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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Dennis
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    Oroborous - the lord sayith
    >>>>>>“Let he who have no sin apon his hand cast the first stone” Right after that an old lady pushed thru the crowd with a huge boulder and crushed the sinner dead. Jesus turned and said "Mom, sometimes you piss me off" INRI - I'm Nailed Right In
  • KeithFan2112
    Joined:
    Bobby slide
    We play this game every fourth of July When I visit my uncle and cousin a d family. They're actually more like dead fans and not so much hardcore deadhead Message Board enthusiasts. So the game is this: my cousin has serious radio so we put on The Grateful Dead station. And it's my job to guess the performance date slash album. I heard Friend of the Devil over the 4th of July weekend and because it was they full Electric version, I was able to narrow it down to that week in September when they were playing it almost every show, Dick's Picks 11 Dick's Picks 23, Waterford Connecticut 30 trips Dick's Picks 36. There was also the recent Berkeley show, but the fake base gives that one away and it definitely wasn't it. What this version did feature was, Bobby high in the mix, and Jerry a little bit lower than usual. This is characteristic of the 30 trips 1972 show, and so I got it. I also got I need a miracle, from winterland New Year's Eve closing. They have no idea how easy that one was for me, but I know that version like the back of my hand. And then there was Bobby's slide. There was a good Scarlet fire going, actually much better than I remembered as it turned out so this one was a challenge for me. Bobby's slide guitar definitely put it in the range of April to November 1978. Now keep in mind in my experience serious usually plays released material. I discovered this wasn't always the case when they played Tempe Arizona from the november of 73, but for the most part I was expecting official releases. I don't have Sirius so it's always an adventure. I definitely heard Bobby slide so it was definitely 78. There was no let it burn let it burn let it burn, so I knew it wasn't Dave's Picks Volume 7 from normal Illinois. I considered Dave picks 12, but Keith piano was not nearly loud enough for it to be that one. I considered road trip 78 from Egypt with love, but I recall that one being a little bit rougher of a recording then what I was hearing. So I had it narrowed down to one of the two versions on the 1978 box set. The question was St Paul or Red Rocks, which I told them. As I mentioned earlier I found this version to be much better than I remembered either version on the July 78 set, and and I have heard the Red Rocks version a lot more than St Paul. I figured if one of those two versions was going to ring in as better than I remembered it it would have to be the one I hadn't listened to quite as much, so I went with St Paul and nailed it. These people acted impressed, but I think they believe I'm an idiot savant like the rain man.
  • stoltzfus
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    Deep Purple's Child in Time
    overkill, anyone? AHAHHHHHHAAA!!! AAAHAAAAA!!! AAAHHAAAHAAA!!!
  • stoltzfus
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    "I don't like noise when the music's playing"
    at least he got that right.
  • stoltzfus
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    lame b.a.r.:
    how did Pigpen get to the top of the building? "elevator! elevator! elevator!"
  • allman
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    It's a Good Life
    Tonight's story on The Twilight Zone is somewhat unique and calls for a different kind of introduction. This, as you may recognize, is a map of the United States, and there's a little town there called Peaksville. On a given morning not too long ago, the rest of the world disappeared and Peaksville was left all alone. Its inhabitants were never sure whether the world was destroyed and only Peaksville left untouched or whether the village had somehow been taken away. They were, on the other hand, sure of one thing: the cause. A monster had arrived in the village. Just by using his mind, he took away the automobiles, the electricity, the machines—because they displeased him—and he moved an entire community back into the dark ages—just by using his mind. Now I'd like to introduce you to some of the people in Peaksville, Ohio. This is Mr. Fremont. It's in his farmhouse that the monster resides. This is Mrs. Fremont. And this is Aunt Amy, who probably had more control over the monster in the beginning than almost anyone. But one day she forgot. She began to sing aloud. Now, the monster doesn't like singing, so his mind snapped at her, turned her into the smiling, vacant thing you're looking at now. She sings no more. And you'll note that the people in Peaksville, Ohio have to smile. They have to think happy thoughts and say happy things because, once displeased, the monster can wish them into a cornfield or change them into a grotesque, walking horror. This particular monster can read minds, you see. He knows every thought, he can feel every emotion. Oh yes, I did forget something, didn't I? I forgot to introduce you to the monster. This is the monster. His name is Anthony Fremont. He's six years old, with a cute little-boy face and blue, guileless eyes. But when those eyes look at you, you'd better start thinking happy thoughts, because the mind behind them is absolutely in charge. This is the Twilight Zone.
