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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • unkle sam
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    9-2-83
    Just had a listen to this show yesterday. I like the way Wang Dang Doodle starts and slowly builds to start off the show, makes you think something really cool is about to happen. A lack luster first set except for the opener and that great Deal at the end. Second set not so hot either, the pre drums is kinda muddy, the drums is short and goes no where, the space is nice, but really doesn't build to anything either, the post drums with a "new song" delivered like a single, Throwing Stones gets so much better in the late 80's and into the 90's. All in all, I give this show a C average and certainly not the "stunner" it is advertised as. Sure hope the next pick is better than this one. I don't know if any of you were around in the 40's, I wasn't. But I think you can trace Rock and Roll all the way back to then, or even the 30's, or maybe the roaring 20's, hard to say. Of course, back then it was "Heathen" music, "Black" music and a thing that you kept your young children away from, "no son/daughter of mine is going to listen to some muggle smoking darkie music". Segregation was in full swing back then and Rock and Roll was a thing to be feared. It was, after all, youthful rebellion which happens in every generation, that put rock and roll on the map, back then, if our parents hated it, we loved it. There were a lot of us in the 60's and music meant something back then, it was our call to arms, our mantra, we actually thought that music and love could change the world. I'm not a historian nor do I know exactly when rock and roll got it "birth". Glad it did tho, sure was an uptight world full of lies and hate back then, wow, I just got a feeling like I've been here before. I think someone said that they had been following history for X years or some thing like that, gee, they should know ;) But can you believe them? Most that were around then are gone or are so old that they just can't remember, and I can relate to that, memories are very subjective and history books can be distorted, or rewritten. I have had a conversation or two with my 93 year old mother-in-law who was a music teacher all thru the late 50's, 60's and 70's. When she is able to, she remembers rock and roll as a bad thing, one that was openly discouraged and frowned upon, until that "nice gospel singing hill billy" came around. He was "so nice, and good looking too". But that was rock just finally being accepted, not the birth of.
  • daverock
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    Mr Heartbreak
    Thanks for the film clip of Bruce Cockburn. Some beautiful guitar playing-in fact the whole band is good. I've never heard Bob Dylan play like that!
  • garciaddicted
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    Rock 'N' Roll
    "I’ve stolen every lick he ever played", Keith Richards on Chuck Berry "The Shakespeare of rock 'n' roll", Bob Dylan on Chuck Berry "No group, be it Beatles, Dylan or Stones, have ever improved on 'Whole Lotta Shakin'' for my money.” John Lennon
  • frosted
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    Everybody knows who created rock and roll
    Hey hey with the Monkees! What I find odd though is that I cut my teeth on R&R in the late 60s and into the 70s. Back then, we called the 50s the oldies. Elvis, Jerry Lee, Fats Domino, Bill Haley, Buddy Holley, Chuck Berry, Little Richard, Eddie Cochrane, all those guys seemed ancient to us. Thinking about 30s and 40s music back then? Fuggettaboutit. What was that even? Musicians wearing suits with skinny ties, and huge brass bands with our grandparents swirling around the dance floors all dressed up? What gets me is that now the 60s and 70s are more than twice as long ago for today's kids as the 50s were for me, and that seemed pretty far back at the time. So the circle squares, and now I listen to more jazz from the 30s-60s than I do rock and roll from any era, the GOGD being one of the few exceptions. Get off of my lawn!
  • simonrob
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    This is not the place
    for intellectual discussions between non-intellectuals.
  • kyleharmon
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    you all need more Unicorn
    you all need more Unicorn Jesus in your lives and less of this Devil rock music.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Angry Jack Straw
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    Good Lord
    Such nonsense. My cat can cut and paste. Stop it. Dave. You disappoint. No knowledge of Bruce? I posted about him during the worthless doors/who tripe.
