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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • kyleharmon
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    i never played A Link to the
    i never played A Link to the Past and I never knew who Bruce Cockburn was and somehow when my life flashes before me I wont be thinking I wasted my life because of it
  • Thin
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    couple reactions:
    "The blues started with field workers on farms who got it from gospel and African roots". Seriously??? Thank you HendrixFreak for the correction - holy moly, how far can we disassociate the musical contributions of slaves? Let's give then credit... I think they earned it, no? Mononhahela regarding your 1980 dilemma... stay loud on the topic until your miracle appears. Unless you're dying for the actual article, in which case go ahead and spend the $40 (but that's a lot of money). Sixtus re: 2/15/73 Dark Star.. the accessible melodic ones are my favs. Thanks for the signpost. I believe the Wembley 4/7 or 8/72 Dark Star is also very melodic.... love that one. Anybody notice something different????
  • simonrob
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    Labels...
    Now it is plain for all to see the problems that arise from trying to label different types of music. So whatever happened to country rock, for instance. Were the Beatles rock'n'roll? Who cares. Daverock, your ignorance of who Bruce Cockburn is, is indeed inexcusable. To put another pointless label on him, he could be called the Canadian Bob Dylan, but then again...
  • daverock
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    Bob Dylan Mr Heartbreak....Bruce Cockburn?
    Yes, I'd go along with what you say about his Bobness. To me, he raised the bar lyrically in the same way Hendrix did instrumentally. Maybe people who would otherwise never have considered setting their poems to music did so as a result of Dylan. This wasn't always a good thing, mind you.Incidentally, excuse my ignorance...but who's Bruce Cockburn?
  • highstrikerjay
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    1983
    In anticipation of 09/02/83, I've been listening to some other well regarded fall '83 shows today, notably 09/06/83 and 10/11/83. If 09/02/83 is cut from the same cloth, it will be a solid pick. Totally digging those other 83 shows (as I do the other official releases from '83 - 10/14 and 10/21). Next up while I wait for DaP 27, I think I'll spin 10/17/83. Don't compare '83 to shows from '67 to '79, just enjoy them for what they are. Also perhaps not as cleanly played or recorded as '87-'89, but more crispy in between song jams in '83 IMO than in those later years. Bless the digital archives!!
  • kyleharmon
    Joined:
    for you, Orosbouros
  • Dark-Star
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    Semantic tangeant
    Rock music, pop music, Prog music blah blah blah. The point that was being made is that our generation and our parents generation were around for the invention of rock pop Prog whatever you want to call it music. it's not classical it's not baroque,it's not rap. We were around when the artists were alive and their records were being made and our parents played their records and we played their records. In 200 years there may not be anything that sounds even remotely like this, yet we were here to see live concerts of it. In 200 years they will most likely look back on the Beatles And The Rolling Stones and Elvis and say wow to have been alive when all of that was happening, all of that great music. Nobody's trying to identify when the first rock record was made. A point was made that the elements that came together to make modern rock and roll were a perfect storm that will never happen again, and WE got to live to see it. And to say The Beatles weren't a rock band, well by that logic I could listen to Dead Flowers by the Stones and say they're not a rock band. Or I could listen to the Song is Over by The Who and say that's easy listening. Or I could listen to That's the Way by Led Zeppelin and say they're not rock they're folk. I'm starting to hear hairs being split just to split hairs. We got to see all of these people while they were alive that's the point. And the styles they developed will never be redone again because all of the things that went into making it are already done. It was clearly stated that the Beatles brought it to the world and they did. It was never said that they did it without anyone's influence. Mind left body I thought you made a good point. Birth is bringing it to the world which is what the Beatles did and continued to do until their breakup. It's nonsense to attribute the explosion of pop / rock music to anyone other than the Beatles. Without the Beatles it would have all remained esoteric. And yes other bands picked up where they left off and carried the torch. The Beatles brought it to the world. And to be honest I don't even like the Beatles that much. The White Album should have been cut in half, and the first five albums I'm mostly throwaways and are summed up in the one red greatest hits album. Sergeant Pepper Magical Mystery Tour and Abbey Road are pretty good. My point is I don't even like him that much but I know what their role was in the birth of rock and roll music.