  • stoltzfus
    Joined:
    AOTS is coming soon
    :)))
  • stoltzfus
    Joined:
    >>>
    "I can tell, seen beforeKnow the way, I know the law"
  • thursday's child
    Joined:
    wtf is going on.....
    ......this is why I go away for long periods of time. I see some people are telling others that they are not welcome here. LMAO. We are laying down the rules and the law are we? On a Dead board. I'm about to rant, so I'm outta here...
  • JimInMD
    Joined:
    Re: Ghastly
    Well, that word choice made me laugh. I did do a deep dive a couple weeks ago into the July 78 Box and enjoyed it very much. I had forgotten about the collective histrionics and howling. I have also somehow managed to block out the Bobby slide quips and howls as a result of years of therapy. This might mark the very first time in my life I celebrated an anniversary early let alone one-time. Don't we have an announcement coming up? Shake it.. shake it Sugaree....
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6 years 8 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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If you remove Veneta 8/27/72 and Houston 11/18/72 from contention, is there a better Playing in the Band than Berkeley 8/25/72? Pick my face up off of the floor.
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Hendixfreak and ? Aaaaaa I think Dmcvt?Throw us some luv bra’s! Hendrixfreak if you have summer 73 tales, since where getting 73 shows soon....I bet most would dig it, even if they have heard before?
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He said, "I gotta go, but my friends can stick around." The last public words I believe he spoke. What a great song. The lyrics (for me at least) have a profound meaning. I think the meaning of the song is the best we can do is often just below the mark where it needs to be for our lives to be alright. But we do the best we can nonetheless. What other choice do we have. http://songmeanings.com/songs/view/106061/
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Dick Latvala said 11-18-72 and 5-26-93 where the two best Playing In the Bands. You mentioned the former and I attended the latter (and it was amazing), so that's a pretty good place to start. I'll have to give the Dave's #24 version another spin. A few other PITB's of note: 6-8-74 - A melty day in Oakland 8-6-74 - 40 minute Playin'->Scarlet->Playin' 5-21-74 - Got an epic one coming with the Pacific NW box! 7-29-88 - Crazy version at Laguna Seca - Included on the So Many Roads compilation
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Playin>Drums>Dark Star>Morning Dew>Playin this amazing sequence opened the 2nd set on 11/18/72 one word- AMAZING!!!!!!!!
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....I hear there's a really, really good one from Portland in this upcoming box. There was a great one in Monterey '88. I missed that Friday show. The talk of the lot the following day was that Playin'.
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8/27/72 has to be the grandaddy of them all for all it's acid and sunshine soaked greatness. 5/26/72 was the night the song was truly born 4/22/77 is really fun as it might be the last first set blow out stand alone Playin', and the jam is fast, spacy and tight with a hint of the Tiger Finally, the Playin' reprise from 5/19/77 is something totally to behold. Powerful. Personally, Playins from 72-74 are some of my favorite jams from the bands entire career. With that being said, I feel like the song never really found it's groove, post hiatus. Sure there were some epic jams, but I always preferred the versions that stood alone and didn't drift off into something else. When they'd start sneaking back towards the finale and then finally explode--that is always a huge payoff for me.
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As I listened to the sounboard shows i was stunned by the consistency of the playing in these two little tours, for "small" songs and jams.I expect to find a place for this box in the library between the Europe 72 tour and Get shown the light, not less.Yes here are any of the best PITBand, and some good versions of the new songs from Mars Hotel. I feel sad about misssing the 30 trips Boxset wich was then out of Budget...Now one more good reason for September. Don't miss this one if you can afford!
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It's still fun to discuss the Summer Jam '73 event/happening at Watkins Glen New York here on this page, but here is another site for those interested in another opinion: www.glenphotos.com/summerjam/ Unfortunately, the GD's portion of the main event falls a little flat for The-Powers-That-Be and many others, so it maybe a long time until it is officially released. However, the unannounced (but scheduled by the event organizers) soundcheck mini-show on 7/27 was up-to-par.