  • Oroborous
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    Dear Butch, DS and Keithfan
    Sorry, I thought we were having a intellectual discussion about opposing theories, not trying to insult one another. So since I now feel insulted. I also feel I have to defend my self..... Please find Butch’s comments in quotes.... “Nobody even said the Beatles invented Rock n roll or coined the term, only that they brought it to life in front of the world. “ So the millions of folks for all the years before the Beatles did not enjoy RR, because it hadn’t yet been brought to life? Even though they did have some success; album sales, performances and quite a bit of airplay, RELETIVELY speaking? Because your statements could be interpreted that RR was such an underground, insignificant thing that not until the Beatles did it become well known? or “given birth” To me that’s an insult to all the men and women who actually made RR, long before the Beatles came along.... “The bottom line is that our generation DID witness the birth of rock and roll, and yes you can use the concept of birth, it's an appropriate form of symbolic language called personification. It's laughable that THAT part of the dicussion even came into question.” As I’ve politely stated, I agree with most of KF’s fine, articulate essay, just not this part. I’m imho, based on reading dozens of RR biographies, the only thing wrong with this is you could say all the same things about Chuck, only on a smaller scale...due to technological and cultural circumstances he had no control over. i understand your point just fine. You don’t need to insult me. Sorry to all you folks if this seems like I’m being snarky etc. Not trying to be, actually having a bit of fun participating in a verbal chess match, mental gymnastics, intellectual discourse etc. Used to stay up and party hard and do this sort of thing about authors, music, movies etc when I went back to collage in my thirties..... “The biggest reasons the Beatles gave birth to it, is 1)they were original,” And Chuck wasn’t? “2)they brought their brand to way more more people, WAY more people,(70 million people, come on now)” Never debated that, if you actually read my post, I ponder whether album sales and/or popularity alone is really a true distinction of what makes one relevant or not. I don’t believe album sales alone is. And comparing album sales from completely different technological and cultural times is like comparing apples to oranges....I’m sorry i obviously did not articulate my point well.. I don’t think that’s a fair, objective measure. “3)they influenced most of the bands that followed after (as well as the popular culture at large).” I have openly agreed with this statement throughout....? “Nobody else went on Ed Sullivan 1st and ushered in a movement in rock pop music. None of their predecessors did that.” Unfortunately I don’t know that much about the show, but I don’t believe in the fifties, a black man, with subversive lyrics was going to get a fair shot at a show of that prominence? I do think I recall reading that they did not want RR, but they felt they needed to make the show more current, to generate ratings, and because RR was already so prevalent in society, they needed to get with the times.....but please don’t quote me on that.....my memory is deteriorating rapidly... I also believe part of the reason Chuck received the airplay he did get, was many didn’t know he was black by his “sound” Another way for the suits to take “race music” and make it popuar with whites, so they could cash in. “They took what was out there, made it their own and in doing so TRANSFORMED rock and popular music. The bands that came after helped continue the movement,” Again, I’ve only supported this sentiment. But I also believe you could say the same, in a different way, about Berry et el... “but there's no question the Beatles brand came first.” This is where we disagree. Again, it’s an insult to all those who were oppressed and struggled through the early years of RR, so that eventually it was legitimized enough so the Beatles could explode and change the world! Kinda like the big brother or sister who breaks in the parents, so the younger siblings have an easier time.... “Millions of people latched on to to the Beatles, not Haley or Berry. “ So again, numbers are your criteria? Apples to Oranges.... “It was their mold that came first and endured” Not unless they had a time machine....sorry, that was snarky. I apologize! “Chuck Berry still hugely important and I love him to death, but he didn't do what the Beatles did” Never said he did. I repeatedly acknowledge that the Beatles were perhaps the greatest band of all time, influentially at least, if not more.... “that wasn't his role. His role may have been even better in the history of rock and roll as he influenced so many. That's not what this discussion was ever about. This discussion was about whether or not our generation was here to witness the birth of rock and roll.” Again, I understand perfectly what this is about. I’m sorry that because we disagree you feel I don’t understand your point, so much so that you have to insult my intelligence.... “The one excellent point I agree with is that Bob Dylan brought a brand that was equally important, but I don't think you could credit him with heralding in the rock movement.” No, not in and of itself, but one could argue that his innovations also had a unmeasurable influence on RR. Perhaps one of the few that came close to the Beatles level of influence? “Oborious, yes Chuck Berry was important and influenced many, but same thing, he wasn't the Beatles” Never said he was, only that he is constantly not given the credit myself, and more importantly, most of the RR elite all state in their books that he deserves, of which being credited as the true Father of RR is one. I believe Rolling Stone said something similar in their tribute to him? I’m sorry, but most of my personal belongings, including my RR library are currently in storage or I would stay up and provide