  • Mr_Heartbreak
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    Changing the Course of Rock History
    Interesting discussion of rock history, but I think everyone here is forgetting the man who changed the course of music forever: Mr. Robert Zimmerman, aka, Bob Dylan. He turned on the Beatles. Before Dylan, they were "She loves you, yeah, yeah, yeah." After Dylan, they began to see song lyrics as poetry, an art form. Jimi Hendrix? Same thing. Look at the covers: Like A Rolling Stone, arguably the most important song in rock history; All Along the Watchtower; Drifters' Escape. etc, etc. The Dead? Don't even get me started. Without Dylan, Robert Hunter and Jerry Garcia never would have gone beyond playing some old folk and bluegrass tunes together. Look at the covers with them, too: they were covering It's All Over Now Baby Blue when they were still playing tiny venues in 1966. Meanwhile, Dylan was conquering Europe on a mass scale. Dylan pushed everyone: the Stones, the Byrds, the Doors. Without Dylan's massive influence, going back as far as '63, songs played on the radio - rock and pop alike - would always have remained boy/girl love songs and cheesy pop. Without Dylan, we never would have had the Dead as we know them, or the Beatles (beyond the first couple albums), Bruce Cockburn, Hendrix, or any form of prog rock. Dylan is The Godfather of all modern music that has lyrics with any depth whatsoever.
  • daverock
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    Rock n' roll
    Some great views expressed on here on this subject. I love The Beatles, and there is no question that they started life as a rock n' roll group. And that they periodically revisited it to great effect-especially on "The Beatles For Sale". But the music that they will be remembered for is not, to me, rock n' roll-or rock. It is pop music. That isn't a bad thing-but its what it is. No way hozay is "Sergeant Pepper" rock n' roll. Actually there is more of a case for claiming that The Beatles invented prog rock than rock n' roll. Finer men than me have tried to identify the first rock n' roll record. But for what its worth, Robert Johnson definitely played with more rhythm than earlier country bluesman. Fast forward to 1948, and we have John Lee Hooker and Muddy Waters playing electric guitars with a much heavier beat. Any of these artists could be credited with starting rock-but its probably Elvis Presley and Chuck Berry, both seemingly independently of each other, mixing country with blues to create what is known as rock n' roll today. After the pop of the early 60s, the man who really invented "rock" as we know it today, and as distinct from "rock n 'roll" was surely Jimi Hendrix. He brought his blues and soul chops to London in 1966, added the volume and power chords associated with Pete Townsend, the craziness of Jeff Beck, wrapped it all up in ball and kicked it out of the park. A far greater influence than The Beatles-every band I saw in the 70s owed something to him. There is surely room for ongoing development, too. Rock n' roll is a hybrid of earlier musical forms, from different cultures, combined together to create something new. Its a great blueprint for the future.