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The best playing is 11-18-72. This is the stuff legends are made of. This ( and I’ve said this before) is why Jerry Garcia is the greatest musician of them all. “He’s the very spirit personified of whatever is muddy river country at it’s core and screams up into the spheres. He really had no equal” (Bob Dylan at Jerry’s eulogy)
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Jim that’s a great why to describe the weight. I totally agree, what a great song. RIP Brent.
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Cool video Jim. I agree that's a good way to interpret the song. It's a deep, opaque song that could mean a lot of things to different people. Think about this. The Weight was the last song Brent played before he died of a drug overdose. Furthermore, he sang the verse about Carmen and the devil, walking side by side. It's Carmen who says to the narrator "I gotta go, but my friend can stick around." That's 'friend', singular, referring to the devil. What does the devil represent? Temptation, of course. Temptation, symbolized by the devil, is part of The Weight that we all bear as we go along about our lives. It always sticks around. So the man closes a show singing a verse about the ever present burden of temptation which weighs upon us. Then dies of an overdose 3 days later. William Faulkner couldn't have made up a more symbolic ending to a story.
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I’m in....stories and pictures of 73...please and thank you!
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Hey now hendrixfreak. I do recall your Watkins Glen post a while back (and let's not start counting growth rings)! I haven't figured out how to search for years-ago posts, so would love to read yours again. I promise to save it this time. dmcvt's post last week is what got me started on this. dmcvt mentioned his planned anniversary look back at the Summer Jam in Racecourse, NY. That was JOO-LY!!!? 27 & 28, 1973... Can't wait for his tale and hopefully for an h-freak reprise.
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Yes, the recordings in 1971, certainly on these Summer shows, sound very raw compared to the recordings made in 1972. The recordings are a perfect match of songs and material. Another great version from this summer run is the Lovelight from 8/4/71 on the Road Trips bonus disc. Less of the country inflections prevalent in the Europe 1972 versions, or the extemporaneous versions from 1970-but with enough energy to light up a city.
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Ha.. There's quite a few lurkers here and people that read these posts that haven't even set up an account so never post. If someone can recall an event that happened 45 years ago, they have every right to retell the tale. I wish my memories were so good.. Growth rings.. yes, if it were an oak or maple tree, it would be bigger than a house and towering high amount the other trees in the forest by now.
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....when I saw two male lions having sex with each other out in the open. I thought to myself, "Have they no pride?"
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such a loss thanks for the audio/video JimMD makes a middle-aged man get teary-eyed, even after 28 years, over a man I never met. stay away from hard drugs, kids. they'll FUCK you UP.
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"I wouldn't know where to begin" 9/18/74 4/22/77 8/27/72 2/9/73 12/28/79 on and on too many to list
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Great choices for best Playin's. I would add: 5/4/77 "Playin > Comes a Time > Playin" would be in my Top 5 Playin's, inseparable as it is from my favorite version of Comes a Time. The transition into Comes a Time is as good as any transition they ever did. Jerry's solos (especially the second one) in Comes a Time... oh. And the Playin is melodic, but also explores some deep scary space before letting you settle gently into the loving arms of Comes a Time. EDIT - It was so good they skipped the encore. Even the Dead couldn't follow this, ha.
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Thanks for the invite to spew, particularly from the 'real' Oroboros, who is a master at the intact-memory, how-it-went-down-those-many-years-ago road tales. I'm tied up in a work project right now, but by Friday, the 45th anniversary of the Glen soundcheck, I'll post the pics -- just two left now, from the 1st set ending Playing in the Band on 7-28 -- and provide my backstory to the show. Still quite, um, vivid. That'll give me a chance to vape, crack open an IPA and tell a few tales at leisure. Then I'll be forced to spend the weekend at a two-nighter with Derek & Susan at the Rocks and it 'looks like rain.' We'll handle it.