references. . “You seem to be personally offended by all of this,” Not at all. I truly apologize to you, as well as everyone if that’s how this is coming across. I just think your making a generalized statement that ignores a huge block of actual history, which insults those who made it. By doing so, I don't think your theory is logical. “as you are making statements like what if Chuck has been white or what if Elvis wasn't in the right place at the right time. The discussion is about what is not what might have been or could have been. If the queen had balls she'd be king.” How can you not consider what America was like racially in the fifties, and how that would effect the success or failure of a black person? And to compare what a Fearless Black man did, during that repulsive time in our history; actually “give birth to”, basically a whole new cultural scene, and making it popular (sounds familiar?), with a group that did all the great things they did, in part, because of the foundation people like Mr Berry laid for them to build upon, only by comparing popularity or numbers? That’s like saying Miles Davis gave birth to Jazz with Kind of Blue, while all his predecessors, from decades before, did not? “I think where people are getting stuck in this dialogue is that they're feeling like the birth of rock and roll on the world scale should go to (pick your name) instead of the Beatles. There is no single person or band who invented rock and roll, but the Beatles did give birth to it in the larger world, and that was the only point that was being made along with the fact that we were here to witness it.” Sorry, agree with everything except the term birth. I have never disputed the rest. birth bərTH/Submit noun 1. the emergence of a baby or other young from the body of its mother; the start of life as a physically separate being. 1. give birth to (a baby or other young). "she had carried him and birthed him" “A physically SEPARATE being....” Your argument presupposes that the Beatles would be the parent, that gives birth to a new being... Mine presupposes that Chuck was the father that gave birth to the new being. The Beatles were that being when it fully matured, and became an adult force of nature....that went on to conquer the world, in part because of the DNA of the father.....now I may not be right, but I don’t think that’s so hard to follow is it? “V guy you're absolutely right the sensitivity scale is just beyond words. But one thing that is clear if you read through this discussion thread is that words our being misinterpreted even after clarifications are made. It's like there's no effort being made.” Touché my friend, no need to insult. Just because we don’t agree doesn’t mean I don’t understand, and that you need to insult me. You say “potAto”, I say “potaahto” And finally (I promise no more outta me anyway, hopefully I’ve made my point. Not looking to be “right” just properly understood. I don’t think you can fairly critique ones argument if you don’t properly understand it) So finally, I'd just like to state I’m sorry if I’ve bummed folks out. That was never my intent. Especially no bad vibes toward Keithfan. I thoroughly enjoy his articulate posts, and usually agree with like 98% of what he says. Think maybe I’ll just go away for a bit......”you know this space is getting hot” Peace!
  • snafu
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    Mr. Ones and FZ
    We can now shut down this site Mr Ones you have sumed up everyone here no matter what our other disagreements " Music is the Best"
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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No.. I meant Henry the VIII might not have been so ruthless, not that it would have been more tolerable. Still, curious when it arrived there. In the US, it seemed to come from immigrants, many Mexican in the early 20th century. It looks like England had it a bit earlier. I found this link to be useful. https://www.vice.com/en_us/article/xd7d8d/how-marijuana-came-the-united… Especially the following passage, "It [was] brought to the Americas by the Portuguese, who took it to Brazil, and again by the British, who took it to Jamaica. In both cases, it was used to pacify slaves." Interesting.. nobody seemed to notice in the US until the 1930's, hence the infamous propaganda piece Reefer Madness. One other add.. the hemp used to make rope will not get you high no matter how much you smoke. I don't think there is a correlation between the plantations that grew hemp with smoking for its cerebral effects. Smoking rope hemp won't do anything but give you a headache.
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5) GD 9/18/74 second set4) Orchestra Makassy - Agwaya 3,2,1) Clifford Jordan - Bearcat, Spellbound, Glass Bead Games
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5. Phish 7/17/184. Phish 7/18/18 3. Phish 7/20/18 2. Phish 7/21/18 1. Phish 7/22/18 Summer tour baby!
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1. 1978 TTATS2. 12 Dreams of Dr. Sardonicus Spirit 3. NRBQ High Noon 4. Voivod Dimension Hatross 5. Joan Baez One Day at a Time
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Porcupine Tree-DeadwingPharoah Sanders-Save Our Children Mountain-The Road Goes Ever On Carlos Santana/Alice Coltrane-Illuminations The Guess Who-Live At The Paramount
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1- DaP 172- Exile on main St. -- Rolling Stones 3- Relayer--Yes 4- Electric Warrior-- T Rex 5- What's Going On-- Marvin Gaye
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Well lately I only seem to play music in my car and even more lately I've been listening to audio books...I plug my old 250 gb iPod classic in and away we go...this past weekend I did an overnight burn run from home to Phoenix to see Jeff Beck play...what a show (free ticket to boot)...anyways coming home I gave a ride back to one of the people responsible for the freebie and hit shuffle mode...it took 73 songs to get home and it showed that it had 14,565 left to play...