  • Mind-Left-Body
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    KF completely on target
    What I took from Keith fan's essay is that the Beatles did not invent the first rock and roll song, they took all of the primal elements that define today's rock and roll from various sources and put them together into one whole and brought music that had rock elements from an esoteric underground entity to a worldwide industry. While you all make good points about the history of rock in general, I don't believe that Keith fan means to say none of that is true, only that it was the precursor to what has become today's rock and roll music. The rock music of the 60s and 70s and 80s and 90s is molded after the Beatles and their contemporaries like the Rolling Stones and The Kinks and The Who and many others, not Elvis not Jerry Lee Lewis not Bill Haley, not anything before the Beatles. What I see in some of the counterpoints being raised here are people missing points in the original article. For example someone might respond to my comments by saying lots of musicians were influenced by Elvis so how can I say that modern music wasn't in part due to Elvis's career? The answer is, that's not what I'm saying. I am saying that modern music doesn't take on the arrangement and style of Elvis, it takes on that of The Beatles and their contemporaries. And the contemporaries that I mentioned worked off of The Beatles and took their lead from the Beatles and then added their own elements. The artists before the Beatles that some people mentioned, collectively produced elements that the Beatles then unified and brought pop sensibility to. This brought about a seismic shift in the way the bands that were the Beatles contemporaries approached music. In the late 60s and early 70s they all fed off of each other, but it started with the Beatles. And those other bands contributed to the continued development, such as the Rolling Stones, The Who, Led Zeppelin The Grateful Dead Etc. The Beatles were the birth of rock and roll. They did not write the first rock song, they put the puzzle together and industrialized it. In doing that, there was a birth. Nobody is wrong here in any of the smaller points they've made about the significant contributions of some artists who came before The Beatles. The over arching main point though is that the Beatles brought it all together and introduced it to the world. The embryo analogy was spot-on. In its simplest manifestation you could say that without the Beatles there would be no Rolling Stones or Who or Zeppelin as we know them today. If they were to exist at all, meaning if they were able to even break out of the underground, the Stones would sound like their first record which was all R&B covers, Led Zeppelin 1 would all sound like you shook me and I can't quit you baby, and The Who would all be like shout and shimmy and I'm a man. Rock music as we know it today would not sound as it does today without the Beatles. But if you take away any one single other group that was mentioned pre-beatles, The Beatles would still have been the Beatles. I'll stop rambling now. I just have always connected with what Keith fan said here but I can't say it as eloquently. And then I saw some responses that didn't seem to get the point. I mean everyone's disputing the term birth. Birth is not the invention of something. Birth is to bring something to the world. The Beatles didnt invent rock, they brought rock to the world (and with a genetic makeup that was all their own). That's what I took from Keith fans original comment when he said we witnessed the birth of rock and roll. That we did. We didn't witness the conception of rock and roll we witness the birth. That's what I took Keith fan correct me if I'm wrong.
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Nice guitar!
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Thanks - It's an 80's Japanese-made tele with new antiquities pickups. Reasonable price but vintage-vibe - rings like a bell. I'm more of an acoustic player so when I play an electric I tend to hit more than one or two strings. Humbuckers are just too wide sounding and it makes my tone muddy. Tele does the trick... bright, sustain-y, looks cool. People seem to be playing teles more than strats these days.
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I am now well aware that my original post did not come across as intended as several people have pointed out. Point taken. I am not prepared to engage in one of those pitiful slanging matches that seem to occur far too often on here as a result of bruised egos and a stubborn refusal to back down. I see little sincerity in the stated observation that I am perfect, but I can live with that. 1) The guy doesn't know me and 2) I'm not perfect. Who is? End of story as far as I'm concerned.
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Thanks Dave for the kind words, and to Thin for making me laugh. Sorry to everyone else....I come here to hang out with Dead Heads, who usually are open minded and tolerant, even when I act like a fool, not for insults. There’s enough fucking hate in the world, and things personally have been rough lately, so I’ve been coming here for the community, to try and tap into some of that ole GD love.... This BS, church shit, insulting Hippy Chic WTF? What the hell happened to us? Ok, enough, let’s talk about some good ole Gol Dang Greateful Dead! Just listened to Run for the Roses for first time in forever......obviously not his best work, but some nice moments, and better than what came after...........like thick air and crickets!
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Nice ax. Was fortunate to play one for a few years. A nice ? Early 60s tele delux actually, not quite strat, not quite Gibson.
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....what happened to us indeed? There's uppercuts and then there's low blows. Cut me Mick. I'm going back in!. Haha!! I'm going full Hawaiian today. GarciaLive Vol 10 followed by DaP 19. Remember when there was an argument of there being a terrapin on a surfboard on the cover of a Grateful Dead release that was from a show prior to Terrapin Station even being a cum stain on the sheets? I do. That was hilarious....still stuck in a UB40 mood btw. Going on a month now. That's unusual for me, but then again, I'm not entirely normal.
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....I do.UB40 - Labour Of Love Volume 2 Neil Young and Crazy Horse - Zuma GOGD - Anthem Of The Sun '68 mix Cowboy Junkies - All That Reckoning Metallica - Master Of Puppets Every one of these records kick ass, because I said so. Ok everyone. Show your hands or fold 'em. Because the cards are not always the same....poke, poke, poke. Just gotta poke around.