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Looking through all those nostalgic black and whites, it struck me: Where are all the fat people! Seriously, look at all the slim and trim shirtless people in those pictures! Is it that folks were that much more active back then or not inclined to gorge and be lazy? Maybe it is just the average age of folks in the pics being that much younger. Lord knows when I was touring and going to festivals I had a lot less to haul around on my waist!
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If you want to go into some deep jazzy 1974 space listen to the 30 minute Seastone Jam before the Eyes, Bill and Jerry are there early and the rest of the band joins, so its more a jam than just Phil and Ned... Ned sits in the entire second set which is Eyes into Wharf Rat with more jamming. One of the most unique Eyes of the World intro with Ned on his electric piano.. and Keith on the piano!!!
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I would love to see this boxed set released in SACD. This format is far more accessible. As we all are aware, there are very few options for HDCD rendering devices, and I worry this will only worsen in time, as it appears Microsoft is disallowing companies from including HDCD decoding in their devices.
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Listening to the first five minutes of this takes me back. I bought it when it came out, round about 1975. Great sleeve notes, too-"My week beats your year".
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To answer your question directly, if you take Houston 11-18-72 and Vanetta 8-27-72 off the table, no I can't think of a better Playing In The Band than 8-25-72 Dave's Picks 24. You inspired me to put that one on. It rocks and Jerry is super loud. I don't recall this getting talked about too much when it was released but it really is something else isn't it? I'm going to look at the other ones from that week. Dick's Picks 23 and 36 plus Waterbury from 30 Trips Around the Sun. bob t, I don't see Seastones or Eyes of the World on Dick's Picks 7. Where are you listening to that one? Anywhere I can download it?
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I am listening to it on Internet Archive.... listen only they stopped the downloading back in 2000's... you can download audience only but you still can enjoy boards on your devices!!!! Just search 9/11/74 grateful dead and it should pop up!!!! bob t
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I will check them out. I think Dave needs to get back to offering Bonus Discs for box sets. There is no motivation to preorder when there's half of the 15 thousand left still. People can just wait until the week of to order. Not that I would take that risk of missing out, but I think a lot more people would buy early. And I'd like a Bonus Disc :-) Watkins Glenn? I know the jam was already released on So Many Roads, but that's out of production now, so they could do it.
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For me this also hard but some of my go-tos are: 8/25/72 (Phil driven!) 8/27/72 (With the Bird Song, China>Rider and Dark Star, just tremendous) 9/27/72 (also Phil driven jamming!) 5/21/74 ( It’s a monster!) 10/16/74 (It’s also a monster!) Really though this is not a comprehensive list, more just the ones I think a about when best of Playin’s are discussed. There are so many more, like for example in 1973... Plus several have mentioned 4/22/77 which is good and which is also the last 1st set Playin’. Playin’ is also one of the songs that can be a stand alone big jam or be the launching point of a 2nd set jam sequence. The Other One can be compared to this but Playin’ I think outlasted The Other One in terms maintaining the jam vehicle/catalyst. I know I keep referencing 1972 but someone else mentioned the 10/18/72 sow with the 2nd set sequence of Playin’ > Drums > Dark Star > Morning Dew > Playin’. I was made aware of this show only about a year ago. I think that sequence is kind of unique, especially for 1972. Yet it delivers because it has the 72' consistency and power we are all used to. Once we make the rounds of Dave’s Picks and other releases from various years (80s, 90s, etc...) I hope we can come back to this one. It’s a great show as it is but this jam sequence really elevates it to something special in my opinion. Certainly it is a great example of Playin’ being the jam vehicle/catalyst as it was to be for many years to come.
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Wow.. I couldn't limit myself to a single page, hats off to you folks putting together comparisons and picks. I have been getting into the PITB/UJB combos lately. I think the topic came up a couple months ago on one of these threads. They played the Previously the Warlocks/Hampton from 10/9/89 on the radio the other day and it sounded simply wonderful. Set 2: Playin' In The Band Uncle John's Band Playin' Reprise Dark Star Drums Death Don't Have No Mercy Dear Mr. Fantasy Hey Jude Reprise Throwin' Stones Good Lovin' Attics Of My Life I listened to the Augusta combo within the last few weeks too. Fierce. I do like the old PITB's the best though, especially '72 but any from '72 through '74 can knock you off your feet. I can get lost in these versions for seemingly days on end. Still.. it could catch fire anytime from any year from '71 right up through the end. I put it right up there Dark Star and The Other One. One of the most powerful songs in their arsenal.