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7.21.72 ~ then Somewhere near Salinas , Lord I let her slip away 7.21.84 ~ Don't tell me this town ain't got no heart 7.22.84 ~ You Know our Love Will Not Fade Away 8.29.83 ~ Just gotta poke around 8.31.83 ~ Turn on your Light, you won't regret it 9.4.83 ~ Just might get some sleep tonight
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8/6/71 Road Trips + DP 35 Hollywood Palladium 3/2/69 Fillmore West 1969 11/17/71 DaP 26 Albuquerque 10/19/73 DP 19 10/22/67 Anthem of the Moon (had to come up with a title for the live disc from AOTS 50th Anniversary)
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I was listening to to 30 days of dead 2013 this past weekend the alligator>caution and realized that was released in full in the 30 trips box 1967/11/10 shrine. Assuming those came from the same tapes, it is amazing what he was able to do to that recording.
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1. DaP 26 bonus2. 5-11-72 3. Stone Temple Pilots- Purple 4. DaP 17 5. DP 6
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Its a hoot. I have vague memories of bits of it being show at a Hawkwind concert back in the mid 70s. I always liked public information films, warning kids about the dangers of drugs, especially when they were made by adults who knew nothing about them. "Alice in Acidland" is a corker. Its a sort of soft porn film made in 1968, which doesn't have any actual dialogue. Instead there is an occasional voice over by some guy purporting to be a psychiatrist, and some light jazz music. Its about this girl who is led astray by some "swingers". It starts off in black and white, but when the acid takes effect, it goes into colour, as all sorts on monsters loom out of the darkness. If memory serves me well, she ends up in an asylum, in a straightjacket. Bummer.
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John Coltrane: African BrassStrunz and Farah: Heat of the Sun Bach: Violin Concertos Lester Young: Lester Swings Ravi Shankar: Hollywood 1971
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Now when I am talking out loud to myself people just think I'm having a phone conversation. A very important phone conversation! It all goes back to your elementary school really. Right? Dang! California done legalized some stanky shit. This isn't your Father's parsley flakes! What's this got to do with the Dead? I'm going to go eat some Cherry Garcia.
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Angelo Debarre Trio - Festival jazz in Langourla 2016 (Angelo's one badass cat) Roni Ben-Hur - Fortuna Dvorak - Symphonic Poems Brian Setzer - Setzer goes Instru-Mental DaP 1 - May 25,1977
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Billy Cobham George Duke Band Live in EuropeJimmy Herring Subject to Change Without Notice String Cheese Incident 6/27/02 Bob Marley and the Wailers Live at the Roxy Phish Live Bait 14 On the Shrine tapes, the 30 Trips and vinyl release were remixed and remastered from the multi-track recordings, one of two multi-tracks in the box (10/25/89), so he had a lot better sources to work with, and did a mosg excellent job with it. Still my favorite sounding tape in that box by far. That opening chord to Viola Lee, whoo doggies!
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Grateful Dead - Fillmore West Closing Week Night Three Art Pepper Meets The Rhythm Section Led Zeppelin III Soundgarden - Superunknown (Deluxe Edition) Jimi Hendrix - Both Sides Of The Sky
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The vinyl sounds awesome
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Funkadelic - Cosmic SlopRolling Stones - Detroit 1969 (weak audience recording but the energy is top notch) Black Sabbath - California Jam Ten Years After- Texas Pop Festival T Rex - The Slider
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Yeah, long time fav. Old buddy and tproomate turned me on in early 80s. Think I have vynle? Was able to pick up CD a few years ago. On regular play of playlist loop. Phil pre Genesis I believe...so yeah, good sheeet, need to get more...
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Just saw your post that you got the Dark Star spreadsheet, nice. Yeah, I should do timings as well. The one place it would get tricky is if there are multiple parts to it.
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Brand X was Phil Collins after Peter Gabriel had left Genesis. Phil joined Genesis in 1970.I’m not familiar with their records, but I recognize the cover of Moroccan Roll from my book of Hipgnoss artwork- same folks who designed the iconic Floyd albums of the 70s.