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Bruce is a phenomenal guitarist and has written a whole raft of songs that I find beautiful and amazing, and that have affected me as profoundly as that of any musician other than the Dead. A lot to say about him, perhaps I'll put some of it to "paper." Surprised that no one has mentioned that Jerry covered his song "Waiting for a Miracle" (maybe I missed it?) Last 5 Bruce Cockburn - Dancing in the Dragon's Jaws dbh - Mass Railroad Earth - Last of the Outlaws Dave Picks 11 - Wichita 11/17/72 Nitty Gritty Dirt Band (& others) - Will the Circle be Unbroken
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I know nothing about guitars. But doesn’t it look a little bland without a fake f-hole sticker like Mayer’s guitar? Seriously, why would you put on a sticker to make it look like there is a hole there? A couple dancing bears and stealies would look way better.
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....been dead for a while. Thanks for the reminder. (that was a joke, not a jab. One could interpret what I said as truth. Another could interpret that as sarcasm. Someone else might say I'm antagonizing fourwindsblow.) Human nature is unpredictable as the weather. Everyone is wired differently....I love reading these boards. Give me insight into topics that wouldn't have registered otherwise. Who is it that always ends their post with "the door is opened but only you can walk through." Or something like that. Close enough.
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And then there’s a band called “Grateful Dead”.Spawn of the devil I tell you. I hear that they live at 666 Hate Street.
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Cage the Elephant - Tell Me I'm PrettyYardbirds - Shapes of Things (greatest hits collection) Grateful Dead - 10/22/67 from AOTS 50th Stevie Ray Vaughn - Live Alive Crosby, Stills & Nash - Crosby, Stills & Nash Vguy, good call on the attempt to rejuvenate the Last 5, previous iterations have turned me on to some cool stuff.
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....these boards fire up at times where I need to refresh the page every five minutes or so just so I can keep up. I fuckin' love it. Feed me people! I love you all, although you can be assholes and bitches at times. I can be a dick too. See? All good in the neighborhood. Give me four hours and I'll have a new last five.
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I recommend you check out 5/13/83 83's got a buncha good 'uns, I tell ya
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a basket, a bell that rings and things to make it look good?
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AOTS 50th (spinning now)10-22-67 Ladies & Gentlemen GD Movie Soundtrack 10-22-67 AOTS 50th How ‘bout that sandwich? Being one for whole shows and not compilations I previously did not buy L&G. Recently picked it up and it’s quite nice, but confirms my original belief. Those shows are too good to be chopped up. Also recently obtained the soundtrack which is also nice, but also confirms that those shows need to be released as a complete Box of CD’s and DVD/BR.
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just before Playin' starts, you hear a guy yell, "HARD TO HANDLE!" lol...
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Spineless from the start, sucked into the partCircus comes to town, you play the lead clown Please, please Spreading his disease, living by his story Knees, knees Falling to your knees, suffer for his glory You will Time for lust, time for lie Time to kiss your life goodbye Send me money, send me green Heaven you will meet Make a contribution And you'll get the better seat Bow to Leper Messiah Marvel at his tricks, need your Sunday fix Blind devotion came, rotting your brain Chain, chain Join the endless chain Taken by his glamour Fame, Fame Infection is the game, stinking drunk with power We see Time for lust, time for lie Time to kiss your life goodbye Send me money, send me green Heaven you will meet Make a contribution And you'll get the better seat Bow to Leper Messiah Witchery, weakening Sees the sheep are gathering Set the trap, hypnotize Now you follow Time for lust, time for lie Time to kiss your life goodbye Send me money, send me green Heaven you will meet Make a contribution And you'll get the better seat Lie Lie Lie Lie Lie Lie Lie Lie . . I'm Christian and these lyrics are truth for some "keepers of the flock".