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Every one of the Europe 1972 Playing's are great. There's a real sense of something new being born, every time they take off in the jam. I love the way it just seems to explode in the middle. The 1973 versions are also great, but seem a bit calmer, somehow. I guess by then they knew it was a vehicle for exploration, and they got a bit more sophisticated about where they took it. I haven't played a 1974 version that recently, but from memory I would say that this approach continued and got even more refined as they headed off into an almost modern jazz like direction. Definitely up there with Dark Star and The Other One.
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Jerry "erupts" in an unusual way at 4:30 on 4/14/72. I always pick this one if I am making a mix that I want to rock out on. I did not remember too much about 8/25/72 Playing, and I put it on and Awooooo that one will get you barking at the moon!
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I had Watkins Glen anniversary happening July 27/28, maybe I am missing a month somewhere, could easily happen... will post that account this weekend, its not lengthy adventure, tho I decided I had to remove certain references so it was reduced by half :) kidding Will happily be celebrating it here in Vermont by heading up to Burlington tomorrow evening for an outdoor show with Phil & Friends on Lake Champlain waterfront Park. No Wild Turkey involved. Will note a very tasty show last Friday night, at The Hopkins Center, Dartmouth, Hanover New Hamster with Gillian Welch & Dave Rawlings. Fifth row center after dinner at a local Tibetan restaurant. Gillian I knew from a few of her cds, was pretty much blown away by her partner Rawlings playing... great stuff... this was all acoustic with just a little PA reinforcement. Rawlins was pickin' his 1935 Epiphone Olympic which he found in an attic... beat up but Oh Boy did he make it sweet. Gillian played guitar, a little banjo and harmonica. Her singing was what had drawn me in years ago. Mod trad Appalachian folk plus plus if I had to tag it. Highly recommended, they are touring through the summer. and oh yeah, we just heard Jack and Jorma are coming this fall to a very cool acoustic space in central Vermont.
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Thanks dmcvt... Meant JULY 27-28 (or maybe Julyn't). Corrected below. Looking forward!
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5/6/788/4/79
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10 years 2 months
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That track you put on for hippychic has exactly the same introduction as "How Soon Is Now?" by The Smiths. In fact I assumed it was The Smiths at first.
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14 years 10 months
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cleaning my "dangerous" kitchen (ty2FZ) Bob Dylan sings "I'm in the kitchen with the Tombstone Blues" cool
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16 years 11 months
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I always like it just for the fact that they played in Jamaica!!! Very reggae Scarlet>Fire that they started playing when the sun was rising. Did any one out there attend??? bob t
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17 years
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My favorite is almost certainly 12-2-73 in large part because of the Space>MLBJ that ensues. One of my very favorite shows ever. But there are tons of incredible Playin's from 72-74. From the "Brent and beyond" era i think the Playin' from Laguna Sececa '88 is far and away the best. YMMV.
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10 years 3 months
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I'll play. 12/1/73 Boston. There's an Uncle John's Band in between. Great stuff. Uncle Gary sent me that one. Uncle Gary is the coolest dude this side of the moon. I used to really be into the one from live at the Cow Palace New Year's 1976. I haven't listened to it in a while. I'll bet it's still good. 8/25/72 DaP 24 - now there's a scorcher. With the exception of August 27th 1972 and November 18th 1972, this might be in the running for best. Bobby is nice and loud too, and really keeps it rocking with his between the beat chops and slices. As someone mentioned, Phil drives this thing, and he has a heavy foot. And of course Jerry with his Aligator wah wah (just listen to him bust out at the end of the jam section into the Playing reprise). I'm also going to site a couple more post hiatus: DP 10 which is that December 77 winterland performance that has them doing the first China cat Rider since before Mickey came back. Also Dave's Picks 18. This one you don't want to miss as far as I'm concerned. Yeah it's mellow 76, but there's nothing wrong with that, no malware than a dark star or a bird song. Keith in Phil just leave this thing on incredibly with mesmerizing chords and notes and Billy Goats.
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