be the lone voice of dissent...that Help on the Way is horrendous, so is the Slipknot riff; great ensuing jam though.
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Yo Cuz, you're not alone. The last '77 version is pretty bad to my ears, and the 80s versions seem mostly sloppy and lazy. Although I think the suite performances improved a lot by 1990, the June Winterland performance in '77 was, to my ears, the end of crisp and (as-if) well-rehearsed for that material. October '77: muscular and coked rising, agile and tight fading.
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PapaHooper, others......YOU'RE ALL WELCOME! CHECK OUT THE STANLEY MOUSE AND FRIENDS LITHOGRAPHS, TOO!
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Crippled but free, I was blind all the time I was learning to see.
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I have to say that as much of a Dark Star fanatic as I consider myself to be, I haven't heard all of them. I am definitely revisiting 10/19/73. I haven't listened to the show in a long time so it will be good to revisit it just for that reason alone. I will say that I often gravitate towards 8/27/72 as my favorite Dark Star, with 2/13/70 being close. I also like the 10/18/74 Dark Star especially because it comes out of Phil and Ned. Yet I need to revisit all of the vast 69, 70, 72, and 73 versions. I have a vacation coming up and I might have to make this a little project for myself. * I have a honorable mention: the 1/10/79 Dark Star is really good, actually so is the whole show. I am fairly confident this show is not in the vault so all I have heard are audience recordings. Still good though. As for Help>Slip>Franks my favorite version is from 10/19/76. The full video of the show is on YouTube so that is always a treat. They played this a lot in 76, but much mess in 77. I do agree that the 77 versions don’t sound as good as the 76 versions on the whole. Although I really like 5/22/77. As for the post 77, I think it is toss up. Interestingly I have found myself getting more into 1991 shows. The Bruce & Vince combo appeals to me. I picked up View from the Vault 2 which has a 2nd set opener of Help>Slip>Franks, and then Estimated > Dark Star following that. It is a great show and one I had never heard until I picked up it up a few weeks ago. Just the fact that it has all of that in the pre-drums sequence is really cool.
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Dark Star09/21/72 H-S-F 9/19/90
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Dark Stars, Help>Slip> Franklin's discussions are sweet. Its like a twofer and possibilities are rampant. As fate has it, I just listened to 2/15/73 yesterday - which has one of THE MOST accessible Dark Stars, I determined after my most recent-listen. I'm familiar with this, as one is with an old pair of Birks. Its comfy and groovy and familiar yet open to realms of PHIL and contains one of the most poignant, beautiful, and soulful intros into an early, inspired and very fun Eyes of the World...among others in a truly awesome show. Where and when is this one, Senior Norman et Lemeiux? https://archive.org/details/gd73-02-15.sbd.hall.1580.sbeok.shnf I love all Help Slip Franks to The Core. No exceptions. My favorites are the ones with the long jams in Help on the Way proper, then crazy slipknots; but of course an amazing up-tempo Franklin's could easily define a Triad....it is a Vehicle of Pure Joy in my book. Period. Happy Friday in Deadland. Sixtus P.S. Listening to this one linked below right now in my sunny Back Patioland via Sonos 'relisten' (best app to mirror The Entire GD Archive to BLAST ALL THROUGHOUT MY HOUSE WHEN IGGY IS GONE). This show though...It ROCKS. The Half Step is a must listen. As is the Bird Song, Victim (gasp!), and pretty much whole second set. Stir it Up, baby. I feel early '91 gets overlooked, prior to Brucey's formal arrival. I think Mortal Combat is the best video game ever. I disagree. I think Donkey Kong is the best video game ever. My lingering question...I keep hearing Bruce...i didnt think he joined until the end of March 91; but was he here this night? I didn't find an immediate answer after Googling, but I may have missed it in some comment or asterisk.. https://archive.org/details/gd1991-03-21.mtx.seamons.111877.flac16 P.P.S. -> KEITHFAN - A++ for spreadsheet-a-rama, man. holy moly it's a beautifully rendered Dark Star map over time...flux capacitor is ... Fluxing...
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Gotta jump back in here. Gratefulhan mentioned he hadn't heard them all (Dark Stars). Has anyone? I've heard all of the official releases, but certainly not all of the soundboards. I have a spreadsheet of Dark Stars on my wall at work, printed up landscape style, and the 1969 column runs right off the page (so I taped the rest of it from the next page - looks ridiculous). There are an assload of DS performances in '69, and the second biggest year is '68. I haven't heard nearly as many of those as are out there. That being said, I imagine they sound very similar. Here is how the numbers pan out: 1967: 1 1968: 34 1969: 66 1970: 21 1971: 12 1972: 31 1973: 18 1974: 7 If you want the spreadsheet with dates and colors, here's the link: https://drive.google.com/open?id=1i2WC8iVKjn60HoKICZ6ygEkrIDV13SxD
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The 9/24/72 Dark Star (30 trips) has been getting HEAVY rotation in my cave the last few months. Lots of love has been given here to the 9/21/72 Star (DP36) but somehow people seem to overlook the 9/24/72 Star. As far as I can tell it's every bit as crispy as 9/21/72. 30 minutes of Lesh saturated bliss. (Oh, and Hippychic, it jams into an electrifying Philsoaked China-Rider) Thanks for the Martin Hayes tip dmcvt. I bought "Welcome Here Again" and have been listening to it all day. Really nice stuff, right up my alley. Have a good one folks!
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is 8-13-75 to my ears. Bob, Jerry, Billy and Phil have heard all the Dark Stars.
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