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....refreshing page. Make it so number one. Damage Inc.Dealing out the agony within Charging hard and no one's gonna give in Living on your knees, conformity Or dying on your feet for honesty Inbred, our bodies work as one Bloody, but never cry submission Following our instinct not a trend Go against the grain until the end Blood will follow blood Dying time is here Damage Incorporated Slamming through, don't fuck with razorback Stepping out? You'll feel our hell on your back Blood follows blood and we make sure Life ain't for you and we're the cure Honesty is my only excuse Try to rob us of it, but it's no use Steamroller action crushing all Victim is your name and you shall fall Blood will follow blood Dying time is here Damage Incorporated We chew and spit you out We laugh, you scream and shout All flee, with fear you run You'll know just where we come from Damage Incorporated . . Love the "Honesty is my only excuse" line. Yup. Master Of Puppets is pretty much a perfect record.
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I've always preferred them to strats, myself. Yours looks very much like a 1952 reissue. Not meaning to show off-but I've got two. An American Special, which has hot Texas Special single coils pick ups and looks quite similar to yours. Its blonde with a black pickguard. I have this tuned to open G, with the bottom E string removed-like you know who.The other tele is a Japanese Pink Paisley. That also has single pick ups. It looks amazing to me-although its not to everyone's taste. Its got a much better sound than the American Special. Very trebly. A Fender Champ amplifier and a Memphis Sun echo box-way to go!
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....to be honest, I haven't even listened to the '71 remastered remix re-release yet. Might be a while before I do. Trying to catch up to icecrmcnkid. Just plopped it into the player. Alligator is the highlight imo. Pigpen never sounded so "melodic". Never met an Alligator I didn't like. And the 50th 3D lenticular cover is worth the price of admission.
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Might as well share my last 5 before I disappear into the world of music for a few hours- Dicks Picks 35-6th August 1971-featuring the classic Other One-Uncle-Other One jam Blue Jean Bop-Gene Vincent Whole Lotta Jerry Lee Lewis cd1 A Date With Elvis-The Cramps ORTF TV Paris Live 22 March 1974 blu ray King Crimson
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....and all you peeps needed was a poke! The Cramps! Thanks for the reminder dave! See? Coming, coming, coming around. Loving it. Keep feeding me. I disappear into musicland as well. Refresh page! Just out of prison on six dollars bail. Mumbling bitches and wagging his tail. Sploooooosh.
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....I haven't listened to that in like twenty years. Making up for it now. Better than Elvis himself! sic
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Tele - That's a stock photo - not my actual tele. tele's rock. Glad you have 2 - wish i had a back-up for gigs. Mayer's f-hole sticker is likely because he has a signature model with an f-hole. But when playing stadiums, hollow body's act weird, so he probably opted for the solid body. The folks buying his signature model won't be playing stadiums... more likely living rooms and small clubs where an f-hole doesn't provide unwanted feedback and low-hum a stadium creates. Just my theory.
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Don't forget The Residents, The King and Eye! ...so what do you think he was king of?
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Didn't know AOTS came with a live show,I need to wake up. Just ordered it. DP 20 First show I think 9/25/76 FW 1969 3/2/69 4th show (speaking of Aligators!) 30 Trips 1989 (love Foolish Heart opener) One From The Vault 8/13/75 May 1977 GSTL 5/5 show.
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Albert Collins - Onkle Po's 1980ABB - Idlewild South Marcus King Band - Soul Insight Marcus King Band - Marcus King Band Freddie King - Electric Ballroom 1974
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According to a documentary I saw called Back to the Future, a mysterious young man named Calvin Klein invented Rock n Roll one night at a high school dance in California in 1955.