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They were an interesting project. Moroccan Roll came out in 1977. I'm pretty sure I bought most if not all of their albums. Captivated me for about half a year. It was mostly Phil's band so the drum tracks are tight. I sort of assimilate them to a b+ version of some of the Allen Holdsworth/Bill Bruford stuff that came out about that time (which says a lot). Many of the John McLaughlin projects from the 1970's had a similar feel. Great stuff.. but some sounds a bit out of context now, and you plug in Blues For Allah and it feels as if it could have been written yesterday. Edit: I guess the exception would be the song Blues for Allah. That's one of those.. you had to be there songs.
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....lost count after three. I then confused Brand X with King's X. It happens.
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From Bull Moose the other day came a box containing Sgt. Pepper's 2CD Anniversary Set from last year, the new Buffalo Springfield box with the first two albums in MONO(!), and the new "lost" Coltrane album (all on CD). The next day came Anthem (AMAZING live show!!) and some Corelli violin sonatas, and then today came Bootleg Vol. 6 of Miles with Trane, and Joni Mitchell's first album, which for some unknown reason I had never purchased, even though I have and love most of her stuff. Last Five: Dvorak: Symphony #1 (Kertesz) Anthem of the Sun Ali Farka Toure with Ry Cooder--Talking Timbuktu JGB--After Midnight (2/28/80) Dave's Picks Vol. 22 (12/6-7/71) This new young man at the coffee shop had a GD bear tattoo on his arm, so I started asking him about his interest in the Dead. I showed him the latest JGB CDs (I was in the drive-through, in my vehicle, which is always full of CDs), and he said that he didn't really know about Garcia's solo stuff. So I went home and burned him the 2/28/80 show on CDs. He seemed pleased when I walked in later that same day and gave the discs to him. After I got home I thought, "Does a guy in his early 20s even HAVE a CD player any longer?" p.s My first name is John, and I named one of my fantasy baseball teams "John's Coal Trains."
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Last five: Walter Becker--Circus Money Coltrain--A Love Supreme the Complete Masters GD--11-11-73 GD--4-8-72 David Crosby--If I Could Only Remember My Name
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Never heard of them, and I'm into Genesis a little bit, particularly the Gabriel era. Was surprised to hear Phil was involved, but then again the man was on everything in the 80s - (even played on "In The Mood" by Robert Plant - talk about a great song to spark up to).
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Dead & Co 7/7/2016 Dead & Co 7/7/2016 Dave's Picks 2012 bonus disc 7/29/74 VFTV IV 7/24 & 26/87 Dylan & The Dead Really digging some '87 Dead. Red Rocks '87 box please..... Speaking of Brand X, I caught them in Chicago at Progtoberfest at Reggies in Chicago recently. First time I had heard them and was impressed. Cool band. Excited for this '83 Dave's Pick. Interesting how in the video Dave mentioned the criteria for what he looks for to release, yet stated that he was short of calling them un-releasable from the '81 to '87 time frame. If it's from this era and Dave releases it, I'll gladly buy it. Keep 'em coming.
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Just got mine too! Idaho will soon be spinning on the east coast!
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I feel strongly that whenever listening to an audience recording, one should wear headphones. When you listen to a recording through speakers in a room, you are creating a listening environment and each system/room sounds different based on the size of the room, echo (or lack thereof if the room is carpeted and has heavy upholstered furniture). A studio recording is perfect for this. However, when listening to an audience recording, there already is a speaker>room dynamic in the recording. If you listen to an audience recording through speakers, you are effectively "adding a generation" to that recording. Your ears are hearing two listening environments simultaneously, and the added environment only muddies the dynamics. That's my theory anyway. I'm not a well-read audiophile, but this is something I have noticed - audience recordings sound better through headphones. Would love input from some who actually knows what they're talking about.
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I'm listening to 9-4-83 and it sounds great. Should bode well for the upcoming pick. The drums on this cassette master souns pretty good. Hopefully the sound is similar (and even better) on the Dave're release. Looking forward to a great show. It would have been nice to get a 'Hell in a Bucket' or a 'My Brother Esau' or an 'A Touch of Grey' or an 'Althea'. But if the playing and the recording are up to snuff i'll be happy.