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I always feel silly as they are often just GD. - GD 10/22/71, Auditorium Theatre, Chicago IL (DaP 3). - GD 10/21/71, Auditorium Theatre, Chicago IL (DaP 3 Bonus Disc). - GD Anthem of the Sun Bonus Disc (Winterland, San Francisco, CA 10/22/67). - River Montage (5/3/72 select cuts, 5/7/72, select cuts, 6/18/74 select cuts, 12/26/79 select cuts). - Revisit of DaP 26 (11/17/71 Albuquerque and 12/14/71 Ann Arbor). Sorry for the boring setlists. Nothing but incessant, yet mind pleasing chaos and noodling. On a bright note.. some good friends of mine took their 13 year old son down the river I live on yesterday.. his first trip down in a kayak, which is an incredible feat at 13 years old, it's pretty stout. His parents own and operate a local gear manufacturing company called Immersion Research and I got the honor/nod of having them ask me to show them the the 'easy' line down one of the bigger drops, National Falls. Always puts me in the US Blues mood for some reason. Anyway.. pretty cool stuff.. I was honored.. whitewater royalty in the making. Rogue - True, Calvin Klein was the inventor and father of Rock and Roll. I had a difficult time understanding the controversy over the last couple days. It's pretty clear cut. If anyone wants to borrow the wayback machine and check it out.. it's all right there plain as day.
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....Speak with wisdom like a childDirectly from the heart. ....I wanna be whitewater royalty. Take my hand.
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... is playing the Regina Folk Festival August 12. I've seen him 4 or 5 times over his illustrious 4-decade-spanning career, from simple folkie to protest rocker. Definitely some of his albums come off preachy as Anatexis22 points out. But his guitar playing is outstanding and has never disappointed when I've seen him live. IMHO a must see if he comes to your neck of the woods.
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I will gladly get you down the Upper Yough.. consider this an open invitation. I will toss you in a raft with a professional guide though, or Mrs. VGuy will certainly do me in when you show up in town with one ear and three eyes. As for royalty? You are the only Senator that replies to my emails and posts. We could knight you, but would you trust us tapping you on the shoulder with a sharpened sword? Oh.. the river offer goes for pretty much anyone here. We can get you down in once piece. Usually.
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Not in order....JG- Run for the Roses JG- Altrnate Takes DaP 26- both shows Brand X- Moroccan Roll Charles Earland- Living Black Steely Dan- Katie Lied Ah, ok, that’s not five ; )
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Brand X Moroccan Roll? I thought I was the only one on earth that had that album or even listened to it. I would be surprised if they converted it to CD?? Talk about eclectic.. what a great prog album. I'm not a huge Phil Collins fan, but I chalk this up as this was back before he gave up and went for the pop dollars.. like when he still fancied himself a serious musician. If that's fair to say.
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12/1/73 (disc 2 plays currently)5/14/83 David Bowie Low David Bowie The Man Who Sold the World David Bowie Heroes another bunch 5/13/83 2/4/69 12/20, 21/68 8/27/83 6/22/83 Bowie Lodger another several 9/2/83 5/29/71 Bowie Aladdin Sane Bowie Diamond Dogs ("as they pulled you out of the oxygen tent, you asked for the latest party") Bowie Station to Station another few Bowie Hunky Dory ("please come away...away...") Bowie Space Oddity Melvins Houdini
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....back in the day (1700's), we would be sitting in New England slat back chairs, round a fireplace, with snifters of brandy, smoking hemp, talking of the harvest. Listening to the hounds howl. Here's to a rhyhmic beat. And 23% thc. No joke. stoltzfus posted his last dozen. Lol. Now I want eggs....I make a mean omelette. The kitchen sink is extra.
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Were they really smoking rope in England? or just the immigrants tending the fields? I don't think weed made its way to England, but would be happy to be proven wrong on this. I'd imagine if they were, Henry VIII wouldn't have been such a prick and would have had many, many male heirs.. perhaps a with a queen with a full rack of hippie furry under-armor of her own. Just saying or hoping that oppressive, dictatorship rule just might have been more tolerable if a little Indica made its way to the people doing the work and the ruling class too. :D
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....let's see what's on tap stoltzfus. Beautiful noize I see. Watching the clock though. Phish's last set at the Gorge is coming around....
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The Cramps were truly inspirational. A sight for sore eyes, too. They toured England many times between 1979 and 1996, and I saw them whenever I could. All there albums are worth getting. A wonderful antidote to all the drek that was around in the 1980s and 90s.
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In suggesting that smoking may make living under a dictatorship more tolerable, I think you have just inadvertently provided the strongest argument against legalising cannabis I have ever read!
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