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GOGD - Hartford Civic Center 3.18.90Metallica - Ride The Lightning (aka Metal Up Your Ass) GarciaLive Vol 10 - Hawaii GOGD - Hawaii Civic Center 1.24.70 Blues Traveler - Save His Soul
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Yeah, I checked and my Deadbase 50 and it has some of the timings, but certainly not all. There are just a lot of Dark Stars from 68 to 79, which hey, is a good thing right? Now one of my previous projects was to create a list of shows that involved combinations of multiple releases. A great example is the 8/6/71 show you were discussing on Pacific Northwest box set page. Anyway I accomplished that task so I need another now. I think it be would fun and appreciated by those that comment here if I could pull off a complete Dark Star timings list. I figure this is a low-risk venture. I mean what is the worst that can happen? I get to listen to a lot of Dark Stars. Even if I don't complete the list I will still have one hell of ride. If you decide to take on this on this task as well, let me know. Combined efforts would be fun. Plus t wouldn't be bad to compare notes. Like I mentioned before I have a weeks vacation coming up and due to many factors it will be more of a stay-cation than any kind of adventure to parts unknown. Might be good to start this project off then. I can see using this time to escape the stress, against, and rigors of work and let a few Dark Stars take me elsewhere.
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Thin I love your approach to this subject. I am going to throw on the ole Bowers and Wilkins and test that theory. I think that is interesting about a loss in generation. Here is one for you. I am looking into a Digital Audio Processor for the car. This will do a lot of things like balance that .10 of a second that your left ear is hearing before your right ear is because your left ear is closer to the speaker than your right ear...that's if your driving and opposite if you are the passenger. I know my head wants to explode too. But I am looking forward to testing your theory out....any suggestions on a show to tryout out on??
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Speed of sound = 343 meters/second Sound travels 34.3 meters in 0.10 second If it takes sound 0.10 seconds to get to your ear from the passenger side speaker, you have a giant car ;)
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11 years 3 months
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six-pack. ~GD 1971-04-08 Boston (thanks KF!) ~Brent & Bobby 1988-04-26 San Rafael (different sets)(thanks Matt) ~Tom Waits 1977-10-25 Agora Theater~Cleveland,Ohio (thanks Matt) ~Chris Cornell 2006-09-07 Stockholm,Sweden (thanks Matt) ~GD 1983-06-20 Jerryweather~Columbia,MD. (thanks again Jim!) ~GD 1980-05-11 Portland,Maine (thanks Matt) ...ok,last one.really.then I gotta go home. Diga Rhythm Band 1975-05-30 Golden Gate Park (again,thanks Matt!) :o)
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11 years 3 months
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they dick around for a while...be patient. :o)
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10 years 2 months
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That was alright! Most bands featuring electric guitars sound a bit like someone else. But Sonic Youth didn't.
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11 years 4 months
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Yup - I think you've jumped the shark on sound theory with the whole "getting both ears in perfect 'center' with the speakers of your car" thing. But hey, some people think I'm nuts when I talk about sound stuff. My gut tells me if Owsley aka "Bear" heard you were doing that, he'd say "your ears automatically correct for that, and it's barely a timing issue given your head is only 1 1/2 feet off center, and sound travels.... fast". Take that money you were gonna blow on that and send it to me.... I have better uses for it. To say my headphones theory differently: "Audience recordings already are overloaded with natural reverb/echo - that's the inherent flaw in any audience recording - it's not close-mic'd. Instead the mic tends to be 30-100 feet away from the actual speakers. Playing the recording through speakers just adds even MORE room "echo" to the already over-reverb'ed recording."
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10 years 4 months
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Charlie3 - Maybe it's more of a case of kevinbrandon having a really huge head separating his two ears (necessitating that giant car). Must make for a far out listening experience. I think this is covered somewhere in Hitchhiker's Guide to the Galaxy. . .
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13 years 4 months
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Hopefully taken as good clean fun, not piling on.. but I noticed a couple strange vehicles driving around town just yesterday blasting some smoking Grateful Dead. It was hard to get a good view, but I'm pretty sure it was Kevin in his jeep.
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13 years 9 months
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The theory I was told and .10 was not the exact. Ok I should have checked my facts on the exact fraction of the second. Yes I thought it was a little silly myself when I was reading that. Actually my noggin is pretty small it's the damn nose. I do appreciate the ribbing it was something I saw on youtube. BTW love the jeep pic...Cheers For those looking to mix it up this afternoon take out the 1966 from TTATS and give In the Midnite Hour a twirl
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